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La mitad de los usuarios de Internet, concretamente un 55 por ciento de hombres y un 50 por ciento de mujeres, continúan siendo confiados a la hora de abrir cualquier tipo de enlace. Un estudio reciente de SPAMfighter muestra cómo los internautas prescinden de comprobar el destino de los enlaces en los que pinchan, una práctica que puede ser sinónimo de problemas de seguridad.
This intaglio shows the head of a youthful Herakles in profile to the right. He has long, curly hair covered in part by the lion skin on his head. The paws are tied on the hero's chest in the typical fashion, the so-called Herakles knot. Gems were used as seals and as jewelry and could depict mythological figures.
Bezel H: 5/8 x W: 1/2 in. (1.6 x 1.2 cm)
Ring H: 13/16 x W: 7/8 x D: 7/8 in. (2 x 2.22 x 2.22 cm)
medium: carnelian; mount: gold
Walters Art Museum, 1931, by bequest.
Frontal heads with caps alternating with palmette leaves on a rich blue ground was a popular border design for luxurious woolen hangings whose field patterns often incorporated Iranian artistic features. A reciprocal red and white foliate design forms the secondary border. The field pattern possibly began on the left on the red ground.
Egypt, Antinoë, Byzantine period
Dyed wool, undyed linen; slit-tapestry weave
Overall: 76.2 x 26 cm (30 x 10 1/4 in.); Mounted: 89.2 x 34.3 cm (35 1/8 x 13 1/2 in.)
Gift of The Textile Arts Club
This dwarf-like, protective deity was very popular in ancient Egypt. Bes is represented with the nude body of a dwarf, grotesque facial features, and the ears and mane of a lion. He wears a tall feather-crown and usually rests his hands on his hips. Known from as early as the Middle Kingdom (ca. 2000 BCE), Bes was venerated as a protector of the home, family, and childbirth, and for that reason figures prominently in domestic magic and amulets. His close connection to all aspects of fertility and sexuality is demonstrated by the presence of his image in the "Birth-houses"-shrines associated with temples of the Late Period and Ptolemaic period. He also had a special relation to the goddess Hathor and performed in her retinue as a musician and dancer.
This amulet of Bes is a variant of the standard type, representing the god with a protruding tongue and with uraei (cobra serpents), crowned by sun-disks which flank his feathered crown. A rectangular base and a loop behind the head complete the pendant.
Egyptian
H: 1 1/2 x W: 1 3/8 x D: 1/16 in. (3.75 x 3.46 x 0.15 cm)
medium: Egyptian faience with dark blue glaze
culture: Egyptian
dynasty: 22nd-25th Dynasty
Walters Art Museum, 1931, by bequest.
The scene includes a bearded, nude hero wrestling a horned bovid, and a bull-man wrestling a lion. Additionally, there is a cuneiform inscription in two registers.
Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
Akkadian
H: 1 1/4 x Diam: 3/4 in. (3.1 x 1.9 cm)
medium: green stone
culture: Akkadian
Walters Art Museum, 1941, by purchase.
Cephas Giovanni Thompson
1809–1888
6 1/8 x 4 5/8 in. (15.6 x 11.7 cm)
medium: Graphite with white-chalk heightening on embossed grey green paper
Metropolitan Museum of Art, New York, NY 26.216.78 1926
Gift of James C. McGuire, 1926
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