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Link to Cincinnati Zoo..............
Also a new group to join for anyone who has Ohio Zoo pictures!
www.flickr.com/groups/ohio_zoos/
Also check out Zoos Around the World group!
www.flickr.com/groups/zoos_around_the_world/
The title is perfect for the weather here. It's going up to 90 degrees and above today and my air conditioning broke down. It's going to get hotter. Have a cooler day than me everyone!
Without a doubt my spot of the year – I could hardly believe my eyes when I saw this thing!
Although I've always known these as the UAZ-452, it turns out that UAZ dropped the '452' designation in the second half of the '80s, and the 'regular' version of the Bukhanka (as it's affectionately called) received the designation 3741.
This example has been registered with the Doovla as an UAZ 37419-05, which is incorrect, as the 37419 was powered by a 2.8L UMZ-4218 lump, whilst this one's engine capacity has been recorded as 2,693cc indicating it's fitted with a ZMZ-409 power plant.
This discrepancy aside, I am absolutely amazed how the design has remained effectively unchanged since the UAZ-452 was launched way back in 1965!!!
Curiously, despite having been presented for an MOT on the 29th April 2022, the van wasn't registered with the DVLA until the 1st June. Its current owner acquired the vehicle just 5 months later, and repainted it from green to this light grey.
A mere 8,531 kilometres on the odo!
Ronnie was taking the boys out to sane a friends fishing pond and as usual I used the event to capture moments in time. While out at the pond we had a TEXAS Storm Building out to the EAST of us and the cloud formation was truly magnificant. So I captured this. I couldn't find a good place without this tree in the way, but the end result I truly enjoy.
All rights reserved. Please do not use this or any of my images in anyway without my written permission.
Please also REFRAIN FROM POSTING YOUR OWN IMAGES within my Photostream. I consider this rude and unwelcome. Posting an image of your own within my stream will not encourage me to visit / award, but will infact have the complete opposite affect. Persistent offenders will simply be blocked.
award count
www.cameralenscompare.com/photoAwardsCounterDetails.aspx?...
Very old grain silo, unused for many years on this historic farmland in the Pacific Northwest.
All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
Titre : Souriez !!!
"Souris au monde et le monde te sourira."
Sœur Emmanuelle
Cette tête indienne en porcelaine blanche, se trouvant chez ma "ch'tite mère", servant de presse papiers ou de boite à "trésors", m'a toujours inspiré par son petit sourire énigmatique, un peu comme celui de la "Joconde".
Souvent, hélas... Je n'arrivais pas à trouver, le bon angle et la "bonne" lumière lors de mes essais photos.
Donc je souris comme elle, d'y être, peut être parvenu ???
Traitement Photoshop et Nik Software.
Merci de ne pas utiliser mes photos sans mon autorisation.
Thank you not use my photos without my permission.
Pour retrouver une sélection de mes photos :
To find a selection of my photos :
www.flickr.com/groups/1594868@N20/
Merci à tous les administrateurs de groupes pour leur multiples invitations.
Je suis désolé de ne pas avoir le temps de publier rapidement mais je respecte les règles de chaque groupe pour toute publication.
Thank hou to all administrators for their multiple group invitations.
I'm sorry I did not have time to publiciste quickly, but I respect the rules of each group for the entier publication.
I live in the city. It's
Traffic
People
Everything You Need
Deadlines
Timetables
Congestion
Roadworks
Crowds
Shopping Centres
Everything you need except space.
View Whiter On White if it works !
I Can't Live Without Theme
A day without Color doesn’t mean the day is without beauty. Beauty is not always because color is present,
Without going into the whole story again, when I received my latest U-noa Light doll, I had problems. It's all here on the original picture.
www.flickr.com/photos/24020302@N05/38460995255/in/photoli...
Since then, I have been trying to find a way to glue things back together. I tried 10 different glues (most of which I bought just for this, so now I have an extensive glue collection) & while some of them glued the pieces together, as soon as I applied some pressure, they came apart. Luckily somebody pointed me to this video about using super glue & baking soda. As a last resort I tried it & it worked!
www.youtube.com/watch?v=KU2qph2vG9Y&feature=youtu.be
I've been pulling on the parts all morning & they haven't budged, so I'm going to put them back in the doll. I'm hopeful that I'll be able to use this method on other broken doll parts too, especially Momoko since I'm pretty sure they're made out of the same material & break all the time.
EDITED: Well, guess what? I pushed the leg into the doll...& it came apart. I'm so disappointed, I really thought it would work.
© Important notice: Do not use my images without my written permission, even for a non commercial use. If you're interested in any of my photos you must contact me first. All my images are under full copyright.
© All rights reserved.
Andernos - Gironde - Aquitaine - France
.
Rouge ou bleu, le rêve ? ...
"C'est comme s'il tatouait ces mots sur mon cœur, avec une encre d'un bleu profond."
"Like he was carving the words in a deep blue tattoo on my heart."
Haruki Murakami, Kafka on the Shore - Kafka sur le rivage
“Memories are what warm you up from the inside. But they're also what tear you apart.”
"Les souvenirs, c'est quelque chose qui vous réchauffe de l'intérieur. Et qui vous déchire violemment le cœur en même temps."
Haruki Murakami, Kafka on the Shore - Kafka sur le rivage
.
.
Je viens juste de terminer la lecture de "Kafka sur le rivage" de Haruki Murakami. C'est une explosion de sensations, de sentiments, d'images douces ou crues ... La musique des mots, la beauté, la poésie ou le surréalisme des lieux et des situations, l'épaisseur et l'immatérialité des personnages... lire ce livre est une jubilation à l'état pur de la première à la dernière page. N'hésitez pas, vous adorerez !
I just come to end the reading of " Kafka on the shore " by Haruki Murakami. It's an explosion of sensations, feelings, soft or crude images... The music of the words, the beauty, the poetry or the surrealism of places and situations, the thickness and the immateriality of the characters... reading this book is a pure jubilation from the first to the last page. Don't hesitate : you will adore it.
Laatste besje van de Nachtschade, februari 2011
Last berry from the Solanum.
For better and black background view: push 'L'
"@All Rights Reserved" "Using this photo without permission is illegal"
Copenhagen, Denmark.
© All rights reserved. Using this photo without my permission is illegal.
© Le immagini contengono filigrana digitale per il copyright e l’autenticazione
© E’ vietata ogni riproduzione e/o utilizzo della/e stessa/e previo specifico accordo con l’autore che ne detiene tutti i diritti e si riserva di poter concederne uso in licenza secondo norme vigenti.
Info/contacts/demo:
www.mikerphotoart.wix.com/book
infomrphotoart@gmail.com
📱 Instagram: @mrphotoart @emmerrephotoart
📱 TikTok: @mrphotoart
This image may not be used in any way without prior permission
© All rights reserved 2016
Mississauga, Ontario, Canada
Toronto Pearson International Airport CYYZ
VT-GHA
Air India Express
Boeing 737-86N(WL)
60694 / 5819
Twitter: @TomPodolec
This is without a doubt one of the most beautiful triple waterfall settings in Switzerland. With the right light just before sunset, it takes on an almost otherworldly appearance. There are countless photographic opportunities here, and this time I focused mainly on capturing a short film.
The route can get a bit tricky if it rains, so I chose a clear day for the hike. That said, the dream scenario would include some low-hanging clouds to add mood and depth. The good news is the waterfall isn’t going anywhere, so I plan to return, ideally when wildflowers are in bloom and the atmosphere is just right. Ambitious, I know but since it’s a local spot for me, I have the luxury of being a bit picky and visiting multiple times.
After a solid 800 meter climb, we were rewarded with stunning views and fairly good conditions. It was well worth the effort and even the couple of hours we spent waiting paid off in the end.
The short film I made about this waterfall can be found below.
Can Switzerland's Hidden Gem Batoni Waterfalls You Won't Want to Miss
Have a nice weekend.
Hope you will enjoy the picture.
Any suggestions or criticisms are always welcome.
alcuni pensano che un fuoco selettivo sia indice o sinonimo di ottimo scatto.la mia opinione è che questa è una panzanata, e che elementi come il sig hood vogliono spacciare a buon mercato ,quando in realtà se non gli viene attribuito un significato proprio ,rimane solo una peculiarità di alcune lenti molto luminose ed utilizzate a tutta apertura con soggetti ripresi di striscio , (normalmente sono obiettivi macro,che io attualmente non possiedo)
This image may not be used in any way without prior permission
© All rights reserved 2015
Mississauga, Ontario, Canada
Toronto Pearson International Airport CYYZ
CU-T1251
Cubana
Ilyushin Il-96
74393302016
Twitter: @TomPodolec
Dress without the jacket. Going to have to find another setting for my next set of photos.
Tonight though will be all about sorti g an outfit for tomorrow and Thursday night.
TWITTER | WWW.DAVIDGUTIERREZ.CO.UK | SAATCHI ONLINE | YOUTUBE | FACEBOOK | REDBUBBLE
London | Architecture | Night Photography
The already popular sculpture by Anish Kapoor at the Royal Academy, London.
==================================================================
Anish Kapoor (born 12 March 1954) is a sculptor, Born in Bombay (Mumbai), India. Kapoor has lived and worked in London since the early 1970s where he moved to study art, first at the Hornsey College of Art and later at the Chelsea School of Art and Design.
He gained international acclaim with solo exhibits at venues such as the Tate Gallery and Hayward Gallery in London, Kunsthalle Basel, Haus der Kunst Munich, Deutsche Guggenheim in Berlin, Reina Sofia in Madrid, MAK Vienna, and the ICA Boston. He represented Britain in the XLIV Venice Biennale in 1990, when he was awarded the Premio Duemila Prize. In 1991 he received the Turner Prize. Notable public sculptures include Cloud Gate, Millennium Park, Chicago, and Sky Mirror at the Rockefeller Center, New York.
Anish Kapoor is a Royal Academician and was made a Commander of the British Empire in 2003.
Kapoor's pieces are frequently simple, curved forms, usually monochromatic and brightly coloured. Most often, the intention is to engage the viewer, producing awe through their size and simple beauty, evoking mystery through the works' dark cavities, tactility through their inviting surfaces, and fascination through their reflective facades. His early pieces rely on powder pigment to cover the works and the floor around them. Such use of pigment characterised his first high profile exhibit as part of the New Sculpture exhibition at the Hayward Gallery London in 1978. This practice was inspired by the mounds of brightly coloured pigment in the markets and temples of India. His later works are made of solid, quarried stone, many of which have carved apertures and cavities, often alluding to, and playing with, dualities (earth-sky, matter-spirit, lightness-darkness, visible-invisible, conscious-unconscious, male-female and body-mind). His most recent works are mirror-like, reflecting or distorting the viewer and surroundings. The use of red wax is also part of his current repertoire, evocative of flesh, blood and transfiguration.
Kapoor has produced a number of large works, including Taratantara (1999), a 35 metre-tall piece installed in the Baltic Flour Mills in Gateshead, England before renovation began there and Marsyas (2002), a large work of steel and flesh-coloured PVC that reached end to end of the 3,400 square foot Turbine Hall of Tate Modern. A stone arch by Kapoor is permanently placed at the shore of a lake in Lødingen in northern Norway. In 2000, one of Kapoor's works, Parabolic Waters, consisting of rapidly rotating coloured water, was shown outside the Millennium Dome in London. In 2001, Sky Mirror, a large mirror piece that reflects the sky and surroundings, was commissioned for a site outside the Nottingham Playhouse. Since 2006, Cloud Gate, a 110-ton stainless steel sculpture with a mirror finish, has been permanently installed in Millennium Park in Chicago. Viewers are able to walk beneath the sculpture and look up into an omphalos or navel above them. In the autumn of 2006, a second Sky Mirror, was installed in Rockefeller Center, New York. Soon to be completed are a memorial to the British victims of 9/11 in New York,[8] and the design and construction of two subway stations in Naples.[9] Kapoor has also been commissioned to produce five pieces of public art by Tees Valley Regeneration (TVR)[10] collectively known as the "Tees Valley Giants"[11]
In 2007, he showed Svayambh (which can be roughly translated as 'self-generated'), a 1.5 metre carved block of red wax that moved on rails through the Nantes Musée des Beaux-Arts as part of the Biennale estuaire; this piece was shown again in a major show at the Haus Der Kunst in Munich and in 2009 at the Royal Academy in London. Kapoor's recent work increasingly blurs the boundaries between architecture and art.
In 2008, the Institute of Contemporary Art in Boston exhibited Kapoor's first U.S. mid-career survey.[12] In the same year, Kapoor created the sculpture "Memory" in Berlin and New York for the Guggenheim Foundation.
In 2009 Anish Kapoor became the first Guest Artistic Director of Brighton Festival. As well as informing the content of the festival as a whole, Kapoor installed 4 significant sculptures for the duration of the festival; Sky Mirror at Brighton Pavilion gardens, C-Curve at The Chattri, Blood Relations (a collaboration with author Salman Rushdie) and 1000 Names, both at Fabrica. He also created 2 new works: a large site-specific work entitled ‘The Dismemberment of Jeanne d’Arc’ and a performance based installation entitled ‘Imagined Monochrome’. The public response was so overwhelming that police had to re-divert traffic around C Curve at the Chattri and exercise crowd control.
In 2010 a new Anish Kapoor sculpture called "Turning the World Upside Down, Jerusalem" was commissioned and installed at the Israel Museum in Jerusalem. The sculpture is described as a "16-foot tall polished-steel hourglass" and it "reflects and reverses the Jerusalem sky and the museum's landscape, a likely reference to the city's duality of celestial and earthly, holy and profane."[13]
Kapoor also designed the ArcelorMittal Orbit, a 115 metre spiral sculpture of the Olympic rings. Designed by Kapoor to commemorate the 2012 Olympic Games in London, the piece will be the largest example of public art in the UK when completed.[14]
When asked if engagement with people and places is the key to successful public art, Kapoor said,
“ I’m thinking about the mythical wonders of the world, the Hanging Gardens of Babylon and the Tower of Babel. It’s as if the collective will comes up with something that has resonance on an individual level and so becomes mythic. I can claim to take that as a model for a way of thinking. Art can do it, and I’m going to have a damn good go. I want to occupy the territory, but the territory is an idea and a way of thinking as much as a context that generates objects.[15] ”
His work is collected worldwide, notably by the Museum of Modern Art in New York, the Tate Modern in London, Fondazione Prada in Milan, the Guggenheim in Bilbao, the De Pont Foundation in Tilburg, Netherlands, and the 21st Century Museum of Contemporary Art in Kanazawa, Japan.
Kapoor's gallery representations include the Lisson Gallery, London and the Gladstone Gallery, New York.
Throughout his career, Kapoor has worked extensively with architects and engineers. Kapoor insists that this body of work is neither pure sculpture nor pure architecture. Notable architectural projects include: (i) the recently announced Tees Valley (England) "Giants", the world's five largest sculptures in collaboration with Cecil Balmond of ARUP AGU, (ii) two subway stations in Naples in collaboration with Future Systems, (iii) an unrealised project for the Millennium Dome, London, (1995) in collaboration with Philip Gumuchdjian, (iv) a proposal for the Princess Diana Memorial Fountain and (v)"Building for a Void", created for Expo '92, Seville, in collaboration with David Connor. “Taratantara” (1999–2000) was installed at the Baltic Centre for Contemporary Art, Gateshead and later at Piazza Plebiscito, Naples. Kapoor has also completed the massive Dismemberment Stage 1, installed in New Zealand on the private "art park" known as "The Farm" and owned by New Zealand businessman and art patron Alan Gibbs.
Of his vision for the Cumana station in Monte Sant'Angelo, Naples, Italy currently under construction (as of June 2008), Kapoor has said:
“ It’s very vulva-like. The tradition of the Paris or Moscow metro is of palaces of light, underground. I wanted to do exactly the opposite – to acknowledge that we are going underground. So it’s dark, and what I’ve done is bring the tunnel up and roll it over as a form like a sock.[16] ”
[edit] Current and forthcoming exhibitions and projects
Kapoor was the first living British artist to take over the Royal Academy, London, from September 26 - December 11, 2009.[17]
“Shooting into the Corner”, MAK Vienna – 21 January-19 April 2009
"Blood Relations", Fabrica, Brighton 10 April - 24 May 2009
Brighton Festival, 2–23 May 2009
Royal Academy, London - 19 September-11 December 2009
“Memory”, Guggenheim, New York – 9 October 2009
Minini Gallery - Brescia, Italy 26 May 2010
"ArcelorMittal Orbit" - a Giant red tower designed by Kapoor is proposed for the London Olympics in 2012 [18][19]
Solo exhibition Guggenheim Bilbao February - October 2010
[edit] Awards
Kapoor represented Britain at the Venice Biennale, 1990, where he was awarded the Premio Duemila. The following year, he won the prestigious Turner Prize.
Solo exhibitions of his work have been held in the Tate, Royal Academy and Hayward Gallery in London, Kunsthalle Basel in Switzerland, Reina Sofia in Madrid, the National Gallery in Ottawa, Musee des arts contemporains (Grand-Hornu) in Belgium, the CAPC Museum of Contemporary Art in Bordeaux and at the Centro Cultural Banco do Brasil in Brazil. His work is collected worldwide, notably by the Museum of Modern Art in New York, the Tate Modern in London, Fondazione Prada in Milan, the Guggenheim in Bilbao, the De Pont Foundation in the Netherlands and the 21st Century Museum of Contemporary Art in Kanazawa, Japan.
en.wikipedia.org/wiki/Anish_Kapoor
==================================================================
Anish Kapoor's towering new sculpture, Tall Tree and the Eye, has gone up in the courtyard of The Royal Academy of Arts ready for an official unveiling on Tuesday as a major exhibition of the artist's work opens in the London gallery.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
My View on Anish Kapoor's Art World | Anish Kapoor Art World
Anish Kapoor Art World
Baby, I'm dyin' to catch that lightin' I only find from your fingertips
I've been missin' and wishin' to feel your kiss
And your hands all on my skin
It won't be long 'til we are burnin' up them sheets
And doing all those things that you can't do without me....
without thinking
only selfish desires
without roots
photography: Pablo Barra
produccion: Monica Zuñiga
location : ex theater on victor lamas
Pinhole/Camera Obscura /Lensfree/Loch camera/Lensless / Without Lens/Sténope/Estenopeica/Lyukkamera Photography
Author : IMRE BECSI
© All rights reserved
Modell : Tünde
Location of shoot :
Pintértelep,
Mátranovák,
Hungary,
Central-Europe
Time of shoot :
2015.04.25.
Thank you for help : to H. Attila and K. Csaba
Info of Shooting :
Film : Fuji Fp-100c (new)
Filter : W85c + Polar + Orange + ND3 grad.
Film : Fuji FP-100C Color Instant
Format: 3.25 x 4.25 in. (8.5 x 10.8 cm) "Regular Size" pack film
Image Area: 2.88 x 3.75 in. (7.3 x 9.5 cm)
The camera :
Body is a Film Back Adapter Plate from a Polaroid 203 camera
- focus : 33 mm
- pinhole : 0,25 mm (Lenox Laser)
- diaphragm : 132
Film back from my Polaroid 600se camera.
Shutter and Pinhole holder is a "pu(s)h" from Dr. Kai Fuhrmann with filter thread (homemade).
Picture from the camera :
www.flickr.com/photos/jonespointfilm/2837193476/in/set-72...
The parameters of camera :
(when I use 95x73 mm format instant film)
- Angle of view : 110°
- Light falloff at the corners [f/stops] : 1,8
- Resolution [lines/diagonal] : 959
Post work : (2017.aug.21.)
Scanner : Epson Perfection 3200 Photo (300 dpi)
Scanner software : SilverFast SE
Final work : PS
Important note:
This images are copyright protected. No reproduction in any way,
no copies, no editing, no publishing, no screenshots, no posting,
no blogging, no transmitting downloading or uploading
without my written permission!
Thank you !
Thanks for looking !
Comments very much welcome !
= = = = = = = = = = = = = = = = = = = = = = = = = = = =
Francisco Aragão © 2016. All Rights Reserved.
Use without permission is illegal.
Attention please !
If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.
Many images are available for license on Getty Images
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Spanish
El Templo de Debod es un conjunto edilicio del antiguo Egipto localizado actualmente en Madrid (España). Está situado al oeste de la Plaza de España, junto al Paseo del Pintor Rosales (Parque del Oeste), en un alto donde se encontraba el Cuartel de la Montaña (en el que se produjo un sangriento episodio de la Guerra Civil Española). Al ser trasladado a España, se situó de manera que conservase aproximadamente la misma orientación que en su lugar de origen, de este a oeste.
El Templo de Debod fue un regalo de Egipto a España (año 1968), en compensación por la ayuda española, tras el llamamiento internacional realizado por la Unesco para salvar los templos de Nubia, principalmente el de Abu Simbel, en peligro de desaparición debido a la construcción de la presa de Asuán. Egipto donó cuatro de los templos salvados a distintas naciones colaboradoras: Dendur a los Estados Unidos (se encuentra actualmente en el Metropolitan Museum de Nueva York), Ellesiya a Italia (Museo Egipcio de Turín), Taffa a Holanda (Rijksmuseum van Oudheden de Leiden) y Debod a España.
Tiene una antigüedad de unos 2.200 años. Su núcleo más antiguo fue quizás erigido bajo el faraón Ptolomeo IV Filópator, y decorado posteriormente por el rey nubio Adikhalamani de Meroe hacia 200-180 a. C., siendo dedicado a Amón de Debod ("Amani", en idioma kushita) e Isis (hay investigadores que piensan que su erección fue obra de Adikhalamani, interviniendo posteriormente Ptolomeo IV en él). Posee importantes añadidos de época ptolemaica y romano-imperial (del siglo I a. C. al II d. C.).
English
The Temple of Debod (Spanish: Templo de Debod) is an ancient Egyptian temple which was rebuilt in Madrid, Spain.
The temple was built originally 15 kilometres (9.3 mi) south of Aswan in southern Egypt very close to the first cataract of the Nile and to the great religious center dedicated to the goddess Isis, in Philae. In the early 2nd century BC, Adikhalamani (Tabriqo), the Kushite king of Meroë, started its construction by building a small single room chapel dedicated to the god Amun. It was built and decorated on a similar design to the later Meroitic chapel on which the Temple of Dakka is based. Later, during the reigns of Ptolemy VI, Ptolemy VIII and Ptolemy XII of the Ptolemaic dynasty, it was extended on all four sides to form a small temple, 12 by 15 metres (39 ft × 49 ft), which was dedicated to Isis of Philae. The Roman emperors Augustus and Tiberius completed its decorations.
From the quay there is a long processional way leading to the stone-built enclosure wall, through three stone pylon gateways and finally to the temple itself. The pronaos, which had four columns with composite capitals collapsed in 1868, and is now lost. Behind it lay the original sanctuary of Amun, the offering table room and a later sanctuary with several side-rooms and stairs to the roof.
In 1960, due to the construction of the Great Dam of Aswan and the consequent threat posed to several monuments and archeological sites, UNESCO made an international call to save this rich historical legacy. As a sign of gratitude for the help provided by Spain in saving the temples of Abu Simbel, the Egyptian state donated the temple of Debod to Spain in 1968.
The temple was rebuilt in one of Madrid's parks, the Parque del Oeste, near the Royal Palace of Madrid, and opened to the public in 1972. The reassembled gateways appear to have been placed in a different order than when originally erected. Compared to a photo of the original site, the gateway topped by a serpent flanked sun appears not to have been the closest gateway to the temple proper. It constitutes one of the few works of ancient Egyptian architecture which can be seen outside Egypt and the only one of its kind in Spain.
Wikipedia
Without question, discovering several young Hickory Horned Devil cats at Splinter Hill is the premier event of several years of caterpillar hunting for me! The opportunity to hopefully witness and document their progress is beyond compare! The current rainy weather has been frustrating... wanting to revisit them today, I set my alarm for 3:45 am to check the hourly weather... it didn't look worth going, so I texted Karen to that affect and went back to sleep... hours later, she called, saying a short window of opportunity appeared as the forecast updated! We rushed to Splinter Hill and had a couple of hours to hike and see these unearthly guys... and she found a 4th one as well!!! We made it back to the SUV just before the bottom fell out!
33 million people
Refugee camp outdoor exhibit in Grant Park. I didn't photograph the exhibit but I photographed the makeshift fence that surrounded it. It was covered by oversized banners made of photographs of refugees from around the world. I was completely moved to say the least.
This photoset is my attempt at recreating this fence.
"A Refugee Camp in the Heart of the City
Guided by MSF aid workers, visitors are asked to imagine that they are among the millions of people fleeing violence and persecution in, for example, Afghanistan, Colombia, the Democratic Republic of Congo, or Sudan.
The exhibit is made up of materials used by MSF in its emergency medical work around the world, including emergency refugee housing, a food distribution tent, water pump, health clinic, vaccination tent, therapeutic feeding center, and a cholera treatment center.
It addresses questions such as:
Will I be safe?
What will I eat?
How do I find water?
Can I get medical care?
Where will I live?"
You cannot use this picture without my permission. If you want to use this picture, please ask me first, it´s very simple. If you want this picture for anti-captivity purposes, then, don´t waste your time trying to convince me because I won´t give you authorization. If I let you use my content, you need to give me FULL credits (DFN it´s ok).
If I see this picture posted in another social media without credits and used for complaining about captivity, then I´ll report you and block you.
“Power is Nothing Without Control” — Pirelli's slogan.
IT.:"La potenza è nulla senza controllo"
ESP.: "La potencia sin control no sirve de nada"
"Speed and power are nothing without direction and control" — Unknown.
“We all make the mistake now and then of thinking the great athletes, actors, painters, doctors, entrepreneurs, et al., are gifted with special powers. In fact everyone has special powers. The ones who succeed are the ones who find ways of achieving durable, consistent control over their powers.” — J.R. Moehringer.
Andi Labes — Power up ♫ www.youtube.com/watch?v=ijC5wPrjPC0
Hardwell & KSHMR — Power ♫ www.youtube.com/watch?v=J701ucIsrrk
Irene: Happy to demonstrate what "hits like a girl" really means...
Fight Factory - A Coruña.