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Ribblehead Viaduct, The Yorkshire Dales.
Improved Seneca View 5x7 camera, Darlot No. 2 Hemispherical Portrait 5x7 Lens, Fomapan 100 film, shot at 50asa, developed in Rodinal @ 1+50 for 10 minutes.
The (film) viewcamera was all set up and focused (Kodak TRI-X sheet film) and I was handholding the yellow sheet of gel over the Schneider 90mm lens, all ready to shoot 1 sec at f32 when these exercisers got in the way and I waited and waited til suddenly I saw what my landscape had been missing. Click....
Yosemite National Park May 1978
Contact palladium print from original 4x5 Tri-X neg
Pd, FeOx, Na2 7:7:2 under uv light on HPR
Developed w/ Potassium Oxalate (~ 35°C).
The first print I recall ever making from this negative except for a contact for my files.
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
Big Red Lighthouse stand guard of the harbor at the Holland State Park and overlooks Lake Michigan. The lighthouse leans slightly after years of service. I made this image circa 2003 using a Technikardan 45S, Nikkor 240mm on Velvia 50 (rated at 40 ISO)
In the J. Hyde Crawford and Anthony Tortora Gallery at the Orlando Museum of Art
More info on the blog at: edrosack.com/?p=23882&preview=true&_thumbnail_id=...
©2023 Gary L. Quay
I was out at the Oregon Coast with Gaia in mid January 2023, and I had the Deardorff in tow. The weather was not cooperating, but I really wanted to get some film pictures out of it, so I set up at Agate Beach, and noticed that the creek would make a decent composition. The scene was dim and drab, so I added a red filter to give it more contrast. It's not bad. I souped it in Ilfotec HC in some old Kodak tanks. You can see the rain coming in from the north if you look toward the hill. I had to pack up quickly just after I took this picture.
Camera: Deardorff 8x10 with a 5x7 back
Lens: 12" Goerz Dagor
Film: Ilford HP5+ developed in Ilfotec HC
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Just an exposure test, trying to nail the EI of this paper
accidental light leak...I'm using macguyver style film holders until I can hit up the hardware store and buy some wood to make real ones.
A panoramic view of West Beirut in 1985.
Along what looks like a green line, centre image, one can see West Beirut and the destruction of many buildings and houses facing the Eastern part of Beirut. One can easily imagine the destructions on the Eastern part of Beirut by just mirroring what he sees there.
Series of three stitched 6x7 frames :
Sinar P - Rodenstock Grandagon 1:4.5 @65mm - Calumet 6x7 Graflok back - Ektachrome 100 - E6 processing: Jobo CPP2
taking pleasure in the small satisfaction of camera movements, of lens tilt, and having the foreground fence and mid-ground chair equally represented in focus - large format is such addictive fun...
Burke&James 5x7 Flat Bed View Camera, Topcor 210/5.6, Fomapan 100, HC-110H in Stearman Press SP-810 Tray, Epson V800
WillTravel 4x5 3D Printed Camera - Schneider Angulon 90mm - f/32 - Fomapan 100 - 4x5 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
One from the archives. I took this in November of 2012 in the Columbia Gorge, Oregon. I have generally not photographed Multnomah Falls as often as I wanted to, because for years I did not have a lens wide enough to get the while thing on a piece of film. It’s also too damn busy. I solved the lens problem in 2008, but sometimes I still use a longer lens when the inclination strikes.
I tend to expose Ilford Ortho+ at 40 ASA for landscapes. They released it in roll film recently, and I have a few rolls.
Camera: Sinar Alpina 4x5
Lens: 210mm Schneider Convertable
Film: Ilford Ortho+ developed in PMK Pyro
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When the fog settles on the valley like a heavy blanket, I know I have time before it dissipates. On such days I like to take larger, slower cameras with me into the forest and enjoy the act of framing individual images, rather than blitzing through and trying to collect them all. Working with a large format camera is such a different experience than photographing with a modern digital camera, let alone smartphone, with so much more room for error. On the flip side of the coin, I find myself focusing intensely when using such a camera and the act of photographing feels somehow richer because of this.
Committed to Bergger Pancro 400 film using a Wista Field 45 and 150 mm Nikkor W lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
Terlingua, Texas April 1979
Original negative: 4x5 Tri-X
Salt Print 5/16/2017 from digital negative
Fabriano Artistico Cold Pressed Paper 300gsm
Salted with 1% gelatin + 2% ammonium chloride + 2% sodium citrate
Sensitized with 12% silver nitrate + 2% citric acid
Untoned
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Happy New Year! This is from NYE 2023
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
It appears I have found a lens that really performs on this camera
1891 Rochester Optical Company Universal - Schneider Angulon 90mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
©2012 Gary L. Quay
Photographing straight into the sun is hard. Doing it on 8x10 film is harder.
Camera: Derdorff V8
Lens: 300mm Nikkor-W
Film: Ilford FP4+ Developed in Kodak HC110
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My Website and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
Hope everyone's summer is going well.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji UM/MA - 8x10 X-Ray Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
This is a single 5x7 inch sheet film negative. Since I don't have a scanner that can handle large negatives, I scanned it in three parts.
Camera: Eastman View No. 2 5x7. Ektar 10 lens in Ilex No. 4 Shutter.
Pan x film in HC 110
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
5x10: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Times Theater - Rockford, Il
Graflex Graphic 4x5 View Camera - Zeiss Tessar 13.5 in Compur Shutter.
Plus X Pan Sheet Film in HC 110
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
From yesterday: 1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan