View allAll Photos Tagged without

I was without a car this weekend so all my travels were by bicycle. This Spotted Flycatcher was an unexpected bonus as I have not seen many locally this year. When I first moved to Yorkshire nearly thirty years ago Spotted Flycatchers were so common that I hardly noticed them. Their two note squeaky wheelbarrow song was a familiar sound of summer, but not any more. Between 1967 and 2010 the population in Britain declined by a massive 89%. They are still quite widely distributed throughout Britain but the numbers have crashed. For every ten pairs there were in my childhood, there is now just one.

 

Sub-Saharan summer migrants have all suffered population declines in Britain, right across the board. This in itself is unusual as even the beleaguered farmland birds have had a few winners (eg Woodpigeon). It would be easy to point the finger at things going on in their African wintering grounds but the populations of migrants (eg Wood Warbler) are still very strong in Eastern Europe, and these also winter in Africa. In Britain there has been a big drop in insects, with BC's butterfly counts shining a spotlight on one group. But cleaning insects off the car after a summer drive was the norm when I started driving (in the 1970s). The car used to be caked in insects but there have never been anything like that number in recent decades.

 

The name Spotted Flycatcher is a misnomer as they are plain with a striped breast. Only the recently-fledged juvenile has spots. Even the scientific name striata means striped. They normally perch a bit more upright than this but I think I caught this one just before it took flight.

©Yigit Uygur. All images are copyrighted. Don’t use my images without my written permission.

This image may not be used in any way without prior permission

© All rights reserved 2016

 

Mississauga, Ontario, Canada

Toronto Pearson International Airport CYYZ

  

A6-EET

Emirates

AC Milan livery

Airbus A380-861

142

  

Twitter: @TomPodolec

 

نحن حينما نكتب ,

نظهر كل ما بجوفنا من ألم , ونرصه على شكل احرف ,

لذلك ..عندما تتاذى مشاعر احدهم حين يقرأ ما كُتب !!

, نُعلم انه قد قرأ الألم ذاته لا الحرف ..

 

بقلم سمر حمد ~

 

THE END ~*O*~

 

ASK ME ANYTHING .. ask.fm/DossaryS

twitter.com/#!/Shamaeladossary

Without a doubt the very best time to make photographs of the Missouri Ozarks is after a storm has come through the night before, then be up before daylight the next morning…

"Without love I am half human without love I'm all machine

Without love there's nothing doin' I will die without love

Without love I am an island all by myself in a heartbreak sea

Without love there's no denyin' I am dyin' without love

For there is nowhere I can run and there is no hiding place

Sticking out like a sore thumb by that gloomy look upon my face

Without love I'm incomplete without love I am not whole

Without love I'm barely on my feet I am dyin' without love

For there is nowhere I can run...I am dyin' without love"

 

Without Love - Johnny Cash

  

Elda e sua analógica em um dos lindos dias do último verão.

Cuckmere Haven, East Sussex UK. Straight shot without filters.

"without love life well never be full "

   

ملآحظه : احب اشكر عادل على افداتي في الإديت

 

__________________________________________________________________

alshoog36re © Copyright 2010 . Images may not be copied , downloaded , or used in any way without the permission of the photographer

____________

τaκёn ьч : мe♥

εdiτ ьч : мe ♥

Spectacular sunset, lived directly from the beachs in Riberalta, shores of the Beni River.

i'm just a gigolo, everywhere I go

People know the part I'm playing

Paid for every dance

Starting each romance

Oh, what their saying

And there will come a day

And youth will pass away

What will they say about me?

When the end comes I know

They'll say just a gigolo

Life goes on without me

 

www.youtube.com/watch?v=Kkrb4h4weW4

 

a break from covid news as life goes on without us!

Without saying / writing it every time my thank-you is always in my heart to all who have taken the time to view my pics and also to all who have commented! .. What a great site this is

= = = = = = = = = = = = = = = = = = = = = = = = = = = =

Francisco Aragão © 2015. All Rights Reserved.

Use without permission is illegal.

 

If you are interested in my photos, they are available for sale. Please contact me by email. Do not use without permission.

Many images are available for license on Getty Images

= = = = = = = = = = = = = = = = = = = = = = = = = = = =

 

Portuguese

A Catedral Nossa Senhora de Lourdes, mais conhecida como Catedral de Pedra, é um templo católico localizado no município brasileiro de Canela, no Rio Grande do Sul. É uma grande atração turística da Serra Gaúcha.

Seu estilo característico é o gótico inglês. A igreja possui uma torre com 65 metros de altura, e um carrilhão de 12 sinos de bronze, fabricados pela fundição Giácomo Crespi, na Itália. Em seu interior destacam-se três painéis que são telas pintadas pelo artista gaúcho Marciano Schmitz, retratando a "Aparição de Nossa Senhora", a "Alegoria dos Anjos" e a "Anunciação". Os quadros da Via-Sacra foram feitos por Pablo Orono Herrera, uruguaio, escultor e restaurador de Arte Sacra. Utilizou madeira e argila, tendo ao fundo pintura sobreposta de imagens em argila.

Seus vitrais representam a ladainha de Nossa Senhora. O altar, cujo tema é a Santa Ceia, é uma obra de arte esculpida em madeira por Júlio Tixe, escultor uruguaio.

Foi eleita uma das Sete Maravilhas do Brasil em 2010, e em comemoração ganhou um novo sistema de iluminação externa.

 

English

The Cathedral of Our Lady of Lourdes (Portuguese: Catedral Nossa Senhora de Lourdes), also known as Cathedral of Stone (Portuguese: Catedral de Pedra), is a Catholic church located in the Brazilian city of Canela, Rio Grande do Sul. It is considered one of the major tourist attraction of the Serra Gaúcha.

Its characteristic style is English Gothic. The church has a tower with 65 meters high, and a carillon of 12 bells made of bronze by foundry Giacomo Crespi, Italy. In its interior are three panels consisting of painted canvases by the gaucho artist Marciano Schmitz, depicting the "Apparition of Our Lady", the "Allegory of the Angels", and "Annunciation". The paintings of Via Sacra were made by Pablo Herrera, a Uruguayan sculptor and restorer of Sacred Art. Wood and clay were used, with the background painting having superimposed images in clay.

Its stained glasses represent the litany of Our Lady. The altar, whose theme is the Last Supper, is a work of art carved in by wood Julius Tixe, a Uruguayan sculptor.

 

French

La Cathédrale Notre-Dame de Lourdes (en portugais : Catedral Nossa Senhora de Lourdes) est une église catholique brésilienne, située dans la ville de Canela dans le Rio Grande do Sul. Aussi connue sous le nom de Catedral de Pedra (cathédrale de pierre en portugais), elle est l'une des principales attractions touristiques de la Serra Gaúcha.

 

Wikipedia

Please NOTE and RESPECT the copyright.

photo © 2016 photos4dreams - all rights reserved.

 

This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.

 

For purchase-information please see my profile.

 

Small alley, only very slightly smaller lorry.

Oh and some bins.

©2015 Yuri Figuenick All Rights Reserved.

My photos are protected under International copyright laws.

Do not download,copy, process or manipulate without my permission.

© Copyright 2013 Francisco Aragão

© ALL RIGHTS RESERVED. Use without permission is illegal.

© TODOS OS DIREITOS RESERVADOS. Usar sem permissão é ilegal.

=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=.=[fa]

 

Portuguese

O Centro Histórico de Goiás abrange a área histórica do município brasileiro de Goiás, antiga capital do estado de Goiás. A preservação desse sítio histórico começou em 1978, quando foi tombada pelo Patrimônio Histórico Nacional(Iphan), possui cerca de 486 imóveis tombados e aproximadamente 1.200 bens móveis, como mobílias e obras de arte.

De influência medieval, adaptando-se à forma do terreno e sendo influenciada pela arquitetura religiosa.

A arquitetura civil, diferente da religiosa, é simples, sem exuberância como em outras cidades. Recebeu influência da arquitetura portuguesa, como fachadas contínuas e grandes quintais, adaptada ao clima tropical do local.

A cidade vem passando por várias reformas ao longo dos últimos anos, numa tentativa de conservar intacto seu aspecto colonial. Quando foi tombada Patrimônio pelo IPHAN. A partir daí foram promovidas várias campanhas para preservar todo o patrimônio histórico, arquitetônico, cultural do município.

Entre as construções existentes atualmente, se destacam a igreja da Boa morte, o Chafariz, a casa de Cora Coralina, a casa do Governador, as ruas de pedra, a antiga cadeia, a igreja de Santa Bárbara, os casarões.

Patrimônio da Unesco

Goiás, antiga capital do estado de Goiás, ganhou o título de Patrimônio Cultural da Humanidade, concedido pela Unesco no dia 27 de junho de 2001 e comemorado por toda a população da cidade e do estado.

Este é o nono conjunto a conseguir o título no Brasil.

Projeto de restauração

As atividades culturais e o turismo se tornaram relevantes, e a preservação dos monumentos começou a ser realizada.

Destacam-se a restauração das igrejas Santa Bárbara e Matriz de Santana e do Museu Arte Sacra, a retirada de postes e fios elétricos, hoje subterrâneos, e da elaboração de inventários dos bens históricos da cidade.

Goiás foi uma das cidades escolhidas na primeira fase do Projeto Monumental, que financia a restauração de sítios tombados através de empréstimos. Cerca de R$ 2 milhões devem ser destinados à cidade, para restauração de monumentos, como o Antigo Mercado, o Matadouro e Quartel XX, e na recuperação da área do Rio Vermelho. Proprietários de imóveis tombados poderão conseguir empréstimos para casarões.

 

Spanish

El Centro histórico de Goiás abarca el casco histórico de la ciudad brasileña de Goiás, la antigua capital del estado de Goiás. La preservación de este sitio histórico se inició en 1978 cuando fue incluida como Patrimonio Nacional (Iphan), constaba de alrededor de 486 edificios y unos 1200 activos tales como muebles y obras de arte.

La ciudad cuenta con un trazado irregular de influencia medieval, adaptándose a la forma del terreno y con gran arquitectura religiosa.

La arquitectura civil, diferente de la religiosa, es simple, sin la exuberancia como en otras ciudades brasileñas. Recibió la influencia de la arquitectura portuguesa, en fachadas continuas y patios interiores muy amplios, adaptados al clima tropical del lugar.

La ciudad ha experimentado varias reformas durante los últimos años en un esfuerzo por conservar intacto su aspecto colonial. En especial, cuando fue incluida en la lista del Patrimonio por la IPHAN, a partir de lo cual fueron promovidas diversas campañas para preservar todos los aspectos históricos, arquitectónicos y culturales del municipio.

Entre los edificios existentes actualmente, destacan la iglesia de la Buena Muerte, de la Fontana, la casa de Cora Coralina, la casa del Gobernador, las calles de piedra, la antigua cárcel, la iglesia de Santa Bárbara, las mansiones.

Patrimonio de la Humanidad

Goiás, antigua capital del estado de Goiás, obtuvo el título de Patrimonio Cultural de la Humanidad, otorgado por la Unesco el 27 de junio de 2001 y fue conmemorado por toda la población de la ciudad y del estado.

Éste es el noveno conjunto en conseguir el título en Brasil.

Proyecto de restauración

Las actividades culturales y el turismo han ganado relevancia, y la preservación de los monumentos comenzaron a hacerse realidad.

Entre ellos, la restauración de las iglesias Santa Bárbara y la Matriz de Santana y el Museo de Arte Sacro, la eliminación de postes y cables eléctricos, ahora soterrados, y la elaboración de inventarios de los bienes históricos de la ciudad.

Goiás fue una de las ciudades elegidas en la primera fase del Proyecto Monumental, que financia la restauración a través de préstamos. Se asignó una ayuda para restaurar los monumentos, como el Mercado Viejo, el Matadero y el Cuartel, y la recuperación de la zona del río Rojo. Los propietarios de viviendas afectadas podían obtener préstamos para reformar sus casas.

Referencias

Esta obra deriva de la traducción de Centro Histórico de Goiás, publicada bajo la Licencia de documentación libre de GNU y la Licencia Creative Commons Atribución-CompartirIgual 3.0 Unported por editores de la Wikipedia en portugués.

 

Wikipedia

Photographed by נσנσ © 2009. All rights reserved ..

 

Dedicated :")

© All rights reserved. Use without permission is illegal!

 

Go here if you would like to know more about this image :)

 

Facebook | website | formspring | redbubble | blog

   

Hiroshi Yoshimura (吉村弘) - Wet Land (1993)

 

For almost everyone, Spring is associated with an abundance of nascent forms and a variety of vibrant colors...

I suggest we look at this magical time without "superfluous" colors. After all, colors usually adhere to existing forms. This means that form and content are the foundation upon which we can apply as many layers of the most vibrant and impressive colors as we like... But if form and content are absent... then color becomes superfluous...

Nature gives us a great variety of forms, imbuing them with a wide variety of meanings and purposes. After all, if you look closely, everything around us carries something special; something that can serve us in a variety of ways – inspire, help us heal, impart valuable lessons, nourish us, and even... send us to other dimensions...

Previously, I wrote that everything around us is connected. And we are connected to everything. Moreover, there is a feeling that everything around us is different forms of the same thing. Different forms of ...Ourselves ...Source ...Nature ...God ...Universe...

 

What forms fill your life?

What do you feel when the form becomes more tangible?

The Art of Banksy: “Without Limits” 2023, Brisbane

  

Hong Kong 2017-2018

  

www.youtube.com/watch?v=CHIXQzvdZaM&feature=player_de...

Beethoven - 5 sinfonia - 2 movimento ovvero l'emozione allo stato puro

Eri il mio sole

volevo esserti fiore

ma nuvole ti nascondevano

ho provato ad essere sole

ma nuvole ti nascondevano

ancora

volevo guardarti

volevo che tu mi guardassi

radiosa

ma nuvole tra noi

sempre

e sarò nuvola allora

che tu sia fiore o sole

vedrai

laddove ha casa il mio cielo

ti sarò nell’anima

 

Pietro Atzeni

   

Even without the Sheffield Midland platform signs the huge stone retaining wall and the flats above define the location of Class 37 diesel 6862. It's a sobering thought that the young boy being shown the engine by his father on the left will be about 53-54 years old now.

 

D6862 was delivered new from the English Electric Vulcan Foundry to Landore shed in July 1963. It lost its green livery in March 1971 for BR Blue bodywork with full yellow cab fronts and probably its D prefix at the same time. Renumbered 37162 in February 1974 it continued in service until June 2005 and was scrapped by Booth's in December 2005.

©ALL RIGHTS RESERVED. My pictures may not be downloaded, copied, published, reproduced, uploaded, edited or used in any way without my written permission

  

www.flickriver.com/photos/targagibert/

 

Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.

           

Today was one day without shoes to support TOMS. Learn more at www.toms.com/

 

get behind it

www.onedaywithoutshoes.com/?sf1271809=1

without sounding too vain I just wanna say, I really proud about how this came out . I started out just messing around. lol :)

Without doubt the most interesting member of the Herberts fleet is now this Alexander Royale bodied Olympian - one of just two examples of this combination still in service in the UK. This was the last Olympian to arrive here, after many others had already departed, in late 2023 and is the only one to have carried the latest version of their livery.

The size of a 40.000 year old tooth from the Denisova cave indicates a very tall individual, and artefacts found tell about

an unbelievable modern technology - including high speed drilling. The first kings of Egypt were called Gods, but they lived with the people and helped them to develop their civilisation. Many of the granite and basalt artefacts found in Egypt can only have been done by high speed drilling. Were these divine kings in fact Denisova hominins? Did they underestimate how fragile the eco-balance of our environment is, did they trigger a worldwide catastrophe that "capsized" the Earth and wiped them out?

Remnants of a previously unknown hominin, distinct from both early modern humans and Neanderthals,

were a few years ago found in the Denisova cave of southern Siberia: Denisova hominins. The bones and also artefacts excavated at the same level were carbon dated to around 40.000 BP. The scientists say these Denisovans had "modern technology and ornaments, including a very beautiful bracelet". Our archaic cousins the Denisova Hominins

A catastrophe in form of a flood that, according to the legends wiped out the Egyptian civilization that was developed by divine kings (Gods), shall have taken place more than 30.000 years ago. The finger bone, the large tooth and the artefacts found in the Denisova cave in the north-east Altai Mountains region are also dated to be more than 30.000 years old. The small bone belonged to a very young girl. A small bracelet of polished stone was also found, and since it was found in the same layer and dated to the same age; it might have belonged to her.

We can only speculate why the young girl was in the cave. Could it be that she was seeking shelter from a coming catastrophe, might be brought there by her mother or father? Or that she was washed into the cave by the raging wave of a tsunami - even if the cave today is 600 meters above sea level?

It seems that the first rulers of Egypt had a technology that was even more advanced than we have today; we are in fact unable to replicate many of the artefacts found. And it still is an open question how they managed to construct the Great Pyramid with its incredible precision and up to 70 ton's stones.

The archaeologists say that the ancient Egyptians used simple tools like bronze chisels and stone hammers but many of the items found, like basalt jars and also the so called sarcophagus in the Great Pyramid, cannot be made without high speed drilling with drill-bits harder than basalt and granite. The artefacts found in the Denisova cave, the bracelet with pendant, the eyed needles and other ornaments, also witness of a superior technology - and believe it or not: They had used hight speed drilling!

Not us homo sapien sapien

We do not know how the Denisova hominines looked but as mentioned: A tooth found in the cave was very large, so they might have been very tall. We know that people in the area surrounding the Altai Mountains in the 6th to 3rd centuries BC had a very advanced technology; a race of white skinned, blond, blue eyed and very tall people with Caucasian features and long skulls.

The divine kings, the "Gods", of Egypt were often depicted as white skinned, blond, blue eyed and very tall people with Caucasian features and a long skull. Were the "Gods" of the ancient Egyptian king-lists in fact Denisovans? Not us homo sapien sapien but our archaic cousins the Denisova Hominins?

We do not yet know what the Denisova hominins looked like but a Denisovan tooth found in the cave is the largest archaic homo species tooth found. Were the Denisovans the giants of the legends all over the world? Where they the first kings of Egypt - the divine Pharaohs? Did they have an advanced technology that later got lost, might be together with the Denisovans themselves, in a world wide catastrophe?

 

Global warming

Professor Gregory Ryskin at Northwestern University in Illinois, USA, has found that the long-term changes in the Earth's main magnetic field are possibly induced by our oceans' circulation. We know that global warming already has raised the temperatures of the oceans of the world and some scientists have proposed that this could disrupt thermohaline circulation (THC), which is a massive, worldwide system of ocean currents. We have already seen a change in some ocean currents, so a change in our Earth's magnetic field might already be happening! Might be this is why our magnetic poles are moving much more rapid than before! Scary stuff - because this could also mean a change in the Earth's gravity - and changes in gravitational forces will certainly affect the tectonic plates and with the continents on them. Might be this is the reason why we also experience more earthquakes than before?! Might be we should take Hapgood's conclusions and Heyerdahl's warning serious?

Did the Egyptian "capsize" the world - did they have technologies that could contribute to a sudden and rapid polar change? Might be because of and a change in the Earths gravity and/or magnetic field? Well, some say that the ancient Egyptians used the pyramids to create a unique form of energy. That they by paying special attention to celestial events, they could have used natural forces like static electricity, the Earth's magnetic field, and lightning.

Electric phenomenon

Sir William Seimens, a famous German born English inventor, travelled to Egypt and visited the Great Pyramid. While they were standing on the top, the guide remarked that when he raised his hand with his fingers spread, it caused an intense ringing noise in his ears. Sir William ventured a few tests, one by raising his arm with his index finger pointing, which he claimed caused a prickling sensation. He then drank some wine from a metallic cup which gave him a distinct shock. He was convinced he was witnessing some sort of electric phenomenon and instantly put this to the test by assembling a makeshift Leyden Jar, an apparatus for the storage of static electricity, by wrapping moistened newspaper around the wine bottle. The static charge at the peak of the pyramid was so high that sparks began to stream from the bottle. The guide was so shocked that he accused Sir William of witchcraft and tried to grab the bottle, but an electrical jolt knocked him unconscious.

A power plant?

Master craftsman and engineer Christopher Dunn argues that based on his measurements of Egyptian monuments, ancient stonecutting achieved a high-precision accuracy surpassing modern accuracy standards in building. He asked himself what was the power source that fuelled such a civilization and after twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a electrical power plant. Based on the technology of harmonic resonance, he claims that the pyramid was a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. He shows in his books and articles how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities.

Inventor Michael F. Praamsma partly agrees but he says that the Great Pyramid at Giza was "a sophisticated acoustical sound chamber that was used as a technique to generate natural sounds to create an elevated frequency environment confined to a single resonant physical cavity". He claims that the Great Pyramid was systematically and competently sealed, and that this was "a sign it was decommissioned and intended to be of use again at a future day, when the awakened humanity would restore it competently to its rightful function, unfortunately history went another way."

A California researcher, Peter Grandics, has shown how an antenna, modeled on the Great Pyramid of Giza, can transfer the power of atmospheric electrostatic discharge impulses into a resonant circuit that converts the random impulses into an alternating current as a potential source of renewable electric power. Thousands of terawatts of power are generated in the troposphere by thunderstorms and a pyramidal structure, with its optimal geometry and construction, can act as a suitable charge sink, capturing this electric.

A biological engineer named John Burke argues that the movement of underground water in limestone aquifers below monuments produces an electric current via friction and the rich magnetic dolomite content of the stone. Burke measured positive ground current at Silbury hill in England, an ancient pyramidal mound composed of chalk and clay that lies on top of such limestone bedrock riddled with zig zagging aquifers filled with rainwater. Such tunnels and water caverns lie beneath the Giza plateau as well. Abd'El Hakim Awyan, a native Egyptian archaeologist, attests to swimming in such tunnels during his youth on the Giza plateau.

Electric torches?

Another alternative theory is that the pyramids were wireless power plants used to generate electricity and for wireless communication. On the internet you will find a video where it is speculated that the Great Pyramid may have been powered by the Ark of the Covenant. The person behind the video is saying that murals inside tombs and temples show that the ancient Egyptians were using handheld electric torches powered by cable free power sources. It is believed that the so called sarcophagus inside the Great Pyramid has the exact dimensions, according to the Christian bible, to house the Ark of Covenant: That the pyramid with a capstone of gold and the covenant in place was a kind of super capacitor the could produce and store electric energy. It is also theorized that Moses stole the Ark of Covenant from the pyramid and took it with him out of Egypt. This should be the main reason for the downfall of the Egyptian pharaohs; without the electrics power their own power dwindled. This should have happened at the time of the pharaoh Ramses II.

Three engineers; Erica Miller, Sean Sloan and Gregg Wilson all agree on one theory: That the Great Pyramid acted as a huge nuclear breeder reactor, which produced Plutonium fuel by mediating uranium isotopes in water. Supposedly, the King's Chamber was flooded with a water pump, and the sarcophagus was packed with uranium ore.

Frenchman Antoine Bovis stumbled upon dead cats and mice that had been disposed of in the trash cans inside the Great Pyramid, and they were perfectly mummified - apparently automatically, without putrefying or giving off a stench. When Bovis returned to France he built a scale model of Khufu's monument, deposited a dead cat inside - and the Giza phenomenon repeated itself, the cat mummified without rotting. Karl Drbal of Czechoslovakia researched this further and said that this was due to the pyramid's special cavity that resonated with cosmic microwaves concentrated in the earth's magnetic field. He also hypothesized that the same concept would work for rusted shavers, and claimed the sharpness of the tools returned after lacing them in a scale model of the pyramid. Stanford Research Institute, however, carrying out experiments in the Great Pyramid, and found that biological samples deteriorated at normal rates within the structure.

Energy grid

Some researchers say that it not by chance that the Great Pyramid was built where it was. They propose that the Earth has a planetary energetic grid that operates through geometric patterns called Sacred Geometry. Grids meet at various intersecting points forming a grid or matrix. These grid points shall be found at some of the strongest power places on the planet. A planetary grid map outlined by the Russian team of Goncharov, Morozov and Makarov has an overall organization anchored to the north and south axial poles and the Great Pyramid at Giza.

It is said that the ancient people, including the Egyptians, knew that wherever the earth's energy gathered into a vortex was a sacred place. Very simular is the theory that the Earth has as net of electromagnetic lines, and that the intersecting points of the network, the knots, are influenced by underground veins of water as well as magnetic forces emanating naturally from the Earth. The ancient Egyptians are said to have been able to move and/or anchor the energy lines by pushing metal rods into the ground before they built a temple or pyramid - they shall have called it "piercing the snake".

Also what is called lay lines seems to be connected to an ancient grid of a form. According to Wikipedia; "Ley lines are hypothetical alignments of a number of places of geographical interest, such as ancient monuments and megaliths." Archaeologists have documented that the alignments are existing but it is not proved that the ley lines and their intersection points resonate a special psychic or magical energy or that they have electrical or magnetic forces as some writers claim.

Pyramid fortex using a Tesla coil

In addition to all this it is also said that we have high energy spots on the Earth called vortices - and they shall be linked ley lines. A Vortex (plural: vortices) is usually a spinning, often turbulent, flow of fluid but some also include a kind of spinning Earth energy due to its electromagnetic field. Such vortices can be volcanoes, high mountains, hot springs, mineral deposits, deep gorges, rock outcroppings and even in deserts like the Sinai. Ancient sites can also be vortices, like the pyramids of Egypt. Dr. Dee J. Nelson has taken a so called Kirlian photograph of energy spiralling out of the top of a pyramid using a Tesla Coil.

Nikola Tesla - Earthquake Machine

The Tesla Coil was invented by Serbian-American engineer Nikola Tesla (1856 - 1943), one of history's greatest scientists. His coil is an electrical resonant transformer circuit, used to produce high-voltage, low-current, and high frequency alternating-current electricity. Yes, he is best known for inventing the alternating electrical current (AC) used all over the world today, but his patents and theoretical work helped form the basis for radio comunication and many other inventions.

Nikola Tesla was an electrical genius, but he also was responsible for a number of mechanical devices. One of these was his "Earthquake Machine" also known as the Tesla Oscillator. The machine which Tesla tested was no larger than an alarm clock but it is said that when he started to twiddle the machine's frequency-controller in his lab: blocks around chaos reigned as objects fell off shelves, furniture moved across floors, windows shattered, and pipes broke. When the police arrived they found the inventor smashing the resonator to bits with a hammer: "Gentlemen, I am sorry. You are just a trifle too late to witness my experiment. I found it necessary to stop it suddenly and unexpectedly in an unusual way, he said calmly to the astonished officers.

Tesla was convinced that by finding the correct frequency, any structure can be destroyed (an obvious example is the wine glass shattered by an opera singer). He later told a friend that he could split the Earth with one of these devices: "I could set the earth's crust into such a state of vibration that it would rise and fall hundreds of feet, throwing rivers out of their beds, wrecking buildings, and practically destroying civilization".

Tesla and coils

Tesla claimed that the laws of electromagnetics were connected to gravity, and one of his patents was on a flying machine without wings or propellers but based on what he called electrogravitics. Tesla also was working on a generator that basically worked by harnessing the electricity from the air and the ground. He used the natural conductivity of limestone aquifers to generate electrical power. The power ran up the ground into the Tesla coil tower above, which in theory should channel wirelessly transmitted power over great distances. Since Telsa wanted the distribution of the energy to be free, the inventor's sponsor pulled out from funding the scientist's machine before it was completed. Tesla died a poor and disillusioned man.

His research station for transmitting power at Colorado Springs might have a link to the Great Pyramid - a notable harmonic association between the latitude positions of both sites. Coral Castle - 9-ton gate that moves with just a touch of the finger.

Edward Leedskalnin - Coral Castle

Another person that was interested in gravity and electromagnetism was Edward Leedskalnin (1887-1951) - an eccentric Latvian emigrant to the United States. He built the extraordinary monument known as Coral Castle in Florida. Leedskalnin single-handedly and secretly carved and displayed over 1,100 tons of coral rock, the heaviest stone weighing 35 tons. It is a mystery how the tiny man could move all the heavy stones. He claimed to have discovered the secrets of the pyramids, and had found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons! But he did not want to show

"I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!"

- Edward Leedskalninanybody how it was done and worked mostly at night-time. A group of young witnesses claimed to see coral blocks floating through the air "like hydrogen balloons" and another time one of Ed's neighbours found him singing to the stones with his hands placed on their surface as if he were somehow making them lighter.

Ed Leedskalnin disputed contemporary science and believed that "all matter consists of magnets which can produce measurable phenomena, and electricity." Ed would say he had "re-discovered the laws of weight, measurement, and leverage," and that these concepts "involved the relationship of the Earth to celestial alignments."

Researchers have speculated that Ed Leedskalnin learned the secret of levitation and one theory in particular caught the imagination of many. The planetary grid hypothesis postulates that the earth is covered by an invisible web of energy which is concentrated at points of telluric power, the convergence of which create unusual phenomena. Leedskalnin moved the complex from Florida City to Homestead and some suggest this was because Ed realized he had made a mathematical error in his original positioning and moved to an area with greater telluric force.

The famed American psychic Edgar Cayce (1877-1945) said during his readings that the Great Pyramid "was erected by the application of those universal laws and forces of nature which cause iron to float. By the same laws, gravity may be overcome, or neutralized, and stone made to float in air. The Pyramid was thus built by levitation, abetted by song and chanting". He also said that the Great Pyramid was built was built as a hall of initiation around 10,500BC by those who originally came from the civilization of Atlantis.

Levitation by sound

Metal rods that caused the stone to levitate

The current estimates of mainstream science contends that it took a workforce of 4,000 to 5,000 men 20 years to build the Great Pyramid using ropes, pulleys, ramps, ingenuity and brute force. But the 10th century Arab historian, Abul Hasan Ali Al-Masudi had written a 30-volume history of the world and he wrote about how the great stone blocks of the pyramid were transported. First, he said, a "magic papyrus" was placed under the stone to be moved. Then the stone was struck with a metal rod that caused the stone to levitate and move along a path paved with stones and fenced on either side by metal poles. The stone would travel along the path, wrote Al-Masudi, for a distance of about 50 meters and then settle to the ground. The process would then be repeated until the builders had the stone where they wanted it.

An ancient legend tells that The Great Pyramid was built from year 10,490 to 10,390 B.C. That the god Ra made studies of the terrain and took great care in figuring the geometrical location in relation to the Sphinx and the four cardinal points of the compass. The Pyramid was then built by levitation, abetted by song and chanting.

Well, we do not have any proof that the ancient Egyptians could make the huge stones fly through the air but levitation is no longer only a party-trick by magicians with quick fingers. We have high speed trains that levitate by the help of magnetic power and in an incredible move for modern medicine; scientists are using sound waves to help levitate droplets of drugs to make them with less side effects.

A kind of Swiss knife

The Great Pyramid is very different to other pyramids, in Giza or else. Most alternative researches conclude that it was some kind of machine; most possibly a power station. We have seen that it would be impossible to use the Great Pyramid as a tomb for a pharaoh and that dating of seashell tells that it much older than the other pyramids. The nearby sphinx has been re-dated to be at least 5000 years old because of the erosion from water, but it might be much older. The same will go for the Great Pyramid. Some speculate that the Great Pyramid was a kind of Swiss knife - a gigantic multipurpose tool. The world "pyramid" means "fire in the middle" - so if it was a kind of power station with the power source situated in what is called Khufu's sarcophagus the some researches in one way might be correct when that speculate that the pyramid also was built as a gigantic ram water pump - inside the base of the pyramid. Yes, it could have been a power-station with a water cooling system! We have seen that some say that the power source was the ark of covenant from the Christian bible and some say

The King's Chamber with the stones above

King's Chamber and large stones

that Moses was the person who stole it from the pyramid. That the pharaohs' rapid decline took place because with no more energy, in form of electric power, then their advanced civilisation could no longer exist!

A gigantic Tesla coil?

Or might be the Great Pyramid was a kind of a gigantic Tesla coil? That the huge granite stones, highly polished on the underside and placed above the so called Kings chamber, made it possible to harness electricity from the ionosphere - just like Nikola Tesla wanted to do it?

About 20 minutes drive from the Great Pyramid is the site of Abu Ghurab, the "Place of Osiris". The ruined stepped pyramid once had an alabaster platform on the top and on the platform it had been standing an obelisk ("sun stick"); most likely, the total height was between fifty and seventy meters. It had looked like a pyramid with a flat top, just like Great Pyramid! Is it possible that the Great Pyramid once had an obelisk standing on it's flat top - and not a capstone? The legends says that spirit of the sun god entered the obelisks at certain periods…

Could it have been like this - an obelisk on top of the Great Pyramid?

Can it have been like this?

Tesla viewed the Earth as a negative electric pole and the sun as a positive pole of an electrode; so an obelisk standing on top of a pyramid would to him be a solar-electric diode! If the under ground part of the pyramid was a pump that brought water up to the Kings Chamber then we would have a capacitor with a very good earth ground. Yes, the Great Pyramid could have been an extremely powerful kind of solar-panel!

Might be Tesla got the idea of harnessing the ionosphere from the Egyptians? Might be they had made the strongest power station ever but that something went terribly wrong; a technical fault or a construction-fault? Or might be extra strong solar activity? Stephen A. Reynods of New Zealand has done research showing that changes in the ionosphere caused by strong solar activity can cause changes in the Earth's internal magnetic field and through telluric current induced in the Earth's crust trigger earthquakes. So might be it happened that instead of harnessing high voltage that could be stored and used, the pyramid send the current into the ground and

The God Ptah with a Djed pillar

Ptah and pillar

triggered a gigantic earthquake that literally shook the whole Earth and caused geological catastrophes worldwide? Might be the changes to the internal magnetic field was so fast and so strong that the outer crust slipped - just like professor Charles H. Hapgood once suggested (but not due to imbalance of the polar ice)?

Interesting enough; one of the oldest and most important symbols to the ancient Egyptian was the "Djed Pillar". Take a look at the image to the right of the God Ptah holding a Djed pillar. The pillar looks very simular til the set-up of the stones above the Kings Chamber - and also a homemade Tesla coil! You might also have noticed a Djed pillar in picture of what could illustrate an electric lamp in an ancient Egyptian temple, higher up in the article!

 

Very advanced technology

In the Palermo, Turin and Manetho king lists, there are names of eight god kings that ruled Egypt in the beginning; Ptah, Ra, Geb, Osiris, Set, Horus, Thoth and the female god Ma'at. Even if they sometimes were represented in a variety of forms on murals, often with human body and animals/birds heads, these gods seemed to be something else than imaginary gods living in a theological heaven. They lived on earth, were married with children, and had duties they performed. They also helped the ordinary people to develop. We have seen that Ptah made the Nile-delta liveable after the great flood and Thoth is credited as the author of all works of science, religion, philosophy as well as magic and he is said to have been married with the female god and ruler Ma'at.

Pharaoh Can it be that the first kings of Egypt were called Gods because they came from a far away place and looked a bit different to the other humans in ancient Egypt? The word "God" comes from "shining/bright" and murals picturing the first pharaohs/gods show that they had so white skin that the must have looked very bright compared to other people! Were they also called devine because they had much better mental capabilities and a very advanced technology?

 

www.sydhav.no/giants/denisova_giants_egypt.htm

 

Dendera light

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

 

The dendera light

The dendera light is a motif in the Hathor temple at Dendera in Egypt. A fringe theory interpretation of the reliefs is that they depict some form of ancient Egyptian lighting technology, similar to an arc lamp or cathode ray tube.

 

The temple contains several reliefs depicting Harsomtus, in the form of a snake, emerging from a lotus flower which is usually attached to the bow of a barge. The so-called dendera light is a variation of this motif, showing Harsomtus in an oval container called hn, which might represent the womb of Nut.[1][2][3] Sometimes a djed pillar supports the snake or the container. A closely related motif is "god resting on the lotus flower".

  

Contents

1Depictions and text

2Similar motifs

3Fringe interpretation

4See also

5References

6External links

Depictions and text

Each of the three objects consists of two reliefs. One half (a) of each pair is in south crypt 1-C (crypte 4), the other half (b) in room G (chambre V) of the temple.[3]

 

Object

(location)

 

TextRelief

Object 1(a)

(Crypt 1-C, south wall)

 

Speaking the words of Harsomtus, the great God, who dwells in Dendera, who is in the arms of the first in the night-barge, sublime snake, whos Chentj-statue carries Heh, whos crew carries in holiness his perfection, whos Ba caused Hathor to appear in the sky, whos figure is revered by his followers, who is unique, encircled by his forehead-snake, with countless names on the top of Chui-en-hesen, the symbol of power of Re in the land of Atum (Dendera), the father of the Gods, who created everything.

Gold his metal, height: four handbreadths

  

(left)

Object 2(a)

(Crypt 1-C,

 

south wall)

 

Speaking the words of harsomtus, the great God, who dwells in Dendera, the living Ba in the lotus flower of the day-barge, whos perfection is carried by the two arms of the djed-pillar as his Seschemu-image, while the Kas on their knees bend their arms.

Gold and all precious stones, height: three handbreadths

  

(right)

Object 3(a)

(Crypt 1-C,

 

north wall)

 

Speaking the words of harsomtus, the great God, who dwells in Dendera, who emerges out of the lotus flower as a living Ba, whos completeness is elevated by the Kematju-images of his Ka, whos Seschemu-image is revered by the crew of the day-barge, whos body is carried by the djed-pillar, underneath his Seschemu-image is the Primal and whos majesty is carried by the companions of his Ka.

Gold, height: one cubit

 

Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548062) (lower).jpg

Object 1(b)

(Room G,

 

south wall)

 

Harsomtus in the hn-container of the night-barge that contains four figures. The figure of heh is in front of him, whereas this flower is behind him, the water beneath him.

Gold his metal, height: four handbreadths.

 

Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (lower).jpg

Object 2(b)

(Room G,

 

north wall)

 

Harsomtus on his barge

Gold and all precious stones, height: three handbreadths

  

(left)

Object 3(b)

(Room G,

 

north wall)

 

Harsomtus of Upper- and Lower Egypt, the Sata-snake, that emerges from the flower, which contains the hn-container, who is flanked by four figures with human faces, under his head the figure of Heh on the Serech on the bow of his barge. The Juf-monkey with the face of a toad, armed with knives, is in front of him, as are the two figures that carry the front part of this flower.

 

(right)

Similar motifs

Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (upper).jpg

 

Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548061) (Harsomtus).jpg

 

Denderah. Grand temple. Chambre V (NYPL b16461786-1547978) (upper).jpg

 

Denderah. Grand temple. Crypte no. 1 (NYPL b16461786-1548026) (harsomtus).jpg

 

Denderah. Grand temple. Chambres de la terrasse. Osiris du sud. Chambre no. 3 (NYPL b16461786-1548166) (cropped).tiff

 

NaqaLionTempleApedemakSnake.jpg

Fringe interpretation

In contrast to the mainstream interpretation, a fringe theory proposes that the reliefs depict Ancient Egyptian technology, based on comparison to similar modern devices (such as a Cathode-ray tube, Geissler tubes, Crookes tubes, and arc lamps). J. N. Lockyer's passing reference to a colleague's humorous suggestion that electric lamps would explain the absence of lampblack deposits in the tombs has sometimes been forwarded as an argument supporting this particular interpretation (another argument being made is the use of a system of reflective mirrors).[4] Proponents of this interpretation have also used a text referring to "high poles covered with copper plates" to argue this,[5] but Bolko Stern has written in detail explaining why the copper-covered tops of poles (which were lower than the associated pylons) do not relate to electricity or lightning, pointing out that no evidence of anything used to manipulate electricity had been found in Egypt and that this was a magical and not a technical installation.[6]

 

Archaeologist and debunker Kenneth Feder argued that if ancient Egyptians really had such advanced technology, some light bulb remains (glass shards, metal sockets, filaments...) should have been discovered during archaeological excavations. By applying Occam's razor, he instead highlighted the feasibility of the aforementioned reflective mirrors system, and also that the notion of adding salt to torches to minimize lampblack was well known by ancient Egyptians.[7]

 

See also

Egyptian mythology

References

"Dendera Temple Crypt Archived 2010-04-25 at the Wayback Machine". iafrica.com.

Wolfgang Waitkus, Die Texte in den unteren Krypten des Hathortempels von Dendera: ihre Aussagen zur Funktion und Bedeutung dieser Räume, Mainz 1997 ISBN 3-8053-2322-0 (tr., The texts in the lower crypts of the Hathor temples of Dendera: their statements for the function and meaning of these areas)

Waitkus, Wolfgang (2002). "Die Geburt des Harsomtus aus der Blüte Zur Bedeutung und Funktion einiger Kultgegenstände des Tempels von Dendera". Studien zur Altägyptischen Kultur. 30: 373–394. JSTOR 25152877.

Press, The MIT (15 May 1973). The Dawn of Astronomy | The MIT Press. mitpress.mit.edu. MIT Press. ISBN 9780262120142. Retrieved 2020-10-06.

Bruno Kolbe, Francis ed Legge, Joseph Skellon, tr., "An Introduction to Electricity". Kegan Paul, Trench, Trübner, 1908. 429 pages. Page 391. (cf., "[...] high poles covered with copper plates and with gilded tops were erected 'to break the stones coming from on high'. J. Dümichen, Baugeschichte des Dendera-Tempels, Strassburg, 1877")

Stern, Bolko (1998) [1896]. Ägyptische Kulturgeschichte. Reprint-Verlag-Leipzig. pp. 106–108. ISBN 978-3826219085.

Feder, Kenneth H. (2014). Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology. New York: McGraw-Hill. ISBN 978-0-07-803507-4., pp.225–7

External links

Wikimedia Commons has media related to Dendera light.

The Dendera Reliefs, Catchpenny Mysteries.

Frank Dörnenburg, Electric lights in Egypt?. 2004.

Mariette, Auguste (1870) - Dendérah: description générale du grand temple de cette ville (II: 48, 49; III: 44, 45)

Coordinates: 26.141611°N 32.670139°E

 

Categories: EgyptologyOut-of-place artifactsPseudoarchaeology

Navigation menu

Not logged in

Talk

Contributions

Create account

Log in

ArticleTalk

ReadEditView history

Search

Search Wikipedia

Main page

Contents

Current events

Random article

About Wikipedia

Contact us

Donate

Contribute

Help

Learn to edit

Community portal

Recent changes

Upload file

Tools

What links here

Related changes

Special pages

Permanent link

Page information

Cite this page

Wikidata item

Print/export

Download as PDF

Printable version

In other projects

Wikimedia Commons

 

Languages

العربية

Deutsch

Español

Euskara

Italiano

日本語

Português

Русский

中文

11 more

Edit links

This page was last edited on 28 February 2022, at 12:29 (UTC).

Text is available under the Creative Commons Attribution-ShareAlike License 3.0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

 

en.wikipedia.org/wiki/Dendera_light

  

The ancient Egyptian Dendera Light "protective magical energy in liquid form" is the evaporative cooling fog. The fact that the Dendera Light is made of liquid water that transforms itself in a magical way, is exactly what are describing ancient Egyptians themselves : [About the snake inside the Dendera Light Bulb] "The field surrounding Ra’s snake form is referred to in ancient Egyptian literature as protective magical energy in liquid form that all gods and pharaohs possess (Faulkner 1970*)." ahotcupofjoe.net/2016/11/dendera-light-bulb-and-bagdad-ba...

 

*I'm not sure, but the excerpt might be from "The ancient Egyptian book of the dead / translated by Raymond O. Faulkne ; edited by Carol Andrews, 1972."

 

www.milleetunetasses.com/blog/the-great-pyramid-of-khufu-...

 

Evaporative cooling for the sodium carbonate manufacturing

 

My study is based on 2 key elements : the first one is the cold production inside the horizontal passage of the Great Pyramid ; and the second one is the production of sodium carbonate (pure natron), as suggested by the Red Pyramid.

 

The ammonia still present inside the Red Pyramid, indicates that they were using a sodium carbonate process identical or very close to the ammonia-soda process known as the Solvay process, developed into its modern form in the 1860s in Europe.

 

In the Solvay process, the ammonia only has a minor role ; but inside the Red Pyramid, my guess is that they didn't control the temperature of the different chemical reactions inside the Solvay towers. They couldn't cool down the towers.

 

That is the reason why they engineered the visible part of the Great Pyramid : to produce cold inside the horizontal passage, store it inside the Queen's chamber, and transfer it to the sodium carbonate production towers, passing through the Queen's chamber shafts.

Pas de FAV sans commentaire.

No FAV without comment

 

Une série sur le chamois du Sancy.

 

Bonne journée à tous.

Merci pour vos visites et commentaires

 

en ---------------

 

A series on the chamois of the Sancy.

 

Good day to all.

Thank you for your visits and comments

 

de ---------------

 

Eine serie über den buff des Sancy.

 

Guten tag an alle.

Danke für eure besuche und kommentare

 

es ---------------

 

Una serie sobre el rebeco de la Sancy.

 

Buen día a todos.

Gracias por sus visitas y comentarios

 

nl ---------------

 

Een serie over de gems van de Sancy.

 

Goede dag allemaal.

Dank u voor uw bezoeken en opmerkingen

 

it ---------------

 

Una serie del camoscio del Sancy.

 

Buona giornata a tutte.

Grazie per le vostre visite e commenti

 

pt ---------------

 

Uma série sobre a camurça de Sancy.

 

Bom dia a todos.

Obrigado por suas visitas e comentários de

This is the same photo only without the cone.

Did not put a lot of work into removing the cone in photoshop ( about 5 minuets)

Only did this so you could decide which way you like best.

With cone or without?

PHEW.......Without bloodshed........Hokey Cokey Day.In out shake it all about.....................It was always about Money..now all we need are friends........A marriage not made in heaven . Now watch the messy divorce.

Please, don't use my pictures without my permission.

= = = = = = = = = = = = = = = = = = = = = = = = = = = =

Francisco Aragão © 2016. All Rights Reserved.

Use without permission is illegal.

 

Attention please !

If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.

Many images are available for license on Getty Images

= = = = = = = = = = = = = = = = = = = = = = = = = = = =

 

Portuguese

No Vale da Ferradura, a convivência harmônica com a natureza é um espetáculo à parte. Curta o vento, o sol, as belas vistas, um banho de cachoeira, os animais!

Aqui você encontra animais como quati, macaco-prego, bugio-ruivo, serelepe, cutia, gambá, mão-pelada, veado-mateiro, graxaim e muitos roedores. E também grande variedade de aves de extrema beleza e raridade.

Muitos deles possuem um contato próximo com os seres humanos, como é o caso, principalmente, dos quatis, e em geral você pode observá-los de perto na área principal do Vale da Ferradura, mesmo sem fazer as trilhas.

Os quatis, em grande quantidade no Vale da Ferradura, são mamíferos que se alimentam de minhocas, insetos e frutas, apreciando também ovos, legumes e especialmente lagartos. Dormem no alto das árvores, enrolados como uma bola, e não descem antes do amanhecer. Seu órgão mais sensível com certeza é seu nariz, que é móvel e muito alongado. Possui dentes e garras fortes.

O parque Vale da Ferradura está localizado ao norte do município de Canela RS, na região correspondente às coordenadas 29°16' S - 50°50' W, compreendendo um total de aproximadamente 200 ha, com altitudes que variam de 400 m a 750 m.

Fica no Planalto das Araucárias, popularmente designado como "Serra Gaúcha". Os elementos que compõem a sua flora são típicos da Floresta Ombrófila Mista Montana e da Floresta Estacional Semidecidual Montana, com áreas de transição entre as mesmas e com diversos estágios de sucessão.

A área do parque faz parte da bacia hidrográfica do rio Caí. Nesta bacia, existem 11 Unidades de Conservação municipais e/ou particulares, duas estaduais - Parque Estadual do Delta do Jacuí e Parque Estadual do Caracol - e uma Federal - Floresta Nacional de Canela.

O clima da região é superúmido, com as curvas ombrométricas das estações meteorológicas sempre positivas. Há ocorrência de três ou mais meses com temperaturas médias compensadas mensais abaixo de 15°C, que ocasionam a chamada seca fisiológica das plantas tropicais, criadora da estacionalidade.

O Vale da Ferradura possui variados micro-habitats, com áreas mais expostas a incidência solar, aos ventos e sujeitas a interferência humana, bem como áreas totalmente protegidas, sombreadas, úmidas e sujeitas a inundações periódicas. A preservação destes remanescentes aliada à atividade de educação ambiental ao mesmo tempo que ao ócio, como forma de lazer recreativo, é extremamente importante.O parque é cortado por quatro trilhas, que apresentam características peculiares: trilha do Rio Caí, trilha do Pórtico, trilha das Cutias e trilha das Pinguelas.

 

http://www.canelaturismo.com.br/roteiros-e-atrativos/parque-da-ferradura/

 

= = = = = = = = = = = = = = = = = = = = = = = = =

 

Outras Informações:

 

O parque Vale da Ferradura, localizado a 13 km do centro de Canela, proporciona ao turista integração com a natureza, com mirantes para o deslumbrante Vale da Ferradura, para a Cascata do Arroio do Caçador e Rio Santa Cruz. Uma área especial para toda família com trilhas e estrutura de churrasqueira, playground e lanchonete.

No alto do canyon de 420 metros de extensão está localizado o Vale da Ferradura - onde o Rio Santa Cruz forma a ferradura que dá nome ao lugar. A vista privilegiada da cascata do Arroio Caçador, o verde e o ar puro são complementos perfeitos para as 4 trilhas, os 3 mirantes e a estrutura de 8 churrasqueiras, playground e lanchonete, numa área total de aproximadamente 200 hectares.

A área do parque faz parte da bacia hidrográfica do rio Caí. Nesta bacia, existem 11 Unidades de Conservação municipais e/ou particulares, duas estaduais - Parque Estadual do Delta do Jacuí e Parque Estadual do Caracol - e uma federal - Floresta Nacional de Canela.

O Vale da Ferradura possui variados micro-habitats, com áreas mais expostas a incidência solar, aos ventos e sujeitas a interferência humana, bem como áreas totalmente protegidas, sombreadas, úmidas e sujeitas a inundações periódicas. A preservação destes remanescentes aliada à atividade de educação ambiental ao mesmo tempo que ao ócio, como forma de lazer recreativo, é extremamente importante.

As árvores de –Araucária, que produzem os delicioso pinhão são a maioria no parque e atraem animais silvestres como o Quati, a Cutia, o Macaco-prego e a Gralha-azul, importante para a multiplicação das árvores.

MIRANTES

• Mirante Vale da Ferradura

É o principal mirante do Vale da Ferradura. Dele você aprecia a vista da Cascata do Arroio Caçador e tem uma visão geral.

• Mirante do Vale do Arroio Caçador

Proporciona uma vista impressionante do vale do Arroio Caçador. O acesso é por uma trilha leve - cerca de 2 minutos.

• Mirante da Cascata do Arroio Caçador

Proporciona uma vista impressionante da cascata do Arroio Caçador. Aqui você desce 50 metros e a trilha é um pouco mais íngreme.

TRILHAS

• Trilha do Rio Caí

São 350 metros de trilha, iniciando a 750 metros altura e terminando a 400 metros altura, no ponto em que o arroio Caçador deságua no Rio Caí. É a principal trilha do parque, com maior nível de dificuldade, pelo declive do terreno. Você vai levar 60 minutos para descer, e 2 horas para subir.

Como a trilha do Rio Caí pode ser dividida em quatro trechos, você não precisa fazê-la inteira. Confira os trechos:

- O primeiro leva a dois mirantes, localizados a 700 metros de altura e de onde se tem uma belíssima vista da cascata do arroio Caçador.

- O segundo trecho vai de 700 até 550 metros de altura e é o de maior extensão e menor dificuldade.

- O terceiro trecho inicia a 550 metros de altura, ponto onde as trilhas do Rio Caí e do Pórtico se encontram, e termina a 450 metros de altura, no leito do arroio Caçador, acima da queda d’água.

- O quarto e último trecho vai de 450 a 400 metros altura e é o de maior dificuldade, pois o declive é acentuado e as condições de umidade são elevadas. Interessante é que parte deste trecho está sujeita a borrifos d’água, porque acompanha a queda da cascata. Ele termina no pé da cascata do arroio Caçador e às margens do Rio Caí, em uma área plana, local para um descanso merecido.

• Trilha do Pórtico

A trilha do Pórtico tem 200 metros, iniciando a 750 metros de altura e terminando a 550 metros de altura, onde se encontra com a trilha do Rio Caí. Nela existe um recanto conhecido como Cascata do Graxaim, e podem ser admiradas araucárias e xaxins.

• Trilha das Cotias

É uma bela trilha, com muita sombra, sem esforço físico, para todas as idades e condicionamentos físicos. Dá para dizer que, mais que uma trilha, é um passeio em meio à natureza. Encontra-se na faixa entre 700 e 750 metros de altura, no platô do parque, acima da trilha do Pórtico. Aprecie a bela paisagem de cactus e bromélias na área mais rochosa.

• Trilha das Pinguelas

Também está entre 700 e 750 metros de altura, porém voltada para a bela vista do Vale da Ferradura. A trilha das Pinguelas acompanha um pequeno arroio e você aproveita a sombra da copa das árvores.

Localização e informações gerais

O parque Vale da Ferradura fica na Serra Gaúcha, em Canela RS, a 13 km do centro, no Km 6 da RS 466, mais conhecida como Estrada do Caracol. Funciona das 8h30 às 17h30. No verão, quando o sol se põe bastante tarde na Região Sul, este horário pode ser estendido.

Para chegar, pegue a Estrada do Caracol, que está localizada logo ao chegar a Canela, vindo de Gramado, e vá sempre por essa via, seguindo as placas. Após o Parque do Caracol, a estrada é de terra, por alguns quilômetros.

 

http://www.lajedepedra.com.br/o-hotel/vale-da-ferradura.htm

  

Explored Oct 23, 2017 #284

 

PLEASE DO NOT FAVE WITHOUT LEAVING A COMMENT. THANK YOU.

 

IF YOU DO, MY PHOTOS WILL BE REMOVED FROM YOUR FAVES AND/OR YOU WILL BE BLOCKED

 

Latin name: Falco tinnunculus - Common Kestrel

 

Back in August we met up with family at Herrings Green Activity Farm & Bird Of Prey Centre in Bedfordshire, which is a super place to visit.

 

The common kestrel is a bird of prey species belonging to the kestrel group of the falcon family Falconidae. It is also known as the European kestrel, Eurasian kestrel, or Old World kestrel.

 

When hunting, the common kestrel characteristically hovers about 10-20 m (33-66 ft) above the ground, searching for prey, either by flying into the wind or by soaring using ridge lift

 

Common kestrels measure 32–39 cm (13–15 in) from head to tail, with a wingspan of 65–82 cm (26–32 in). Females are noticeably larger, with the adult male weighing 136–252 g (4.8–8.9 oz), around 155 g (5.5 oz) on average; the adult female weighs 154–314 g (5.4–11.1 oz), around 184 g (6.5 oz) on average. They are thus small compared with other birds of prey, but larger than most songbirds. Like the other Falco species, they have long wings as well as a distinctive long tail.

 

Their plumage is mainly light chestnut brown with blackish spots on the upperside and buff with narrow blackish streaks on the underside; the remiges are also blackish. Unlike most raptors, they display sexual colour dimorphism with the male having fewer black spots and streaks, as well as a blue-grey cap and tail. The tail is brown with black bars in females, and has a black tip with a narrow white rim in both sexes. All common kestrels have a prominent black malar stripe like their closest relatives.

 

The cere, feet, and a narrow ring around the eye are bright yellow; the toenails, bill and iris are dark. Juveniles look like adult females, but the underside streaks are wider; the yellow of their bare parts is paler. Hatchlings are covered in white down feathers, changing to a buff-grey second down coat before they grow their first true plumage.

 

Taken with my Canon Telephoto Zoom 100-400mm f/4.5-5.6L IS USM EF Lens and framed in Photoshop.

 

Better viewed in light box - click on the image or press 'L' on your keyboard.

Without intake filter. Katy is going to have a freaking blast this year.

New tea at Starbucks.

Yes, my wife was up the creek as well!

 

Gangwon Province, ROK

Nikon D70 with AF-S Nikkor 24mm f/1.8

1 2 ••• 25 26 28 30 31 ••• 79 80