View allAll Photos Tagged viewcamera
Toyo Field 4 3/4 x 6 1/2 Sakai Special
CM Fujinon W S 125mm f/5.6
Kodak TXP 320
14:00 min in Rodinal 1:50 @ 21ºC.
2023005-08
Sydney, NSW, Australia.
September 2020.
Kodak Portra 160.
Developed in the Cinestill C41 kit.
Chroma Camera 4x5. Nikkor W 135/5.6.
1sec f/45.
Scanned Epson V850.
Curves and dust in LR.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - UM/MA X-Ray Film - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
Cyanotype print in infusion of hazelnut leaves for get a brown toning. Compared to coffee toning, it stains paper less and no bleach bath is needed.
5x10 in-camera image: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Friday 3rd September 2021
Camera: 1956 Linhof Super Technika 4 x 5".
Lens: Schneider 90mm Angulon f/6.8.
Film: Ilford Delta 100 4x5" sheet black & white negative.
Exposure: 15 seconds @ f/16.
Development: ID-11 1 + 3 22 min/20C.
In Explore November 17, 2021
Copyright 2021 Tasmania Film Photography
All Rights Reserved
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Former industrial pier at Little Squalicum Creek on Bellingham Bay in Bellingham, Washington.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is expired French made Kodak Super-XX Nitrate film. I don't have an expiration date but I know nitrate film has not been made for decades. The film was for Tri-Color Photography. I developed it in Kodak HC-110 Dilution B for 5 minutes with some Benzotriazole to help reduce fog.
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Happy Newer Year!
1891 Rochester Optical Company Universal - Schneider Angulon 90mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
The token Shanghai skyline shot from my usual spot to get a better feel for the focal lengths I have and the dynamic range of Provia 100F for cityscapes in low light.
So far I'm pretty satisfied with the performance of the film, however, the 240mm lacks the necessary image circle to properly shoot these scenes from ground level. The 150mm is wider but has almost no movement capabilities due to bellows restrictions (it's not possible to use bag bellows on my Chamonix, at least it's not something I can do myself).
The image was developed at home then scanned on the V850 using Silverfast. The amount of detail is astounding, even at a mere 600dpi scanning resolution.
From today: 1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Negative Scan
1897 Ak-sar-ben Camera - Ilex Goodkin-Astro 210mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Unaltered Negative Scan
#8x10Film #FilmPhotography #BlackAndWhiteFilm
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
This is a single 5x7 inch sheet film negative. Since I don't have a scanner that can handle large negatives, I scanned it in three parts.
Camera: Eastman View No. 2 5x7. Ektar 10 lens in Ilex No. 4 Shutter.
Pan x film in HC 110
I did take the Wista out on the hikes and even photographed with it from time to time, when we could get a break in. It's certainly not a camera that one can shoot from the hip and so I tried not to break the flow of the hikes. When I was out by myself, however, I took my time and got the camera out whenever I came across a scene that caught my eye. A scene such as this one from above the Fieschertal.
P.S. Happy New Year everyone!
Committed to Kodak Tmax 400 using a 4x5" Wista field camera and 150 mm lens. Developed using Ars-Imago FD 1:39, dev. time as per the massive dev chart, and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning and final contrast in Photoshop.
1905 Korona View -Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Shanghai 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Schneider Angulon 90mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
A rocky river and bluffs.
Shot on my Arca-Swiss 4x5 with Ilford Delta 100 film, processed in DR-5 as a chrome (positive). Looks outstanding on the light table.
See the longer story and more images on my large format photography blog:
thelargeformatcamera.blogspot.com/2020/06/bluffs-along-ri...
Times Theater - Rockford, Il
Graflex Graphic 4x5 View Camera - Zeiss Tessar 13.5 in Compur Shutter.
Plus X Pan Sheet Film in HC 110
1905 Korona View - Agfa Repromaster 210mm - f/45 - Ilford Delta 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Ilex Paragon 163mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
for prints: www.darkroomprint.com
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Focus mechanism for my Speed Graphic view camera. For the September 17 Macro Mondays theme "Cogwheel." Four images focus-stacked.
The camera was manufactured in the late 1940s or early 50s. I bought this one, used, with my paper route money and took pictures for my high school yearbook during the late 1960's.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6"x6" In Camera Mask) - HC110 1+100 - Unaltered Negative Scan
Toyo View Deluxe / Schneider Symmar 150mm 5.6 / Agfa MCP 310rc paper negative
When I think abstractly of screwmount Zenits, the first thing my brain does is classifying them by order of desirability when shooting, that is, the last are the M39 ones (I'm an obligate glasses wearer and the M39s are impossible to shoot with glasses), and the Zenit TTL comes close, just above them.
It has the same eyepiece shape that all the m42 (except 16) Zenits have, but the focussing screen is abjectly dim and dark. I get that they wanted to impove on the V, E, EM, etc focussing screen by adding a split image spot in the middle, but oh, boy, did they drop the ball with this one. The 12, the next evolutive step on the Zenit line, was an incremental improvement mostly because it kept everything that was OK (good is too good for a Zenit) and added a MUCH brighter focussing screen to the mix.
That said, I have a strong emotional relationship with the TTL, as the first SLR that I really owned was a Zenit TTL that I bought from the evilbay, which, oddly, came with an old soviet developing tank for just one reel and that I can't find anywhere... and there my GAS was born.
First photo( paper negative ) from the camera in the previous photo. I pretty much got the desired effect from blur to more in focus. It's part of the fun for me, making photos like this that never quite turn out the way I intend but often come out better in a damaged way :)
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan