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©ITU/R.ManiegoPolicy Statements - ITU PP-18
Ms Julieta Tencheva, Head of Department on International Relations, Ministry of Transport, IT and Communications, Bulgaria
©ITU/R.Maniego
Secretary of State Michael R. Pompeo delivers Joint Statements with Indonesian Foreign Minister Retno Marsudi, in Jakarta, Indonesia on October 29, 2020. [State Department photo by Ron Przysucha/ Public Domain]
File name: 10_03_000300b
Binder label: Meat
Title: Set 'm again. Luncheon Beef. [back]
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 9 x 12 cm.
Genre: Advertising cards
Subject: Parrots; Monkeys; Wine; Canned foods; Meat
Notes: Title from item.
Statement of responsibility: Armour Packing Co.
Collection: 19th Century American Trade Cards
Location: Print Department
Rights: No known restrictions.
Doorstep statement by NATO Secretary General Jens Stoltenberg at the start of the NATO Leaders meeting in London
This was the first time that Heather and I made it up to Scarborough. It's a good fair - not at big as the Texas Renaissance Festival (we are spoiled) but we had a great time there. Good entertainment and people watching - the only drawbacks were the heat - it was in the 90s, and the bright dappled lighting. We will head back there again - hopefully on a cool cloudy day!
Scarborough is held in Waxahachie, Texas - south of Dallas. It takes place over eight weekends from April to May.
I took these photos on 3 May 2014 - I think it was the 5th weekend.
1377th BOG Meeting
IAEA Director General Yukiya Amano delivers his introductory statement at the 1377th Board of Governors Meeting. IAEA Headquarters, Vienna, Austria, 2 June 2014.
From left to right: Janice Dunn Lee, IAEA Deputy Director General and Head of the Department of Management, IAEA Director General Yukiya Amano, IAEA Board Chairperson Thiep Nguyen and IAEA Secretary Policy Making Organs Aruni Wijewardane.
Photo Credit: Dean Calma / IAEA
This template contains 3 tabs: Income Statement, Balance Sheet and Cash Flow. Its flexible design allows you to arrange the lines and columns that you want to display in your Financial Statement using Readme and Data sheets. Its PSW version allows you to publish your Financial Statement online easily.
Download from:
Statements und Podiumsdiskussion: "Soziale Mobilität in den USA und in Europa"
v.l.n.r.: Dr. Isabel Sawhill, Matthias Rumpf, Dr. Mark Speich, Prof. Walter Müller, Prof. Robert Erikson.
Foto: CC-BY-SA Stephan Röhl / www.boell.de
Statement at the Fifth Review Conference of the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands. The Fifth Review Conference is scheduled from 15 May to 19 May 2023.
Statement by Federal Chancellor Sebastian Kurz during the EP plenary session on 15 January 2019. Copyright BKA/Arno Melicharek
Doorstep statement by NATO Secretary General Mark Rutte following a briefing to the North Atlantic Council by a high-level delegation from the Republic of Korea on the Democratic People's Republic of Korea’s (DPRK) troop deployment to Russia
Evidently there is a UK law where you MUST get your statements sent to you. Even if you don't want them and you're happy to look at them online like I am.
8 page hand-written statement of 2 counts of attempted murder and 4 counts aggravated assault and document regarding mental competency.
1240 Salsbury Drive, Vancouver, BC
STATEMENT OF SIGNIFICANCE:
DESCRIPTION OF THE HISTORIC PLACE:
The Jeffs Residence, located in the Grandview-Woodland neighbourhood of Vancouver, is a grand three and one-half storey wood-frame residence, located on a west-sloping lot at the corner of Salsbury Drive and Charles Street. Characterized by its Queen Anne style octagonal turret, bellcast pyramidal roof and hipped dormers, the Jeffs Residence is one of a number of early twentieth century turretted homes located on Grand View Hill.
HERITAGE VALUE OF THE HISTORIC PLACE:
The Jeffs Residence is signifi cant as a visual landmark, one of a group of similar historic estate homes in the Grandview-Woodland neighbourhood of Vancouver. Established in 1891 upon the opening of the Vancouver-New Westminster interurban railway, the neighbourhood quickly became one of Vancouver’s most prestigious residential areas. Grandview-Woodland was connected to the city water system in 1904, and business and industrial activity was facilitated by its proximity to the BC Electric interurban and the Canadian Pacifi c Railway lines. The business potential of the neighbourhood attracted some of Vancouver’s wealthiest residents, refl ected in grand estate homes that were built on large corner lots. The Jeffs Residence was constructed for Dr. Thomas William Jeffs (1858-1923), a physician, coroner, City Alderman (1906), and Police Commissioner (1907). Jeffs was born to Irish parents in Queensboro, Ontario, studied medicine at the University of Toronto, and moved to British Columbia in 1890. Jeffs and his wife, Minnie, moved into this newly constructed house and lived here until the 1920s. Today, the house stands out as one of the remaining landmark estate homes in the neighbourhood.
Constructed in 1907-08, the Jeffs Residence is also valued for its late representation of Queen Anne Revival architecture. The style was popularized during the late 1800s by British architect Richard Norman Shaw, and remained common through to the end of the nineteenth century. As Grand View Hill was being developed during the Edwardian era, a number of the homes in the area, especially those on corner lots, were built with the characteristic turrets of the Queen Anne Revival style; this remains one of the only areas in Vancouver where this style predominates. Typifi ed by the surviving homes of upper-middle class residents such as Professor Edward Odlum, Alderman John J. Miller, and realtor Captain W.H. Copp, the neighbourhood capitalized on the impressive views to English Bay, False Creek, the North Shore and the rest of Vancouver. These characteristic turrets took full advantage of the panoramic views from Grandview Hill.
CHARACTER-DEFINING ELEMENTS OF THE HISTORIC PLACE"
The key elements that defi ne the heritage character of the Jeffs Residence include its:
• location on a west-sloping lot at the corner of Salsbury Drive and Charles Street in the
historic Grandview-Woodland neighbourhood of Vancouver
• continuous residential use
• residential form, scale and massing as expressed by its three and one-half storey height
including full basement, wraparound front verandah, rear porch, octagonal turret, highpitched
pyramidal roof with a hipped rear extension and hipped dormers
• wood-frame construction, with wooden siding, trim elements and details
• Queen Anne Revival style design featuring: a high-pitched bellcast pyramidal roof;
characteristic octagonal turret with bellcast roof, sheet metal fi nial and second storey
skirt roof; compound roofl ine with three hipped dormers on the south, west, and north
façades; and second-level, west-facing balcony over entry
• original double-hung 1-over-1wooden sash windows
• external red-brick chimney on south façade
more info here...
vancouver.ca/commsvcs/developmentservices/devapps/1298sal...
Original Caption: Alexander Hamilton's "Statement of My Property and Debts, with Remarks", 07/01/1804
Created By: U.S. House of Representatives. Committee on Pensions and Revolutionary War Claims. (12/22/1813 - 12/09/1825)
From: Record Group/Collection: 233
From: Committee Papers, compiled 1813 - 1825
Production Dates: 07/01/1804
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=306690
Reference Unit: Center for Legislative Archives (NWL), National Archives Building
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
For the Beau Arts Moderne Woman, we proudly present this traffic-stopping vintage pair of abstract Sterling Silver earrings, handmade in Taxco Mexico in the mid 1980s.
This is no wimpy pair of silver earrings, these gals are bonafide vintage fashion statement pieces! 2.75" inches long and almost 2" inches wide! Even the 3/8" post-nuts are big too; they need to be, just to keep them secure, flat and snugly in place against the earlobe.
They're signed by the artist; G S M Sterling with an anvil hallmark on the backs.
While I was in my "Dressed For Success" decades, I got tons and tons of compliments and I gave these big gals a real workout. I swear they got prettier every time I wore them.
Now that I no longer need to get too much fancier than jeans and a tee or a sweatshirt, these beauties have been nearly forgotten, languishing in my jewelry box. We both know that's just not right.
Girls this pretty need to go out for dinners and dancing, art openings and cocktail parties.
They really do go with everything; for real. I wore them with everything... including beat-up jeans and a teeshirt,
Amazing with a bikini... I'll say no more.
“Stories My Mother Never Told”
Artist Statement
By artist Jenny Ashby
This installation based exhibition is an informed response to my research into the institutionalisation and the forced removal of aboriginal children from their families and their homelands and the often untold truths regarding this accepted practice by government and religious organisations up until the early 1970's. My work responds to my learning of the cruelty and inhumane treatment of these children within institutional care throughout Australia. My work is a personal response to the stories told to me by my children’s aboriginal family, friends, and people that I have interviewed as well as research into these issues. My artwork is a comparative reflection on my own childhood memories, and the freedom that I lived with as a child while growing up in a white Christian, farming family, as opposed to aboriginal children forced to grow up within the same period of the 60's and the 70's, behind the walls of institutions such as the Cootamundra, Parramatta,La Perouse Girls Training Homes, and the Hay Women's Jail and "the stories we were never told".
The drawings and prints act as a visual narrative and are laden with text and marks in the form of graffiti and inscriptions, similar to those found on surfaces within institutions. The text also takes on the appearance of letter writing to my mother as a conversation, a personal reflection of my own childhood and my own responses to this research as a type of diary entry. The text which is layered and often unreadable onto paper which has been embossed and treated to mimic the brick walls of institutions hopefully encourages inquiry on closer examination of the narrative within.
The use of shadows within my work act as a metaphor of presence and absence within the space. The shadows of the little girl on the swing are significant within my work acting as a universal symbol of freedom and at the same time lost freedom when used in context of the cell wall drawings.
The video projections of the little girl’s shadows swinging and laughing were filmed as a site specific installation within the Hay Women’s Jail. This video installation is superimposed with sound of the harsh locking of cell doors which echoe within the confinement of the institution where many girls spent part of their childhood.
By subjecting the viewer to a multi sensory experience within the environment of the gallery, through the incorporation of projected images laden with relative sound, combined with universal icons of objects and image, I hope to encourage memory recall of the viewers own childhood using associated experience as a conduit to the narrative. Hopefully through this association the viewer becomes actively involved within the space and therefore he or she becomes personally involved with the work as the narrator in their own right.
And you thought the shoulder pads in the 80's were crazy! ;p
Minolta that I shot this with is courtesy of my grrl Ariel.
Statement by H.E. Ambassador Yun-young Lee, Permanent Representative of the Republic of Korea to the OPCW, at the 24th Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 25-29 November 2019.
Coming soon from Drippy Bone Books
FASHION STATEMENT
a series of altered/defaced images from fashion magazines by Bella Dehm.
Funny, strange and speaking to the primordial need to draw mustaches, scars and buggers on depictions of beautiful people.
coming in early Dec!
IAEA Director General Yukiya Amano delivers his opening statement at the first day of the International Conference on Nuclear Security: Enhancing Global Efforts. IAEA Headquarters, Vienna, Austria. 1 July 2013
Photo Credit: Dean Calma / IAEA
NATO says it has no intention of intervening militarily in Syria. The statement, from a NATO official came after a Syrian opposition leader said the United States should use its missiles to protect rebel-held areas from the government forces of President Bashar Assad.
Opposition leader Moaz Alkhatib said he asked U.S. Secretary of State John Kerry for help defending the northern portions of Syria with the use of American Patriot missiles.
“I have asked Mr. Kerry to extend the umbrella of the Patriot missiles to cover the Syrian north and he promised to study the subject,” Alkhatib said, in reference to NATO Patriot missiles sent last year by three countries to Turkey in an effort to protect Turkish airspace from a possible Syrian attack.
According to United Nations statistics, about 70,000 people have been killed in the two-year old conflict that began with peaceful protests against the Assad government but eventually turned into an armed conflict.
The Syrian war has also divided world powers and paralyzed any action at the United Nations Security Council. In addition, the Arab world is also divided, with Saudi Arabia and Qatar the most vocal foes against Assad, while Iraq, Algeria and Lebanon are most resistant to calls for Assad’s removal.
At a recent session of the Arab League summit, Qatar's Sheikh Hamad bin Khalifa al-Thani urged the UN Security Council to stop the “oppression and repression of the people” in Syria, stop the bloodshed and “present those responsible for these crimes against their people to international justice.”
The ongoing Syrian civil war not only threatens to drag other nations into the fighting, but poses a security threat to Israel. Pray for the Syrian people, many of whom have been forced to flee their country because of the fighting. Pray as well that the fighting won’t spill over the border into Israel and that Assad’s arsenal of chemical weapons won’t fall into the hands of terrorist forces.
For more on this story, visit: Jerusalem Prayer Team Articles Page.
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Council and Commission statements on Preparations for the European Council meeting (23-24 June 2011) during the EP's June session held in Brussels.
www.europarl.europa.eu/en/headlines/
© European Union 2011 PE-EP/Pietro Naj-Oleari.
Definitely not for the faint-hearted !
This pair of Asymmetric earrings is hammered out of 12 gauge brass wires, and then augmented by fire, sanded and polished to bring out its texture. Attached to one side of the hoop is a leather handcut flower with stained fibers and a piece of milky Petrified Wood bead. A variety of brass chains and Variscite rondelles make the luscious chain drop.
* the hoops are approx. 2 inches in diameter
* the Featured side of the earring is 8.5 inches in length including earwires. It will drop below shoulder line.
* the earwires are 18 gauge brass wires handformed and also augmented by fire
LARRY CWIK – ARTIST STATEMENT – TOTEM SERIES – OCTOBER 2011
After working for 15+ years in both single image photography and in Super 8 film, I visited and was profoundly inspired by the beauty and power of the Totem Poles of the first peoples of the Pacific Northwest coast. The poles inspired me to begin arranging my photographic images in a stacked manner to allude to a story or theme. Some use symbols or archetypes. The arrangement is intuitive, from my subconscious, like the individual images themselves.
Most of the 13 works in the exhibit have images from the Pacific Northwest, my home since 1982. The northwest has directly inspired this series.
Most of the works have a narrative. Totem 28 (Memory) speaks of memory, with the hand of my mother, now 82, with Alzheimer’s, in the center, a “memory machine” in the Alzheimer’s wing of an assisted living facility in Hillsboro at the top, and an ancient tree in Beaverton at the bottom. Totem 44 (Bellflower) has two images in an ethereal fog, one of a house, one of a forest. In between is an image of a beautiful but poisonous flower. In Totem 47 (Page) the top image shows my hand holding pages of text about artist Leonora Carrington (1917-2011), one of the last two living original surrealists, who inspired me. I enjoyed talking by phone with her each year from 2001 to 2011. Above the page with the text is a cloud reminiscent of a flame. The center image shows a pastoral Oregon scene of grass and high clouds symbolizing peace/serenity. The lower image shows the light of the sun breaking through dense artistic clouds. Totem 24 (Glass) has symbols of travel (at the top), dining (in the center), and nightlife (at the bottom). Totem 27 (Liberty) alludes to privacy in our contemporary society. A symbol of liberty is at the top, a symbol of light and possible surveillance is in the center, and a symbol of government is at the bottom. Totem 6 (Family) has a young family on the beach in the center image, a family of driftwood arranged as an installation at the top, and what may be a vegetative family as the bottom image. Totem 26 (Empire) is a socio-economic commentary and shows a parking sign, a jumbo jet in flight, and a homeless person pushing a grocery cart piled high with bottles and cans. Totem 23 (Balloons) has three images that together comment on urban density and life. Totem 49 (Perch) shows a dog looking forward peacefully on a beach, a bin of fish destined to be food, and a fisherman on a jetty above a driftwood piece with the design of a face, with the three together commenting on life and transcendence. Totem 11 (Helmet), the only horizontal Totem in the exhibit, has three images obtained in Portland, united not only by a compositional sphere in each of the three images, but to me through its representations of land (the helmet), sky (the clouds), and water (a satellite dish atop a boat on the Willamette River).
In 2008, I visited Alert Bay, B.C., a major center of Totem Pole building, to do research for this series. Totem 45 (Boat) is comprised of three images taken there. The top image, part of a boat, looks like a smiling porpoise or dolphin. The bottom image, a life boat, seems like a large-eyed fish. The center image appears to have a spirit figure hovering near a ladder in the midst of boat rigging. The three are all nautical images, but can signify different things to different people.
While the works in the series often have a narrative, I keep the titles short. I want the works to be open to a viewer's own interpretation. Similarly, a Totem Pole's narrative is open to interpretation even if its creator had a specific narrative in mind when designing/carving/painting the Pole.
IAEA Director General Yukiya Amano delivers his opening statement at the first day of the International Conference on Nuclear Security: Enhancing Global Efforts. IAEA Headquarters, Vienna, Austria. 1 July 2013
Photo Credit: Dean Calma / IAEA
16940 Friesian Drive, Surrey, BC
Statement of Significance
Description of Historic Place
The Guy Richardson House is a one and one-half storey, plus basement, wood-frame Craftsman Bungalow style farmhouse, retained as part of a recent subdivision of single family homes in the west Cloverdale area of Surrey.
Heritage Value
The Guy Richardson House is valued for its long-time association with the Richardson family. Guy C. Richardson (1890-1979) was the second generation to operate this property as a dairy farm. He built this house and added a cow barn and cleared several hectares for a pasture. Guy Richardson was active in the Fraser Valley Milk Producers Association and the Surrey Co-op. In the 1950s, Guy began to raise beef cattle, an operation which his son Lance, the third generation of Richardsons to live on the property, turned into a feedlot in 1972.
Architecturally, the Guy Richardson House is valued as an example of the popular Period Revival influences of the time, and reflects the late persistence of the British Arts and Crafts style. The house has associated period landscape features planned by Lucy Richardson. It is also an example of the incorporation of modern technologies in rural homes during the interwar period, and included all of the modern conveniences of electricity, running water, and a telephone with a private line.
The Guy Richardson House is also significant for its association with the development of the Cloverdale area. Originally a small agricultural settlement, the local population expanded after Cloverdale became a stop on the New Westminster Southern Railway in 1891. The arrival of the Great Northern Railway, the BC Electric Railway and two highways made Cloverdale an important transportation junction and initiated major growth.
Source: Heritage Planning Files, City of Surrey
Character-Defining Elements
Key elements that define the heritage character of the Guy Richardson House include its:
- location on a former rural lot;
- form, scale and massing as expressed by the rectangular plan with several irregular protrusions;
- jerkin-headed side gable roof of the main house and a similar roof of lower pitch on the north wing;
- cladding, with a combination of shingles on the main and upper floors, and narrow lapped siding along the lower portion;
- shed roof front dormer and inset corner entry vestibule;
- fenestration: double-hung wood-sash windows with multi-paned upper sash, 6-over-1 and 8 over-1 configurations; and second-storey bathroom window of casement assembly; and
- mature landscaping including: a stepping stone walkway from the rear of the house; an extensive rockery; and many mature plants including rows of holly trees behind the home, a wisteria which was allowed to climb a birch tree, a filbert bush, an English Walnut tree, and a small orchard.