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PP-22 - Policy Statements
Ms Eka Kubusidze
Head of Communications, Information and Modern Technologies Department of the Ministry of Economy and Sustainable Development of Georgia
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Damian Collins
Parliamentary Under Secretary of State (Minister for Technology and the Digital Economy) at the Department for Digital, Culture, Media and Sport
UK Government
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Puthyvuth Sok
Secretary of State
Ministry of Post and Telecommunications
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
H.E. Mr Gospel KAZAKO
Minister
Ministry of Information and Digitalization
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Claudio Araya
Undersecretary of Telecommunications
Undersecretariat of Telecommunications
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Behzad AHMADI
Deputy Minister and Head of Center of International relations of Information and Communication
Ministry of Information and Communications Technology
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
H.E. Mr Wilfredo González Vidal
First Vice Minister
Ministerio de Comunicaciones
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Ms Paula Ingabire
Minister
Ministry of ICT and Innovation
Bucharest, Romania
26 September 2022
©ITU/D.Woldu
PP22 - Policy Statements
H.E. Mr Darsanand Balgobin
Minister of Information Technology, Communication and Innovation
Ministry of Information Technology, Communication and Innovation
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Claudio Araya
Undersecretary of Telecommunications
Undersecretariat of Telecommunications
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Timothy Masiu
Minister of Communication and Information Technology
National Information & Communications Technology Authority (NICTA)
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
H.E. Mr Zenebe Kebede Korcho
Ambassador Extraordinary & Plenipotentiary
Permanent Representative of Ethiopia to the UN Office at Geneva & Other International Organisations in Switzerland & Vienna
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
H.E. Mr Gospel KAZAKO
Minister
Ministry of Information and Digitalization
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
Mr Oscar George
Minister of State in the Office of the Prime Minister, with responsibility for Telecommunications and Broadcasting
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
IAEA Director General Yukiya Amano delivers his introductory statement at the 1383rd Board of Governors Meeting. IAEA Headquarters, Vienna, Austria, 15 September 2014.
Photo Credit: Dean Calma / IAEA
PP22 - Policy Statements
H.E. Ms Bolor-Erdene Battsengel
Deputy Minister of Digital Development and Communications
Ministry of Digital Development and Communications
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
Mr Dan Sjöblom
Director-General
Swedish Post and Telecom Authority
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
The closing statements in the case The Prosecutor v. Dominic Ongwen were scheduled for 10-12 March 2020 before Trial Chamber IX of the International Criminal Court ("ICC" or "Court") in The Hague, The Netherlands. The Prosecution, the Legal Representatives of Victims and the Defence will present their final arguments. Trial Chamber IX is composed of Judge Bertram Schmitt, Presiding judge, Judge Péter Kovács and Judge Raul Cano Pangalangan.
PP22 - Policy Statements
H.E. Ms Paula Ingabire
Minister
Ministry of ICT and Innovation
Bucharest, Romania
26 September 2022
©ITU/D.Woldu
PP-22 - Policy Statements
Mr Konris Maynard
Minister of Information and Communication Technologies
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
H.E. Mr Ousman A. Bah
Honorable Minister
Ministry of Communications and Digital Economy
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
Excelente acogida de la exposición de Salvador Gómez, “Oler, Oír, Ver Marruecos…”
La muestra del fotógrafo almeriense no deja indiferente a las personas que la visitan, plasmando en estas instantáneas la vida del marruecos menos conocido pero igual de impactante , imágenes de las reiteradas visitas que el autor ha realizado al país vecino, capturando con su cámara los aspectos más insólitos y menos conocidos de la vida de los marroquíes, intentando con sus fotografías que quien las contemple pueda percibir a través de ellas el olor y los sonidos de esos lugares, dejando claro que la esencia de marruecos esta en las personas que componen un pueblo lleno de oficios y tradiciones, que aquí se han perdido ya o nos resultan extrañas por su naturaleza, pero que para Salvador son “la esencia viva de Marruecos”.
Para todas aquellas personas que quieran ver una cara distinta, con una gran carga de realidad y no tan turística del país alauita, y a la vez con una mirada personal de un fotógrafo que se deja llevar a esos rincones de los países que por escondidos o no turísticos, nunca salen en las fotografías de las guías de viajes, se puede visitar esta exposición con sus 37 instantáneas del siempre fascinante país de Marruecos.
La exposición permanecerá abierta hasta el 18 de Abril en la Biblioteca Villaespesa C/Hermanos Machado, s/n. Almería. España. de 10:00 a 21:00.
www.youtube.com/watch?feature=player_embedded&v=oyW3i...
SALVADOR GOMEZ SANCHEZ
fotografo@salvadorgomezsanches.com
otolito@hotmail.com
www.facebook.com/pages/SALVADOR-GOMEZ-SANCHEZ/189888358006
Excellent reception in the exhibition of Salvador Gomez, "Smell, Hear, See Morocco ..."
The exhibition of the photographer Almeria is not indifferent to people who visit them, capturing these snapshots in the life of Morocco lesser known but equally stunning images of the repeated visits that the author has made to the neighboring country with his camera capturing aspects most unusual and least known of the life of the Moroccans, trying with their photos that anyone who contemplates can perceive through them the smell and sounds of these places, making it clear that the essence of Morocco is in the people that make a town full of crafts and traditions, here we have already lost or are foreign in nature, but to Salvador are "the living essence of Morocco."
For all those people who want to see a different face with a load of reality and not so tourist Alawite country, yet with a personal view of a photographer who is carried to those corners of the country by hiding or not tourist photographs never appear in travel guides, visit the exhibition with his 37 snapshots of the ever-fascinating country of Morocco.
The exhibition will run until April 18 at the Library Villaespesa C / Hermanos Machado, s / n. Almería. Spain. 10:00 to 21:00.
www.youtube.com/watch?feature=player_embedded&v=oyW3i...
SALVADOR SANCHEZ GOMEZ
fotografo@salvadorgomezsanches.com
otolito@hotmail.com
The heads of the international delegations made statements about the responsible use of Artificial Intelligence. This was done in a round table setting.
Watch the entire high level plenary session: youtu.be/J8APAkq4LlY
Read the speech by Dutch Minister of Foreign Affairs Wopke Hoekstra at the round table: www.government.nl/ministries/ministry-of-foreign-affairs/...
Watch the REAIM 2023 aftermovie: youtu.be/dSZ48joIXJ0
Photo: Ministry of Foreign Affairs / Martijn Beekman
The heads of the international delegations made statements about the responsible use of Artificial Intelligence. This was done in a round table setting.
Watch the entire high level plenary session: youtu.be/J8APAkq4LlY
Read the speech by Dutch Minister of Foreign Affairs Wopke Hoekstra at the round table: www.government.nl/ministries/ministry-of-foreign-affairs/...
Watch the REAIM 2023 aftermovie: youtu.be/dSZ48joIXJ0
Photo: Ministry of Foreign Affairs / Martijn Beekman
The heads of the international delegations made statements about the responsible use of Artificial Intelligence. This was done in a round table setting.
Watch the entire high level plenary session: youtu.be/J8APAkq4LlY
Read the speech by Dutch Minister of Foreign Affairs Wopke Hoekstra at the round table: www.government.nl/ministries/ministry-of-foreign-affairs/...
Watch the REAIM 2023 aftermovie: youtu.be/dSZ48joIXJ0
Photo: Ministry of Foreign Affairs / Martijn Beekman
PP-22 - Policy Statements
H.E. Mr Sumbue ANTAS
Ambassador, Extraordinary and Plenipotentiary Permanent Representative to the United Nations and Other International Organisations, Geneva, WTO and to the Swiss Confederation
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
No place better and prices are fair.
The couple that own it , you could not meet a nicer couple. Tattoo during the day and party at night.
PP-22 - Policy Statements
H.E. Mr Sumbue ANTAS
Ambassador, Extraordinary and Plenipotentiary Permanent Representative to the United Nations and Other International Organisations, Geneva, WTO and to the Swiss Confederation
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
The heads of the international delegations made statements about the responsible use of Artificial Intelligence. This was done in a round table setting.
Watch the entire high level plenary session: youtu.be/J8APAkq4LlY
Read the speech by Dutch Minister of Foreign Affairs Wopke Hoekstra at the round table: www.government.nl/ministries/ministry-of-foreign-affairs/...
Watch the REAIM 2023 aftermovie: youtu.be/dSZ48joIXJ0
Photo: Ministry of Foreign Affairs / Martijn Beekman
The heads of the international delegations made statements about the responsible use of Artificial Intelligence. This was done in a round table setting.
Watch the entire high level plenary session: youtu.be/J8APAkq4LlY
Read the speech by Dutch Minister of Foreign Affairs Wopke Hoekstra at the round table: www.government.nl/ministries/ministry-of-foreign-affairs/...
Watch the REAIM 2023 aftermovie: youtu.be/dSZ48joIXJ0
Photo: Ministry of Foreign Affairs / Martijn Beekman
ARTIST’S STATEMENT
The process of transforming paint and other materials into images continues to compel and challenge me. Over the years, that process has led me from ceramics, photography, drawing and painting, and most recently to pursue experimental processes on paper. Painting fills me with a sense of serenity and integrity, and has proven a most reliable vehicle for translating inner vision to outer reality.
My abstract paintings explore the wonders of nature and beauty in our world. Personal symbols that have emerged through this process include; the Turtle (wisdom/grace), the Dragonfly (metamorphosis/change) and the Tree (steadfastness/beauty).
I use a variety of different paints/media (oil pastel, ink, acrylic, latex, gouache, and wood) and yet I am always drawn back to water colors for their unpredictable nature and their transparency.
I paint from the inside out. Focusing on the sensation and context of my experience. I work deliberately, employing both traditional and innovative techniques, while letting the uncertain nature of painting free my hand. My paintings are finished when they are able to convey a moment or sensation, as well as what I am feeling.
I am avaiable to do commisions and private art lessons also.
GALLERY SHOWINGS/ART SHOWS
2002 Mixed Media Exhibit Thornes Market Place (Northampton, MA)
2003 Water Color Exhibit Café Amanouz (Northampton, MA)
2005 Mixed Media Exhibit Cummington Community Center (Cummington, MA)
2009 Water Color Exhibit Sati Wellness Center (Aspinwall Center) Lenox, MA
2009 Mixed Media Exhibit Berkshires Green Grocer Lee, MA
2009 Pittsfield Art Show (Juried Exhibition) Pittsfield, MA
2009 Think Pink Exhibit (Breast Cancer Benefit show) Pittsfield, MA
2009 JWS Art Supplies Watercolor/Mixed Media Exhibit Great Barrington, MA
PUBLISHED ARTICLES/COVERS
1) The Yoga Of Art (Interview), The Artful Mind, April 2009
2) Finding Peaceful Art: The Advocate, April 2009
3) Featured Artist of Month (Title: Into The Mystery): Preview Magazine, May 2009
4) The Art of Slowing Down: Berkshires Best Buys, Business and Beyond, November,2009
5) Cover Art (Winter Bloom): Wisdom Magazine-New England Edition
6) Cover Art (The Winds Of Change): Our Berkshire Green, June-August 2010
7) The Yoga of Art(part 2), Berkshires Best Buys, Business and Beyond, March 2011
8) The Business of Art, The Artful Mind, March 2011
COURSEWORK
1993 University Of Wisconsin-Eau ClaireIntroduction to Art Studio
1999 Camp Nebagamon, Wisconsin: Ted Semling Private Art Instruction
2001 Crow Hill Gallery, Vermont: Jeanne Carbonetti Private Art Instruction
2006 NX Level Training Network: Business Planning for Artists. Denise Mason
2009-2011 Kripalu Center for Yoga and Health Stockbridge, MA Painting the Light Within. (Watercolor Training) Jeanne Carbonetti (Vermont)
2010 is183 Art School Stockbridge, MA Breathing in Color (Watercolor Training) Senta Reis
2011 is183 Art School Stockbridge, MA Painting Studio. Yura Adams
2010-PresentMassachusetts Small Business Development Center, Pittsfield, MA
Art Business Coaching/Training. Keith Girouard
VOLUNTEER WORK: 2010/2011 is183 Art School Stockbridge, MA
BS Degree in Biology
Masters Degree in Education
Peace Corps Service 1994-96 (Samoa)
Liscensed Massage Therapist
Outdoor Fitness Intstructor
If you are interested to learn more about this artwork feel free to contact me at scottharringt10@hotmail.com
You can also follow me on the following sites:
LinkedIn: www.linkedin.com/pub/scott-harrington/11/189/a39
Facebook (personal page): www.facebook.com/scott.harrington1
Facebook (fine art group): www.facebook.com/group.php?gid=252127618069&v=wall
YouTube: www.youtube.com/user/scottharrington111
My studio/gallery is in Lenox, MA. Tours are avaiable by request.
I have prints (framed/unframed) at discounted prices to fit your budget also.
(Photo taken in Plazo De Mayo in Buenos Aires, Argentina Spring 2008)
On 1 May 2011 works will begin to restore the Arch of Victoria. A $335,000 grant from the Federal Government’s Regional and Local Community Infrastructure Program and $175,000 from the Federal Government’s National Sites Program has been received.
The project includes:
repair and replacement of deteriorated, cracked and otherwise damaged render; new matching mouldings to replace deteriorated mouldings or reinstate original mouldings ; removal of lichen and other organic growth to rendered surfaces; paint coating to new and existing render & new lighting
City of Ballarat
Victorian Heritage Register Statement of Significance
What is significant?
The Avenue of Honour (1917 - 1919) and Arch of Victory (1920) were erected as memorials to the people of the Ballarat and the surrounding district who enlisted in World War I. The Avenue of Honour consists of 3,771 trees planted at regular intervals of approximately 12 metres along 22km of the Ballarat-Burrumbeet Road. The Arch of Victory marks the beginning of the Avenue of Honour at its eastern end. The Avenue of Honour, with the Arch of Victory, was officially opened by the Prince of Wales on 3rd June 1920.
The planting of the Avenue commenced in June 1917 on the suggestion of Mrs W. D. Thompson, a director of clothing firm E. Lucas & Co, Ballarat, that an avenue of trees be planted in honour of the men and women of the district who had enlisted for service. The planting of one tree for each enlisted person began in June 1917 with funds of £2,000 raised by the 500 women employed in the factory, known as the 'Lucas girls'.The planting, carried out in eight phases over the next two years until its completion in June 1919. The planting, done by staff of the Lucas factory with the support of local farmers included 23 species of trees, mostly exotic deciduous species planted in single lines along either side of the road at regular spacings of 10 - 12 metres.Each species was usually planted in blocks of about 25 trees on either side of the road. The trees were numbered and allocated to individuals as close as possible to their order of enlistment, beginning at the Ballarat end. Plaques were originally attached to each timber tree guards giving the individual's name, the unit in which he or she enlisted and their number in the avenue. In 1934 these were replaced by permanent bronze plaques at the base of each tree, of which more than 80% are still in place.
Following cessation of hostilities in 1919 and completion of the avenue plantings, the 'Lucas Girls' led by Mrs W. D. Thompson began planning and fund raising of £2600 for a commemorative arch to provide an entrance to the Avenue of Honour. The Arch of Victory, designed by H.H. Smith, Head of the Art School at the School of Mines Ballarat, was a grand cement rendered masonry structure of a single central arch flanked by wide piers 20metres in width, spanning the roadway, and 18metres high. The arch, erected in 1920, is crowned by the 'Rising Sun' symbol of the Australian Commonwealth Military Forces beneath which the words Avenue of Honour and Victory are written prominently across the arch. In addition to the initial costs, for the Avenue of Honour and the Arch of Victory, a further £400 was donated by the public to a Maintenance Fund, with a returned soldier employed to attend to the trees.
During the First World War, the Avenue of Honour played a commemorative role and provided a stimulus for more people to enlist. Unlike other forms of memorials, avenues of honour and in particular the Ballarat Avenue required a high level of community participation in their creation which took place over a substantial period of time. Subsequently the Arch of Victory and Avenue of Honour became emblems of civic commitment to the war effort.
There have been a number of changes to the Avenue of Honour.Several of the original 23 species did not flourish and were replaced with species of Elms and Poplars which are the dominant genera of trees in the Avenue. In 1997, the Avenue consisted of 3,332 trees of forty different species and cultivars. Approximately half were found to be of fair to poor health and a management strategy developed, including the replanting of some trees.
In 1936 a memorial Cairn and Cross of Remembrance were erected at the Learmonth end of the Avenue where a tribute tree was also planted in 1959 in memory of Mrs W. D. Thompson. In 1938 a Memorial Rotunda was constructed 180m west of the Arch of Victory originally containing a 'Book of Remembrance' with the name of every person for whom a tree was planted, information now contained in a Roll of Honour on engraved metal sheets. In 1994 the avenue was cut by the Western Freeway Bypass, with the removal of sixteen trees which were replaced by trees in the freeway reserve.
The Arch of Victory remains intact but with the addition of memorial plaques in 1954 and 1987 to commemorate those who served from 1939-1945 and in the more recent conflicts in Korea, Borneo, Malaya and Vietnam. In 1993 the Arch of Victory Precinct, opened by Edward 'Weary' Dunlop, was created by the relocation of the 1938 Memorial Rotunda and Roll of Honour to the road reserve immediately south of the Arch and the construction of the adjacent Memorial Wall with 72 bronze plaques recording the names and tree numbers of service people honoured in the Avenue.
How is it significant?
The Avenue of Honour and Arch of Victory, Ballarat is of historic, architectural, aesthetic and social significance to the State of Victoria.
Why is it significant?
The Avenue of Honour is of historic significance as one of the earliest known and the longest example of this uniquely Australian form of memorial. Planting of memorial trees had been common during the Boer War but the Avenue of Honour at Ballarat was an early planting of an avenue of trees along a roadside as a memorial, setting a precedent which was soon followed by the planting of 91 other avenues in Victoria, principally in Central Victoria, between 1917 and 1920.
The Avenue of Honour is historically significant as representative of memorials that first appeared in Australia during World War I commemorating not just the dead but all those who enlisted for service in an egalitarian form where each individual, regardless of rank, was equally recognised for their service.
The Arch of Victory Precinct and Avenue of Honour, including the Memorial Cairn at the end of the Avenue, is historically significant as a collection of memorial types and structures that represent various forms of memorialisation in Victoria over the twentieth century.
The Arch of Victory is of architectural significance to State being an outstanding landscape monument, in the tradition of the Roman and Napoleonic victory arches erected across major routes or carriageways. It is the only memorial arch in Victoria constructed at such a grand scale. Other arches commemorating World War I such as at White Hills Botanic Gardens Bendigo (H1915), and in Murtoa were constructed as entrance gates to public gardens and have neither the size nor prominent location of the Arch of Victory. The association of the Arch of Victory with an Avenue of Honour is unique in Victoria.
The Avenue of Honour and Arch of Victory is aesthetically significant as an outstanding designed landscape and living memorial with the grand arch heralding the start of the roadside planting of more than 3300 trees over a length of 22 kilometres of roadway.
The Avenue of Honour and Arch of Victory is of social significance to the State of Victoria as a well recognised symbol of community endeavour and cooperation during war time. It is of social significance as being Victoria's best known war memorial with the exception of the Shrine of Remembrance. The significance of the Avenue of Honour and Arch of Victory to the Ballarat community, to the descendents of those commemorated by trees in the Avenue and to the Returned Services League is reflected in the continual use of the area for memorialisation over the course of the twentieth century culminating in the creation of the Arch of Victory precinct.
Repetition and Ritual
The sculptures for the show were created this summer and were inspired by the idea of repetition and fungi forms in nature. These pieces center on the creative act as personal obsession. This work is the beginning of an exploration of the idea of repetition and ritual experienced through the process of making. A prescribed order of assembling, manipulating, and presenting the materials borders on ceremony. Ritual is also found in these works and in this process.
These obsessions are expressed with the laborious act of felt making, the oldest known textile form dating back 8,500 years and also fungi, one of the oldest life forms, dating back one billion years ago.
In making this work, repetition is used to single-mindedly pursue, refine, and purify an idea. Repetition and obsession is an effort of holding a visual image or idea in the mind for extended periods. The profound techniques in art of repetition lead us from the repetitions of habit and daily life.
Repetition can be transcendence. Repetition is the capturing and stopping of time.
These forms are based on clusters of fungi I found in the forest this summer. These clusters would sometimes be comprised of hundreds of small round forms. The pattern work is an abstraction from mushroom spore prints that I made from the caps of foraged fungi. When placed under a glass over night the mushrooms release spores and make beautiful intricate forms.
My fascination with fungi stems from the idea of life cycles that has been ever present in my work. Fungi relies on mostly decayed organic matter to live, thus continuing the idea of the cycle of birth, life, and death. The physical becomes spiritualized. I construct forms to represent the sacred in universal archetypes of immortality and regeneration. It represents a desire for wholeness. Through ritual process I hope to manifest the magical to the physical.
To my Darkness and my Light,
I unfold myself; you, in turn, call to me with your warm and aching mouth— its tongue, a delicate command I will not long withstand.
Your lips spill sighs; I drink until your thirst is sated.
Trembling hands steady me beneath you. You guide me toward your deepest acceptance. I find a center in you; you grasp me and gasp.
(You shudder— hands bracing the afternoon light dying against such white walls. I see with the eye of god your ineffable Beauty. I fall and place this feeble kiss to caress the spine of your neck as I pass.)
With you I experience annihilations most will never know.
After I am restless; you know that what I want is what I will never manage alone— you coax from my every ending its next beginning.
We must map these new and nameless oblivions together.
2008
Silver gelatin print
comprei na W3 no ponto 7, por R$ 66,00! tem vários modelos lindos!!
Pra quem é de salvador não tem erro! embaixo da academia sport fitness, numa loja chamada dabliu3 (eu sei que o nome é cafona mas a dona é super estilosa e so trás coisas lindas!) uahauhuahuahuaa