View allAll Photos Tagged viewcamera
The last leaves of autumn bring colour to West Burton Falls in the Yorkshire Dales. A personal triumph for me as this shot was taken on my Linhof Technikardan view camera, which I am slowly getting used to using. 7 Seconds at f16, ISO25 on a Schneider 47mm Super Angulon.
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The lovely host of [FRAMED]. This was shot as a demonstration of the wet plate process to the film crew during the filming of my episode for the show.
Check it out
Railroad cars at the Chehalis-Centralia Railroad & Museum in Chehalis, Washington.
Camera: Zeiss Ikon Maximar 207/7 9X12cm
Lens: Carl Zeiss Jena Tessar, 13.5cm, f/4.5
Film: Fomapan 100
Developer: HC110 Dilution B
Sunset at Bonsai Rock.
4X5 Delta 100 film processed in Rodinal
2 seconds at f64
Nikkor 240mm lens with yellow filter
Self-constructed 645-format view camera based on Mamiya 645 Auto Bellows, Mamiya RB67 50mm f/4.5 lens and Mamiya RB67 120 format 6x4.5 roll film back; orange filter, 4 degree downward tilt, about f/22 and 1/22 of second (guillotine shutter) on Kodak Tri-X developed in Black, White, and Green developer
1897 Ak-sar-ben Camera - Eskofot Ultragon 305mm - f/45 - Rollei Retro 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
This fall I started photographing some of the structures along the Eno. I am sure it will be a part of my 2019. On a side note. Flickr says it will lock me out of uploads on Jan 8th. So we'll see how that goes going forward. Otherwise, Happy New Year...
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Graflex Crown Graphic - - Expired Plus-X Aerial BW 100 @ ASA-80
Zone Imaging 510-Pyro (1+100) 8:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
©2022 Gary L. Quay
I have been testing long development times. I developed this one 1:50 in Rodinal for 25 minutes. I realized half way through that my darkroom was not entirely light tight, so the negative is a little fogged. I need to do a little more work on it before I develop more sheet film.
Camera: Deardorff V8
Lens: 360mm Schneider
Film: Bergger Panchro 400 developed in Rodinal
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Solitude
Series about being alone and being okay with it.
Photographer: Paul van Bueren
Model: Annelieke Joosten
Cambo SC-1
Fomapan 400
Copyright by Paul van Bueren
Graflex Graphic 45 View Camera - Zeiss Tessar 13.5 cm in Compur Shutter. Polaroid 545I film back.
Polaroid Positive/Negative Type 55 Instant film
Taken 1987, give or take.
The appliance and video store was an area institution that moved out about 15 years ago for a mall in the surrounding suburban area.
The area has gone through several attempts over the years at re-gentrification. Some more successful than others. However the neighborhood still has a split personality.
cross reference: www.flickr.com/photos/zdebb/54619412706/in/album-72177720...
Improved Seneca View Camera (1906), Carl Zeiss f4.5 210mm, DRP, Tessar (1914), Thornton Pickard wooden shutter (1905), 5x7, Fomapan 200 film, D-76
A little on the small side. But there were a lot of people nearby.
Crown Graphic - Schneider-Kreuznach Xenar 1:4,7/135 - Agfa APX 100 @ ASA-100
Blazinal (1+50) 10:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
During the fall semester, I took a class through our local Community College, which is well regarded for its photography program and resources. I was loaned a Toyo Field Camera (Large Format, 4x5 inch negatives) for the 12 weeks semester.
We learned to load the film, make exposures, develop negatives (in the darkroom or using the Patterson tank), and make prints (either by scanning into digital images to be edited if desired in Lightroom Classic, before printing, or printed in the dark room).
What a learning curve for me...
These are all black and white images exposed and developed from 4x5 inch negatives.
November 15, 2023
Camera: Eastman View No. 2-D 8x10
Lens: Ilex Process Paragon 15"/9
Shutter: Packard
Exposure: 30 min. f/45
Film: Arista Edu 100 8x10
Tray Development: D-76 1:3 68 F. 17 min. continuous rocking of tray.
Scanned from contact print developed in caffenol-c
Ilford Warmtone RC Pearl
SEE THE CAMERA AT THE LINK BELOW:
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 200 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
April, 1981
As 35mm version, but not so grainy
Ikeda Wood View
Symmar S 210mm, red filter
Tri-X in HC110B
Shot on 9-1-2013 at one of our backyard Butterfly Bushes after a hard rain had just ended.
Camera: Calumet CC-401 4x5 large format monorail view camera
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter
Film: Arista EDU 100 Ultra 4x5 B&W sheet film which I shot at 64 ISO
Settings: Shot at F32, 1/8th second shutter speed. Metered with a Pentax 1 degree spot meter.
Development: Self Developed film in Rodinal 1:100 using semi-stand development in Paterson Universal Tank using the Taco Method. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two parts and merged in Photoshop CS5 since the V600 doesn't natively support scanning 4x5 sheet film and I haven't stepped up to the V700 yet.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 200 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
“Donuts. Is there anything they can't do?” - Homer Simpson
Cambo SC II viewcamera + Schneider 150mm f/5.6 lens
Kodak Professional Ektar 100 color negative film
Toyo Field 4 3/4 x 6 1/2 Sakai Special
CM Fujinon W S 125mm f/5.6
Kodak TXP 320
14:00 min in Rodinal 1:50 @ 21ºC.
2023005-06
During our Eastern Sierra autumn color trip, I woke up early one morning to head up to this chilly ridge line overlooking the Minarets in California's Eastern Sierra in time for sunrise and was treated to this incredible show of light, texture. and color! The view you see here looks out across Devil's Postpile National Monument and into the high Sierra at the Minarets.
This is one of the first large format images from my Intrepid 4x5 view camera and represents a major leap in quality for my work. The image you see here is a tiny web version of a 100-megapixel scan from a 4x5" transparency, and that was only to save space and time! I can scan to around 300 MP myself, or have it drum scanned at a lab to around 500 MP. The aesthetic qualities and beautiful fine grain structure of the film give the images a look and a quality level that really shines in large prints.
Details:
Intrepid 4x5 large format view camera
Fuji Velvia 100 color transparency film
Schneider-Kreuznach 90mm f/8 Super-Angulon lens
2-stop grad ND
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Cambo SC 4x5
Fujinon-A 240mm f/9
Ilford Delta 100
Developed at Northcoast Photographic Services,
Carlsbad, CA
I describe the making of this photograph in an article on the on-line publication Photography Life.
This pond high in a canyon of the Eastern Sierra Nevada was created by Beavers when they dammed a creek that drains some high alpine lakes. Aspens love water, so they grow around the pond and along the creek, bringing with them their brilliant gold color, which contrasts nicely with the deep cobalt blue alpine sky and water. The rising water levels caused by the beavers combined with their gnawing activities leaves many older trees dead and lying in the pond, creating these beautiful reflections in the water, framed by the granite peak in the background and its reflection below.
This is another of the large format film images from our fall color trip to the Eastern Sierra, made with my Birch wood and Aluminum Intrepid 4x5 Field Camera.
Details:
Intrepid 4x5" Field Camera
Schneider-Kreuznach 90mm f/8 Super-Angulon lens
Fuji Velvia 100 4x5" color transparency sheet film.
Developed at NCPS.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
©2009 Gary L. Quay
This is a historic church in Sellwood, Oregon down by the Willamette River. Gaia and I were there one evening to take pictures a number of years ago as part of my Night Shift series. I posted a version of this years ago that looks much spookier due to a number of mistakes that I made. This one is less spooky, but it’s still a tad haunting on its own.
Camera: Kodak Commercial 8x10
Lens: 13” Kodak Ektar
Film: Ilford Ortho+ developed in Agfa Rodinal 1:50.
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My Web Site and Blog: Gary L. Quay Photography
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