Isabey initially worked for Queen Marie Antoinette, but after the fall of the monarchy, he became the court painter to Napoleon I. In this miniature, he portrays a young Napoleon wearing the uniform of an officer in the Foot Grenadiers. The gold frame, which predates the miniature, was made in 1808 and is decorated with imperial symbols, including bees (a reference to ornaments in the form of cicadas, mistakenly identified as bees, that had been found in the tombs of Merovingian rulers) and the eagle associated with Charlemagne.

1 7/8 in. (4.8 cm)

medium: watercolor on ivory, gold frame

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/175

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China, Qing dynasty (1644-1911)

Silk, diaper weave; satin ground

Overall: 19.1 x 13.8 cm (7 1/2 x 5 7/16 in.)

General Income Fund

clevelandart.org/art/1920.1950.5

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Located off the coast of Maine, Monhegan Island has long drawn artists attracted to its rugged headlands, brooding forests, and dramatic ocean vistas. Unlike most colleagues who visited during summer, Kent built a home and lived there year-round, working as a well digger, lobsterman, and carpenter from 1906–8. This boldly rendered winter scene was painted from his studio window.

America, 20th century

oil on canvas

Framed: 104.5 x 130.2 x 6.5 cm (41 1/8 x 51 1/4 x 2 9/16 in.); Unframed: 86.4 x 111.7 cm (34 x 44 in.)

Did you know...

Kent loved to paint landscapes in cold, remote areas, including Maine, Alaska, Newfoundland, and Greenland.

Hinman B. Hurlbut Collection

clevelandart.org/art/1922.1132

URL: www.youtube.com/watch?v=M7BMlyVFRsA

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An incomplete pearl-bordered roundel frames a diamond containing a pair of confronting peacocks that flank a Tree of Life and stand on a pair of confronting lions or dogs. Interspaces between diamond and border contain a pair of griffins (above) and a floral/vine motif (below). Winged bodies of confronting goats(?) stand on top of roundel and at right is an ornate palmette supported by a griffin. Tangential to the roundel at the upper right is a smaller pearl-framed medallion containing a circular Kufic inscription around a diaper-patterned center.

Iran ?, in the style of the Buyid period (945–1055)

Silk: lampas weave

Overall: 21 x 23.5 cm (8 1/4 x 9 1/4 in.)

Purchase from the J. H. Wade Fund

clevelandart.org/art/1968.227

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The Wepler, a large brasserie restaurant on Place Clichy in the Montmartre district of Paris, is composed of several rooms on different levels. Once frequented by bohemian artists like Pablo Picasso and Amedeo Modigliani, the Wepler is still in business today.

France, late 19th-early 20th Century

oil on fabric

Framed: 91.8 x 132.7 x 13 cm (36 1/8 x 52 1/4 x 5 1/8 in.); Unframed: 62.2 x 103.2 cm (24 1/2 x 40 5/8 in.)

Did you know...

Established in 1881, the Cafe Wepler is still in business. In the late 19th and early 20th centuries, it was frequented by artists and writers.

Gift of the Hanna Fund

clevelandart.org/art/1950.90

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The elaborate earring depicts a Sphinx with a female head, pronounced breasts, and a bird's body with raised wings seated on a trapezoidal base. She is heavily adorned, with a necklace, straps crossing between the breasts, and multiple garnets. The large, central stone of her headdress is missing, but above she is wearing the crown of the Egyptian goddess Hathor, consisting of a sun-disc inscribed in cow horns with two plumes above. Outside of the myths, the apotropaic character of the Sphinx as well as of other monsters such as griffins, sirens, and the Medusa could transform them into guardians and protectors, and make them in this case even into an appropriate motif for jewelry.

Greek

H: 1 15/16 x W: 11/16 x D: 5/8 in. (4.9 x 1.7 x 1.6 cm)

medium: gold, garnet

culture: Greek

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/9977

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