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T-Top Recaps Math Hoffa Battle From URL’s “Unfinished Business 2”
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you can now short and share your URL’s using qsr.li URL shortner , Spread your link on facebook.com,LinkedIn.com,Twitter.com and any web site you wish
يتيح لك قصرلي تقصير الروابط الى روابط اقصر منها لتكون منا سبة للنشر على المواقع الاجتماعلة
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Tracking the phone number is a skill everyone should have. In the current scenario, when there is an outbreak in cell phone use, it is not uncommon to receive calls from unknown sources. Fortunately, technology has made it easier for people to track someone's location using their cell phone number. The reason can be anyone, but knowing the fact that you can track a caller gives you peace of mind.
The phone can be tracked passively or in real time. To get someone's location from their real-time cell phone number, you can use GPS or IMEI call trackers. Most cell phone location applications need an Internet connection, but there are some applications that can track a cell phone even when it is not connected to the Internet. Locating any GPS phone and phone are two cell phone tracking applications that can track the caller's location, even if your phone is not connected to the Internet. Another feature of these applications is that it can track anyone who uses SMS or whatsapp messages. It is useful when you want to track someone without notifying you, or you want to avoid embarrassing the caller by letting them know they are tracking your location.
There are many cell phone tracking applications available for Android and iOS platforms. Most of these applications are free, but if you want to get some serious ideas, you may need to upgrade to premium versions.
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CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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Sometime its better to get WordPress avatar url instead of avatar to play it your own way. It’s useful when you have to store WordPress avatar url in some variable and access it later. Throw the following lines in your themes “function.php” file. If this file doesn’t...
The Rules
a. Type your answer to each of the questions below into Flickr Search.
b. Using only the first page, choose an image.
c. Copy and paste each of the URLs for the images into the Mosaic Maker (bighugelabs.com).
The Questions
1. What is your first name? [Allison]
2. What is your favorite food? [Pasta]
3. What high school did you go to? [John Adams]
4. What is your favorite color? [Green]
5. Who is your celebrity crush? [Ewan McGregor]
6. Favorite drink? [Iced Tea]
7. Dream vacation? [Spain]
8. Favorite dessert? [Cheese Pie]
9. What you want to be when you grow up? [Music Teacher]
10. What do you love most in life? [Living Life]
11. One Word to describe you. [Silly]
12. Your flickr name.
1. Ragged_Rose Allison Blake Wedding Dresses / Allison Blake Wedding Gowns, 2. Pasta Flower, 3. Ode to Ordinary Friends: my books, 4. "Strong coffee", 5. Ewan McGregor, 6. Thai Ice Tea, 7. Dog crosses a street in Benissa Spain, 8. #71: cream cheese pie, 9. Maestro di strada, 10. Live your dreams, 11. 41 • 365 :: Ministry of Silly Walks, 12. Afternoon Relaxing 2
URL emplay.me.mobile
Project Aplicacion móvil Android y iPhone para el portal de empleo emplay.me.
Technologies Titanium, HTML5
Mademoiselle Marie-Anne Adelaide Le Normand, a famous Parisian fortune teller, was born in Alençon, France, between 1768 and 1772. Little is known of her early years, but by 1790 she had already established a strong following in Paris. Fortune telling was a highly lucrative field perhaps due to the extreme political unrest that permeated Paris in the 1790s. Although the practice of fortune telling was illegal at the time, people from the highest social classes sought Le Normand's services. She prophesied the bloody deaths of the French revolutionaries Maximilien Robespierre, Louis Antoine de Saint-Just, and Jean-Paul Marat when they visited her salon. Additionally, Alexandre Dumas was one of many to describe Le Normand's prediction of the monumental rise and fall of both Napoleon and his wife Josephine, who visited Le Normand's studio frequently. The fortune teller managed to retain her popularity through the Napoleonic era and the reign of King Charles X before retiring from Parisian life after correctly foretelling the outcome of the July Revolution in 1830. She moved back to Alençon and continued writing books of predictions until her death in 1843. Her greatest tangible legacy is a set of tarot cards known as the Blue Owl deck or Le Grand Jeu de Mlle. Le Normand. Grimaud, a self-proclaimed pupil of Le Normand, published the deck two years after her death. The accounts of Le Normand's physical appearance and her studio are almost as colorful as her predictions, and perhaps equally disputable. A description published in the late 1850s reported how "some thirty or forty volumes were arranged on the shelf against the wall, chiefly consisting of the works of the lady herself . . . Mademoiselle soon made her appearance-a short, fat little woman, with a ruddy face, overshadowed by the abundant curls of a flaxen wig, and surmounted by a semi-oriental turban, the rest of her attire being much in the style of a butter woman." Captain Rees Howell Gronow visited Le Normand between 1814 and 1830 and published his account in a book of recollections in 1865: "It was impossible for imagination to conceive a more hideous being. She looked like a monstrous toad, bloated and venomous. She had one walleye, but the other was a piercer. She wore a fur cap upon her head, from beneath which she glared out upon her horrified visitors. The walls of the room were covered with huge bats, nailed by their wings to the ceiling, stuffed owls, cabalistic signs, skeletons-in short, everything that was likely to impress a weak or superstitious mind." In "The Court of Napoleon," Frank Boot Goodrich noted that Le Normand's studio featured miniature portraits of the various rulers she patronized as well as a miniature of herself painted by Jean-Baptiste Isabey, court painter to Napoleon. The Cleveland Museum of Art's miniature does not reflect Le Normand's mythically monstrous appearance. She was in her early twenties when this miniature was painted. Perhaps the fortune teller chose François Dumont as the artist because he had recently produced several portraits of Marie-Antoinette, whom Le Normand admired greatly. Her dress and hairstyle here are reminiscent of the queen's in Dumont's 1792 portrait of her. A student of Jean Girardet, Dumont was one of the most exclusive French miniature painters of the late 18th and early 19th centuries and rendered many of the elite subjects of Le Normand's predictions; even if Dumont himself found no use for the prophetess's services, they certainly relied on similar clientele for their prosperity. The artist's inclusion of an owl eating a moth makes the CMA's miniature unusual. The owl often represents wisdom and was the companion of the ancient Greek goddess Athena. The ancient Romans were among many cultures to associate the nocturnal owl with the ability to predict death; even William Shakespeare called the bird of prey a "fatal bellman" in his play "Macbeth". These darker aspects of the owl make it an appropriate companion for Le Normand, who foretold the deaths of so many. Ashley Bartman (May 2014)
France, 18th century
watercolor on ivory in a silver gilt mount
Framed: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.); Unframed: 7.3 x 5.8 cm (2 7/8 x 2 5/16 in.)
Did you know...
The sitter's belt depicts Cupid with bow drawn, indicating her relationship to a meddling profession.
Gift from J. H. Wade
This small drawing of a young girl wearing a chaghtai cap may be a likeness of a member of a royal or courtly Mughal family. The accuracy of female portraiture is an unresolved issue in Mughal art, as there are many paintings of women that appear to be studies of female beauty rather than visual records of real people. However, because the girl in this painting is not an idealized type, it is more likely that this is a true portrait. Unlike jewel portraits of emperors that were intended to be worn in public as status symbols, this was more likely a private gift of sentimental value.
India, Mughal, 17th century
ink drawing with slight accents of color
Image: 3.3 x 2.4 cm (1 5/16 x 15/16 in.); Overall: 4.6 x 3.8 cm (1 13/16 x 1 1/2 in.)
Gift of Arthur L. Parker Foundation