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The stunning chrome finish gives a brilliant look to the food containers. These Insulated Food Servers are the revolutionary way to keep hot food hot and cold food cold plus make a real fashion statement.
Features of Pinnacle Plastic Food Casserole:
Innovative
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- Equally effective on hot and cold food
- Stainless steel lined bowls and foam insulation
- FDA approved
Problem Solver
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- Maintains the temperature of stored food for up to 6 hours
- Retain Aroma, Taste & Nutrition.
- Nested One inside other saves storage space.
Saving
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- No heating of food on Stove & Microwave saves precious Energy & Time.
- Repeative heating of food on stove & microwave losses essential nutrition from food.
- Serve & Eat
- Go from the counter-top to table-top with one attractive serving dish
- Smaller containers cater to the working man or woman, and a hot meal can be enjoyed directly from the container.
- Can also be used as ice packs to store ice cream ,custards, jelly and salads
Versatile
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- Caters to families with staggered meal times.
- Use at home, picnics, tailgating, potluck dinners, holidays, or take lunch to work
Instruction to Use of Pinnacle Plastic Food Casserole:
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- Wash before use. Do not use an abrasive cleaner. For cleaning purpose, wash with water and washing-up liquid.
- Do not use in a Traditional Oven, Microwave or on electrical hotplate and neither on gas.
- Not Microwave Safe
- Not Dishwasher Safe
- Do not separate the stainless steel bowl from the main body of container.
- For Better Result, Fill the container with hot water (for hot food) or cold water (for cold food). Later Empty the container and fill with prepared food. The food should be stored in the container immediately after cooking or directly from the refrigerator. If desired, wrap the food in aluminium foil for added insulation.
For more Insulated Thermoware Products visit www.tokyoplast.com
Bill Salmond and Marie Hawley, Initiation, Flinton Continuation School.
Part of a slide transparency presentation - Flinton Continuation School.
Part of the CDHS Archives Album
Note: All CDHS Flickr content is available for the public use (non-commercial) providing our Rights Statement is followed:
Below is a statement supplied to Snapperjack Media London by ( British Egyptians )
*********************************************************************************************
Today 22nd of February 2015
We handed a Petition to 10 Downing Street and we Held a Demontration at Marble Arch and infront of Quatar Embassy .
We distribute a flyer with the petition and the photo of the Slaughter of our brothers in Lybia
“We Will Conquer Rome”
“ A Message Signed with Blood to the Nations of the Cross.”
Another Wake-up Call by the Terrorist Jihadists
The grotesque video which was released by the terrorist group Islamic State (ISIS) of the slaughter of 21 Egyptian workers in Libya, who had been kidnaped in the costal town of Sirte and subsequently beheaded on the15th of February 2015.
There is a sense of “ déjà vu ” for us here in the UK. In 2007 there was a plot to behead a British Muslim Soldier and in 2013 the shock of the beheading of Lee Rigby in the streets of Woolwich in broad daylight was evident for all to see. In addition, the recent plot to behead a British soldier by a teenager has featured in the press. The terrorist attacks of 7/7 and others are potent reminders of this evil.
On 8th of February 2015, Muslim Action Forum’s protesters in Whitehall held Al-Qaeda flags at the door steps of Downing Street .
Mr.Cameron, all British Egyptians appreciate your noble gesture for expressing your personal and official condolences for the murder of the Egyptian guest workers during your phone call to Bishop Angelos of the Coptic Church , as they were Coptic Christians. You rightly stated that these actions are unacceptable by the principles we live by in this country.
Although they were Christians, there is no difference between them and all of the other Egyptians killed by the Muslim Brotherhood ranging from the Police, Army Soldiers and Civilians : Christian and Muslim as we consider them all equal Egyptian martyrs.
During the rampage of terror by the Brotherhood and it’s terrorist offspring which include Al-Queda, Hamas, Boco Haram and ISIS where the killing and rape of innocents, destruction of property and livelihoods, places of worship; mosques and 80 churches in Egypt and yet their Headquarters reside here in London .
Although these people call themselves Muslims, they have nothing to do with any religion, they are ,maniacs. A lot of people all over the world are now fear these terrorists who are everywhere and have been supported directly and indirectly by many countries.
There is an urgent call for the World to wake up and unite .
We are not fighting a physical invasion but a rapidly spreading jihadist ideology among all ages. They are brain washed and blind folded and every one of them is ready to die as a suicide bomber by a press of a button. They are everywhere in the world spreading like cancer.
What we have seen till now is only the tip of the iceberg. We are pleading that the UK join all the forces of the world to jointly fight terrorism with Egypt, otherwise it will be a disaster for all of us.
Signed : British Egyptians.
Miguel Palmero, seated right, Executive Officer, Royal Caribbean International, signs a Employer Support of the Guard and Reserve (ESGR) Statement of Support during an ESGR ceremony at the Joint Military and Family Assistance Center in Bordentown, N.J., May 17, 2019. Also pictured are, seated left, Don Tretola, State Chair, New Jersey Employer Support of the Guard and Reserve; back row, left to right, Brig. Gen. Jemal J. Beale, The Adjutant General of New Jersey; Col. John M. Cosgrove, Commander, 108th Wing, New Jersey Air National Guard; Col. Thomas O. Pemberton, Commander, 514th Air Mobility Wing, Air Force Reserve Command; Bruce Townsend, chief, Employer Outreach, ESGR, and Maj. Gen. Mark W. Palzer, Commanding General, 99th Readiness Division, Army Reserve. ESGR develops and promotes a supportive work environments for Guard and Reserve service members through outreach, recognition, and educational opportunities that increase awareness of applicable laws, as well as resolves employer conflicts between service members and their employers. (New Jersey National Guard photo by Mark C. Olsen)
When I wore this statement dress by Marie Louis Bishara for the shoot I couldn’t help but think of it resembling Cleopatra. Maybe it’s the Jewelry that goes with it? Then, after going through her pictures I can’t find much in common but still I wanted to call this post the Cleopatra outfit. If anyone had the same thing come to mind please do share your thoughts with me :)
Dress and Jewelry: Marie Louis Bishara
Photography: Abu Samra
The Michael Quinn text references a local Catholic teenager who was recently injured by a plastic bullet fired by police.
The I.B.A. is a neighborhood Nationalist group of youth.
Policy Statements - ITU PP-18
H.E. Ms Lily Akol, Deputy Minister, Ministry of Information, Communication, Technology and Postal Services, South Sudan
©ITU/P.Barrera
More of me in my fashionable dollar store Tee-shirt. It's navy blue and not black. As you can see. I made it to the park. It's a warm 80 degrees with a clear sky. Not bad for December.
The Mission Statement. Words to live by for the year.
For more info on this, please visit www.thehikeguy.com/2011/01/04/500-moleskine-miles/
ICC Bemba trial: Closing oral statements begin, 12 November 2014
The Prosecution and Defence will have approximately three hours each and the Legal representative of victims one and a half hours to make their final submissions. The closing oral statements should be limited to issues arising from the evidence admitted in the Bemba case and the participants' written closing statements.
Following these closing statements, the judges will commence their deliberations and the judgment will be pronounced in due course.
#SafePassage - Rettungswesten-Installation von Ai Weiwei am Konzerthaus Berlin zur Filmgala Cinema for Peace, 15.2.2016.
Der chinesische Künstler Ai Weiwei (58) hat mit Rettungswesten, die Flüchtlinge auf der griechischen Insel Lesbos zurückgelassen haben, das Konzerthaus am Gedandaremnmarkt dekoriert. Mit der Aktion will der Gastprofessor an der UdK an die Schutzsuchenden erinnern, die sich über das Mittelmeer ins sichere Europa retten wollen.
Das Kunstwerk am Konzerthaus Gendarmenmarkt ist eine Aktion für die Filmgala Cinema for Peace im Rahmen der Berlinale (Internationale Filmfestspiele Berlin). Ai weiwei ist dieses Jahr Ehrenpräsident der "Cinema for Peace-Jury.
© Bernd Sauer-Diete
A new free crochet pattern offered by Stitch Diva Studios in our very own glistening Studio Silk.
Make a statement with some inexpensive flat decorative marbles, basic crochet skills and some pretty yarn.
This project is fast enough for you to make a few of these very trendy statement necklace pieces - explore using more or fewer marbles or varying the configuration of the stones for your very own creation!
Policy Statements - ITU PP-18
H.E. Mr. Mário Augusto Da Silva OLIVEIRA, Deputy Minister, Ministry of Telecommunications and Information Technologies, Angola
©ITU/R.Maniego
The trend these days is for women to carry classic, designer handbags that make a statement and are useful and practical at the same time.
The closing statements in the case of The Prosecutor v. Bosco Ntaganda at the International Criminal Court (ICC) started on 28 August 2018 before Trial Chamber VI at the seat of the Court in The Hague (Netherlands).
Statements were made by the Office of the Prosecutor, the Defence for Mr Ntaganda and the Legal Representatives of the Victims. Trial Chamber VI is composed of Judge Robert Fremr, Presiding Judge, Judge Chang-ho Chung and Judge Kuniko Ozaki.
Doorstep statement by NATO Secretary General Jens Stoltenberg at the start of the extraordinary Summit of NATO Heads of State and Government
Policy Statements - ITU PP-18
H.E. Mr Daryn Tuyakov, Vice-Minister, Information and Communication of the Republic of Kazakhstan
Ministry of Information and Communication, Kazakhstan
©ITU/P.Barrera
Your "Statement"!!!
Κολιέ | Από €16.90 τώρα €8.45
Κωδικός e-shop: 1454104335
Shop now at: bit.ly/1oKMI4R
Σκουλαρίκια | Από €6.90 τώρα €3.45
Κωδικός e-shop: 1456102635
Shop now at: bit.ly/1s9G23n
Statements und Podiumsdiskussion: "Soziale Mobilität in den USA und in Europa"
v.l.n.r.: Dr. Isabel Sawhill, Matthias Rumpf, Dr. Mark Speich, Prof. Walter Müller, Prof. Robert Erikson.
Foto: CC-BY-SA Stephan Röhl / www.boell.de
"NEW SCHOOL"
Last weekend Simon Han, owner of "Tattooist", the new tattoo studio on Jeju Island, invited me to watch well-known Korean tattoo artist 'Mir' perform his craft.
Mir had already begun work when I arrived. I sat down quietly and watched as he carefully drew an intricate picture of a bird surrounded by flowers on a young mother's left shoulder. Noting my surprise, the engaging Mir told me that 70% of his customers are women, mostly young, university students, a sharp contrast from his macho clientele just a few years ago. In fact the entire market for his tattoos has changed a lot over the years. In the early days he would get clients who came in with a photo and say, "I want this". Today he sits down with more sophisticated customers and discusses options over the course of several consultations and drawing sessions.
Mir, who's name means "dragon" in Korean, had wanted to become a tattoo artist since middle school when he and his friends would tattoo each other using sharp needles and ink. Their work looked terrible according to Mir. "One day I got a tattoo that was supposed to be a spider but it looked liked a cockroach", he explained with a laugh. "My friends teased me, asking me why I got a cockroach tattooed on my body."
After going to Saipan to get his low-quality tattoos covered, he came back to Korea intent on doing tattoos the right way. Self-taught, Mir first practiced on friends. Then, as his skills improved and he became more well-known, he began to travel across Korea to tattoo gangsters. In 2000 he opened up his own studio. His timing was prescient as the demand for tattoos exploded just six years later. Today, Mir's client list includes musicians, club owners, singers, actors, and UFC and F1 fighters.
After 90 minutes, Mir's work is done and it's not at all what I expected. The tattoo looks beautiful and the woman is clearly pleased. Tattoos have long been considered in the country a mark of violence, membership to a gang, or defiance of mainstream culture. However, in recent years, many South Koreans have started to embrace tattoos as a work of art and a fashion statement. 20% of tattoo artists in Korea are women and their "new-school" style, punctuated by bright colors and pretty designs, is at the forefront of a break from the "old-school" style of dragons, skulls, and sinister messages in favor of smaller, cuter tattoos. Mir embraces the change which gives him a chance to flex his artistic muscle.
What does the future hold for Mir? "I'd like to go abroad and get a tattoo from a famous artist like French tattooist Filip Leu", he mused. In the meantime, Mir will continue to refine his craft, solidifying his place as one of the top tattoo artists in Korea.
Osea Naiqamu, Minister of Agriculture, Fisheries, and Forests of Fiji delivery speech during 3rd Asia-Pacific Rainforest Summit in Yogyakarta on April 23, 2018 in Indonesia.
Photo by Ulet Ifansasti/CIFOR
More information on the 3rd Asia-Pacific Rainforest Summit, please visit cifor.org/aprs
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Policy Statements - ITU PP-18
H.E. Ms Ursula Owusu-Ekuful, Minister, Ministry of Communications, Ghana
©ITU/R.Maniego
Policy Statement PP-18
H.E. Mr Rudiantara Rudiantara, Minister of Communication and Information Technology, Indonesia
©ITU/P.Barrera
William Brouillard
www.cia.edu/faculty/directory.php?faculty_id=15
Artist Statement
The platters I have sent to this exhibition combine several ceramic traditions. The first is, The Palace Art Pot. Palace Art Pots were made to demonstrate wealth and power. They were made to tell a story, to commemorate an event or a person, and to demonstrate skill and challenge the abilities of the artisans who made them. The second tradition is the Fish Platter. Fish platters were a staple of the Neo Arts and Crafts Movement of the 1950s and 60s. The third and last tradition is the One-Line visual and verbal Pun, Platters of the ceramic Funk Movement.
Humor through the use of the visual pun was a mainstay of the California Funk movement. Humor in clay has a tradition as old as the use of the material. I have always felt that humor has been given short shift as a serious emotion. Art work that uses humor and has been actively excised from collections of serious art. It may be that we do not understand the function of humor as well as we understand the function of the other emotions.
In the work presented I have tried to inject some humor into the decorative / commemorative object. The platters are big to give them a slightly overblown sense of their own importance and to be able to be viewed from a distance . They are meant for the wall and the table. The large size to fit the importance of large gatherings.
I have tried to replace historical patterns with objects reduced to pattern. Some of the objects are extensions of my environment or reflections of personal interests. Images of turn of the century technology, (the Machine Age), are a personal favorite. Subject matter ranges from humorous depiction of everyday objects to gender stereotypes. My abilities as A draftsman are limited but seem to be adequate for the kind and quality of image that the subject requires. They have a cartoon look as opposed to the crisp complexity of fine china.
The clay body, a red earthenware, is heavily potted and makes no secrete of its variations and flaws. The glaze work is in the Majolica style and is done very much like a watercolor on soft paper. The pots are fired twice. They are bisqued to cone 05 and glazed to cone 04. Some may have an additional firing to Cone 018 for low temperature luster and enamels. They are fired in an oxidizing atmosphere using an electric kiln.
William Brouillard June, 22 1993
Resume
William Craig Brouillard
CURRENT POSITION:
Associate Professor of Art, Ceramics department, The Cleveland Institute of Art, Cleveland, Ohio, from 1980
EDUCATION:
M.F.A., Ceramic Art, The New York State College of Ceramics at Alfred University, Alfred, NY, 1976
University of Wisconsin, at Madison, Wisconsin, 1973
B.A., Art Education, State University of Wisconsin, Stout at Menomonie, Wisconsin, 1969
RELATED WORK EXPERIENCE:
Brouillard Studios, 2662 W14th st. Cleveland, OH 44113, production of pottery and ceramic commission work 1980-1993
Resident Craftsman at The Penland School of Crafts, Penland, North Carolina, as a full time self supporting studio artist in clay, with some related teaching duties, 1976 -1978
TEACHING EXPERIENCE:
Instructor, Teaching beginning intermediate and Graduate level ceramics, East Tennessee State University, Johnson City, TN. 1978-1979
Teaching Assistantship, teaching Kiln Design and Construction, to advanced and graduate level students at New York State College of Ceramics at Alfred University, Alfred, NY. 1974 - 1976
Teaching Assistantship, teaching Two and Three Dimensional Design to beginning and advanced Students, also instruction in materials and techniques of woodworking, at The New York State College of
GRANTS AND AWARDS
National Cup Show, purchase award, University of Southern IL. 1992
Ohio Designer Craftsmen, purchase award, Best of 92 exhibition, Columbus, OH. 1992
Excellence in Design Award Ohio Designer Craftsmen, Best of 92 Exhibition, 1992
American Craft Museum, Design Award , for Excellence in Design, in conduction with the Designed and made for use Exhibition, at The American Craft Museum, NY 1986
Purchase Award, The Clay Cup Show, Southern IL. University, 1986
Art Park , Lewiston NY. Summer work and travel grant 1980
COLLECTIONS REPRESENTED BY
The Detroit Museum of Art [DIA], Detroit MI.
The Cleveland Museum ofArt, Cleveland OH.
The Millard Collection, St Louis, MO
The Sinker Collection, Detroit, MI.
The Vincent Lim Collection,Philadelphia, PA
The Pfannebecker Collection, Lancaster, PA
University of Southern Illinois
Ohio Designer Craftsman, Columbus, OH
Ceramics Monthly, Columbus, OH
The Cleveland Art Association, Cleveland, OH
Alfred University, Museum of Ceramics, Alfred, NY
University Hospitals of Cleveland, Lerner Tower, Cleveland, OH
PUBLICATIONS, REF.
American Ceramics Magazine, Jan. 1994 Studio Potter Magazine, Jan, 1992, "The Language of the Lip" NCCECA Journal "Developing a Plastic Alphabet", volume 6, 1985 Studio Potter "Ohio Potters", October, 1983 Craft Horizons, December , 1978 Ceramics Monthly, "Penland Potters", October 1977 The Alfred Kiln Drawings, New York State College of Ceramics, Alfred University, Publication of The Department of Art and Design, 1976
GALLERIES REPRESENTED BY
-The Clay Place, 5416 Walnut St., Pittsburgh, PA. 15232, 1-412-682-3737
-The Pewabic Pottery, 10125 East Jefferson, Detroit, MI. 48214, 1-313-822-0954
-The Farrel Collection, 2633 Connecticut Ave., NW, Washington, DC 20008, 1-202-483-8334
-Objects Gallery, Chicago, IL
ORGANIZATIONAL MEMBERSHIP
-NCCECA, National Conference For Education in the Ceramic Arts
-SPACES, Arts Organization, Cleveland, OH
-OHIO DESIGNER CRAFTSMEN, North Central Area Represenitive, Columbus, OH
-AAUP, American Association of University Professors, Washington DC
1268 Ellis Street, Kelowna, BC.
Statement of Significance:
Description of Historic Place:
The historic place is the three-storey brick Old Cannery building, built in 1912 in Edwardian Commercial style at 1280-1298 Ellis Street in Kelowna's downtown area. The central three-storey brick portion was later extended with a one-storey wood-frame wing to the south and a two-storey brick wing to the north.
Heritage Value:
The Old Cannery has heritage value for its close association with a number of Kelowna's agricultural industries, including cigar-making, fruit-packing, and canning, and for later non-agricultural industry uses. It also has value as an unusually well-designed industrial building, and for demonstrating (through its additions) the growth of one industry over time. Representative of the area, the building now includes an entertainment use, reflecting Kelowna's shift from an industrial to a service economy.
The three-storey central brick portion was built in 1912 as the handsome premises of the ambitious British North American Tobacco Company (BNATCO). This company had been started in 1910, with a capitalization of $500,000, mostly British investment, with the intention of making cigars from Kelowna-grown tobacco in a large way. The building was close to the Candian Pacific Railway yards. It was constructed for heavy use, with the floors made of 2-by-6 planks laid on edge and spiked together (called 'millwork' construction). The cigar factory was located on the second floor, while the first and third floors were used for storage. The factory had the capacity to turn out 25 million cigars a year. However, it never achieved more than 800,000 at peak production, and by the end of 1913 unwise land contracts, coupled with embezzlement by an officer of the company, combined to bring BNATCO (and the local farmers who had planted five hundred acres to tobacco for the company) crashing down. By May 1914 the company was in liquidation.
The building was then purchased by the newly-established Occidental Fruit Company (the name catering to the anti-Asian prejudices of the time), a fruit shipper that prospered during World War I. In 1918, the Occidental Fruit Company transferred its fruit packing facility to another building, further north on Ellis Street, and began to operate a fruit and vegetable cannery here. The long, single-storey frame building to the south was constructed in 1918, and the two-storey brick building at the north end in 1919, with rear storage warehouses added in 1920. The actual canning was carried on in the southern building, while the other portions were used for storage. Occidental operated the cannery until 1929, when it packed almost 200,000 cases of canned goods, mostly tomatoes and catsup.
In 1929 the cannery was purchased by Canadian Canners Ltd., of Hamilton, Ontario, which continued to operate it until 1960. In 1965, the brick building was bought by Harold Armeneau to expand the Kelowna Machine Shop, located across the street at 1247 Ellis Street. The machine works occupied the second floor, while the lower floor served as office space.
The buildings were sold to the Cannery Group in 1971, which remodeled the old cigar factory and north extension as a night club. The northern extension has gone through numerous name changes: Bernie's Supper Club, the North Forty, Changes, the Casbah, and most recently Flashbacks. The south building was refurbished as a row of small shops, though its original function is still easily seen in the raised front loading level of the old cannery. An antique shop currently occupies the three-storey portion.
Source: City of Kelowna Planning Department
Character-Defining Elements:
The character-defining elements of the Old Cannery include its:
- prominent location, the largest brick building on west side of Ellis Street, three storeys high
- attractively composed and ornamented facade, four bays wide, with the end bays projecting forward slightly, framed by pilasters, and with the brick on the two upper floors arranged to resemble rustication, all somewhat in the manner of the Neoclassical Revival Style
- outer bays with segmental-arched window heads with large keystones on the ground floor, round-arched window heads on the second floor, and flat window heads on the third floor
- two, broader central bays with segmental window heads on the second floor, and flat heads elsewhere
- wood-sash windows with small panes (except on the ground floor) and transoms
- stone sills and pilaster bases and capitals
- brick facade wraps around the two corners
- set-back north wing with two storeys, with prominent repetitive second-floor windows
- south wing with repetitive windows on the two floors