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WillTravel 3D Printed Camera - Eskofot Ultragon 150mm - f/32 - Fomapan 100 - 5x7 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - G-Claron 240mm - f/45 - Fomapan 100 - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - G-Claron 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Once the jewel of the downtown, the Thompson House hotel was known for it's amazing rooms, live music, wine cellar, and restaurant. And while those days are long gone at least the restaurant aspect is carried on with an Italian place.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Calibri pocket watch on a Graflex Graphic View II. Taken with Graflex Crown Graphic 4x5. Schneider Xenar 135mm f4.7, Ektachrome 100G expired ~2006. Exposed as EI 64. Developed as a positive in D76 stock 10min at 38C. Exposed to video LED daylight about 15s per side 5 inches away. C41 4.5min, blix 10min
1891 Rochester Optical Company Universal - Friedrich Munchen Axinon 125mm - f/32 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
This winter I was honored to be selected as a Winter Resident for the Penland School of Crafts in Photography. I had a superb stay and made Kallitypes and did a bit of work with the 5x7
©2023 Gary L. Quay
We were driving near Celilo Village before returning home. Sunlight slanted in from a break in the clouds, and illuminated parts of the hill and the sagebrush below. I though it would make a nice picture.
I find the landscapes east of the Cascade Range in Oregon to be remarkably, and starkly beautifful.
Camera: Horseman 985
Lens: 150mm Horseman Super ER
Film: Kodak TMax 400 developed in Rodinal 1:50.
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Spring 2011
Eastabrook Park
Milwaukee, WI
4x5 View Camera
Ilford FP4 125 B&W Negative Film
Kodak D76 Developer
Note: click to see the higher resolution image - showcasing all detail ;)
Verlaten (abandoned)
Photographer: Paul van Bueren
Model: Anne Marie
cambo SC-1
Fomapan 400
Copyright by Paul van Bueren
Taken with a Lizars "Challenge" camera in week 471 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
For the first full week in 2019 of my 52 cameras in 52 weeks project, I decided to use my dad's Lizars Challenge folding plate camera.
The film is Rollei PAN 25, an ISO 25 black and white negative film, devloped in Rodinal 1:50 for 11 minutes at 20 degrees.
Exposure approx 40 seconds at f22.
1897 Ak-sar-ben Camera - Eskofot Ultragon 305mm - f/45 - Rollei Retro 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Catlabs 80 - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
This hollow old ash tree stump is still has some healthy growth. Photographed beside a path in Shadwell Wood Ashdon in Essex.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 100, f16 at 1/2 sec. Scanned with Epson Perfection V800.
Trying different film types with my 4x5" camera. 2 strobes.
Symmar 180mm
Instax Wide film in Lomagraflok back
11. Dezember 2025
1891 Rochester Optical Company Universal - G-Claron 210mm - f/64 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Kodak's finest 8x10 camera, introduced in 1937 and a favorite of Ansel Adams. Adam's previous 8x10 camera was the Century Universal, also pictured in my folio. It is reproduced here in its minimal usable form sans sliding tripod block or extension rail.
Thirty inch bellows but collapses to 6.5 inches thick with a monster 6x6 inch lens board that would mount almost any lens, even old huge Petzvals. Total weight: 13 3/4 pounds thanks to a radical magnesium alloy body; as the name states, its ALL metal.
Cost in 1937 was $175; the old work horse Kodak 8x10 wooden camera, the Eastman View, sold for $80, and the previously top quality 8x10, Century Universal, sold for $98.00.
Seen here with a Pinkham Bi-Quality lens mounted.
The presence of several historical societies within Oakville has made this project possible. The Oakville Historical Society got its start in the 1930s, when Hazel Chisholm Mathews discovered several papers, historical records, and documents in the Customs House, which she used as an apartment for herself. Hazel took an immidiate interest in the local history and with other citizens saved the town's first post office, moving it to Lakeside Park in 195. Using these documents plus additional ones found throughout Earchless and the nearby post office, Hazel along with other citizens founded the Oakville Historical Society in 1953. The Thomas house followed in 1955. When a high-rise threatened Earchless and the Customs House, the town purchased the entire property in 1971 and the Historical Society found a home in one of the estates outbuildings. Here is Potter's Folly, one of the many signed buildings and one of my favourites in the northern part of the old town.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Albumen Print
Yosemite National Park, California
May 1978
Ikeda Wood View, Symmar S 210mm
Tri-X in HC 110B
Albumen Print 6/24/2017 from digital nternegative with Epson R2400
Arches Platine paper, 145gsm
Sodium Acetate Gold toner
An albumen print of my most Anselesque photograph from my early days.
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Unaltered Negative Scan
the first shot, I'm posting, out of the view camera.
I love this camera and the perspective control it grants.
thank you E!
©2012 Gary L. Quay
I have to admit, this one got pretty good. It was the only negative that ever cackled when I pulled it out of the fixer, and saw it for the first time. It was that good.
Camera: Super Speed Graphic 4x5.
Lens: 135mm Rodenstock Optar
Film: Kodak T-Max 100 Developed in PMK Pyro
Uploaded new version 5/17/23.
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My Website and Blog: Gary L. Quay Photography
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and Mosier, Oreogn
©2021 Gary L. Quay
Lyle, Washington is located in the eastern Columbia Gorge, directly across from Rowena Crest. The Columbia River is fairly wide there, and it takes one hell of a lens to do this. I used one hell of a camera too. It's an Eastman Kodak Commercial 8x10 view camera that is capable of a yard of bellows extension.
I have had some trouble with the film. I'm not sure why it was happening, but this film, and a pack of HP5 had some diffuse lines of higher density running through it. I have to clean them up in Photoshop. They are about 3/4" wide, and there is sometimes smaller lines. You can see them in the water at the bottom, and in the sky at the top. I cleaned them up as best as I could. I keep the film in the freezer until I am ready to load it, but I am wondering if something happened in the freezer. I am going to try some different film from the freezer soon, but what is concerning is that I have about 5 boxes of Efke film, which is no longer available, in the freezer. If all of the film that was in the freezer at about the same time period was ruined like this, that would really suck.
Camera: Eastman Kodak Commercial view camera
Lens: 760mm SK Grimes
Film: Ilford Ortho+ developed in Kodak HC-110
# #pnwexplored #columbiagorge #pacificnorthwest #garyquay #cascadiaexplored #oregon #viewfromhere #8x10 #YourShotPhotographer #ilford #filmphotography #pnwcrew #largeformat #washington #blackandwhite #viewcamera
My Web Site and Blog: Gary L. Quay Photography
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Located quite high up in my local forest is a tree that inspires me more than most. It is hard to say exactly why that is the case, but I think it's fair to say that the roots showed me the way.
Film: Ilford FP4+
Camera: Wista field 45 with 65 mm Nikkor-SW f4 lens
Development: Ars-Imago FE with 1/2 stop push
Digitised with a digital camera and contrast adjusted in LR
While not used that often, these glass rods can have coloured lights projected on it to light up the space during the night.
Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Agfa APX 100 @ ASA-100
Kodak D-76 (Stock) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6x6 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
This is from my east coast trip in June of 2012, when we flew out to PA and NY to visit family, and didn’t get out much to take pictures. On an few occasions, I did make forrays into the hinterlands with my Speed Graphic, and photographed some old barns—a favorite subject of mine. I usually try to steer clear of having power lines in my pictures, but this time it was unavoidable, so composed the picture with them coming diagonally from the corner to make them somewhat compositionally pleasing.
Camera: Speed Graphic 4x5
Lens: 90mm Nikkor
Film: Kodak Tri-X 320 developed in Kodak HC-110
# #saintlawrencecounty #newyorkstate #garyquay #outside #outdoors #viewfromhere #viewcamera #filmphotography #largeformatfilm #4x5 #barn #rural #b&w #blackandwhite
My Web Site and Blog: Gary L. Quay Photography
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This scene made me stop dead in my tracks.
f45 @ 1/4 second
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + HC-110 1:200 @ 60 min (Jobo Tank, 1 min initial agitation followed by 3 turns @ every minute for next 5 minutes, slight turn at 30 minutes, stand developed)