View allAll Photos Tagged viewcamera
Assignment: Backgrounds
Shooting the same object on several different backgrounds; this is a nice paper with clover-y type patterns in it.
Tachihara 8x10 Camera with Fujinon 250mm lens. Classic 200 film in PMK Pyro contact printed on Agfa paper.
Created for an architecture assignment for 4x5 Camera and Studio Lighting in the Spring of 2010. For more, check out my website:
Expired T Max 100 sheet film, processed in Wineol (red wine developer), 45 minutes. I'm not sure what caused the streaking, but I think it's because I didn't filter my solution.
cheetahtype.blogspot.com.es/2014/07/wineol-film-developed...
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 21.2cm X 16.3cm, from a 4x5 Kodak Tmax 100 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens. Titled and signed recto, stamped and annotated verso.
This was taken with a 4x5 Cambo View Camera using Kodak Tmax 100 film. The negatives were scanned and edited digitally in lightroom.
The rare occurrence of a total lunar eclipse on the winter solstice.
Kodak Portra VC160 4x5 film
Nikkor 240mm lens
1/50 second exposures at 5 minute intervals.
Photo taken by Carsten / topfloor - please enjoy ! (c) 2011
Kassel, Hessen
Used Gear: Large Format Viewcamera 4x5 with Fomapan 400 Action Film
Filename: 20110319_Film283_022
Large format Portraits
Busch Pressman D, Foma 100, stand dev
Blog: www.limagerit.fr
Facebook: www.denisg.fr
500px: 500px.denisg.fr
Tachihara 8x10 Camera with Fujinon 250mm lens. Classic 200 film in PMK Pyro contact printed on Agfa paper.
www.nelson-atkins.org/art/Exhibitions/Sinsabaugh/index.cfm
12 X 20-inch Banquet View Camera owned by Art Sinsabaugh
www.nelson-atkins.org/blog/2008/02/seeing_art_sinsabaugh....
American Horizon Panoramic Landscapes on view at the Nelson-Atkins Museum of Art in Kansas City, Missouri
Camera: Linhof BI Kardan view camera, 6x9cm Super Rollex back, 90mm Super Angulon lens. Film: Fuji Reala.
I am slowly making progress and also making sure everything is perfect along the way.
This is what both frames currently look like. I sanded them today and cut out the plywood inserts a few weeks ago. I also planed more mahogany for the mitered part of the front frame today, but that's not shown. I plan to do a small brass inlay between the joints which should look pretty nice too.
Kodak Plus X Pan Professional 4X5 sheet film. Processed in Kodak D 76. Like the other one, this is from 1965, and a study of texture, tonal range and abstract patterns. There was some more to the image (about 1/2), however it did not help the composition. This and the fence detail was shot at the same location, but not written down.
Camera: Calumet 4X5 w/Graphex Optar f/7.5 @ f/8.
Leo, sitting on the sheepskin rug. How many other kittens get to have a sheepskin rug nearly all to them selves? Not many I'd say, not many at all... :)
My first large format polaroid ever. Subject: a poorly-framed bottle of 1970s vintage Rodinal, which happens to work just fine.
Update: It's this picture.
A dodgy quarter plate view camera picked up at the Wolverhampton camera fair. This is a bit of a hobbyist's hybrid, with some old parts (a 120mm Zeiss Tessar and a Zeiss shutter, possibly the bellows, and wooden back - which is old but disguised by some nasty silver paint) and some newer parts (the monorail). It needed some work, and the shutter only goes at three settings (1/250th, B and T) but it now takes pictures again.
4x5
Awe. Finally. Sorry I've been ridiculously busy, but school is done for the semester so I have some time to scan all my negatives. YAY! So yeah.
I decided from now on I wont shoot stuff that isn't me. I don't like artificial lighting for the most part or digital stuff, so any shoots I do now that people want the look and feel of my photography on my website will be taken how I want to do them. I did my first band promo on my large format yesterday and they turned out amazing. I'll be uploading the rest over the next day or so as well as load of other photos from various shoots. I like where this style is headed. I need to separate myself from this commercial work. I'm not a follower really. Atleast not with that anyways. I tried and was very dissatisfied. I have some more promo shoots coming up, a lot actually so keep your eyes peeled this could develop in to something.
I have some magazine work now and a possible gallery showing... atleast some of my work. I have tons of work for sale. Limited edition prints. Let me know if you are interested.
Like most photojournalists, I grew into the profession loving the Leica. The feel, the quality, the photograph - all perfect. For me, however, it was the view camera, a 4x5 field Wista, that really taught me how to see.
The size slowed me down, the film gave me wonderful tone and detail, and the ground glass forced me to study the picture before I took it. I fell in love with the upside down world under the dark cloth, and as I returned to the 35mm world, I never forgot it's magic.
The digital world has given me hope of returning to familiar territory with their view screens, but until now they have been too small to use for anything else but simple framing.
All that has changed for me, however, with my Canon A540. Its 2.5 inch screen is so large and clear that I want to put a loupe on it for focusing (it has one built in). Also, it has digital grid lines so I can keep my pictures straight. As we move further into the 21st century, my digital cam now looks back to beginning of photographic time.