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Tomatoes, Cucumbers and Herb Salad topped with some organic cheese :) )))
It's as good as a bowl of candy. I'm totally serious, here.
I took this picture in Tagaytay, Philippines.
This replaces a composite photo that appeared yesterday but was deleted as it is a breach of the rules.
It's almost another 100% thrifted outfit: the skirt, top & fake gold necklaces were all bought from The Wayside Chapel Shoppe. The bangles are from 'Diva', my favourite wild animal print leggings from Target & red tap shoes from a ballet shop.
Image available for purchase from www.ballaratheritage.com.au
Statement of Significance
What is Significant?
Anderson's Mill Complex, Smeaton, comprises a huge bluestone mill building, water wheel, 23 metre tall brick chimney, bluestone office, stables, granary, blacksmiths shop and residence. The complex was built for the Anderson brothers from 1861 onwards to service Creswick's prospering agricultural district. The ten bay bluestone mill building is four stories high with an attic storey in the gabled slate roof. The 28-foot (8.5 metre) diameter water wheel, built by Ballarat engineering firm Hunt and Opie, is fed by a mill race about 900 metres long which commences at a bluestone weir on Birch Creek.
The industrial elements of the mill complex are located in a highly intact landscape setting which includes the Anderson family home and its garden, Birch Creek and the bridge on the access road and areas of European vegetation, all set within the context of the creek valley and surrounding farm land. The first part of the timber residence was built in the early 1860s with further additions in the nineteenth century including a separate bluestone kitchen block. The residence has a typical Victorian era cottage garden including berry gardens and a timber front boundary fence and gate to the mill area.
The Anderson brothers migrated from Scotland in 1851, and were involved in goldmining at first before developing a thriving sawmilling business which serviced the gold mining industry. They were also involved into agriculture and land speculation. Their successes enabled them to make the large investment in the Mill. John Smeaton had trained as a millwright in Scotland.
Numerous flour mills were built in the established agricultural districts of Victoria in the 1850s and 60s. As with many mills from this period, the Smeaton mill's initial prosperity was short-lived as Victoria's drier northern areas, which were better suited to wheat growing, were developed for agriculture under the Selection Acts from the mid-1870s. In the same period the technology of wheat milling changed from stone to roller mills, and consumers came to prefer the product from the roller mills. David Anderson, one of the second generation of millers, invested in new roller milling equipment in 1895 and also diversified into oat-milling. The mill continued to operate for another sixty years as a flour and oatmeal mill before it closed in the late 1950s. Members of the Anderson family lived continuously in the residence on the site up until 2008.
The Andersons Mill Complex, apart from the residence, was purchased by the State government in 1987 as a Bicentennial gift to the people of Victoria, and the land became a Historic Reserve which is now under the management of Parks Victoria.
How is it Significant
The Andersons Mill Complex is of historical, scientific (technical), and architectural significance to the State of Victoria.
Why is it significant?
The Andersons Mill Complex is of historical significance as highly intact and representative example of a rural industrial landscape associated with the early period of wheat growing
activity in Victoria up until the mid-1870. Flour mills were an important component of the relatively self generating local economies which operated in the agricultural districts of Victoria in this period.
The Andersons Mill Complex is of historical significance as a product of the development in a goldfields economy, in which money made from gold mining and associated industries such as timber milling was invested locally in other industries such as flour milling. The scale and finish of the mill and office indicate the confidence of the Andersons in this endeavour.
The Andersons Mill Complex is of historical significance as a rural industrial complex which has been in continuous occupation and use by the same family since the 1860s. The buildings and structures are indicative of the transference of the Andersons' experience of building and industrial practices in Scotland. The different processes employed at the mill also demonstrate the capacity of the owners to adapt to changing circumstances over close to one hundred years.
The bluestone main mill building of the Andersons Mill Complex is of architectural significance as a fine example of a large scale industrial structure displaying the simple unadorned materials, symmetrical arrangement and harmonious proportions of the Georgian style.
The Andersons Mill Complex is of scientific (technical) significance as a rare and highly intact water powered nineteenth century flour mill. The waterwheel and the water turbine provide outstanding opportunities to demonstrate how water power was used in the nineteenth century. The Andersons Mill Complex is of scientific (technical) significance for its capacity to demonstrate the technical aspects of the oat milling process.
The water wheel is of scientific (technical) significance as a product of the Victoria Foundry at Ballarat during its most active period. It clearly demonstrates the manufacturing capabilities and levels of craftsmanship attained by the foundry no more than five years after it was established. The wooden patterns from which the wheel's components were cast have survived and illustrate the way in which the wheel was manufactured.
Year Construction Started 1861
Architectural Style Victorian Period (1851-1901) Georgian
IAEA Director General Yukiya Amano delivers his opening statement at the first day of the International Conference on Nuclear Security: Enhancing Global Efforts. IAEA Headquarters, Vienna, Austria. 1 July 2013
Photo Credit: Dean Calma / IAEA
Dr. Robert Nasi, Director General of Center for International Forestry Reasearch (CIFOR), delivery speech during 3rd Asia-Pacific Rainforest Summit in Yogyakarta on April 23, 2018 in Indonesia.
Photo by Ulet Ifansasti/CIFOR
More information on the 3rd Asia-Pacific Rainforest Summit, please visit cifor.org/aprs
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
wall covered with posters of candidates for a local election - afternoon - Bagong Silang, Manila, The Philippines
Statement by Mr Kwamena Essilfie Quaison, Deputy Director of Environment, Ministry of Environment, Science, Technology and Innovation at the 24th Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 25-29 November 2019.
MISSION STATEMENT
JGB DESIGN STUDIO is the Web & Graphic Design Studio founded in 2000 by J. "Guerrero" Beltrán. Outside the box where non-conformity exists, JGB's vision combines two distinctive forms, raw imagery and creative text. Both of which create communication art that appeals to all the masses no matter where they fall on the "scale." JGB will not only reface the art and advertising medium, he will revolutionize it.
JGB’s primary focus is to always reach out to his target audience with various forms of exclusive communication art specifically customized to fulfill his client's vision. JGB's coalesced styles promises to push the envelope out from the trenches of conventionality as he fights for the freedom of expression and the retention of a unique cultural identity. A true innovator, JGB represents a team of unique artists from the mainstream art and entertainment scene, which bring to the table a plethora of endless creativity. With JGB, artists need not fear getting caught up in the schism of playerism.
JGB’s list of Web & Graphic solutions is: Custom Logo Designs, Silkcards, Foil Cards, SpotUV on Silkcards, Plastic Cards, Postcards, Doorhangers, Rack Cards, Bookmarks, Brochures, Flyers, Magnet Cards, Presentation Folders, Stickers, Custom Die Cut Stickers, Foil Stickers, Letterheads & Envelopes, as well as, CD design, CD Cover Design & CD Packaging Design. We also specialize in Exclusive VIP Designs for Apparel, Silk Screen Printing & Production and Posters. Please inquire about the newest additions to our creative services: Grand Graffiti Backgrounds & Temporary Tattoos (Great for music videos, films and photo shoots).
Special Event Promotions (Ticketweb) Package
Feel free to inquire about the Special Event Promotions (Ticketweb) Package. Increase your profits immediately by letting us Promote & Sell Your Box Office or Cover Charge Tickets On Line After We Create Your Design.
We cater to a high end community of phenomenal Dancers, Bands, Poets, Performers, Fashion Designers, Artists & Photographers, D.J.s, Public Relation Representatives, Music & Publishing Industry Representatives, to the Creative Individuals from the fields of Advertising, Film, Theatre & Art, as well as Financial Executives.
* Playerism: The art in which a schemer "milks," takes advantage of a key player's skills in a game *
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
Here comes Mavis sporting the hottest fashion look this Spring: peek-a-boo shell with faux fur trim. Work it girl!
Female River Cooter (Pseudemys concinna)
My photos can also be found at kapturedbykala.com
cute & little blog | petite fashion | blue gingham dress, yellow knotted belt, nude weges, motty grey chloe drew, statement earrings | spring summer outfit
This template is used for creating the statements of banks. It contains "Financial Position", "Operations and Changes" and "Cash Flow" statements. SpreadsheetWEB version of the template allows to publish the statements online easily.
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
Policy Statements - ITU PP-18
H.E. Mr Bushara Gumaa Aror, Minister of Information, Communications and Information Technology, Sudan
©ITU/P.Barrera
This morning, checking my latest bank statement, I opened the file to remove a page but pulled open the bottom ring and not one of the centre rings. That ring closed on my finger, where you see the piece of wood in this re-enactment.
Were I a more dedicated photographer, I would have got my 'phone, lying on the table beside me, and snapped the moment. However, my only thought was to open the file and extract my finger – it was very painful 😟
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
Leather bib necklace with wood beads Leather jewelry "Geometry of Metamorphose" collection
Colors: black, gold
Materials: leather
Size:
Inner length - 15 inches (38.5 cm) cm
Outer length - 23 inches (60 cm)
+ extended chain
Notice of Availability and Public Hearing for the
Newhall Ranch Resource Management and Development Plan (RMDP) and the Spineflower Conservation Plan (SCP) Environmental Impact Statement/environmental Impact Report (EIS/EIR)
www.dfg.ca.gov/regions/5/newhall/docs/Newhall_NOA_Mtg.pdf
Notice of Availability and Public Hearing
for the
Newhall Ranch Resource Management and Development Plan (RMDP)
and the Spineflower Conservation Plan (SCP)
Environmental Impact Statement/Environmental Impact Report (EIS/EIR)
The U.S. Army Corps of Engineers (USACE) as Lead Agency under the National Environmental Policy Act and the California Department of Fish and Game (DFG) as Lead Agency under the California Environmental Quality Act, have prepared a Draft EIS/EIR for consideration of The Newhall Land and Farming Company’s (Applicant’s) request for federal and state permits, agreements, and authorizations to implement the Newhall Ranch Resource Management and Development Plan (RMDP) and the Spineflower Conservation Plan (SCP). The RMDP (a conservation, mitigation, and permitting plan for sensitive biological resources within the previously approved Newhall Ranch Specific Plan area) would be relied upon to obtain federal and state permits to implement infrastructure improvements required to facilitate build-out of the approved Specific Plan and is intended to direct both resource management and development on the Specific Plan site. The SCP is a conservation and management plan to permanently protect and manage a system of preserves designed to maximize the long-term persistence of the San Fernando Valley spineflower (Chorizanthe parryi ssp. fernandina; spineflower), a federal candidate and a state-listed endangered plant species; to authorize the take of spineflower located outside designated preserves; and to address known spineflower within the Applicant’s land holdings located within the Specific Plan area and two adjacent areas, the Valencia Commerce Center and Entrada planning areas.
The Newhall Ranch Specific Plan was approved by Los Angeles County in May 2003 to guide development of a new community composed of a broad range of residential, mixed-use, and nonresidential land uses within villages on the Specific Plan site, located in a portion of the Santa Clara River Valley in north western Los Angeles County, between the city of Santa Clarita and the Los Angeles County/Ventura County jurisdictional boundary line. Subsequent development plans, subdivision maps, and federal and state permitting, consultations, and agreements were anticipated to be required to facilitate build-out of the Specific Plan. This joint EIS/EIR has been prepared at the direction of the USACE and DFG to analyze the direct, indirect, secondary, and cumulative impacts of the proposed RMDP/SCP, including impacts associated with project-specific infrastructure improvements and maintenance activities in or adjacent to the Santa Clara River and its tributaries located within the approved Specific Plan site.
USACE Public Hearing
The USACE and DFG will hold a public hearing on Thursday, June 11, 2009, at 6:30 p.m. The hearing will take place at Rancho Pico Middle School, located at 26250 West Valencia Boulevard, Stevenson Ranch, California 91381.
The public hearing will provide the public an opportunity to become more familiar with the Project and the alternatives under consideration. The public hearing is an opportunity for interested parties to provide oral and written comments on the Draft EIS/EIR. The comments presented at the hearing will be recorded and entered into the public record.
Public Review Period
The public review period for the Draft EIS/EIR begins on April 27, 2009, and ends on June 26, 2009.
The Draft EIS/EIR concludes that the Project would have significant and unavoidable impacts to the environment in specific areas, including, among other environmental categories, biological resources, air quality, noise, agricultural resources, land use, visual resources, and solid waste. These environmental effects, and others, are described in further detail in the Draft EIS/EIR. Written comments on the Draft EIS/EIR must be postmarked or received by fax or e-mail no later than June 26, 2009. Send written comments to:
U.S. Army Corps of Engineers
Ventura Field Office
Attn: Aaron O. Allen
2151 Alessandro Drive, Suite 110
Ventura, CA 93001
Fax: (805) 585-2154
E-mail: Aaron.O.Allen@usace.army.mil
California Department of Fish and Game
Newhall Ranch EIS/EIR Project Comments
c/o Dennis Bedford
4949 Viewridge Avenue
San Diego, CA 92123
Informational Line: 866-395-7426
Fax: (858) 467-4299
E-mail:
newhallranch@dfg.ca.gov
Copies of the Draft EIS/EIR will be made available for public revi
ew in the offices of the Lead Agencies at the addresses shown
above. A copy of the Draft EIS/EIR will also be available for public review at the following locations:
• Valencia Library, 23743 West Valencia Boulevard, Santa Clarita, California 91355
• Sylmar Library, 14561 Polk Street, Sylmar, California 91342
• Ventura H.P. Wright Library, 57 Day Road, Ventura, California 93003
• Castaic Library, 27971 Sloan Canyon Road, Castaic, California 91384
• Department of Fish and Game’s Los Alamitos Office, 4665 Lampson Avenue, Los Alamitos, California 90702
Additionally, the Draft EIS/EIR, information regarding the Project’s environmental review process, Project documents, and contact/mailing information, can be found at the following website: www.dfg.ca.gov/regions/5/newhall
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www.google.com/search?q=Newhall+Ranch+Resource+Management...
Six Flags Magic Mountain, Fright Fest 2000.10.30
DSC00010