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The third and final test sheet of 7302 and probably my favourite of the entire test. While I found the times for ASA-1.5, this sheet, rated at ASA-3 is my favourite.
Graflex Crown Graphic - Schneider-Kruzenach Symmar-S 1:5.6/210 - Kodak Fine Grain Positive 7302 @ ASA-3
Blazinal (1+50) 9:30 @ 20C
Meter: Gossen Lunasix F /w Spot Attachment
Scanner: Epson V700
Editor: Adobe Photoshop CC
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Been breaking in my new to me 5x7 camera...
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Gibillini Bellatrix 8x10, 300/5.6 Fujinon W, Arista EDU Ultra 100@ 80ISO, f90@1sec, HC-110h in an SP810 daylight tray, scanned on an Epson V800 and post processed in Lightroom.
Driftwood at Little Squalicum Beach on Bellingham Bay in Bellingham, Washington.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is expired French made Kodak Super-XX Nitrate film. I don't have an expiration date but I know nitrate film has not been made for decades. The film was for Tri-Color Photography. I developed it in Kodak HC-110 Dilution B for 5 minutes with some Benzotriazole to help reduce fog.
Linhof technika III (modified) with Super-Angulon 65/8.
Tagging will be done when Flickr restores the funktionality of fast and easy tagging, the present (new) system is a real pain in the ass!!
1891 Rochester Optical Company Universal - Friedrich Munchen Axinon 125mm - f/32 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Seasons Greetings All! Have a great holiday!
6" x 6" mask in the 8x10 holder. 1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji Um/Ma X-Ray Film - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
A 1950 Packard sedan and a 1950 Studebaker. Photographed in the West Bottoms district of Kansas City, MO with my Cambo 4x5 view camera on Foma 100 film
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Ilex Paragon 163mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
20190513 photographed with Cambo ActusMini & Zeiss Contax35 f35
This church originally was build of wood in 1123 while crossridders went to Jerusalem, After 1603 catholicism was forbidden by reformers until 1891 when the church became to narrow and a stonen neogotic cathedral was build and in 1892 reconsaced by the archbishop of Utrecht. In 1974 a beautiful carillon was installed.
©2008 Phillip Nesmith - A 5x7 wet-plate collodion tintype of one of my bats. I had to lay the camera on it's side to get this horizontal view.
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1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Novar-Anastigmat 75mm f/3.5 lens (6x6) circa 1949, mounted w/ original bellows on 5D2. That's a $60 DIY view camera Add-on, hardware and elbow grease included. This allows for macro (up & down from lens mount), Tilt (top nob) Shift (bottom & side nob) and swing (bottom nod).
Rear mount view here: www.flickr.com/photos/alex12ga/4088283971/
Example of pic here: www.flickr.com/photos/alex12ga/4089102758/
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
5x10 from today: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm - f/45 - Catlabs 80 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
©2022 Gary L. Quay
I had the Deardorff out for a trip to Hood River last month. We had some nice clouds, and a small cloudcap over the mountain. Someone from Panorama Lodge stopped by to geek out about the 83 year-old camera, and I was happy to oblige.
Camera: Deardorff 8x10
Lens: 19" Gerz APO Artar with a yellow filter.
Film: Ilford FP4+ developed by Blue Moon Camera in Saint Johns.
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1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Catlabs 80 - 8x10 Film (5x10 Mask) - HC110 1+100 - Unaltered Negative Scan
©2023 Gary L. Quay
A continuation of my "Gins" series, but with different spirits.
Camera: Kodak Commercial 8x10
Lens: 11" Hyatt's Rapid
Film: Efke PL100
# #efkepl100 #garyquay #film #filmphotography #largeformat #stilllife #spirits #viewcamera #blackandwhite
My Website and Blog: Gary L. Quay Photography
On Twitter Gary L. Quay Photography
On Tumblr Gary L. Quay Photography
On Instagram Gary L. Quay Photography
On Facebook Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
This scene has such a magical dream-like quality to it for me. The leaves on the trees glow and almost seem disconnected like they are floating in space like a cloud of glowing fairies. As I made this image, I stood beneath an overhanging weeping wall covered in dripping water, wrapping over me like a cave. The trees were illuminated by sunlight filtering into the depths of the canyon from above and reflected light filled the colossal majestic space.
Details:
This image is a 0.8% sized export of an 180MP scan from a large format film image made on Fuji Velvia 100 with The Intrepid Camera Co. 4x5 Field Camera and my Schneider-Kreuznach 90mm Æ’/8 Super-Angulon lens. 10am, 8s @ Æ’/32, CPL
In other words, this thing will print to 40x50 inches with enough quality that you can put your face right up to it with a magnifying glass and only see more detail. These large format film images contain approximately 20x the level of detail of my digital images made with current generation DSLRs, and I've printed those to 40x60" with good results! This is one of many reasons I am now working in large format film instead of digital. I also prefer the aesthetic qualities of these films. Additionally, the experience of working with the silent elegant simplicity a wooden view camera in the field is so much better than dealing with scrolling menus, flickering lights, and glowing screens while in the wilderness.
By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
4x5 transparency. I may use for my "big and beautiful" assignment. Still deciding which image to use.
I used a cut dark slide to shoot 4x10 format on the 150mm lens which fitted the scene nicely, this was shot from my usual spot more as an exercise to get to know the lenses better.
Development was dome with ADOX Rodinal at 1+50 dilution and scanned on an Epson V850 flatbed with Silverfast.
Agfa Universal View 5x7 camera circa 1940, Caltar Pro Series 210mm, f/32 at 1/8th second, Tmax-100 developed in Stoeckler's Two-Bath, four minutes each bath, using a Stearman SP-810 tray.
It seems there is a minor light leak at right top? Time to recheck all the bellows patches!
UPDATE: the bellows are cracking all over the folds! Yikes. I haven't used this camera outside of the studio for maybe 5 or 6 years; in the studio I have the habit of keeping the darkcloth over the camera at all times. The tube-style darkcloth I use outdoors can't perform the same service when it comes to shielding the bellows from light. Some maintenance work lies ahead.
December, 1993
Ikeda Wood View Camera, 210mm Symmar S
Agfacolor Optima 125 4x5
My new scanner has unlocked my 4x5 and medium format collection, and will allow me to post new work along with the oldies. This one is a souvenir of a winter trek on showshoes lugging my gear.
Chamonix 8x10, Rodenstock 300mm f/5.6 Apo-Sironar-S www.lylevincent.com www.lylevincent.photodeck.com www.instagram.com/lylevincent