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CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
When you choose the "small" size of the original photo...right click (contolr click for Macs) on the download link...and choose "Open in New Window". This will open the small size image in a new window and give you the "static" URL for that image in the address bar.
Blind Man's Bluff, 1897. Alexandre Lunois (French, 1863–1916), Auguste Clot (French, 1858–1936). Color lithograph; The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer 2016.218
More at clevelandart.org/art/2016.218
Acquired in 1925, this head was initially identified as a portrait of the Empress Lucilla (lived AD 149-182), wife of the Emperor Lucius Verus, who co-ruled with Marcus Aurelius from AD 161-169. More recently, scholars have identified the portrait as a representation of the Empress Faustina Minor (lived c. AD 130-176/177), wife of Marcus Aurelius (r. 161-180) and mother of Lucilla. The two women, relatively close in age, share a number of portrait features: heavy-lidded eyes, with incised irises and pupils; small mouth; and a distinctive hairstyle, parted in the center and pulled back in waves to a braided knot at the base of the neck.
Italy, Roman
marble
Overall: 25.4 cm (10 in.)
Did you know...
Scholars have disagreed about this portrait's identity—probably an empress, either Faustina Minor or Lucilla.
Purchase from the J. H. Wade Fund
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
The Archangel Michael at the Day of Judgment stands on a prostrate demon and holds a flaming sword raised in his right hand. He is represented winged, wearing a tunic with short sleeves, a breastplate, a scarf draped over his shoulder and gathered on his hip, a "lorica," and buskins adorned with winged cherub heads. The demon has wings and a serpentine tail; its head, arms, and torso are human. It grimaces in pain, exposing its teeth.
There are several comparable examples of this type of St. Michael although none have been identified with tis type of European-style marble base. On the basis of a document related to the export of a stylistically similar figure of St. Michael (now in the Convent of St. Stephen [San Esteban] in Salamanca) from the Philippines to Spain in 1686, the present piece can be dated to ca. 1670-1690.
Limited use has been made of gilding, now dark brown for the most part, and of polychromy. The Archangel's eyebrows and pupils are brown, his lips red, and his long hair gilded. The wing feathers are delineated in gilding as are the scroll motifs of the tunic and "lorica" and the stripes, zigzag lines, rosettes, and scrolls which adorn the scarf and buskins. A red sun and gold moon and stars adorn the breastplate. His collar is bordered with ovals and lozenges in red and black on a gold band, and a raised faceted gem is represented in its center. The demon's hair is black, its eyebrows and pupils are dark brown, and his lips and a wound in its abdomen are red.
A number of pieces of ivory have been employed in creating this statue. The Archangel's head and torso are carved from a single tusk, the arms are in two segments, and the legs each of a single piece. Separate sections have been doweled to the torso to constitute the "lorica" skirt. Each wing is formed by three sheets of ivory held together by cross-members. The head and torso of the demon are carved from a single, solid tusk, with separate pieces for the tail and limbs.
Numerous, often crude, repairs have been made to the statue, which has experienced breaks and losses. Among the losses are the Archangel's scales for weighing souls and the demon's right arm and wing, as well as a peg intended to fit a hole drilled into the demon's head.
The statue of the Archangel is held upright by two iron rods that extend from holes in the soles of his feet through the demon's torso into a gray marble base carved with a depiction of Hell. Amid the flames are two satyrs, one of which has lost its head. The marble base, which differs stylistically from the rest of the piece, appears to have been carved by a European artist.
Other ivory figures dated to the 17th and 18th centuries now in the Walters that are thought to have been carved in the Philippines: 71.358, 71.390, 71.392, 71.405, 71.406, 71.412, 71.322, 71.324, 71.333. See R. Randall, Masterpieces of Ivory from the Walters Art Gallery (1985) for more information and illustrations of some of these.
Figure H: 40 9/16 in. (103 cm)
H with base: 46 9/16 in. (118.2 cm)
medium: ivory with gilding and paint
Walters Art Museum, 1931, by bequest.
Parshva stands in a yogic posture of meditation, bearing the hardship of the elements, unmoved. When stormwaters threatened his life, serpents shielded him so that he could complete his meditations and reach liberation. One cobra stretched his seven-hooded canopy over his head like an umbrella, while a serpent king and his wife praise him. The abstract gold lines on the blue background represent the waters that rose to the level of his shoulders. In this painting, the image of Parshva wears a white lower garment, which indicates that this manuscript was made for the prominent branch of Jainism that allows monks and nuns to wear white robes.
Western India, Gujarat, late 15th-early 16th century
Gum tempera, ink, and gold on paper
Overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in.)
Edward L. Whittemore Fund
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"Little Singham ne ki style aur swag se kaichu ki chutti 😎
Watch more on the New Big Picture - #LittleSingham in #Multiverse only on POGO.
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Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.
England, 19th century
woodcut printed in gray
Book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.)
Gift of Henry H. Hawley for the fiftieth anniversary of The Print Club of Cleveland
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The woman stands frontally with her hands clasped calmly in front of her. Her face is slightly raised, and she wears a serene expression. Her mantle wraps around her torso and is tucked under her left arm. Under the mantle, she wears a long peplos or chiton, the vertical folds of which contrast to the horizontal and diagonal folds of the mantle. Extensive traces of white paint are visible. The statuette stands on a square base.
Although generally referred to as Tanagra figurines after the most famous findspot, Tanagra (modern Schimatari) in Boeotia, Greece, statuettes of this type have been found at other sites in the ancient world, including Myrina and Smyrna (modern Izmir) in Asia Minor. The most common forms of the statuettes depict young women sitting, standing, or in the process of graceful movement, but there are also examples showing men or children. The statuettes were used as grave offerings, votives, decorative objects, and perhaps toys. The hair, clothing, skin, and jewelry of the pieces were originally painted, although most of the colors are presently faded.
Greek
7 7/8 x 2 5/8 x 1 7/8 in. (20 x 6.6 x 4.7 cm)
medium: terracotta, mold made; traces of paint
style: Hellenistic
culture: Greek
Walters Art Museum, 1931, by bequest.
The banner logo on this site says "ebrary Discover" large and bold. The strap line says "Welcome to ebrary Discover" big and bold.
But the url says "shop.ebrary.com" that's not the same thing at all. Ebrary is a pun on the word library and you don't buy books at libraries, you discover them and borrow them.