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The view from Rowena Crest in the early Spring 2015. I didn’t record the specifics on this one like I usually do, so I’m not sure of the developing. I know the rest, though.
Camera: Deardorff 8x10
Lens: 240mm Nikkor-W
Film: Ilford HP5+
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La Gundlach Korona View és una càmera nord-americana de gran format, força lleugera i de gran qualitat.
Aquesta càmera en concret és la Korona View de segón model, fabricada entre 1909 i els anys 30; en tot cas aquesta data d'abans del 1926, ja que la companyia canvià de nom. És de format 5x7 polzades i la vaig comprar amb un objectiu Plaubel Anticomar f4.2 / 210mm montat en un gran obturador Compound; junt amb la càmera anaven tres portaplaques dobles amb el nom del antic propietari, Dr. H. B. Wright. Tot plegat sembla indicar que fou venguda als Estats Units als anys 20 o 30.
És molt curiós perquè la vaig comprar amb la idea exprés de fer-la servir per a fer plaques de col·lodió, i un dels tres portaplaques estava precisament adaptat per a col·lodió (i marcat com a tal).
Per cert, només em vaig adonar a posteriori que havia comprat una càmera que porta per nom KORONA just aquest any 2020.
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
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The Gundlach Korona View is a large format American camera, quite light and built in high quality materials.
This particular item is the 2nd. model Korona View, made between 1909 and the 1930s; but this one was made before changing the name of the company in 1926. It is a 5x7 format camera and I bought it with a Plaubel Anticomar f4.2 / 210mm lens mounted on a large Compound shutter; along with the camera were three double plate holders with the name of the former owner, Dr. H. B. Wright. All this seems to indicate that it was sold in the United States in the early 1920's.
It’s very curious because I bought it with the express idea of using it to make collodion wet plates, and one of the three plate holders was precisely adapted for collodion (and marked as such).
By the way, have you noted that I bought a camera named Korona precisely in this 2020? The year of what...?
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...
St Margaret's Church Cowlinge in Suffolk.
MPP Micro Technical 5 x 4in and Schneider Kreuznach Xenar 1:4.5/150mm, Fomapan 200, f32 at 1/5 sec. Scanned with Epson Perfection V800.
Chamonix 45H-1
Kodak Ektar 100
Schneider-Kreuznach Super-Angulon 5.6/65
Horseman 6X12 Roll Film Back
3 stop Dark CPL
Fuji Neopan Acros 100, 4" x 5", 80 iso, N + 1/2 development in Rodinal developer, 1:50, 11:00minutes, 24C. Taken July 2017. Ebony SV45TU. Fujinon-A 240mm.
I used a six stop neutral density filter, and a #25 red filter to both increase contrast, and allow for a long exposure. Exposure time was 1 minute at F20.0. My goal was to show some motion in the foreground grasses and the sky while keeping the house itself sharp. I think it worked...? This old house is near Andrew, Alberta in Lamont County.
Autumn's Embrace"
On the end of day 2 of my Zion fall color trip, I was exploring unnamed slot canyons searching for compositions when I came across this little scene. A young cottonwood sapling adorned in the brilliant yellow of peak fall color leans in towards a bright red maple sapling, which in turn leans in towards the cottonwood from a shelf above. This is an unusual scene, to see deciduous trees in fall color living in a desert slot canyon, and I think the juxtaposition of these different elements makes for a very beautiful combination.
Details:
Intrepid 4x5" Field Camera, Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens.
8s @ ƒ/32 6:15pm.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
Agfa Universal View 5x7 camera circa 1940, Caltar Pro Series 210mm, f/32 at 1/8th second, Tmax-100 developed in Stoeckler's Two-Bath, four minutes each bath, using a Stearman SP-810 tray.
It seems there is a minor light leak at right top? Time to recheck all the bellows patches!
UPDATE: the bellows are cracking all over the folds! Yikes. I haven't used this camera outside of the studio for maybe 5 or 6 years; in the studio I have the habit of keeping the darkcloth over the camera at all times. The tube-style darkcloth I use outdoors can't perform the same service when it comes to shielding the bellows from light. Some maintenance work lies ahead.
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6x6 Mask) - HC110 1+100 - Unaltered Negative Scan
©2022 Gary L. Quay
I took a trip to the Oregon Coast for my "Places of Doom" project. I was there to get pictures of a little body of water called Dope Creek, which turned out to be nigh impossible. Boiler Bay almost qualifies as a Place of Doom because of the way it got its name. A ship ran aground and exploded in 1910, and all that remains is the boiler, which can be seen at very low tides. I did manage to photograph Dope Creek at a distance, and got some Lensbaby pictures of the "Devil's Punchbowl", which is on the list of Places of Doom, but the feature - a sea cave where the roof fell in - is not very picturesque. I hoped that the Lansbaby Edge 35 would bring it to life.
I'm mostly happy with the developement of this one, but there was a light leak in the lower left corner, which I cleaned up in Photoshop. I will have to test that film holder.
Camera: Deardorff 8x10
Lens: 10" Kodak Commercial Ektar
Film: Ilford FP4+ developed in Rodinal 1:50
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My Website and Blog: Gary L. Quay Photography
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Model: Alexia Day www.facebook.com/AlexiaDayModel/?fref=ts
Camera: 4x5 view camera
Film: Fuji FP-100C45 expired
'Roid Week (Polaroid Week) Day 5
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Lower right corner of the ground-glass focus plate on the Burke and James 5x7 view camera I picked up at the camera club auction a couple weeks ago.
Approximately 2.5" edge to edge.
Camera: Eastman View No. 2-D 8x10
Lens: Ilex Process Paragon 15"/9
Shutter: Packard
Exposure: 7 min. f/45
Film: Arista Edu 100 8x10
Tray Development: D-76 1:1 68 degrees 12 min. continuous rocking of tray.
Scanned from print developed 5 Min. in undiluted Caffenol-C at 80 degrees on Adorama RC Perle.
SEE THE CAMERA AT THE LINK BELOW:
Muse: Nicole
Artist: Paul van Bueren
Sinar P2
Fomapan 400
Copyright by Paul van Bueren
I miss my 4x5" Camera, still haven't found and bought a Field Camera.
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Ektascan B/ra - 8x10 X-Ray Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - G-Claron 210mm (Dagor type) - f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Salt Print on Canson 300gsm paper; X-ray Negative made from 5x7 Silver Positive Contact Print
Been in the Salt Printing Vortex lately. A simple simple process with a more subtle result than a platinum or kallitype. Also not an expensive one to do.
1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor Type) - f/45 - Fomapan 100 - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
Iran, Tehran, Firuzkuh, Arjomand, Panoral 45 camera, Schneider Super Angulon 90/5.6, Hoya red filter, Kodak T-max 100, 6x9 roll film
www.mr-alvandi.com/gallery/black-and-white/arjomand-008.html
Large format landscape photography techniques by www.mr-alvandi.com
My Telegram channel: telegram.me/mreza_alvandi
My Instagram: www.instagram.com/mreza_alvandi
El Capitan, the dramatic end of the Guadalupe Mountains in west Texas. From above it looks like the prow of a ship sailing across the desert. A favorite location and subject for me.
This is a large format film shot I did on my Arca-Swiss 4x5 camera with a Nikon 210mm lens (normal view about a 55mm in full frame digital terms). The sheet film was Efke 25 which is a B+W negative film that I had processed by DR5 Chrome into a positive. Yes, a black and white positive. Love looking at these on the light table. Scanned on my Epson 4990 flatbed scanner.
This waterfall was located inside a privately run park somewhere down a very badly kept dirt road winding into the mountains just outside the national park. During the holidays the park was basically left unattended and I was the only visitor there that day. Too bad that the footpaths were very narrow and my options for compositions were rather limited. I am however, very happy with how the Fomapan 100 handled the dynamic range in this shot, I was looking at least at a 7-stop range if not more and I'm pretty happy with how the exposure came out.
The shot was made using the Schneider Super-Symmar XL 150mm f/5.6 with Iva center filter. The film used was Foampan 100, home developed in ADOX Rodinal 1+25 dilution then scanned on an Epson V850 flatbed.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji UM/MA - 8x10 X-Ray Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
Bought a 5x7 3d printed camera: WillTravel 3D Printed Camera - Eskofot Ultragon 150mm - f/32 - Fomapan 100 - 5x7 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
We had a hurricane in my part of the US and the river rose because of it so of course I had to photograph it...
Arjomand village
Iran, Tehran, Firuzkuh, Arjomand, Panoral 45 camera,
Schneider Super Angulon 90/5.6, Hoya red filter, Ilford FP4 4x5in film, croped
www.mr-alvandi.com/gallery/black-and-white/arjomand-006.html
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
WillTravel 5x7 3D Printed Camera - Eskofot Ultragon 150mm - f/32 - Fomapan 100 - 5x7 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
Happy Birthday Ansel Adams! With Feb 20 being Ansel's birthday, I thought posting a large format, black and white image would be appropriate.
A Texas windmill on a socially distanced day drive west of Fort Worth last summer.
Shot on my 4x5 Arca-Swiss camera and a Fujinon 125mm lens. I was using a red 25 filter to darken the sky and Arista 100 EDU sheet film.
1 second at f/45
I made this shot on the same morning as the "Emperor Peak" shot, the fog in the mountains seem to be flowing out in between the peaks in the distance almost like an avalanche. What drew me to this scene is the serenity of the village in the morning with the eternal background which looks almost like those Chinese watercolour paintings. Both the contrast between human elements and nature, and the contrast between the sharp foreground and soft ethereal background is what makes this image interesting for me personally.
The Chamonix Alpinist X was used for this shot, with the Fujinon C 600mm f/11.5 lens at f/45 and 2 sec exposure. The film used was Fomapan 100 which was then developed in ADOX Rodinal at 1+50 dilution and scanned on an Epson V850 flatbed with Silverfast.
Shen Hao 617 TFC617-B | Schneider Kreuznach Apo Symmar 180mm f5.6 MC | Ilford SFX 200 R72 Infrared Filter | Howtek D4000 Drum Scan