View allAll Photos Tagged viewcamera
Chamonix 45H-1
Rollei Infrared 400 4x5
Schneider Super Angulon 8/90
Developed in CineStill Df96 Monobath, ca. 10 min at 25°C
4X5 Kodak NC160 film
90mm Schneider Super Angulon lens
2 stop ND grad filter over sky.
Photoshop used for minor tonal adjustments and dust removal.
Reloaded 10/06/2010 after correcting too much cyan casting. I think it's an improvement. I've always been a little hesitant to alter color casting in film because I like to say that the result doesn't involve Photoshoping other than dust removal and minor tonal adjustments. Since my enlarger has filters then I suppose I could do the same thing there. That makes it a legitimate adjustment in my mind. I'm not a film-snob just a film junkie.
THANK YOU FOR THE EXPLORE! I really appreciate all the comments.
Gibillini Bellatrix 8x10, 300/5.6 Fujinon W, Arista EDU Ultra 100@ 80ISO, f90@1sec, HC-110h in an SP810 daylight tray, scanned on an Epson V800 and post processed in Lightroom.
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
The third and final test sheet of 7302 and probably my favourite of the entire test. While I found the times for ASA-1.5, this sheet, rated at ASA-3 is my favourite.
Graflex Crown Graphic - Schneider-Kruzenach Symmar-S 1:5.6/210 - Kodak Fine Grain Positive 7302 @ ASA-3
Blazinal (1+50) 9:30 @ 20C
Meter: Gossen Lunasix F /w Spot Attachment
Scanner: Epson V700
Editor: Adobe Photoshop CC
Calumet 4x5 View Camera
4x5 Ektachrome
Copied by Sony A99 with Minolta AF 100mm f/2.8 Macro Lens
Processed in Capture One
©2022 Gary L. Quay
I had the Deardorff out for a trip to Hood River last month. We had some nice clouds, and a small cloudcap over the mountain. Someone from Panorama Lodge stopped by to geek out about the 83 year-old camera, and I was happy to oblige.
Camera: Deardorff 8x10
Lens: 19" Gerz APO Artar with a yellow filter.
Film: Ilford FP4+ developed by Blue Moon Camera in Saint Johns.
# #pnwexplored #deardorff #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #columbiagorge #hoodriver #hoodgorge #filmphotography #westcoast #ilford #viewcamera #largeformat #largeformatphotography #8x10 #ilfordphoto
My Website and Blog: Gary L. Quay Photography
On Twitter Gary L. Quay Photography
On Tumblr Gary L. Quay Photography
On Instagram Gary L. Quay Photography
On Facebook Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6x6 Mask) - HC110 1+100 - Unaltered Negative Scan
Where the San Francisco water supply from Yosemite enters the Crystal Springs Reservoir. Photo from 2002, and a bit sloppy on the photoshop edging back then. I should dig out the negative and re-scan it. Shot with the Galvin View Camera.
6" x 6" mask in the 8x10 holder. 1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji Um/Ma X-Ray Film - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
Linhof technika III (modified) with Super-Angulon 65/8.
Tagging will be done when Flickr restores the funktionality of fast and easy tagging, the present (new) system is a real pain in the ass!!
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
A 1950 Packard sedan and a 1950 Studebaker. Photographed in the West Bottoms district of Kansas City, MO with my Cambo 4x5 view camera on Foma 100 film
©2023 Gary L. Quay
A continuation of my "Gins" series, but with different spirits.
Camera: Kodak Commercial 8x10
Lens: 11" Hyatt's Rapid
Film: Efke PL100
# #efkepl100 #garyquay #film #filmphotography #largeformat #stilllife #spirits #viewcamera #blackandwhite
My Website and Blog: Gary L. Quay Photography
On Twitter Gary L. Quay Photography
On Tumblr Gary L. Quay Photography
On Instagram Gary L. Quay Photography
On Facebook Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
Agfa Universal View 5x7 camera circa 1940, Caltar Pro Series 210mm, f/32 at 1/8th second, Tmax-100 developed in Stoeckler's Two-Bath, four minutes each bath, using a Stearman SP-810 tray.
It seems there is a minor light leak at right top? Time to recheck all the bellows patches!
UPDATE: the bellows are cracking all over the folds! Yikes. I haven't used this camera outside of the studio for maybe 5 or 6 years; in the studio I have the habit of keeping the darkcloth over the camera at all times. The tube-style darkcloth I use outdoors can't perform the same service when it comes to shielding the bellows from light. Some maintenance work lies ahead.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Catlabs 80 - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
5x10 from today: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm - f/45 - Catlabs 80 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
©2008 Phillip Nesmith - A 5x7 wet-plate collodion tintype of one of my bats. I had to lay the camera on it's side to get this horizontal view.
Phil Nesmith on Facebook
20190513 photographed with Cambo ActusMini & Zeiss Contax35 f35
This church originally was build of wood in 1123 while crossridders went to Jerusalem, After 1603 catholicism was forbidden by reformers until 1891 when the church became to narrow and a stonen neogotic cathedral was build and in 1892 reconsaced by the archbishop of Utrecht. In 1974 a beautiful carillon was installed.
Novar-Anastigmat 75mm f/3.5 lens (6x6) circa 1949, mounted w/ original bellows on 5D2. That's a $60 DIY view camera Add-on, hardware and elbow grease included. This allows for macro (up & down from lens mount), Tilt (top nob) Shift (bottom & side nob) and swing (bottom nod).
Rear mount view here: www.flickr.com/photos/alex12ga/4088283971/
Example of pic here: www.flickr.com/photos/alex12ga/4089102758/
©2011 Gary L. Quay
I decided to work on a picture I posted about 9 years ago, back when I had a functioning darkroom. I usually replace the originals on Flickr, rather than posting new versions, but the original was a scan of the print, and this is of the negative, and I wanted to leave both up for posterity.
This was taken with my 760mm SK Grimes lens fitted with a red # 25 filter on 8x10 Ilford FP4+.
Since I had two negs to process, I tried two different methods to get the sky to print easily next to the shaded foreground. The first method was to try divided D23: 4 minutes in the developer and 3 minutes in the alkalie bath. The negative came out splotchy, and completely unusable. Since one was ruined, I had to try something more fool-proof. I used Kodak HC110 and semi-stand development. This seems to largely have done the trick. The sky requires a little burning in, but not much.
Camera: Deardorff 8x10.
Lens: 760mm SK Grimes with red # 25 filter.
Film: Ilford FP4+ developed in Kodak HC110 semi-stand at 22:15 minutes.
# #pnwexplored #crownpoint #myoregon #oregonexplored #pacificnorthwest #deardorff #garyquay #cascadiaexplored #winter #outside #outdoors #onlyinoregon #viewfromhere #columbiagorge #viewcamera #traveloregon #oregon #hoodgorge #filmphotography
My Web Site and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
Feel free to join my Flickr groups
and Flickr Today 2
This scene has such a magical dream-like quality to it for me. The leaves on the trees glow and almost seem disconnected like they are floating in space like a cloud of glowing fairies. As I made this image, I stood beneath an overhanging weeping wall covered in dripping water, wrapping over me like a cave. The trees were illuminated by sunlight filtering into the depths of the canyon from above and reflected light filled the colossal majestic space.
Details:
This image is a 0.8% sized export of an 180MP scan from a large format film image made on Fuji Velvia 100 with The Intrepid Camera Co. 4x5 Field Camera and my Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens. 10am, 8s @ ƒ/32, CPL
In other words, this thing will print to 40x50 inches with enough quality that you can put your face right up to it with a magnifying glass and only see more detail. These large format film images contain approximately 20x the level of detail of my digital images made with current generation DSLRs, and I've printed those to 40x60" with good results! This is one of many reasons I am now working in large format film instead of digital. I also prefer the aesthetic qualities of these films. Additionally, the experience of working with the silent elegant simplicity a wooden view camera in the field is so much better than dealing with scrolling menus, flickering lights, and glowing screens while in the wilderness.
By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!
I used a cut dark slide to shoot 4x10 format on the 150mm lens which fitted the scene nicely, this was shot from my usual spot more as an exercise to get to know the lenses better.
Development was dome with ADOX Rodinal at 1+50 dilution and scanned on an Epson V850 flatbed with Silverfast.
©2022 Gary L. Quay
The film holder I used has a light leak. I lost a little of the negative, and it will never be printable in the darkroom, but the my first attempt at stand development in 8 years was a success. The scene was dark, and I had to compensate for reciprocity. Rather than cutting development time, I used stand development with Rodinal 1:100. Iw ould be a very usable negative if it weren't for the light leak.
Camera: Deardorff 8x10
Lens: 12" Goerz Dagor
Film: Efke PL 50 stand developed in Adox Rodinal 1:00 for 1 hour
# #pnwexplored #deardorff #washingtonexplored #pacificnorthwest #garyquay #cascadiaexplored #washington #onlyinwashington #viewfromhere #YourShotPhotographer #pnwcrew #8x10 #largeformat #viewcamera #cedarcreekgristmill #1889magazine #blackandwhite #filmphotography #film #efkepl50 #goerzoptics
My Website and Blog: Gary L. Quay Photography
On Twitter Gary L. Quay Photography
On Tumblr Gary L. Quay Photography
On Instagram Gary L. Quay Photography
On Facebook Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
Chatswood, Sydney, NSW, Australia.
March 2021.
Instax Wide.
Chorma Camera Carbon Adventurer 4x5 + Nikkor W 135/5.6.
10sec f/45.
©2022 Gary L. Quay
I took a trip to the Oregon Coast for my "Places of Doom" project. I was there to get pictures of a little body of water called Dope Creek, which turned out to be nigh impossible. Boiler Bay almost qualifies as a Place of Doom because of the way it got its name. A ship ran aground and exploded in 1910, and all that remains is the boiler, which can be seen at very low tides. I did manage to photograph Dope Creek at a distance, and got some Lensbaby pictures of the "Devil's Punchbowl", which is on the list of Places of Doom, but the feature - a sea cave where the roof fell in - is not very picturesque. I hoped that the Lansbaby Edge 35 would bring it to life.
I'm mostly happy with the developement of this one, but there was a light leak in the lower left corner, which I cleaned up in Photoshop. I will have to test that film holder.
Camera: Deardorff 8x10
Lens: 10" Kodak Commercial Ektar
Film: Ilford FP4+ developed in Rodinal 1:50
# #pnwexplored #deardorff #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #film #filmphotography #largeformat #viewcamera #oregoncoast #boilerbay #pacificocean #Ilfordphoto #ilford #blackandwhite #landscape #landscapephotography
My Website and Blog: Gary L. Quay Photography
On Twitter Gary L. Quay Photography
On Tumblr Gary L. Quay Photography
On Instagram Gary L. Quay Photography
On Facebook Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
©2018 Gary L. Quay
We took a trip to White River Falls a couple of years ago, and stopped for this picture on the way.
Camera: Speed Graphic 4x5.
Lens: 15” Wollensak Tele-optar
Film: T-Max 400 shot at 200 ASA, and developed in Clayton F76+
# #myoregon #oregonexplored #filmphotography #pnwexplored #cascadiaexplored #roadtrip #garyquay #blackandwite #pacificnorthwest #outdoors #oregon #onlyinoregon #viewfromhere #traveloregon #YourShotPhotographer
My Web Site and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
Feel free to join my Flickr groups
and Flickr Today 2