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1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan

 

Went back and made a photograph with the 8x10 today of this scene having photographed it with the 4x5. Richer tones.

 

©2020 Gary L. Quay

 

I had one of the really old cameras out at Mosier in mid-November. I had set it up while the river was mirror-like, but the wind picked up while I was metering, and getting ready. The mirror was all but gone when I took the picture. The high point of the experience was when a beautiful young woman jogged past, and called out "That's so cool!" about me and my camera. If I'd had my wits about me, I would have given her my card, as asked if she wanted to model sometime. She had the kind of body over which sailing ships of old were dashed upon the rocks to get near. After I packed up my gear, and moved on to the next spot, she waved at me as I drove past. It kind of just melts a middle-aged man's heart.

 

I had forgotten something about the camera. It has way too much bellows. It has to be pulled forward in order to focus at infinity, otherwise it makes a 5x7 negative into a 5x5, because part of the bellows masks the negative. The little leather rings on the side of the bellows had torn off a long time ago, and I was using string to do the job, but it had been so long since I had used the camera that I forgot. I cropped the picture down to roughly the same aspect ratio.

 

Camera: 5x7 Kodak Premo Pony

Lens: 8 1/2" Bausch & Lomb Planatograph

Film: Ilford HP5+ developed in Eco Pro Film Developer.

 

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Eastern Columbia Gorge

Old School Film Photography

and Flickr Today 2

1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

  

Playing around with 90mm OmegaView 4x5

Artist: Paul van Bueren

Model: Sharon

Sinar P2

Fomapan 400

 

Copyright by Paul van Bueren

www.paulvanbueren.com

Toyo-View D45M

Schneider-Kreuznach Symmar 5.6/210

Ilford HP5

@ f:5.6 ~1/17s

Moscow, June 2019

 

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©2003 Gary L. Quay

 

I took this picture from the Franz Lake Wildlife Refuge, Washington, in the Winter of 2003. I think a wider lens would have been helpful, but I did not have one at the time. I was still fairly new to medium format, and was still learning composition.

 

Camera: Hasselblad 500CM

Lens: 80mm Zeiss Planar

Film: Kodak TMax 100

 

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My Sinar Norma monorail, most brilliant camera ever.

San Francisco de Asis church, Taos, New Mexico

Photographer: Paul van Bueren

Model: Valerie

Cambo SC-1

Fomapan 400

 

Copyright by Paul van Bueren

 

Want to work with me? Just let me know!

www.paulvanbueren.com

 

Friday 3rd September 2021.

Camera: 1956 Linhof Super Technika 4 x 5".

Lens: Schneider 90mm Angulon f/6.8.

Film: Ilford Delta 100 4x5" sheet black & white negative.

Exposure: 30 seconds @ f/22; lens focused to 5 metres.

Development: ID-11 1 + 3 22 min/20C.

 

Copyright 2021 Tasmania Film Photography

All Rights Reserved

Toyo-View D45M

Fujinon-W 5,6/150

Ilford HP5

@ f:5.6, 1/30s

Moscow, June 2019

 

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©2013 Gary L. Quay

 

This is from last week's Columbia Gorge Trip. I finally had a day off, and was dying to get out and do some photography. Gaia and I drove out to the Mosier area, which is 6 miles past Hood River, and visited Rowena Crest. I saw the light on this hillside on the way back down the hill, so I stopped to take a picture. I used my ancient Cook Anastigmat: an uncoated brass lens that I picked up in 2011. It's an excellent lens to use when a modern lens would give too much contrast.

 

Camera: Super Speed Graphic 4x5.

Lens: 8" Cooke Anastigmat.

Film: Kodak T-Max 100 developed in PMK Pyro.

 

©2013 Gary L. Quay

 

Replaced image 6/23/24 for better metadata.

 

# #columbiagorge #mosieroregon #myoregon #pnwexplored #oregonexplored #cascadiaexplored #onlyinoregon #mosier #filmphotography #largeformat #garyquay #viewcamera #traveloregon #easterncolumbiagorge #kodak #oregon #tmax #pacificnorthwest

 

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A former workshop of L.Gandolfi & Sons, (Established 1880) Master Camera Makers.

 

Makers of legendary hand crafted wooden view cameras.

 

The company survived until 1993.

 

LR3350

salt print

8x10 film printed on Arches paper 180gr

Borace gold toned

  

www.instagram.com/stefano.bernardoni/

sunpak 611 , camera right in medium softbox, up high,1/4 power,tripped with optical slave by on camera 580ii,1/128 power

 

1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan

 

The rocky face of Pilot Mountain

  

taken with Topcon RE Super, Topcor 58mm f1.8, Ilford XP2 Super

Photographer: Paul van Bueren

Model: Anna

Cambo SC-1

Fomapan 400

 

Copyright by Paul van Bueren

Instax Wide film

Lomograflok 4x5 Instax Back

Schneider Symmar 180mm F/5,6

Flash

With the new groundglass back it is a pleasure to shoot Instax.

Instax film is awesome.

31. Dezember 2021

  

1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

Playa Frouxeira, Valdoviño , La Coruña. El faro de Punta Frouxeira se adivina en lontananza.

Chamonix F1 : Nikkor-M 300/9

Foma 100 : HC-110 (e)

5x10 from yesterday: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Negative Scan

I completed building a point and shoot large format camera from spare view camera parts. So, yes..., it's a Franken-camera, but with it I am able to shoot 4x5, Instant film (Fuji FP 100b and 3000b), and 6x12 cm panoramic on 120 roll film. The lens is a 75mm Nikkor, which is about the same angle of view as a 24mm on 35mm.

 

I built this to take with me on an upcoming trip to California where I really don't want to lug the Linhof around with me. I also built this camera to take with me and shoot in the urban environment when a traditional view camera would prove challenging.

 

The camera is most;y built from spare Cambo view camera parts, which are easy to find used, the lens cone is a flipped Toyo recessed board, the helicid was ordered from China, however, any hellcoid (pentax 67 works really well) that is large enough to accommodate the lens can be used. The view finder is a 21mm Zeiss finder. The total cost excluding the finder and lens was about $200.00, which is about a third of the cost of a Cambo Wide, which this camera resembles.

  

I bought a new camera today. It needs a little work. The lens brass has a ding on the front, and it's missing a piece of hardware on the front standard to secure the lens plate. The good thing is the leather bellows is light tight, and it has no termite damage. A little love and it will be making images again. What should I name her?

 

View Large and on Black

 

Strobist: AB800 with HOBD-W camera left. Gold reflector camera right. Triggered with Cybersync.

©2000 Gary L. Quay

 

I took this picture a long time ago on a visit to Victoria BC, and its surrounding scenery. It is certainly a beautiful part of the Pacific Northwest.

 

Camera: Hasselblad 500CM.

Lens: 80mm Carl Zeiss.

Film: Ilford Pan-F +

 

Updated Exif data 2/24/23.

 

# #britishcolumbia #sooke #garyquay #hasselblad #pnwexplored #hasselblad #500cm #pacificnorthwest #cascadiaexplored #viewfromhere #YourShotPhotographer #film #filmphotography #mediumformat #viewcamera #columbiagorge #hoodgorge #ilford #blackandwhite #landscape #landscapephotography

 

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casein over Chrysotype

from original camera negative

8x10

Zeiss Ikon Ideal 250/7 9X12cm Plate Camera with a Zeiss Jena Tessar f/4.5 13.5cm lens in a Compur shutter. This one has a bayonet lens mount for interchangeable lenses.

Another in my Lost images large format scan series.

Taken June 5, 2003 with a Galvin 6x9 Medium Format View Camera.

The Dalles Dam has been a fovorite spot for me for almost a decade, and, now that I have moved away from Hood River back into the Portland area, I look back on being minutes away from The Dalles with not a small amount of nostalgia. I really loved living there. It was the 52 mile commute to Gresham every day that did me in. I needed to reclaim that time.

 

So, now, I am going through my reams of negatives to find some that may look good on other peoples’ walls. I like this one.

 

Camera: Sinar Alpina 4x5

Lens: 12” Bausch & Lomb Anastigmat

Film: Ilford HP5+ developed in Clayton F76+

 

# #thedalles #oregonexplored #outinoregon #myoregon #wascocounty #thedallesdam #fishing #pnwexplored #pnwcrew #ilfordhp5 #garyquay #filmphotography #largeformat #viewcamera #largeformatphotography

 

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Wasco County, Oregon

Mosier, Oregon

and Old School Film Photography

Kodak Portra 160 Toyo 45A Fujinon NW 125mm F5.6 Digitized with Negative Lab Pro v2.1.2

1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

Muse: Dème

Artist: Paul van Bueren

Cambo SC-1

Fomapan 400

 

Copyright by Paul van Bueren

www.paulvanbueren.com

Anyone who knows me well enough knows that Grant Park is one of my most treasured areas in Milwaukee. Since I was 9 years old I've been coming to this location and have had many awesome memories here.

 

This photo marks one of those amazing moments.

 

September 2011

Lake Michigan

Grant Park

South Milwaukee, WI

 

4x5 Calumet View Camera

75 mm Schneider-Kreuznach f/8

Kodak E100 G Color Transparency Sheet Film

Cokin P121 3-stop Graduated ND Filter

 

Scanned on the Heidelberg DC3000 Drum Scanner

1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

Taken at my recent artist residency in the mountains at Penland School of Craft. 1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

©2021 Gary L. Quay

 

This is a rusted gate at the Fort Stevens jail, in Fort Stevens, Oregon. The landscapes were not very interesting that day, so we opted for the doorscapes. This is a film version of pictures I posted a couple of weeks ago.

 

I was testing out the repair on the Deardorff, which seems to have been a success. I haven't gotten it out in bright sunlight yet, but that will come once the smoke clears.

 

Camera: Deardorff 8x10

Lens: 360mm Schneider

Film: Ilford Ortho+ developed in 510-Pyro

 

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Eastern Columbia Gorge

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8x10 negative, contact print. Toned.

 

Ilford Delta 100, 4" x 5", 64 iso, estimated development in Rodinal developer, 1:50, 12:00minutes, 24C. Taken October 2018. Ebony SV45TU. Nikkor W 150mm.

 

Allstones Bay, Abraham Lake, Clearwater County, Alberta

Deer Creek Grange No. 371 in Selma, Oregon.

 

Photographed with a Graflex Pacemaker Crown Graphic 34 using a Kodak Ektar 127mm f/4.7 lens. The film is Adox CHS 100 II developed in Rodinal 1:50.

[EXPLORED 22nd May 2013]

 

A DIY project I´ve been at for the past couple of weeks. The bare bones 600SE body has been lying around for a while, originally bought for a Super Wide project.

 

The camera is simple enough, does not fold, and does not have a geared focusing rack. Just push and pull, though it does have focus lock.

 

Has front movements only (understandably). Shift, swing, tilt and rise. Fall too, but only if you also tilt.

 

Designed for smaller (in size) lenses, so no large rear elements here. Will work with 114mm and up to 175 or so, though no movements to speak of before 127-135mm. Seen here with Tominon 127mm f4.7

 

The Polaroid 600SE fasteners will allow all sorts of backs. Polaroid 100 type of course, but also 120 up to 6x9, and even 4x5 (though not with full coverage)

 

Hopefully I can afford a proper focusing back for it at some time. As it is I have made a ground glass insert for a CB103 back, which works, but not overly well.

 

Bellows work, though could be prettier. At least now I know what I did wrong, if I ever get round to making a new set.

 

Quite compact without back and carrying handle. Less than 130mm x 135mm x 160mm. And very light. Used as little materials as possible, and as light as possible. Weighs 840 grammes net, 1450 with Polaroid back and Tominon lens in Copal press shutter.

 

All work has been done with hand tools, and a drill.

 

Captured with Fuji X-E1, Canon FD 50mm f1.8

 

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