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1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Negative Scan
I built this 4x5/6x12 point and shoot camera many years ago but recently refurbished and improved the original. Since I mostly shoot 6x12 roll film I upgraded the finder to a 6x12 specific finder matched to this 75mm lens and added a grip that facilitates easy access to the shutter release. The lens is a 75mm Nikkor, which is about the same angle of view as a 24mm on 35mm.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
This is from my east coast trip in June of 2012, when we flew out to PA and NY to visit family, and didn’t get out much to take pictures. On an few occasions, I did make forrays into the hinterlands with my Speed Graphic, and photographed some old barns—a favorite subject of mine. I usually try to steer clear of having power lines in my pictures, but this time it was unavoidable, so composed the picture with them coming diagonally from the corner to make them somewhat compositionally pleasing.
Camera: Speed Graphic 4x5
Lens: 90mm Nikkor
Film: Kodak Tri-X 320 developed in Kodak HC-110
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1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
©2015 Gary L. Quay
I finally got a new darkroom going. It isn’t optimal, but it will have to do. I printed this just to see if it would be better than the negative scan I posted last week. I think it is. I took the opportunity to make it brighter.
The view from Rowena Crest in the early Spring 2015.
Camera: Deardorff 8x10.
Lens: 240mm Nikkor-W.
Film: Ilford HP5+
Printed on Ilford MGIV developed in Ansco 130
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I finally got a chance to shoot with my Burke & James 4x5! I am shooting with a fujifilm back and some instant film and with a lot of help from Ryan I have it figured out (well, almost!) These are the first two self portraits I took on my own and I feel like this is the start of something really good.
This is from trip to waaaaaay upstate New York in 2012. I traveled with a Speed Graphic, Some Quickloads, and a bunch of Graphloc backs. I haven’t posted many from that trip as of yet, so I thought I’d post this one.
Camera: Super Speed Graphic
Lens: 135mm Wollensak Optar
Film: Fuji Acros 100 Developed in HC-110
# #newyork #agriculture #largeformatfilm #garyquay #largeformat #coltonny #viewcamera #stlawrencecounty #outside #outdoors #atlanticnortheast #barn #viewfromhere #speedgraphic #fujiacros
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The view from the riverbed, looking north.
Photographed on 8X10 Ilford FP4+ using my Deardorff W/240mm Symmar-S lens. 1 second at f45.5
Film processed in D-76 1:1 for 15 minutes, giving it a slight push for added density and contrast. (The first sheet was a wee bit thin)
View the full-sized version of this image for detail.
The presence of several historical societies within Oakville has made this project possible. The Oakville Historical Society got its start in the 1930s, when Hazel Chisholm Mathews discovered several papers, historical records, and documents in the Customs House, which she used as an apartment for herself. Hazel took an immidiate interest in the local history and with other citizens saved the town's first post office, moving it to Lakeside Park in 195. Using these documents plus additional ones found throughout Earchless and the nearby post office, Hazel along with other citizens founded the Oakville Historical Society in 1953. The Thomas house followed in 1955. When a high-rise threatened Earchless and the Customs House, the town purchased the entire property in 1971 and the Historical Society found a home in one of the estates outbuildings. Here is Potter's Folly, one of the many signed buildings and one of my favourites in the northern part of the old town.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
2 4x5 images joined in a in camera panorama. Fun to line these up. 1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Cyanotype - printed on Canson Montval 300 gsm cold press watercolor paper sized in gelatin. Developed in white vinegar. Overprinted and left in the wash for about four hours to bleach down.
Toyo View Deluxe / Schneider Symmar 150mm 5.6 / Agfa MCP 310rc paper negative
When I think abstractly of screwmount Zenits, the first thing my brain does is classifying them by order of desirability when shooting, that is, the last are the M39 ones (I'm an obligate glasses wearer and the M39s are impossible to shoot with glasses), and the Zenit TTL comes close, just above them.
It has the same eyepiece shape that all the m42 (except 16) Zenits have, but the focussing screen is abjectly dim and dark. I get that they wanted to impove on the V, E, EM, etc focussing screen by adding a split image spot in the middle, but oh, boy, did they drop the ball with this one. The 12, the next evolutive step on the Zenit line, was an incremental improvement mostly because it kept everything that was OK (good is too good for a Zenit) and added a MUCH brighter focussing screen to the mix.
That said, I have a strong emotional relationship with the TTL, as the first SLR that I really owned was a Zenit TTL that I bought from the evilbay, which, oddly, came with an old soviet developing tank for just one reel and that I can't find anywhere... and there my GAS was born.
©2023 Gary L. Quay
I finally made it to Deception Pass and Whidbey Island. It's stunningly beautiful. I want to go back.
Camera: Deardorff 8x10
Lens:150mm Nikkor
Film: Ilford HP5+
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©2021 Gary L. Quay
We were out at Garibaldi on the Oregon Coast in late May, and I had the film cameras out for the ride. The tide was moving in, so the picture I wanted was under a few feet of water by the time I took this, but I did it anyway. I lost track of the film, somehow, in my darkroom. I found it today, and thought it was an empty film holder. After ruining one sheet, I developed them, and this one seems to be fine. The negative is a little thin, but it scans okay.
This film is a grain fest. It does take to zone system adjustments, but it may be too grainy for my tastes. I may not buy it again.
I found out recently that the three sea stacks in the center are called "The Three Graces".
Camera: Toyo 45CF
Lens: 90mm Schneider Angulon
Film: Famous Format Atomic-X developed in Ilford Ilfotec-HC
# #pnwexplored #toyo #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #oregoncoast #garibaldi #myoregon #viewcamera #film #filmphotography #largeformat
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Cambo SC2 4x5 Monorail view camera
Schneider-Kreuznach Symmar-S 150mm f/5.6
Fomapan 100developed with Ilford LC29 1+29 20deg 10min
ISO 100 | f11 | 11min expo, it was about 30min before dark.
Explored on 2016 december 7.
©2010 Gary L. Quay
Gaia and I took a road trip to central Oregon back in 2010. We were hoping to outrun the cloud cover, and get some pictures. These weren't the fluffy kind of clouds that are good for photography. They were the all-consuming flat cloud cover that wipes out contrast. Well, the clouds won, but we kept going until we found this old homestead.
This pump tower is part of the original homestead from the 1870s, and on the left is a shed from around the same time period. The owner was gracious enough to let us get up close.
Camera: Deardorff 8x10.
Lens: 300mm Nikkor-W with red filter.
FIlm: Ilford HP5+ developed in Kodak HC110 with an N+1 expansion.
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Red Beech (Nothofagus fusca), Fiordland National Park, Te Wahipounamu World Heritage Area; NEW ZEALAND
Relicts - Exploring the Flora of Gondwana
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Arca-Swiss Universalis 4x5, Fujinon 125mm NW, Fujichrome Veliva RVP 100 4x5
24x30” Print on Canson Platine Fibre Rag
The 4x5 Stitch/Shift Adapter from Fotodiox allows you to mount your modern full frame digital camera on a large format 4x5 Graflok back film camera and capture beautiful, high resolution stitched images!
Click here to watch a video showing how our 4x5 Adapter works: www.youtube.com/watch?v=ALDQ3a2r-wQ
Calibri pocket watch on a Graflex Graphic View II. Taken with Graflex Crown Graphic 4x5. Schneider Xenar 135mm f4.7, Ektachrome 100G expired ~2006. Exposed as EI 64. Developed as a positive in D76 stock 10min at 38C. Exposed to video LED daylight about 15s per side 5 inches away. C41 4.5min, blix 10min
1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Taking pictures on film facing into the sun with a wide angle lens can be tricky. A little lens flare never hurt anyone. Well, maybe.
Camera: Deardorff 8x10
Lens: 165mm Schneider Angulon
Film: Ilford HP5+ Developed in Kodak HC110
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On Columbia River
September 20, 2016
Ikeda Wood View, Symmar S 210mm, yellow filter
Ilford FP-4+ in D-76 1:1 11 min in SP-445 tank
agitation 1st 30 sec, then 4 flips each min.
1905 Korona View - Ilex Paragon 163mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
I made this photo in 1979 with a borrowed 4X5 view camera on a tripod. I set up the camera and peered at the image on the ground glass. There wasn't one element of the photo that was square, so decided that the ancient GE fridge would do.
©2012 Gary L. Quay
I took this on a trip back East in 2012. I didn't quite have all of my processes ironed out at that time, and this negative came out of the fixer almost opaque. I let it set in a plastic sleeve for almost 10 years, but this morning I pulled it out, and mixed a batch of Farmers Reducer, and gave it 6 minutes reduction. It's not perfect, but light goes through it now.
I was still trying to do shuffle development in trays back then. Needless to say, this negative will never be printed in the darkroom, but I cleaned it up to present it here.
Camera: Speed Graphic 4x5
Lens: 8" Cooke Anastigmat
Film: Kodak T-Max 400 developed in PMK Pyro
# #saintlawrencecounty #dekalbjunction #speedgraphic #garyquay #agriculture #newyork #viewfromhere #YourShotPhotographer #film #filmphotography #tmax #viewcamera #largeformat #4x5 #pmkpyro #kodak
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