View allAll Photos Tagged statement
Secretary of State Michael R. Pompeo delivers joint statements with Israeli Prime Minister Benjamin Netanyahu, in Jerusalem, Israel on November 19, 2020. [State Department Photo by Ron Przysucha/ Public Domain]
The Mission Statement. Words to live by for the year.
For more info on this, please visit www.thehikeguy.com/2011/01/04/500-moleskine-miles/
Statement by H.E. Ms Janet Lowe, Permanent Representative of New Zealand to the OPCW at the 21st session of the Conference of the States Parties to the Chemical Weapons Convention. Held at the World Forum Conference Centre The Hague, the Netherlands. 29th November 2016. Photograph: CSP20161100 by HA-669
A new free crochet pattern offered by Stitch Diva Studios in our very own glistening Studio Silk.
Make a statement with some inexpensive flat decorative marbles, basic crochet skills and some pretty yarn.
This project is fast enough for you to make a few of these very trendy statement necklace pieces - explore using more or fewer marbles or varying the configuration of the stones for your very own creation!
The impressive pavilion at Feethams, home to Darlington Cricket Club. The oldest bits of the structure date from 1906. The flat-roofed extension was added in 1992. Captured before a five-wicket defeat by Richmondshire in the Premier Division of the North Yorkshire & South Durham Premier League.
Lacking four regulars (owing to holidays, a stag do and football), Richmondshire cleared a tricky hurdle to extend their lead and plunge Darlington deeper into relegation trouble. The visitors, with four games of the season remaining, have a 19-point lead over title rivals Marton, who could manage only a losing draw at Barnard Castle. With Great Ayton winning at Middlesbrough in a crunch relegation battle, Darlington slip a place, to 10th, 10 points above the drop zone, occupied by Seaton Carew and Middlesbrough.
The departure, to a soft catch, of professional Tom Hewison (63) sparked a costly Darlington collapse. The last five home wickets produced just 17 runs. Callum Lethbridge's 27 was the only other decent score. Sam Wood (3-25), Chris Layfield (2-6) and Steven Reeves (2-29) shared the bulk of the wickets. Reeves, Richmondshire's Australian professional, played a key role as the visitors chased down a modest target. Darlington, boosted by early breakthroughs from pacer Shaun Charlton (2-53), appeared in with a chance when Richmondshire were reduced to 53-3, opener Robert Carr hitting 26. But Reeves, a big fella, steadied the ship with an unbeaten 44. Darren Van Der Vyver (20) and Wood (19) did what was necessary at the other end.
Match statistics
Darlington versus Richmondshire
North Yorkshire & South Durham Premier League, Premier Division (50 over match, 1pm start)
Admission: free. Programme: £1 (eight pages). Attendance: 108. Richmondshire won the toss and elected to field. Darlington 146 off 49.5 overs (Tom Hewison 63, Callum Lethbridge 27, Sam Wood 3-25, Chris Layfield 2-6, Steven Reeves 2-29) 5pts lost by five wickets to Richmondshire 147-5 off 46.4 overs (Steven Reeves 44 not out, Robert Carr 26, Darren Van Der Vyver 20, Shaun Charlton 2-53) 20pts. Umpires: Barbir Noor and Frank Smith.
Mission Statement of Missouri Botanical Garden: "To discover and share knowledge about plants and their environment." As part of this year's annual holiday light show, strings of lights were suspended over the reflecting pools. I haven't discovered how this light show (and particular the type of installation in the photo) shares knowledge about plants and their environment. I think it sends a very different message about what the Botanical Garden thinks is important and about how they think we should relate to plants in our environment. Saint Louis, Missouri.
Location:
GSK World Headquarters
16th and Vine Streets, Philadelphia, PA
Zenos’ statement about his vision of the sculpture
I wanted to create a sculpture almost anyone, regardless of their background, could look at and instantly recognize that it is about the idea of struggling to break free. This sculpture is about the struggle for achievement of freedom through the creative process.
Although for me, this feeling sprang from a particular personal situation, I was conscious that it was a universal desire with almost everyone; that need to escape from some situation – be it an internal struggle or an adversarial circumstance, and to be free from it.
I began this work in a very traditional sculptural manner by creating a small model in clay called a macquette. The purpose of beginning in this manner is to capture the large action and major proportions of the figure within the overall design without any details to detract from the big idea. Another reason for not having details and for working on a small model only a few inches in height is that the small armature within it, holding the clay, is more easily manipulated, allowing for much greater flexibility in developing a concept. For example, an arm, a leg or a head can be pushed around without any concern for obliterating details, such as a nose or a finger.
The macquette is the original mass of clay where a concept is born and from which it grows and develops. This was important later when I enlarged the sculpture from several inches long to 20 feet long, and I retained in the larger work a sense that all the conceptual material, its forms, focus and development sprang from this rough idea. The work metamorphosized, in the way that we do.
Although there are four figures represented, the work is really one figure moving from left to right. The composition develops from left to right beginning with a kind of mummy/death like captive figure locked into its background. In the second frame, the figure, reminiscent of Michaelangelo’s Rebellious Slave, begins to stir and struggle to escape. The figure in the third frame has torn himself from the wall that held him captive and is stepping out, reaching for freedom. In the fourth frame, the figure is entirely free, victorious, arms outstretched, completely away from the wall and from the grave space he left behind. He evokes an escape from his own mortality.
In working on the large scale sculpture, I was satisfied that those who drove by getting a quick look at it would see the big picture: that it was about escape. I was also concerned that those who worked in the building and who passed the sculpture frequently would have something more to see. There was a lot of empty space between the figures on the wall, which I saw as an opportunity to develop further ideas.
It was important to me that the sculpture have more than one theme going on at once. One of the other major ideas incorporated in the work is that the very process of creating the sculpture is clearly revealed in the work itself. The maquette is cast into the sculpture in the lower left hand corner. In the lower right corner is the cast of the sculptor’s hand holding the sculpture tool with two rolls of clay also cast in bronze. Throughout the background of the Wall, I have rolled out the clay and pressed it with my fingers so that my fingerprints are all over the sculpture. I have not hidden how I have made the piece. In fact, the whole idea of the macquette is enlarged so that all the figures in the background look like a giant macquette. And at the same time, as the figures move from left to right, I have shown how figures are developed when you are sculpting from the rough to the more finished product.
Elements of the sculpture trade beside the tools that are cast into the sculpture are calipers both for their use in measuring and their reference to Protagoras’ words “Man is the measure of all things.”
Also cast into the sculpture is an anatomical man, traditionally used as a reference by sculptors. Many of the heads and figures on the wall, some in the round and some in relief, are shown partially sculpted, revealing the process of creation.
Something else I have done with the sculpture is that I have created a one man show of my work. I have always admired Rodin’s Gates of Hell. I similarly thought I would incorporate many sculptures into the wall where it was suitable.
Like T.S. Eliot and other artists, I have put many personal elements in my work. My friend Philip, a sculptor who died of AIDS, created a work that I included in Freedom because he often expressed his wish to have it in a public space. He did not live long enough to accomplish this himself. My cat, who lived with me for 20 years, my mother, father, and my self portrait are in the work. It is obvious which face is mine because there is a ballooned phrase coming from my mouth with the word “freedom”, written backwards, making it clear that the face was sculpted in a mirror. I see the whole Wall sculpture as a kind of illusion akin to Alice’s Through the Looking Glass.
The sculpture contains an original Duane Hanson -- a bronze cast of my own hands that Duane cast for me as a gift.
Much of what I did with this sculpture has to do with taking traditional forms and combining them in non-traditional ways, forming a postmodern sensibility. For example, I dropped a wax cast of my father’s bust from two or three feet in height so that it broke into large pieces. I cast those into the wall in a fractured manner over another face, an old work I found in a vat of clay purchased from a sculptor who had long ago died.
I have hidden many things in the background for people who see the sculpture more than once to discover, such as a cast of coins – a nickel and two pennies, another nickel and two pennies, and two quarters and a penny. These represent not only the relationship between money and art, but the numerals 7-7-51, my birth date.
It is important to me that the public interact with the sculpture, not just intellectually and emotionally but physically. I have created a space in which I have written “stand here” so that people can place themselves inside the sculpture and become part of the composition.
In the end, this sculpture is a statement about the artist’s attempt to free himself from the constraints of mortality through a long lasting creative form.
4 May 2019. A panel of experts how an effective implementation of ADB’s Safeguard Policy Statement (SPS) helps promote sustainability of project outcomes by protecting the environment and people from projects' potential adverse impacts where possible, and helping borrowers to strengthen their safeguard systems and develop the capacity to manage environmental and social risks.
The event was held during the 52nd Annual Meeting of the ADB Board of Governors.
Learn more about the event.
The closing statements in the case of The Prosecutor v. Bosco Ntaganda at the International Criminal Court (ICC) started on 28 August 2018 before Trial Chamber VI at the seat of the Court in The Hague (Netherlands).
Statements were made by the Office of the Prosecutor, the Defence for Mr Ntaganda and the Legal Representatives of the Victims. Trial Chamber VI is composed of Judge Robert Fremr, Presiding Judge, Judge Chang-ho Chung and Judge Kuniko Ozaki.
Policy Statements - ITU PP-18
Ms Eka Kubusidze, Head of the Delegation of Georgia, Head of Communications, Information and Modern Technologies Department, Ministry of Economy and Sustainable Development, Georgia
©ITU/R.Maniego
Policy Statements - ITU PP-18
H.E. Mr Daryn Tuyakov, Vice-Minister, Information and Communication of the Republic of Kazakhstan
Ministry of Information and Communication, Kazakhstan
©ITU/P.Barrera
Policy Statements - ITU PP-18
Mr Ricardas Degutis, Vice Minister, Ministry of Transport and Communications, Lithuania
©ITU/P.Barrera
Policy Statements ITU PP-18
H.E. Mr Abdi Ashur Hassan, Minister of Posts, Telecommunications and Technology, Somalia
©ITU/R.Maniego
Your "Statement"!!!
Κολιέ | Από €16.90 τώρα €8.45
Κωδικός e-shop: 1454104335
Shop now at: bit.ly/1oKMI4R
Σκουλαρίκια | Από €6.90 τώρα €3.45
Κωδικός e-shop: 1456102635
Shop now at: bit.ly/1s9G23n
Policy Statements - ITU PP-18
H.E. Mr Amir Khadr, Senior Deputy Minister, Ministry of Communications, Iraq
©ITU/R.Maniego
Keep track of payroll tax documentation and payments with our payroll tax service and know exactly what’s going on in your business with expert financial statements. Call today for a free consultation.
An independent Commonwealth Observer Group was deployed in Dominica to observe the 2019 General Elections on Friday 6th December.
Led by Group chairperson Zainab Bangura, former Sierra Leone Minister of Foreign Affairs and International Cooperation and former Under-Secretary-General at the United Nations, the group found the election results ‘reflect the collective will of the people who voted.' in the interim statement.
a statement image for an art show i entered not too long ago (the show itself ended up being two steps away from f*cking disastrous but i will chalk it up to a learning experience)
Osea Naiqamu, Minister of Agriculture, Fisheries, and Forests of Fiji delivery speech during 3rd Asia-Pacific Rainforest Summit in Yogyakarta on April 23, 2018 in Indonesia.
Photo by Ulet Ifansasti/CIFOR
More information on the 3rd Asia-Pacific Rainforest Summit, please visit cifor.org/aprs
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
The closing statements in the case The Prosecutor v. Al Hassan Ag Abdoul Aziz Ag Mohamed Ag Mahmoud started on 23 May 2023 in Courtroom III at the seat of the International Criminal Court (“ICC” or the “Court”) in The Hague, The Netherlands.
This statement necklace features a gunmetal glass round with a slightly iridescent finish encased in a peyote stitch bezel made with varying shades of matte gold, metallic gold and brown beads. The central pendant is further embellished with two rows of picot stitching, one atop the other which gives added depth and a sculptural feeling to the piece. Both matte gold cubes and shiny gold discs in the ornamental fringe add further interest. The necklace portion is made of sections of modified two drop peyote stitch, with more of the discs and cubes; and also large beads that are actually peyote stitch barrels ornamented and strengthened with rows of peyote stitch in more of the gold and bronze colors. The closure is a vintage button that has been encased in a matte gold peyote bezel with a peyote loop for a secure closure. (Please see the detail shot on the closure.)
The size of the beads range from size 15 rocailles to size 11 delicas to size 6 seed beads along with the cubes and discs. Great care was used in creating this piece - high quality nymo thread was used throughout and the thread was brought through all the connections and closure multiple times for added strength.
Please note that the glass round featured in the pendant is very shiny and is showing a reflection of my light box - there are no lines in the actual glass round - it is an opaque metallic grey glass with a slight rainbow finish to it.
Dimensions - the necklace is a hair over 15 inches (381 mm) in length so that the 2.75 inch (70 mm) pendant does not hang too low. This is a one of a kind piece.
To use my photo, please link back to the original tutorial on my blog! www.starsforstreetlights.com/2014/09/how-to-make-necklace... :)
This was the first time that Heather and I made it up to Scarborough. It's a good fair - not at big as the Texas Renaissance Festival (we are spoiled) but we had a great time there. Good entertainment and people watching - the only drawbacks were the heat - it was in the 90s, and the bright dappled lighting. We will head back there again - hopefully on a cool cloudy day!
Scarborough is held in Waxahachie, Texas - south of Dallas. It takes place over eight weekends from April to May.
I took these photos on 3 May 2014 - I think it was the 5th weekend.
File name: 08_02_003235
Box label: Residences: Fenway Court By T. E. Marr: Box 2
Title: Boston. Fenway Court. North Entrance
Alternative title:
Creator/Contributor: Marr, Thomas E. (photographer)
Date issued:
Date created: 1910
Physical description: 1 photographic print ; 9 3/4 x 7 1/2 in.
Genre: Photographic prints
Subjects: Isabella Stewart Gardner Museum; Gardner, Isabella Stewart, 1840-1924; Houses; Galleries & museums; Doors & doorways
Notes: Number on image: 14552
Provenance:
Statement of responsibility: Thomas E. Marr
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
Statements und Podiumsdiskussion: "Soziale Mobilität in den USA und in Europa"
v.l.n.r.: Dr. Isabel Sawhill, Matthias Rumpf, Dr. Mark Speich, Prof. Walter Müller, Prof. Robert Erikson.
Foto: CC-BY-SA Stephan Röhl / www.boell.de