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Torrey Pines State Reserve
San Diego, CA, USA
Ikeda Anba 4x5
Nikon 90mm f/8 Nikkor-SW
Ilford Delta Pro 100
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Scan of a darkroom print on Ilford MGWT RC paper.
This is a composite picture, with two negatives printed simultaneously on the same paper.
The picture of the Moon is on a 9x12cm sheet of film, which is projected on the baseboard of a 4x5" enlarger (at a 4.5 magnification), and onto an 18x24cm sheet of film containing the clouds (which is contact printed).
With the same exposure (and some minimal dodging and burning) the two negatives are combined into one print.
Both negatives are Fuji AD-M xray film.
They were both shot with the same camera, a Kodak Master 8x10" view camera, but on different dates.
The Moon was shot with a Symmar 360mm lens on May 29, 2018.
The clouds were shot with a Fujinon W 180mm lens on June 14, 2018.
Both negatives were developed in Rodinal (RO9) at 1+100 dilution (1lt solution in a 10x12" tray), at 24C, with intermittent agitation.
The Moon for 10'min.
The clouds for 12'min.
1897 Ak-sar-ben Camera - Eskofot Ultragon 305mm - f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
The 4x5 Stitch/Shift Adapter from Fotodiox allows you to mount your modern full frame digital camera on a large format 4x5 Graflok back film camera and capture beautiful, high resolution stitched images like this! This panorama is made up of six images stitched in Photoshop and captured with a Nikon D800E mounted on a Horseman 4x5 View Camera and a Caltar II-N 240mm MC f/5.6.
Click here to watch a video showing how our 4x5 Adapter works: www.youtube.com/watch?v=ALDQ3a2r-wQ
Night view of downtown Hong Kong's commercial office buildings One and Two International Finance Centre, Three Exchange Square and Bank of China Tower on a Sunday evening in April 2014.
Taken with a Chamonix 045F1 4x5 large format view camera and a Rodenstock Grandagon-N 4.5/90 mm on Fuji Provia 100F (1 min at f/22).
1891 Rochester Optical Company Universal - Graflex Optar 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Agfa/Ansco 8x10 Commercial View
Fujinon 300mm f/5.6
Ilford FP4+ in HC110
Scanned with digital camera on light table
DETAIL OF TASMANIAN SNOW GUM (Eucalyptus coccifera), CRADLE MOUNTAIN – LAKE ST CLAIR NATIONAL PARK, Tasmanian Wilderness World Heritage Area, TASMANIA, Australia
Arca-Swiss F-Line Field 4x5, Schneider Makro-Summar 120mm, Fujichome Velvia RVP 50 4x5
Relicts - Exploring the Flora of Gondwana
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
We first visited this lake during the day to explore all the different fall color areas in the Aspens, but realizing the potential, I decided to return at sunset one night to see if I could find an image. The ends of the lake were lined with fishermen, so I decided to find a random quiet spot along the shoreline, and settled on this secluded cove lined with Aspen and strewn with massive boulders. Several Mule Deer made their presence known by crashing through the trees to my right after I made the exposure.
This is another of the large format film images from our fall color trip to the Eastern Sierra, made with my Birch wood and Aluminum Intrepid 4x5" Field Camera. It was quite a peaceful experience standing by the camera, listening to the sound of the water lapping against the shore and enjoying the crisp fall smell of the Aspen leaves as I watched the sunset colors shift and change, waiting for the opportune moment to press the shutter cable release.
Details:
Intrepid 4x5" Field Camera
Schneider-Kreuznach 90mm f/8 Super-Angulon lens
Fuji Velvia 100 4x5" color transparency sheet film. 2-stop ND grad to hold back the sky.
Developed at NCPS.
Dead flower covered in snow and ice during a December ice storm.
Camera: Graflex Pacemaker Crown Graphic 34
Lens: Kodak Ektar 127mm f/4.7 lens
Film: Adox CHS 100 II
Developer: Kodak HC110 Dilution B
A former workshop of L.Gandolfi & Sons, (Established 1880) Master Camera Makers.
Makers of legendary hand crafted wooden view cameras.
The company survived until 1993.
LR3350
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
Went back and made a photograph with the 8x10 today of this scene having photographed it with the 4x5. Richer tones.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Located at the mouth of the Twelve Mile Creek, the Bronte settlement, founded in 1834 was noted for its fishing and ship building. Although settlement began in 1814 when Philip Sovereign arrived, naming the area "The Twelve" Soon a thriving community grew up around the harbour established in 1846. As ship building activities increased, mills grew up along the Creek. Full village status would not arrive until 1951, and in 1962 was amalgamated into Oakville. The Sovereign House, pictured here, was home to the whole Sovereign family and today is home to the local historical society.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Anzac Bridge, Sydney, NSW, Australia.
January 2021.
Instax Wide.
Chroma Camera Carbon Adventurer 4x5 + Nikkor W 135/5.6.
1/15sec f/5.6.
sunpak 611 , camera right in medium softbox, up high,1/4 power,tripped with optical slave by on camera 580ii,1/128 power
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
©2022 Gary L. Quay
I was out with the Deardorff at the beginning of October, and we stopped at the Grist Mill to see how the fall foliage was coming along. It was not. This was a late blooming Autumn. Many of the leaves still had not started to turn as of early November. Still, I had some 8x10 film along, and this is the result. I cropped about 1/4 from the bottom of the picture to emphasize the mill.
Camera: Deardorff 8x10
Lens: 12" Goerz Dagor
Film: Bergger Panchro 400 developed in Photographers Formulary FA-1027.
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Verlaten (abandoned)
Muse: Hannah
Artist: Paul van Bueren
Sinar P2
Fomapan 400
Copyright by Paul van Bueren
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
©2003 Gary L. Quay
I took this picture from the Franz Lake Wildlife Refuge, Washington, in the Winter of 2003. I think a wider lens would have been helpful, but I did not have one at the time. I was still fairly new to medium format, and was still learning composition.
Camera: Hasselblad 500CM
Lens: 80mm Zeiss Planar
Film: Kodak TMax 100
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My Website and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
This is the Christ Evangelical Lutheran Church in Stouchburg, PA, taken in June of 2012, when Gaia and I were back East to visit the relatives. It was good to get out on occasion for some pictures.
Many of the older buildings in this part of pennsylvania were built with that light, gray stone, and sometimes with the limestone for accent as is seen here (at least, I think it's limestone). They really are beautiful, but they are still being torn down when they should be preserved.
Camera: Speed Graphic 4x5
Lens: 90mm Nikkor
Film: Kodak T-Max 400 developed in PMK Pyro
# #berkscounty #pennsylvania #garyquay #outside #outdoors #viewfromhere #viewcamera #filmphotography #4x5 #church #largeformatfilm #farm #rural #largeformat #speedgraphic
My Web Site and Blog: Gary L. Quay Photography
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As I lined up this first shot, I couldn't help but notice the scraggly looking pine sticking up above the other. I couldn't help but think of the Frederick Varley painting Stormy Weather, Georgian Bay.
Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - New55 Atomic-X @ ASA-100
Blazinal (1+100) 60:00 @ 20C (Stand Developed)
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
I bought a new camera today. It needs a little work. The lens brass has a ding on the front, and it's missing a piece of hardware on the front standard to secure the lens plate. The good thing is the leather bellows is light tight, and it has no termite damage. A little love and it will be making images again. What should I name her?
Strobist: AB800 with HOBD-W camera left. Gold reflector camera right. Triggered with Cybersync.
This is the Cedar Creek Grist Mill near Woodland, Washington. It still functions as a mill on occasion, which is extremely awesome.
I finally bought a scanner capable of scanning 8x10 film, and this is the first sheet of film I scanned on it. It does a decent job, but I may want to calibrate it eventually.
©2014 Gary L. Quay
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My Web Site and Blog: Gary L. Quay Photography
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Feel free to join my Flickr groups
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Instax Wide film
Lomograflok 4x5 Instax Back
Schneider Symmar 180mm F/5,6
Flash
With the new groundglass back it is a pleasure to shoot Instax.
Instax film is awesome.
31. Dezember 2021
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
I pressed the view- instead of the shutter release for about 1/2 s.
Hilba view camera with Lomograflok back, Symmar 180mm F/4,5 ca. 1/2s,
Modelling light from flash through umbrella.
This is my last box of Instax FP-100C45 It expired in April 2010
Colours are still better than new 600 film.
24.Oktober 2022
With Kallitype print process on Bergger cot 320
Ammonium Citrate & Sodium Acetate 2:1
Platinum toned
8x10' analogic film
Friday 3rd September 2021.
Camera: 1956 Linhof Super Technika 4 x 5".
Lens: Schneider 90mm Angulon f/6.8.
Film: Ilford Delta 100 4x5" sheet black & white negative.
Exposure: 30 seconds @ f/22; lens focused to 5 metres.
Development: ID-11 1 + 3 22 min/20C.
Copyright 2021 Tasmania Film Photography
All Rights Reserved
Iran, Zanjan, Panoral 45 camera, Nikkor-W 150/5.6, Hoya red filter, Ilford FP4 4x5in film
www.mr-alvandi.com/gallery/black-and-white/zanjan-009.html
My Telegram channel: telegram.me/mr_alvandi
My Instagram: www.instagram.com/mreza_alvandi