View allAll Photos Tagged viewcamera
Hilba view camera with Lomograflok back, Symmar 180mm F/16 1/15s, Flash through umbrella with modelling light on.
Instax Wide Film
24.Oktober 2022
After shooting the jade lady peak, I suddenly saw this little group of pale looking trees glowing in the sunlight that was now filtering through the mountains behind me. I quickly scrambled over the boulders in an attempt to still catch the fast moving light and ended up with this image. Again unfortunately the long exposure needed almost make what's left of the thin fog over the water almost vanish in the final image.
The shot was made using the Rodenstock Apo-Sironar-S 240mm f/5.6 with a 2-stop soft grad. The film used was Foampan 100, home developed in ADOX Rodinal 1+25 dilution then scanned on an Epson V850 flatbed.
Foggy Morning Walk: WillTravel 4x5 3D Printed Camera - Schneider Angulon 90mm - f/32 - Fomapan 100 - 4x5 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Schneider Angulon 90mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
New Lens! Very excited to explore this lens. It seems great. This is not the "super" angulon, just the angulon.
It's almost complete. All I need are some double dark slides and I'm ready to make some photos! Even my wife thinks it's cool.
La Gundlach Korona View és una càmera nord-americana de gran format, força lleugera i de gran qualitat.
Aquesta càmera en concret és la Korona View de segón model, fabricada entre 1909 i els anys 30; en tot cas aquesta data d'abans del 1926, ja que la companyia canvià de nom. És de format 5x7 polzades i la vaig comprar amb un objectiu Plaubel Anticomar f4.2 / 210mm montat en un gran obturador Compound; junt amb la càmera anaven tres portaplaques dobles amb el nom del antic propietari, Dr. H. B. Wright. Tot plegat sembla indicar que fou venguda als Estats Units als anys 20 o 30.
És molt curiós perquè la vaig comprar amb la idea exprés de fer-la servir per a fer plaques de col·lodió, i un dels tres portaplaques estava precisament adaptat per a col·lodió (i marcat com a tal).
Per cert, només em vaig adonar a posteriori que havia comprat una càmera que porta per nom KORONA just aquest any 2020.
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
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The Gundlach Korona View is a large format American camera, quite light and built in high quality materials.
This particular item is the 2nd. model Korona View, made between 1909 and the 1930s; but this one was made before changing the name of the company in 1926. It is a 5x7 format camera and I bought it with a Plaubel Anticomar f4.2 / 210mm lens mounted on a large Compound shutter; along with the camera were three double plate holders with the name of the former owner, Dr. H. B. Wright. All this seems to indicate that it was sold in the United States in the early 1920's.
It’s very curious because I bought it with the express idea of using it to make collodion wet plates, and one of the three plate holders was precisely adapted for collodion (and marked as such).
By the way, have you noted that I bought a camera named Korona precisely in this 2020? The year of what...?
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...
St Margaret's Church Cowlinge in Suffolk.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f32 at 1/5 sec. Scanned with Epson Perfection V800.
I made this shot on the same morning as the "Emperor Peak" shot, the fog in the mountains seem to be flowing out in between the peaks in the distance almost like an avalanche. What drew me to this scene is the serenity of the village in the morning with the eternal background which looks almost like those Chinese watercolour paintings. Both the contrast between human elements and nature, and the contrast between the sharp foreground and soft ethereal background is what makes this image interesting for me personally.
The Chamonix Alpinist X was used for this shot, with the Fujinon C 600mm f/11.5 lens at f/45 and 2 sec exposure. The film used was Fomapan 100 which was then developed in ADOX Rodinal at 1+50 dilution and scanned on an Epson V850 flatbed with Silverfast.
Gaia and I went to Newport in September. I got out the 4x5, and used up some T-Max 400. It was way out of date, so it needed to happen.
I like the way this one turned out, although, my scanner has trouble with thinner negatives.
Camera: Sinar 4x5
Lens: 150mm Fujinon
Film: Kodak T-Max 400 developed in Clayton F76+
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Model: Alexia Day www.facebook.com/AlexiaDayModel/?fref=ts
Camera: 4x5 view camera
Film: Fuji FP-100C45 expired
'Roid Week (Polaroid Week) Day 5
1897 Ak-sar-ben Camera - G-Claron 210mm (Dagor type) - f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
I set up one of the old cameras for a still life last month. We were in full peach season, and I wanted to test Rollei RPX 25 film. Here is the result.
Camera: Calumet C-1
Lens: 11” Hyatt’s Rapid
Film: Rollei RPX 25 developed in Kodak HC-110 diluted 1:39.
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Camera: Eastman View No. 2-D 8x10
Lens: Ilex Process Paragon 15"/9
Shutter: Packard
Exposure: 7 min. f/45
Film: Arista Edu 100 8x10
Tray Development: D-76 1:1 68 degrees 12 min. continuous rocking of tray.
Scanned from print developed 5 Min. in undiluted Caffenol-C at 80 degrees on Adorama RC Perle.
SEE THE CAMERA AT THE LINK BELOW:
Chamonix 45H-1
Kodak Ektar 100
Schneider-Kreuznach Super-Angulon 5.6/65
Horseman 6X12 Roll Film Back
3 stop Dark CPL
Salt Print on Canson 300gsm paper; X-ray Negative made from 5x7 Silver Positive Contact Print
Been in the Salt Printing Vortex lately. A simple simple process with a more subtle result than a platinum or kallitype. Also not an expensive one to do.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Verlaten (abandoned)
Model: Anne
Artist: Paul van Bueren
Cambo SC-1
Fomapan 400
Copyright by Paul van Bueren
Susan in our mutual studio, with her up in the air somewhere products.
strobist: large open softbox (whitedome)
Fuji Neopan Acros 100, 4" x 5", 80 iso, N + 1/2 development in Rodinal developer, 1:50, 11:00minutes, 24C. Taken July 2017. Ebony SV45TU. Fujinon-A 240mm.
I used a six stop neutral density filter, and a #25 red filter to both increase contrast, and allow for a long exposure. Exposure time was 1 minute at F20.0. My goal was to show some motion in the foreground grasses and the sky while keeping the house itself sharp. I think it worked...? This old house is near Andrew, Alberta in Lamont County.
Camera: Graflex Graphic View
Lens: Kodak Ektar 127mm ƒ/4.7
Film: Arista EDU 100
Development: Rodinal 1:100 stand for 1 hour (loose film in Paterson tank)
Scan: Nikon D7100 w/ Sigma 17-50mm ƒ/2.8 over light table
1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Autumn's Embrace"
On the end of day 2 of my Zion fall color trip, I was exploring unnamed slot canyons searching for compositions when I came across this little scene. A young cottonwood sapling adorned in the brilliant yellow of peak fall color leans in towards a bright red maple sapling, which in turn leans in towards the cottonwood from a shelf above. This is an unusual scene, to see deciduous trees in fall color living in a desert slot canyon, and I think the juxtaposition of these different elements makes for a very beautiful combination.
Details:
Intrepid 4x5" Field Camera, Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens.
8s @ ƒ/32 6:15pm.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
Lower right corner of the ground-glass focus plate on the Burke and James 5x7 view camera I picked up at the camera club auction a couple weeks ago.
Approximately 2.5" edge to edge.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji UM/MA - 8x10 X-Ray Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Ektascan B/ra - 8x10 X-Ray Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
We had a hurricane in my part of the US and the river rose because of it so of course I had to photograph it...
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x6 Mask) - HC110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor Type) - f/45 - Fomapan 100 - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
I went to Astoria, Oregon shortly after moving back to the Portland area this past summer. I dragged a bunch of film cameras along, and managed to get them out and use them. This is a picture I wanted to take another crack at since my first LF negatives of the Astoria-Megler Bridge had, shall we say, issues. This one is much better.
Camera: Sinar Alpina 4x5
Lens: 90mm Nikkor
Film: Kodak T-Max 400 developed in Clayton F76+
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Happy Birthday Ansel Adams! With Feb 20 being Ansel's birthday, I thought posting a large format, black and white image would be appropriate.
A Texas windmill on a socially distanced day drive west of Fort Worth last summer.
Shot on my 4x5 Arca-Swiss camera and a Fujinon 125mm lens. I was using a red 25 filter to darken the sky and Arista 100 EDU sheet film.
1 second at f/45
This waterfall was located inside a privately run park somewhere down a very badly kept dirt road winding into the mountains just outside the national park. During the holidays the park was basically left unattended and I was the only visitor there that day. Too bad that the footpaths were very narrow and my options for compositions were rather limited. I am however, very happy with how the Fomapan 100 handled the dynamic range in this shot, I was looking at least at a 7-stop range if not more and I'm pretty happy with how the exposure came out.
The shot was made using the Schneider Super-Symmar XL 150mm f/5.6 with Iva center filter. The film used was Foampan 100, home developed in ADOX Rodinal 1+25 dilution then scanned on an Epson V850 flatbed.
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-ray - 8x10 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
©2021 Gary L. Quay
Lyle, Washington is located in the eastern Columbia Gorge, directly across from Rowena Crest. The Columbia River is fairly wide there, and it takes one hell of a lens to do this. I used one hell of a camera too. It's an Eastman Kodak Commercial 8x10 view camera that is capable of a yard of bellows extension.
I have had some trouble with the film. I'm not sure why it was happening, but this film, and a pack of HP5 had some diffuse lines of higher density running through it. I have to clean them up in Photoshop. They are about 3/4" wide, and there is sometimes smaller lines. You can see them in the water at the bottom, and in the sky at the top. I cleaned them up as best as I could. I keep the film in the freezer until I am ready to load it, but I am wondering if something happened in the freezer. I am going to try some different film from the freezer soon, but what is concerning is that I have about 5 boxes of Efke film, which is no longer available, in the freezer. If all of the film that was in the freezer at about the same time period was ruined like this, that would really suck.
Camera: Eastman Kodak Commercial view camera
Lens: 760mm SK Grimes
Film: Ilford Ortho+ developed in Kodak HC-110
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