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CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
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Danny sosteniendo la escalera, Axel de camarografo haciendo una toma en picada. Mercedez encargada del sonido, al fondo Daniela la directora del corto.
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Express clothing store had this little sticker in their window display. Do you see the URL in tiny tiny print under the words Now Hiring?
Aman-Jean, a French Symbolist painter, was likely more concerned with evoking a wistful, meditative mood in this painting of an unidentified woman than with defining a specific personality or likeness. The restrained, tonal palette and flat, decorative shapes suggest the influence of Pierre Puvis de Chavannes and James McNeill Whistler. The postcard pinned to the wall may represent a work by Sandro Botticelli. Aman-Jean exhibited this painting at the Paris Salon of 1891.
France, 19th century
oil on fabric
Framed: 113.4 x 117.8 x 8.3 cm (44 5/8 x 46 3/8 x 3 1/4 in.); Unframed: 84.4 x 89.5 cm (33 1/4 x 35 1/4 in.)
Mr. and Mrs. William H. Marlatt Fund
medium: leather
Metropolitan Museum of Art, New York, NY 11.60.207a, b 1911
Bequest of Maria P. James, 1910
Sarasvati, goddess of music and learning, plucks the "vina"—a stringed musical instrument—while holding a palm leaf manuscript in one of her four hands. The manuscript alludes to sacred knowledge, protected by the goddess. Carved of sandstone native to the northern Indian state of Uttar Pradesh, the sculpture is part of a long history of stone carving in India, used to adorn its temples, forts, and palaces.
Hindus, Jains, and Buddhists worship Sarasvati, having adapted her from earlier traditions which held that all natural objects have a spiritual essence. Taking her name from a river in India (now dry), Sarasvati was an ancient goddess who personified the abundant gifts bestowed by the river—not least to provide water to irrigate the lands. Legends of her generosity extended to her bestowal of knowledge, word, and sound to mankind, especially among later Hindu traditions. All around India, stories of her powers spread.
Although monotheistic (believing only in one god), certain Muslim rulers of India celebrated Sarasvati. The Muslim sultan Ibrahim ‘Adil Shah II (r. 1580–1627), who played the "vina" and prided himself on being a fine poet, identified Sarasvati as his spiritual mother and composed verses in her honor. One verse reads: “Sarasvati is a white jasmine flower. Ibrahim, having put on a garland, bows his head before her and offers prayers.”
Sculpture H: 28 1/16 × W: 21 7/8 × D: 9 5/8 in. (71.2 × 55.6 × 24.4 cm)
Sculpture with base H: 30 7/8 × W: 23 1/8 × D: 10 1/4 in. (78.4 × 58.7 × 26.1 cm)
medium: sandstone
purchased by Walters Art Museum, 1969.