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Flickr Today 2

and Mosier, Oreogn

Jan 25 by Holden Richards

32 5

Kallitype on Strathmore 300gsm paper; 8x10 Film Negative

Lyle, Washington from Rowena Crest, Oregon by Gary L. Quay

30 4

Lyle, Washington is located in the eastern Columbia Gorge, directly across from Rowena Crest. The Columbia River is fairly wide there, and it takes one hell of a lens to do this. I used one hell of a camera too. It's an Eastman Kodak Commercial 8x10 view camera that is capable of a yard of bellows extension.

I have had some trouble with the film. I'm not sure why it was happening, but this film, and a pack of HP5 had some diffuse lines of higher density running through it. I have to clean them up in Photoshop. They are about 3/4" wide, and there is sometimes smaller lines. You can see them in the water at the bottom, and in the sky at the top. I cleaned them up as best as I could. I keep the film in the freezer until I am ready to load it, but I am wondering if something happened in the freezer. I am going to try some different film from the freezer soon, but what is concerning is that I have about 5 boxes of Efke film, which is no longer available, in the freezer. If all of the film that was in the freezer at about the same time period was ruined like this, that would really suck.

Camera: Eastman Kodak Commercial view camera

Lens: 760mm SK Grimes

Film: Ilford Ortho+ developed in Kodak HC-110

# #pnwexplored #columbiagorge #pacificnorthwest #garyquay #cascadiaexplored #oregon #viewfromhere #8x10 #YourShotPhotographer #ilford #filmphotography #pnwcrew #largeformat #washington #blackandwhite #viewcamera

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Eastern Columbia Gorge

225/366 A source of inspiration by Brad Visser

20

Located quite high up in my local forest is a tree that inspires me more than most. It is hard to say exactly why that is the case, but I think it's fair to say that the roots showed me the way.

Film: Ilford FP4+

Camera: Wista field 45 with 65 mm Nikkor-SW f4 lens

Development: Ars-Imago FE with 1/2 stop push

Digitised with a digital camera and contrast adjusted in LR

Coloured Lights by Alex Luyckx

46 1

While not used that often, these glass rods can have coloured lights projected on it to light up the space during the night.

Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Agfa APX 100 @ ASA-100

Kodak D-76 (Stock) 9:00 @ 20C

Meter: Pentax Spotmeter V

Scanner: Epson V700

Editor: Adobe Photoshop CC (2018)

May 7 by Holden Richards

155 16

1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6x6 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan

Wee Outhouse by Chetworth delGato

118 11

Horseman VH camera with Horseman roll film back, 105mm Heliar lens raised about 5mm on the front standard at f/12 (old Voightlander scale) @ 1/30 second, Ilford Ortho film developed in homemade FX-37 1:4 6 minutes in a NIkkor tank.

Old Barn in the North Country, New York by Gary L. Quay

31 6

This is from my east coast trip in June of 2012, when we flew out to PA and NY to visit family, and didn’t get out much to take pictures. On an few occasions, I did make forrays into the hinterlands with my Speed Graphic, and photographed some old barns—a favorite subject of mine. I usually try to steer clear of having power lines in my pictures, but this time it was unavoidable, so composed the picture with them coming diagonally from the corner to make them somewhat compositionally pleasing.

Camera: Speed Graphic 4x5

Lens: 90mm Nikkor

Film: Kodak Tri-X 320 developed in Kodak HC-110

# #saintlawrencecounty #newyorkstate #garyquay #outside #outdoors #viewfromhere #viewcamera #filmphotography #largeformatfilm #4x5 #barn #rural #b&w #blackandwhite

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drawn into you by Time Share

127 43

This scene made me stop dead in my tracks.

f45 @ 1/4 second

ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + HC-110 1:200 @ 60 min (Jobo Tank, 1 min initial agitation followed by 3 turns @ every minute for next 5 minutes, slight turn at 30 minutes, stand developed)

Quincy by Bryan Chernick

13 1

Quincy in the sun.

Camera: Graflex Pacemaker Crown Graphic 34

Lens: Kodak Ektar 127mm f/4.7

Film: Shanghai GP3 100

Developer: Rodinal 1:50 for 15 minutes.

sonata in lace by betsy moelders

27 16

4x5 view camera photo.

original photograph by betsycontent.

Søsterbekken by Jørn Aalmen

11

Chamonix viewcamera 4x5, Fomapan100

July 21 by Holden Richards

134 14

1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan

Stilt House at dawn by Kevin Barry

23 9

Cedar Key, Florida

I took this photo many years ago on a 4x5" view camera with Fuji Velvia film. I reprocessed the shot not long ago, fooled with the color in Photoshop, and came up with this. The image recently won an award in a photo contest.

This photo may not be used in any form without written permission from the photographer.

To see more of my work, go to www.kevinbarryphotos.com

Project ‘Verlaten’ by Paul van Bueren

194 15

Artist: Paul van Bueren

Model: Heidi van Dijk

Cambo SC-1

Fomapan 400

Copyright by Paul van Bueren

www.paulvanbueren.com

On Burnside # 4 by Gary L. Quay

35 2

Taken from the Burnside Bridge in Portland, Oregon.

The Deardorff I use was made in 1939. It isn't a museum piece. It's heavy, and bulky. I have to be very careful not to break the ground glass while carting it around. Folks stop and ask, "Do they still make film for that?" while I'm using it. That's the question I was asked while setting up for this shot. What inspires me to continue using bulky, old camera with weighty optics is, quite simply, magic. I am always amazed by what film can capture, especially while using tiny apertures.

Camera: Deardorff 8x10

Lens: 12" Kodak Ektar

Film: Ilford HP5+ Developed in Kodak HC-110.

# #pnwexplored #portlandoregon #myoregon #deardorff #oregonexplored #pacificnorthwest #portland #garyquay #cascadiaexplored #8x10film #outside #outdoors #oregon #onlyinoregon #viewfromhere #traveloregon #pdxnightowls #viewcamera #filmphotography #largeformat

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Wasco County, Oregon

Mosier, Oregon

Old School Film Photography

and Flickr Today 2

Rembrandt and Petzval by Chetworth delGato

18 10

Burke & James 8x10 "Rembrandt" circa 1955 with Lerebours et Secretan Petzval lens circa 1860. A winning pair.

And "The Beast" of Stephen Byard's nightmares, lol

Purchased about 40 years ago in rough shape without any of the front standard hardware for $75 with 8x10 and 5x7 backs. The front standard was the same "battleship gray" as the rear but so badly scratched that I stripped (to discover it is figured rock maple) and refinished it. Otherwise, its a stock camera. One of the best investments I made in photography.

Linger by cameron

31 1

4x5 Calumet studio camera with Fuji 203mm on Ilford Delta 100 film. Scanned on camps an 9950f. East Bay view from Elk Rapids Mi.

Camera by In Memoriam P. Wayne Nalbandian

8 4

The front parlor of a house at King's Landing doubles as an 1860's photo studio.

Midrand Water Tower, Up Close by Tristan McLaren

13 1

Sept 3 by Holden Richards

35 8

1891 Rochester Optical Company Universal - G-Claron 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

April 17 by Holden Richards

26 2

1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Negative Scan

Nov 13 by Holden Richards

125 12

1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Unaltered Negative Scan

Woman with camera by George Eastman Museum

326 20

Accession Number: 1981:4407:0001

Maker: A.J. Davison

Title: Woman with camera

Date: ca. 1880

Medium: albumen print cabinet card

Dimensions: 14.8 x 10.3 cm.

George Eastman House Collection

General information about the George Eastman House Photography Collection is available at http://www.eastmanhouse.org/inc/collections/photography.php.

For information on obtaining reproductions go to: www.eastmanhouse.org/flickr/index.php?pid=1981:4407:0001.

Double Exposure by Gary L. Quay

28 3

Forgot to flip the dark slide on the film holder again. This was perpetrated along the Oregon Coast back in 2013.

Camera: Speed Graphic 4x5

Lens: 127mm Kodak Ektar

Film: Fujin Pro 400H

# #pnwexplored #oregoncoast #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #outside #outdoors #oregon #onlyinoregon #viewfromhere #traveloregon #myoregon #speedgraphic #film #filmphotography #largeformat #viewcamera

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Motorhome by Bryan Chernick

24 2

Motorhome in Curtin, Oregon.

Photographed with a Graflex Pacemaker Crown Graphic 34 using a Kodak Ektar 127mm f/4.7 lens. The film is Adox CHS 100 II developed in Rodinal 1:50.

Mar 7 by Holden Richards

159 11

1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 Film - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan

Ridges by Nedra

43 4

These are rails on an old Eastman View Camera No. 2-D

I was also trying out my new camera. I have to say I'm pleased with it's macro capabilities. See the comments for a different view and the camera.

Phantom by Phil

35 13

©2010 Phillip Nesmith - I have recently returned from a three week trip to the coast of south Louisiana to photograph in the community of Grand Isle with the wet collodion process. For some background on my initial ideas about the project please view the Kickstarter funding site.

This image is a 5x7 black glass wet collodion ambrotype of a commercial fishing vessel based out of Grand Isle. This vessel stands alone at the docks, the others out on the water, their captains having singed on with BP to conduct skimming operations.

We will see you at Flow?

**This image was sold into a private collection during the opening of Flow on September 11, 2010.**

Read the Washington Post review of Flow here.

Sept 16 by Holden Richards

142 14

End of summer finds the Eno at an ebb, its rocky underpinnings showing everywhere. 1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x6 Mask) - HC110 1+100 - Unaltered Negative Scan

Pioneer Homestead, Central Oregon # 2 by Gary L. Quay

36

Gaia and I took a road trip to central Oregon back in 2010. We were hoping to outrun the cloud cover, and get some pictures. These weren't the fluffy kind of clouds that are good for photography. They were the all-consuming flat cloud cover that wipes out contrast. Well, the clouds won, but we kept going until we found this old homestead.

This pump tower is part of the original homestead from the 1870s, and on the left is a shed from around the same time period. The owner was gracious enough to let us get up close.

Camera: Deardorff 8x10.

Lens: 300mm Nikkor-W with red filter.

FIlm: Ilford HP5+ developed in Kodak HC110 with an N+1 expansion.

# #pnwexplored #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #traveloregon #myoregon #pnwcrew #viewcamera #largeformat #filmphotography #8x10 #deardorff

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www.instagram.com/stefano.bernardoni/

Halls of Time by Justin Lowery

39 2

The walls of this unnamed slot canyon in Zion National Park form a beautiful hourglass shape when paired with their crystalline reflection in the glassy water that fills the floor of the canyon. The water is what remains of a recent flash flood that filled the canyon with water, like the many that shaped this canyon over years of time. The top of the canyon is illuminated by brilliant reflected light from the sun filtering down into the canyon, and reflecting reddish orange in the water below.

It was 4:30pm on day 5 of my Zion fall color trip. I encountered this unnamed slot canyon while scouting a wash looking for original compositions in a less-traveled section of the park. Approaching from the opposite end of the slot, I found it impassable due to deep water and mud, so I climbed up to the top and hiked along the top right rim for the length of the canyon, before making my way back down into the wash at the exit point, and them climbing through a small sandstone archway, which formed the only exit from the canyon. Trekking up the canyon, I soon reached the beginning of the floodwaters, and was greeted by this beautiful hourglass scene and brilliant reflected light. I set up my Intrepid large format 4x5" view camera and made one exposure on Fuji Velvia 100 for 15s @ ƒ/45 using my Schneider 90mm lens.

Own a signed limited edition print of this image at: lowerylandscapes.com/zion

"The Enchanted Forest" series 2022 by Stefano Bernardoni

15 1

saltprint

8x10 film printed on Arches paper 180gr

Borace gold toned

July 25 by Holden Richards

31 5

more 5x10: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 200 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan

May 15 by Holden Richards

30 6

1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

Railroad Cars by Bryan Chernick

9 1

Railroad cars at the Chehalis-Centralia Railroad & Museum in Chehalis, Washington.

Camera: Zeiss Ikon Maximar 207/7 9X12cm

Lens: Carl Zeiss Jena Tessar, 13.5cm, f/4.5

Film: Fomapan 100

Developer: HC110 Dilution B

Lake Tahoe, Winter 1964 by Brian Ramey

28 5

Here we go, back in time again - been scanning and posting some old images lately. Call it 50 year old technology meets the 21st century. Seeing how I am putting up some new images of Lake Tahoe, I thought it might be interesting to compare Large Format 4X5 "old color neg" to a digital 24mp image from the same area, and next to each other in photostream. Same winter setting, just a different time of the day. One other image (4X5 color neg.) "Just enjoying the view" was taken the same day as this one, but at a different area of the lake. It's located 15-images back from this one.

The film was able to hold a rather large EV range, considering that this is a single exposure. Similar EV range for the Yosemite images (posted close to this one) needed 2/3 exposure bracket, then run through Photomatix exposure fusion, to hold the detail. Unlike B&W film development, there's no playing around with it during processing. It's called controlled machine processing, and you better nail the exposure or run a bracket, and pick the best one.

Calumet 4X5 w/Graphex Optar 203mm f/7.5. It's a slow lens (goes down to f/64), but your not in a big hurry when shooting large format anyway. 203mm for 4X5 film is equal to about a 45mm full frame 35mm camera. Same post processing as the other film image. Just enough to bring out the detail that the negative held, plus some extra contrast.

Kodak Ektacolor Pro S w/Kodak processing.

Epson 850 scanner @ 600dpi

I have a feeling that a lot of people, out side of the film group, have no clue that this is not digital, due to the clarity, color fidelity & tonal range. This image was "captured" - digital talk, 52 years ago, and still hanging in there. Click on it for an enlarged view.

Up date: Just discovered an error in the EXIF -Copyright should read 1964, not 1977.

Jan 10 by Holden Richards

57 7

1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

Jan 10 by Holden Richards

33 9

1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

Order from Chaos, Eastern Columbia Gorge, Oregon by Gary L. Quay

29

Order from chaos. I think this is just off of Seven Mile Hill Road east of Mosier, Oregon.

Camera: Sinar Alpina 4x5

Lens: 150mm Fujinon

Film: Arista.edu 100 developed in Kodak Xtol

# #pnwexplored #rowenacrest #myoregon #sinar #oregonexplored #pacificnorthwest #columbiagorge #garyquay #cascadiaexplored #4x5film #outside #outdoors #oregon #onlyinoregon #viewfromhere #traveloregon #hoodgorge #viewcamera #filmphotography #largeformat

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