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Muse: Maan

Artist: Paul van Bueren

Sinar P2

Fomapan 400

 

Copyright by Paul van Bueren

www.paulvanbueren.com

Photographed outside her studio with a lage format view camera. Schneider 210mm APO Symmar 1/60th F8 Tmax400

1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

Chamonix 4x5, HP5

Taken with a 4x5 on type 55 film. Lith print.

All Rights Reserved.

 

December, 1993

 

Ikeda Wood View Camera, 210mm Symmar S

 

Agfacolor Optima 125 4x5

 

My new scanner has unlocked my 4x5 and medium format collection, and will allow me to post new work along with the oldies. This one is a souvenir of a winter trek on showshoes lugging my gear.

1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Catlabs 80 - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan

 

saltprint

8x10 film printed on Arches paper 180gr

Borace gold toned

  

www.instagram.com/stefano.bernardoni/

Calumet CC 400, Schneider super angulon 90/8, FP4.

Leica S(006) 4x5 copies

©2011 Gary L. Quay

 

I decided to work on a picture I posted about 9 years ago, back when I had a functioning darkroom. I usually replace the originals on Flickr, rather than posting new versions, but the original was a scan of the print, and this is of the negative, and I wanted to leave both up for posterity.

 

This was taken with my 760mm SK Grimes lens fitted with a red # 25 filter on 8x10 Ilford FP4+.

 

Since I had two negs to process, I tried two different methods to get the sky to print easily next to the shaded foreground. The first method was to try divided D23: 4 minutes in the developer and 3 minutes in the alkalie bath. The negative came out splotchy, and completely unusable. Since one was ruined, I had to try something more fool-proof. I used Kodak HC110 and semi-stand development. This seems to largely have done the trick. The sky requires a little burning in, but not much.

 

Camera: Deardorff 8x10.

Lens: 760mm SK Grimes with red # 25 filter.

Film: Ilford FP4+ developed in Kodak HC110 semi-stand at 22:15 minutes.

 

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©2018 Gary L. Quay

 

We took a trip to White River Falls a couple of years ago, and stopped for this picture on the way.

 

Camera: Speed Graphic 4x5.

Lens: 15” Wollensak Tele-optar

Film: T-Max 400 shot at 200 ASA, and developed in Clayton F76+

 

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My Web Site and Blog: Gary L. Quay Photography

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Wasco County, Oregon

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and Flickr Today 2

©2023 Gary L. Quay

 

A continuation of my "Gins" series, but with different spirits.

 

Camera: Kodak Commercial 8x10

Lens: 11" Hyatt's Rapid

Film: Efke PL100

 

# #efkepl100 #garyquay #film #filmphotography #largeformat #stilllife #spirits #viewcamera #blackandwhite

 

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Eastern Columbia Gorge

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and Mosier, Oreogn

1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan

 

Have a new to me 8.5 inch Commercial Ektar I'm testing out

 

Tri-X Professional 320

Developer: Rodinal 1:25

DSLR scan

Chatswood, Sydney, NSW, Australia.

March 2021.

Instax Wide.

Chorma Camera Carbon Adventurer 4x5 + Nikkor W 135/5.6.

10sec f/45.

 

Toyo-View D45M

Schneider-Kreuznach Symmar 5.6/210

@f/5.6, 1/100s

Ilford HP5

Moscow, July 2019

 

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It's almost complete. All I need are some double dark slides and I'm ready to make some photos! Even my wife thinks it's cool.

Hand made Large Format Camera

Film: 125i exp. 2009

Luca Di Lotti Photography

Basiliek nearby Roermond (Limburg) Netherlands

Self-Portrait with 8x10 view camera, polaroid image transfer.

Toyo-View D45M

Fujinon-W 5,6/150

Ilford HP5

@ f:8, 1/30s

Moscow, July 2019

 

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Foggy Morning Walk: WillTravel 4x5 3D Printed Camera - Schneider Angulon 90mm - f/32 - Fomapan 100 - 4x5 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan

my first real 8x10" shot!

 

provia 100f developed in my jobo atl-1500.

Hilba view camera with Lomograflok back, Symmar 180mm F/16 1/15s, Flash through umbrella with modelling light on.

Instax Wide Film

24.Oktober 2022

1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

IG: @vladyurkov

 

Ilford Delta 100 4x5

Chamonix 45f2

210mm f45 60s

 

I ventured out towards the tail end of our most recent winter storm with a handful of film holders and a plan to compare and narrow down a variety of black and white film stocks. I've recently accumulated boxes of TXP320, Delta, FP4, and HP5 and was starting to get a bit overwhelmed with my monochrome emulsion options. My other goal for the outing was to capture the essence of the forest in the calm following a snow storm. If the image doesn't portray this, the exposure time definitely should. I left the shutter open for 60 seconds and every fragile snow packed branch and twig remained completely still and sharp. With just a mild curve adjustment following the inversion Ilford Delta 100 really nailed the look I was trying to achieve.

Contact print from 8’x10’ Foma film

printed on hahnemüle paper with kallitype process

dev am.cit/sd cit. No toned.

 

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1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative

  

After shooting the jade lady peak, I suddenly saw this little group of pale looking trees glowing in the sunlight that was now filtering through the mountains behind me. I quickly scrambled over the boulders in an attempt to still catch the fast moving light and ended up with this image. Again unfortunately the long exposure needed almost make what's left of the thin fog over the water almost vanish in the final image.

 

The shot was made using the Rodenstock Apo-Sironar-S 240mm f/5.6 with a 2-stop soft grad. The film used was Foampan 100, home developed in ADOX Rodinal 1+25 dilution then scanned on an Epson V850 flatbed.

I made this shot on the same morning as the "Emperor Peak" shot, the fog in the mountains seem to be flowing out in between the peaks in the distance almost like an avalanche. What drew me to this scene is the serenity of the village in the morning with the eternal background which looks almost like those Chinese watercolour paintings. Both the contrast between human elements and nature, and the contrast between the sharp foreground and soft ethereal background is what makes this image interesting for me personally.

 

The Chamonix Alpinist X was used for this shot, with the Fujinon C 600mm f/11.5 lens at f/45 and 2 sec exposure. The film used was Fomapan 100 which was then developed in ADOX Rodinal at 1+50 dilution and scanned on an Epson V850 flatbed with Silverfast.

Camera: Graflex Graphic View

 

Lens: Kodak Ektar 127mm ƒ/4.7

 

Film: Arista EDU 100

 

Development: Rodinal 1:100 stand for 1 hour (loose film in Paterson tank)

 

Scan: Nikon D7100 w/ Sigma 17-50mm ƒ/2.8 over light table

1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

Gaia and I went to Newport in September. I got out the 4x5, and used up some T-Max 400. It was way out of date, so it needed to happen.

 

I like the way this one turned out, although, my scanner has trouble with thinner negatives.

 

Camera: Sinar 4x5

Lens: 150mm Fujinon

Film: Kodak T-Max 400 developed in Clayton F76+

 

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Tvindefossen, Norway 2017.

 

Chamonix F1, Fujinon 250mm f/6.3, Fuji Acros 100 4x5.

Max shift.

The view from Rowena Crest in the early Spring 2015. I didn’t record the specifics on this one like I usually do, so I’m not sure of the developing. I know the rest, though.

 

Camera: Deardorff 8x10

Lens: 240mm Nikkor-W

Film: Ilford HP5+

 

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My Web Site and Blog: Gary L. Quay Photography

My stock portfolio on Shutterstock

My stock portfolio on iStock

My stock portfolio on Adobe

 

Feel free to join my Flickr groups

Wasco County, Oregon

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Old School Film Photography

and Flickr Today 2

 

La Gundlach Korona View és una càmera nord-americana de gran format, força lleugera i de gran qualitat.

 

Aquesta càmera en concret és la Korona View de segón model, fabricada entre 1909 i els anys 30; en tot cas aquesta data d'abans del 1926, ja que la companyia canvià de nom. És de format 5x7 polzades i la vaig comprar amb un objectiu Plaubel Anticomar f4.2 / 210mm montat en un gran obturador Compound; junt amb la càmera anaven tres portaplaques dobles amb el nom del antic propietari, Dr. H. B. Wright. Tot plegat sembla indicar que fou venguda als Estats Units als anys 20 o 30.

 

És molt curiós perquè la vaig comprar amb la idea exprés de fer-la servir per a fer plaques de col·lodió, i un dels tres portaplaques estava precisament adaptat per a col·lodió (i marcat com a tal).

 

Per cert, només em vaig adonar a posteriori que havia comprat una càmera que porta per nom KORONA just aquest any 2020.

 

www.piercevaubel.com/cam/gundlach/view.htm

 

camera-wiki.org/wiki/Korona_View_Camera

 

==================

 

The Gundlach Korona View is a large format American camera, quite light and built in high quality materials.

 

This particular item is the 2nd. model Korona View, made between 1909 and the 1930s; but this one was made before changing the name of the company in 1926. It is a 5x7 format camera and I bought it with a Plaubel Anticomar f4.2 / 210mm lens mounted on a large Compound shutter; along with the camera were three double plate holders with the name of the former owner, Dr. H. B. Wright. All this seems to indicate that it was sold in the United States in the early 1920's.

 

It’s very curious because I bought it with the express idea of ​​using it to make collodion wet plates, and one of the three plate holders was precisely adapted for collodion (and marked as such).

 

By the way, have you noted that I bought a camera named Korona precisely in this 2020? The year of what...?

 

www.piercevaubel.com/cam/gundlach/view.htm

 

camera-wiki.org/wiki/Korona_View_Camera

 

www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...

 

apenasimagens.com/en/anticomar-plaubel-2/

Omega view 4x5, Fomapan 100

1891 Rochester Optical Company Universal - Schneider Angulon 90mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

New Lens! Very excited to explore this lens. It seems great. This is not the "super" angulon, just the angulon.

 

Cottages under the peaks, Norway 2018.

 

Chamonix F1, Schneider Super Angulon 90mm, Ilford Fp4+ 4x5.

Susan in our mutual studio, with her up in the air somewhere products.

 

strobist: large open softbox (whitedome)

Toyo-View D45M

Fujinon-W 5,6/150

Ilford HP5

@ f:5.6, 1/30s

Moscow, July 2019

 

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