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The Mission Statement. Words to live by for the year.
For more info on this, please visit www.thehikeguy.com/2011/01/04/500-moleskine-miles/
Political Demonstration
Asok, Bangkok 29.Nov.13 © Andy Zingo
Updates & Links on Photography & Arts www.facebook.com/andy.zingo.photography
U.S. Secretary of State John Kerry delivers his opening statement to the Senate Foreign Relations Committee on February 23, 2016, during an appearance on Capitol Hill in Washington, D.C., to discuss the Obama Administration's 2017 federal budget request. [State Department photo/ Public Domain]
A new free crochet pattern offered by Stitch Diva Studios in our very own glistening Studio Silk.
Make a statement with some inexpensive flat decorative marbles, basic crochet skills and some pretty yarn.
This project is fast enough for you to make a few of these very trendy statement necklace pieces - explore using more or fewer marbles or varying the configuration of the stones for your very own creation!
Policy Statements - ITU PP-18
Mr Jigme Namgyal, Director General, Ministry of Information & Communications, Bhutan
©ITU/P.Barrera
WITNESS STATEMENTS
Taking Wilson's advice, the Bees headed out into the garden to interview any possible Eye Witnesses to Uncle Zoltan's disappearance. First on their list were the sTone Brothers.
When questioned, sTony admitted that sToneye had seen Uncle Z leaving through a hole in the fence, carrying a small bundle tied in a red spotted handkerchief hanging from a stick over his shoulder — they hadn't mentioned it before because neither of them was aware of Uncle Z's disappearance.
Billi noted this down carefully in a notebook, while Polly searched in the mud for tarsal pad prints, using a magnifying glass loaned to her by Wilson.
Policy Statements - ITU PP-18
Ms Eka Kubusidze, Head of the Delegation of Georgia, Head of Communications, Information and Modern Technologies Department, Ministry of Economy and Sustainable Development, Georgia
©ITU/R.Maniego
Statement by Federal Chancellor Sebastian Kurz during the EP plenary session on 15 January 2019. Copyright BKA/Arno Melicharek
Local accession number: 13_05_000542
Title: Vokes, Victoria [front]
Statement of responsibility: Gurney & Son, Fifth Ave., N. Y
Creator/Contributor: J. Gurney & Son (Photographer)
Genre: Photographs; Cartes de visite; Portraits
Date created: 1859-1870 (approximate)
Physical description: 1 photograph : print on card mount ; irreg. hexagon mount 10 x 6 cm
General notes: Title from item or from accompanying material.
Date notes: Date supplied by cataloger.
Subjects: Actresses
Collection: Cartes de Visite Collection
Location: Boston Public Library, Print Department
Rights: No known copyright restrictions.
On behalf of Greater Manchester Police, I want to apologise to all those vulnerable children who were let down in 2004 by police not thoroughly investigating the offences that had been committed against them.
I want to say that I am personally disgusted that these children were not cared for and by the awful abuse that they suffered. I am committed to doing all we can to ensure that they receive the justice today that they were denied 15 years ago.
Since the Mayor of Greater Manchester launched his review looking into the abuse of vulnerable children in care and the involvement of Greater Manchester Police, I have been personally involved and committed to sharing all of the information that the review team required.
In August 2018, it became clear that the Operation Augusta investigation was not to the standard that I would expect. I immediately commissioned a review to ensure that any risks posed by potential perpetrators would be addressed.
I also wanted to ensure that any victims were provided with the appropriate support from specialist agencies.
Following our internal review, a multi-agency team was established under Operation Green Jacket.
This included an SIO led Major Incident Team who were prepared to follow any potential lines of enquiry which could be pursued and seek to bring any potential perpetrators to justice.
To date Operation Green Jacket has identified 53 potential victims. 48 of these children were in looked after care in 2004/05.
Of the 53 identified, we have so far identified viable lines of enquiry in relation to 38 victims.
This includes the horrific abuse of Victoria Agoglia. In September 2019, one man was arrested and another interviewed under caution. Both men have been released under investigation and our enquiries remain ongoing.
We will continue to do all that we can to safeguard children within our communities. Greater Manchester Police will investigate any report of child exploitation that is made.
To contact Greater Manchester Police for a less urgent matter or make a report online you can also visit www.gmp.police.uk.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give evidence.
Your "Statement"!!!
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Statements und Podiumsdiskussion: "Soziale Mobilität in den USA und in Europa"
v.l.n.r.: Dr. Isabel Sawhill, Matthias Rumpf, Dr. Mark Speich, Prof. Walter Müller, Prof. Robert Erikson.
Foto: CC-BY-SA Stephan Röhl / www.boell.de
a statement image for an art show i entered not too long ago (the show itself ended up being two steps away from f*cking disastrous but i will chalk it up to a learning experience)
Osea Naiqamu, Minister of Agriculture, Fisheries, and Forests of Fiji delivery speech during 3rd Asia-Pacific Rainforest Summit in Yogyakarta on April 23, 2018 in Indonesia.
Photo by Ulet Ifansasti/CIFOR
More information on the 3rd Asia-Pacific Rainforest Summit, please visit cifor.org/aprs
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Policy Statement PP-18
H.E. Mr Rudiantara Rudiantara, Minister of Communication and Information Technology, Indonesia
©ITU/P.Barrera
The closing statements in the case of The Prosecutor v. Bosco Ntaganda at the International Criminal Court (ICC) started on 28 August 2018 before Trial Chamber VI at the seat of the Court in The Hague (Netherlands).
Statements were made by the Office of the Prosecutor, the Defence for Mr Ntaganda and the Legal Representatives of the Victims. Trial Chamber VI is composed of Judge Robert Fremr, Presiding Judge, Judge Chang-ho Chung and Judge Kuniko Ozaki.
File name: 10_03_000300b
Binder label: Meat
Title: Set 'm again. Luncheon Beef. [back]
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 9 x 12 cm.
Genre: Advertising cards
Subject: Parrots; Monkeys; Wine; Canned foods; Meat
Notes: Title from item.
Statement of responsibility: Armour Packing Co.
Collection: 19th Century American Trade Cards
Location: Print Department
Rights: No known restrictions.
The impressive pavilion at Feethams, home to Darlington Cricket Club. The oldest bits of the structure date from 1906. The flat-roofed extension was added in 1992. Captured before a five-wicket defeat by Richmondshire in the Premier Division of the North Yorkshire & South Durham Premier League.
Lacking four regulars (owing to holidays, a stag do and football), Richmondshire cleared a tricky hurdle to extend their lead and plunge Darlington deeper into relegation trouble. The visitors, with four games of the season remaining, have a 19-point lead over title rivals Marton, who could manage only a losing draw at Barnard Castle. With Great Ayton winning at Middlesbrough in a crunch relegation battle, Darlington slip a place, to 10th, 10 points above the drop zone, occupied by Seaton Carew and Middlesbrough.
The departure, to a soft catch, of professional Tom Hewison (63) sparked a costly Darlington collapse. The last five home wickets produced just 17 runs. Callum Lethbridge's 27 was the only other decent score. Sam Wood (3-25), Chris Layfield (2-6) and Steven Reeves (2-29) shared the bulk of the wickets. Reeves, Richmondshire's Australian professional, played a key role as the visitors chased down a modest target. Darlington, boosted by early breakthroughs from pacer Shaun Charlton (2-53), appeared in with a chance when Richmondshire were reduced to 53-3, opener Robert Carr hitting 26. But Reeves, a big fella, steadied the ship with an unbeaten 44. Darren Van Der Vyver (20) and Wood (19) did what was necessary at the other end.
Match statistics
Darlington versus Richmondshire
North Yorkshire & South Durham Premier League, Premier Division (50 over match, 1pm start)
Admission: free. Programme: £1 (eight pages). Attendance: 108. Richmondshire won the toss and elected to field. Darlington 146 off 49.5 overs (Tom Hewison 63, Callum Lethbridge 27, Sam Wood 3-25, Chris Layfield 2-6, Steven Reeves 2-29) 5pts lost by five wickets to Richmondshire 147-5 off 46.4 overs (Steven Reeves 44 not out, Robert Carr 26, Darren Van Der Vyver 20, Shaun Charlton 2-53) 20pts. Umpires: Barbir Noor and Frank Smith.
Statement Necklace designed and crafted by Caine Kindred @ Black Boudoir
Part of the Candy Skull Collection
One-of-a-kind/ Bohemian/ Boho-Chic/ Modern/ Bohemian/ Hippie style.
~ Material: Pewter Charms, Pewter Chains, Pewter Parts, 8MM Blue Colored Skull Howlite Stone, Multi-colored Silk Thread Tassels
This was the first time that Heather and I made it up to Scarborough. It's a good fair - not at big as the Texas Renaissance Festival (we are spoiled) but we had a great time there. Good entertainment and people watching - the only drawbacks were the heat - it was in the 90s, and the bright dappled lighting. We will head back there again - hopefully on a cool cloudy day!
Scarborough is held in Waxahachie, Texas - south of Dallas. It takes place over eight weekends from April to May.
I took these photos on 3 May 2014 - I think it was the 5th weekend.
Statements und Podiumsdiskussion: "Soziale Mobilität in den USA und in Europa"
v.l.n.r.: Dr. Isabel Sawhill, Matthias Rumpf, Dr. Mark Speich, Prof. Walter Müller, Prof. Robert Erikson.
Foto: CC-BY-SA Stephan Röhl / www.boell.de
LARRY CWIK – ARTIST STATEMENT – TOTEM SERIES – OCTOBER 2011
After working for 15+ years in both single image photography and in Super 8 film, I visited and was profoundly inspired by the beauty and power of the Totem Poles of the first peoples of the Pacific Northwest coast. The poles inspired me to begin arranging my photographic images in a stacked manner to allude to a story or theme. Some use symbols or archetypes. The arrangement is intuitive, from my subconscious, like the individual images themselves.
Most of the 13 works in the exhibit have images from the Pacific Northwest, my home since 1982. The northwest has directly inspired this series.
Most of the works have a narrative. Totem 28 (Memory) speaks of memory, with the hand of my mother, now 82, with Alzheimer’s, in the center, a “memory machine” in the Alzheimer’s wing of an assisted living facility in Hillsboro at the top, and an ancient tree in Beaverton at the bottom. Totem 44 (Bellflower) has two images in an ethereal fog, one of a house, one of a forest. In between is an image of a beautiful but poisonous flower. In Totem 47 (Page) the top image shows my hand holding pages of text about artist Leonora Carrington (1917-2011), one of the last two living original surrealists, who inspired me. I enjoyed talking by phone with her each year from 2001 to 2011. Above the page with the text is a cloud reminiscent of a flame. The center image shows a pastoral Oregon scene of grass and high clouds symbolizing peace/serenity. The lower image shows the light of the sun breaking through dense artistic clouds. Totem 24 (Glass) has symbols of travel (at the top), dining (in the center), and nightlife (at the bottom). Totem 27 (Liberty) alludes to privacy in our contemporary society. A symbol of liberty is at the top, a symbol of light and possible surveillance is in the center, and a symbol of government is at the bottom. Totem 6 (Family) has a young family on the beach in the center image, a family of driftwood arranged as an installation at the top, and what may be a vegetative family as the bottom image. Totem 26 (Empire) is a socio-economic commentary and shows a parking sign, a jumbo jet in flight, and a homeless person pushing a grocery cart piled high with bottles and cans. Totem 23 (Balloons) has three images that together comment on urban density and life. Totem 49 (Perch) shows a dog looking forward peacefully on a beach, a bin of fish destined to be food, and a fisherman on a jetty above a driftwood piece with the design of a face, with the three together commenting on life and transcendence. Totem 11 (Helmet), the only horizontal Totem in the exhibit, has three images obtained in Portland, united not only by a compositional sphere in each of the three images, but to me through its representations of land (the helmet), sky (the clouds), and water (a satellite dish atop a boat on the Willamette River).
In 2008, I visited Alert Bay, B.C., a major center of Totem Pole building, to do research for this series. Totem 45 (Boat) is comprised of three images taken there. The top image, part of a boat, looks like a smiling porpoise or dolphin. The bottom image, a life boat, seems like a large-eyed fish. The center image appears to have a spirit figure hovering near a ladder in the midst of boat rigging. The three are all nautical images, but can signify different things to different people.
While the works in the series often have a narrative, I keep the titles short. I want the works to be open to a viewer's own interpretation. Similarly, a Totem Pole's narrative is open to interpretation even if its creator had a specific narrative in mind when designing/carving/painting the Pole.
Policy Statements - ITU PP-18
H.E. Mr Mitch Fifield, Minister for Communications and the Arts
Department of Communications and the Arts, Australia
©ITU/R.Maniego