View allAll Photos Tagged viewcamera

Chamonix 45H-1

Rollei Infrared 400 4x5

Schneider Super Angulon 8/90

Developed in CineStill Df96 Monobath, ca. 10 min at 25°C

Improved Seneca View Camera (1906), Carl Zeiss f4.5 210mm, DRP, Tessar lens (1914), Thornton Pickard wooden shutter (1905), 5x7, X-ray film

Gibillini Bellatrix 8x10, 300/5.6 Fujinon W, Arista EDU Ultra 100@ 80ISO, f90@1sec, HC-110h in an SP810 daylight tray, scanned on an Epson V800 and post processed in Lightroom.

Chamonix 45H-1

Kodak Portra 160 4X5

Schneider 90mm f/8 Super Angulon

A bit of something different an 6" x 6" mask in the 8x10 holder. 1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji Um/Ma X-Ray Film - 8x10 Film - HC110 1+100 - Unaltered Negative Scan

 

1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

Linhof technika III (modified) with Super-Angulon 65/8.

Tagging will be done when Flickr restores the funktionality of fast and easy tagging, the present (new) system is a real pain in the ass!!

1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

Been breaking in my new to me 5x7 camera...

Shot with a 4x5 large format view camera on Kodak Portra 400NC film, then self-developed the film.

1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor type) - f/45 - Ilford Delta 100 - 8x10 Film (6x6 mask in camera) - HC110 1+100 - Unaltered Negative Scan

 

With Kallitype print process on Arches platine

Platinum toned

8x10' analogic film

  

www.instagram.com/stefano.bernardoni/

From the back pages of my 20th Century Archive.

20190513 photographed with Cambo ActusMini & Zeiss Contax35 f35

This church originally was build of wood in 1123 while crossridders went to Jerusalem, After 1603 catholicism was forbidden by reformers until 1891 when the church became to narrow and a stonen neogotic cathedral was build and in 1892 reconsaced by the archbishop of Utrecht. In 1974 a beautiful carillon was installed.

©2008 Phillip Nesmith - A 5x7 wet-plate collodion tintype of one of my bats. I had to lay the camera on it's side to get this horizontal view.

 

Phil Nesmith on Facebook

 

www.philnesmith.com

1891 Rochester Optical Company Universal - Friedrich Munchen Axinon 125mm - f/32 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

Seasons Greetings All! Have a great holiday!

 

1905 Korona View - Agfa Repromaster 210mm - f/45 - Foma 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan

 

A 1950 Packard sedan and a 1950 Studebaker. Photographed in the West Bottoms district of Kansas City, MO with my Cambo 4x5 view camera on Foma 100 film

1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

Novar-Anastigmat 75mm f/3.5 lens (6x6) circa 1949, mounted w/ original bellows on 5D2. That's a $60 DIY view camera Add-on, hardware and elbow grease included. This allows for macro (up & down from lens mount), Tilt (top nob) Shift (bottom & side nob) and swing (bottom nod).

Rear mount view here: www.flickr.com/photos/alex12ga/4088283971/

Example of pic here: www.flickr.com/photos/alex12ga/4089102758/

 

1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

A church from the 13th century in Utrecht - not catholic anymore since centuries

Photo taken with Sony a6000 and Konica Hexanon AR 28mm/f3.5

1905 Korona View - Ilex Paragon 163mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan

 

I think I shot this on Christmas Eve, 2005.

 

Driftwood at Little Squalicum Beach on Bellingham Bay in Bellingham, Washington.

 

Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is expired French made Kodak Super-XX Nitrate film. I don't have an expiration date but I know nitrate film has not been made for decades. The film was for Tri-Color Photography. I developed it in Kodak HC-110 Dilution B for 5 minutes with some Benzotriazole to help reduce fog.

Sunset Cliffs, San Diego

 

Leica S(006) 4x5 copies

This scene has such a magical dream-like quality to it for me. The leaves on the trees glow and almost seem disconnected like they are floating in space like a cloud of glowing fairies. As I made this image, I stood beneath an overhanging weeping wall covered in dripping water, wrapping over me like a cave. The trees were illuminated by sunlight filtering into the depths of the canyon from above and reflected light filled the colossal majestic space.

 

Details:

This image is a 0.8% sized export of an 180MP scan from a large format film image made on Fuji Velvia 100 with The Intrepid Camera Co. 4x5 Field Camera and my Schneider-Kreuznach 90mm Æ’/8 Super-Angulon lens. 10am, 8s @ Æ’/32, CPL

 

In other words, this thing will print to 40x50 inches with enough quality that you can put your face right up to it with a magnifying glass and only see more detail. These large format film images contain approximately 20x the level of detail of my digital images made with current generation DSLRs, and I've printed those to 40x60" with good results! This is one of many reasons I am now working in large format film instead of digital. I also prefer the aesthetic qualities of these films. Additionally, the experience of working with the silent elegant simplicity a wooden view camera in the field is so much better than dealing with scrolling menus, flickering lights, and glowing screens while in the wilderness.

 

By all means, zoom in and pan around. I don't make these things to be consumed as thumbnails!

1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

  

Fondamenta de la Preson, Venice 2018.

 

Chamonix F1, Fujinon 125mm f/5.6, Ilford Delta 100 4x5.

5x10 from today: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm - f/45 - Catlabs 80 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan

DIY 6x7 view camera from Polaroid CU-5 and Mamiya Press 23 parts .

4x5 transparency. I may use for my "big and beautiful" assignment. Still deciding which image to use.

schneider 72mm super angulon xl

~20mm rise

provia 100f

 

bigger version (3600px).

©2022 Gary L. Quay

 

I had the Deardorff out for a trip to Hood River last month. We had some nice clouds, and a small cloudcap over the mountain. Someone from Panorama Lodge stopped by to geek out about the 83 year-old camera, and I was happy to oblige.

 

Camera: Deardorff 8x10

Lens: 19" Gerz APO Artar with a yellow filter.

Film: Ilford FP4+ developed by Blue Moon Camera in Saint Johns.

 

# #pnwexplored #deardorff #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #columbiagorge #hoodriver #hoodgorge #filmphotography #westcoast #ilford #viewcamera #largeformat #largeformatphotography #8x10 #ilfordphoto

 

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Artist: Paul van Bueren

Sinar P2

Fomapan 400

 

Copyright by Paul van Bueren

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1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

Chamonix 4x5, HP5

Taken with a 4x5 on type 55 film. Lith print.

All Rights Reserved.

 

December, 1993

 

Ikeda Wood View Camera, 210mm Symmar S

 

Agfacolor Optima 125 4x5

 

My new scanner has unlocked my 4x5 and medium format collection, and will allow me to post new work along with the oldies. This one is a souvenir of a winter trek on showshoes lugging my gear.

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