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I took this shot in London in the early 1980's. That's the monument at Piccadilly Circus that these young people are sitting on. I believe that there are at least three women in this group. Most of these persons are close to 50 years old now, assuming that they have lived that long. It's interesting that they are all Caucasian. Perhaps there was a future Member of Parliament in this group (smile)...
A BBC video of the Exhibition from BBC World's 'Impact Asia' can be found here:
Exhibition and Charity Auction in aid of the British veterans of the Korean War.
A positive, dynamic and exciting exhibition of contemporary art by forty Korean Artists, reflecting on the Korean War and its legacy.
This exhibition thanked the men and women of Britain who came to Korea’s defence in the name of liberty in 1950.
Exhibition Dates: 16 June – 17 July 2010
The artworks were subsequently sold at a Charity Auction at the KCC with the kind support of Sotheby’s and The Royal British Legion.
The contributing artists for the exhibition PRESENT FROM THE PAST: The 60th Commemoration of the Korean War:
in alphabetical order:
Je BAAK, Seung Woo BACK, Chan-Hyo BAE, C Gene, Francesca CHO, Young-Jin CHOI, Sen CHUNG, Shan HUR, Yun Kyung JEONG, Eemyun KANG, KANG Yong Suk, Ayoung KIM, Hayoung KIM, Kira KIM, Dae Hun KWON, KWON Kyung-hwan, Changwon LEE, LEE Lee Nam, Sang Youp LEE, Sea Hyun LEE, Suejin LEE, Yongbaek LEE, NA Hyun, NANDA, Jae woo OH, Junggeun OH, Hyung Jin PARK, Jinhee PARK, PARK Jongha, PARK Jongwoo, PARK Sungsil, PARK Young Geun, SEO, Gunwoo SHIN, Meekyoung SHIN, Bada SONG, Yun-Hee TOH, Seungho YOO, YOO Hye-Sook, Jungu YOON
PRESENT FROM THE PAST: the 60th Commemoration of the Korean War
All Rights Reserved: The Korean Cultural Centre UK.
Boyfriend playin gig then best friends bdy.
Hat (Topshop).
Dress (New York Laundry, from Woodsides).
Tights (M&S).
Shoes (Koi Couture (!), from Quiz).
okay i had this idea sometime back....randomly.. probably during the middle of some school idea. it didn't really execute the way i wanted, but picnik helped a little bit. :/
anyways.
thoughts?
[btw, in case you didn't figure it out.. the red lines = "do not" :P ]
The Postcard
A Real Photograph Series postcard published by Raphael Tuck and Sons. The photography was by Langfier. Waller's statement and signature have been printed over the photograph.
The card has an undivided back. The divided back for postcards was introduced in the UK in 1902, so it it likely that the card was published in 1901 or earlier.
Mr. Lewis Waller
William Waller Lewis (3rd. November 1860 – 1st. November 1915), known on stage as Lewis Waller, was an English actor and theatre manager, well known on the London stage and in the English provinces.
After early stage experience with J. L. Toole's and Helena Modjeska's companies from 1883, Waller became known, by the late 1880's, for romantic leads, both in Shakespeare and in popular costume dramas of the Victorian and Edwardian eras.
He attracted a large number of female admirers, who formed themselves into a vocal and conspicuous fan club. He also tried his hand at management of tours in 1885 and 1893, and then became an actor-manager at the Theatre Royal, Haymarket in the mid-1890's.
Waller remained an actor-manager for the rest of his career, both in London and on tour.
Despite his commercial success in Booth Tarkington's 'Monsieur Beaucaire' and Arthur Conan Doyle's 'Brigadier Gerard', Waller greatly preferred acting in Shakespeare, in which his roles ranged from Romeo to Othello.
Among the roles he created was Sir Robert Chiltern in Oscar Wilde's 1895 comedy 'An Ideal Husband'.
Lewis Waller - The Early Years
Waller was born in Bilbao, Spain, the eldest son of an English civil engineer, William James Lewis, and his wife, Carlotta née Vyse. He was educated at King's College School in south west London, after which, intending to pursue a commercial career, he studied languages on the Continent. From 1879 to 1883 he was a clerk in a London firm owned by his uncle.
After acting in amateur performances, Waller decided to make a career on the stage, and was engaged by J. L. Toole in 1883. His first role was the Hon. Claude Lorrimer in H. J. Byron's 'Uncle Dick's Darling', in which he was billed as "Waller Lewis".
By May of the same year, he had adopted the stage name Lewis Waller. In that month he appeared at the Theatre Royal, Drury Lane, in a charity matinee for the Actors' Benevolent Fund with Toole's company and such contemporary stars as Rutland Barrington, Lionel Brough, Arthur Cecil, Nellie Farren, George Grossmith, Henry Irving and Ellen Terry.
He remained in Toole's company for a year, playing light comedy and juvenile parts. During this year, he married a young actress, Florence West (1862–1912).
He joined a touring company, playing the central role, the blind Gilbert Vaughan, in 'Called Back' by Hugh Conway.
Waller returned to London in March 1885 to play at the Lyceum Theatre in Helena Modjeska's company, as the Abbé in 'Adrienne Lecouvreur', and then toured with her, playing such roles as Mortimer in 'Mary Stuart', and Orlando in 'As You Like It'.
The Manchester Guardian said of the latter:
"He kept Orlando properly ingenuous,
and made him a taking and gallant
young wooer."
Towards the end of 1885, Waller ventured into management for the first time, touring a production of 'Called Back', taking the role of Dr. Basil North, in which The Manchester Guardian thought him:
"A trifle too melodramatic".
The tour was modestly successful, but not such as to lead Waller to mount further productions for some time.
Waller returned to the West End, working for a succession of managements. At the Strand Theatre in early 1887, he played Roy Carlton in 'Jack-in-the-Box', which his biographer describes as his first substantial success in London.
At the Opera Comique he played Ernest Vane in 'Masks and Faces', and Captain Absolute in 'The Rivals'. At the Gaiety Theatre he played Jacques Rosney in 'Civil War'.
Waller then joined William Hunter Kendal and John Hare at the St. James's Theatre, where he played the Duc de Bligny in 'The Ironmaster', Sir George Barclay in 'Lady Clancarty', and Lord Arden in 'The Wife's Secret'.
When Rutland Barrington took over the management of the St. James's in 1888, Waller played George Sabine in 'The Dean's Daughter', and Ralph Crampton in 'Brantinghame Hall'.
Rudolph de Cordova, in a 1909 biographical sketch noted:
"During this period, few theatres
played regular afternoon performances,
so that the actors were, for the most part,
engaged only in the evening. Many
matinees were, however, given to introduce
new plays and new players; and in this way
Mr. Waller acted a large number of new parts,
all of an ephemeral character."
In particular he played several Ibsen roles in these matinees in the early 1890's, bringing him to the attention of people of influence in the theatre such as William Archer, Jacob Grein and Bernard Shaw.
Waller played Oswald in 'Ghosts', Lovborg in 'Hedda Gabler', Rosmer in 'Rosmersholm' and Solness in 'The Master Builder'. The ODNB commented that:
"Archer was delighted that an established
West End actor had contributed to the Ibsen
revival, but was aware that Waller could
overcome neither the play's inadequate
rehearsal period nor his background of
florid West End performances."
Lewis Waller - The Later Years
In October 1893, Waller returned to management, mounting a tour of Wilde's 'A Woman of No Importance', in which he played Lord Illingworth. The Manchester Guardian called it:
"A tolerable travelling company in
which nobody gains great distinction."
Returning to London, Waller, in partnership with H. H. Morrell, leased the Theatre Royal, Haymarket while its regular tenant, Herbert Beerbohm Tree was on tour in the US. He began with the premiere of Wilde's 'An Ideal Husband', playing Sir Robert Chiltern in a cast that included his wife as Mrs. Cheveley, Julia Neilson as Lady Chiltern and Charles Hawtrey as Lord Goring.
Waller and Morrell remained in management until 1897, when Tree invited Waller to join his company at the newly rebuilt Her Majesty's Theatre.
Waller remained with Tree for three years, playing a wide range of roles, including romantic leads in popular costume dramas and, in Tree's lavish Shakespeare productions, Laertes in 'Hamlet', Brutus in 'Julius Caesar', Faulconbridge in 'King John' and Lysander in 'A Midsummer Night's Dream'.
After leaving Tree's company, Waller returned to management. Although he loved playing Shakespeare, adding the roles of Romeo, Othello and Henry V to his repertoire, for commercial reasons he was best known as the star of swashbuckling romances. He was particularly identified with the title roles in the stage versions of Booth Tarkington's 'Monsieur Beaucaire' and Arthur Conan Doyle's 'Brigadier Gerard'. He starred in a film of the latter in 1915.
The critic Hesketh Pearson praised Waller for:
"His good looks and virile acting,
and his vibrant voice which rang
through the theatre like a bell and
stirred like a trumpet".
Waller had a large following of enthusiastic women fans, who formed a club known as the K.O.W. [Keen On Waller] Brigade. Pearson lamented:
"The puerile nature of the plays he
usually put on, and the adolescent
behaviour of his female admirers,
prevented many people from
appreciating his superb gift as a
declaimer of Shakespeare's rhetoric,
and frequently exposed him to ridicule."
In 1911 and 1912, Waller made a tour of the US, Canada and Australia. In his absence his wife died. His last play was May Martindale's 'Gamblers All', which opened at Wyndham's Theatre, London in June 1915, with Gerald du Maurier and Madge Titheradge co-starring.
The Manchester Guardian called the production:
"A personal acting triumph
for Lewis Waller".
Death of Lewis Waller
After the West End run, Waller took the play on tour, during which he contracted pneumonia, from which he died in Nottingham two days short of his 55th birthday.
PP-22 - Policy Statements
Mr Dan Sjöblom
Director-General
Swedish Post and Telecom Authority
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Claudio Araya
Undersecretary of Telecommunications
Undersecretariat of Telecommunications
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Entrance and Foyer, School of Mines (Montana Tech), Butte, Montana. (1900)
Image taken from pg 54 of A Brief History of Butte, Montana the World's Greatest Mining Camp: Including a Story of the Extraction and Treatment of Ores from its Gigantic Copper Properties
Unique ID: mze-butt1900 pg 54
Type: Book
Contributors: Harry C. Freeman; Publisher, The Henry O. Shepard Company
Date Digital: November 2009
Date Original: 1900
Source: Butte Digital Image Project at Montana Memory Project (read the book)
Library: Butte-Silver Bow Public Library in Butte, Montana, USA.
Rights Info: Public Domain. Not in Copyright. Please see Montana Memory project Copyright statement and Conditions of Use (for more information, click here). Some rights reserved. Attribution-Noncommercial-No Derivative Works.
More information about the Montana Memory Project: Montana's Digital Library and Archives.
More information about the Butte-Silver Bow Public Library.
Search the Butte-Silver Bow Public Library Catalog.
Preparing young Queenslanders for life in the 1990s, we saw personal computers make their way into schools during the 80s with a strong focus on health, regional education and the arts by Queensland Education.
The photographic unit at the Premier’s Department, Office of State Affairs, captured a snapshot of various events, programmes and initiatives for school children throughout Queensland. This collection contains several arts, music and drama as well as students participating in computer usage.
In the early 1980s, several different computer manufacturers were vying for a foothold in the education market, Apple, Tandy, Atari, Sinclair, Amstrad, Microbee and many others. By 1985 Apple Macintosh was considered a standard system (alongside several others) for all states except Western Australia which adopted the BBC Model B and Microbee computer systems as a standard.
These photos are part are the photographic records held at Queensland State Archives, www.archivessearch.qld.gov.au/series/S189
1985
The discussion paper, Education 2000: Issues and options for the future of Education in Queensland was released.
The use of technology to enhance distance education, work in schools and educational administration was supported.
Approval was given for schools to alter the placement of the three pupil free days.
The Department of Education developed a policy on the education of gifted children.
The Special Education Resource Centres were formed as state-wide services, as part of the Division of Special Education.
Early special education officially commenced.
1986
The age of first attendance at primary school increased. Children had to turn five years by 31 January to be eligible for enrolment in Year 1.
There was an expansion of the curriculum in secondary schools and TAFE colleges evident in the further development of co-operative secondary-TAFE programs.
The Advisory Committee which reviewed submissions made in response to Education 2000 reported to the Minister.
The distance education trial began through the Mt Isa School of the Air.
A Preschool to Year 10 (P–10) Syllabus Framework was developed.
Endeavour Foundation schools transferred to Department of Education.
Policy Statement 15 Integration: Mainstreaming of Students with Special Needs introduced.
1987
Children had to turn 5 years by 31 December to be eligible for enrolment in Year 1 in the following year.
The Department of Education launched a series of documents entitled Meeting the Challenge which highlighted a corporate style of management.
The Department reshaped its central administration by strengthening the role of the Policy Committee, appointing a Chief Inspector and adopting comprehensive strategic planning processes.
In regions, initiatives were built on the commitment to decentralisation, while further devolution of responsibility occurred in the operational management of educational programs.
Two new education regions were formed (South Coast and Sunshine Coast regional offices).
The P–10 Curriculum Framework was developed and curriculum documents revised.
The Roma Middle School opened and catered for students in Years 4–10.
A post-compulsory college, the Alexandra Hills Senior College opened.
Two new centres of distance education opened at Longreach and Charters Towers.
1988
The Inspectorate was regionalised.
There was continued development of an integrated P–10 curriculum.
The senior secondary curriculum was broadened to cater for all learners.
Cooperative programs between secondary schools and TAFE colleges were conducted.
The use of computers and information technology in schools was given a high priority.
The Special Education Resource and Development Centres were formed as a consequence of the reorganisation of the Division of Special Education.
Individual education plans for students with disabilities were introduced as part of the new policy Policy Statement 16: Policy and Practice for Special Education Services.
The report National Overview of Educational Services for Isolated Severely Handicapped Children resulted from a Project of National Significance undertaken as a joint project of the Commonwealth Department of Employment Education and Training and the Department of Education Division of Special Services.
The Queensland School for the Deaf closes, as a consequence of decentralisation of services to students with hearing impairments during the 1980's. Programs for students with vision impairment were also decentralised during this period.
1989
A new Education Act 1989 was enacted.
The Department of Education's first strategic plan was adopted.
Decisions about school budgets were devolved to the school level.
There was an amalgamation of correspondence schools which became the School of Distance Education — Brisbane Centre P–12.
The first high school built to a new design opened at Bribie Island.
New prototype buildings for preschool, primary and special education units were assessed.
1989–1990
A comprehensive internal review of the Department of Education commenced through the consultation process, Education Have Your Say.
Professor Nancy Viviani reviewed Tertiary Entrance and produced the report, A Review of Tertiary Entrance in Queensland.
The Offices of Higher Education and Non-State Schooling were established.
The Department developed The Corporate Vision for Senior Schooling in Queensland to accommodate the diverse needs of students in Years 11 and 12.
The first entire primary school based on the new building model opened to students.
1990–1991
The report, Focus on Schools was released. A major restructure of the Department of Education followed.
The Public Sector Management Commission (PSMC) reviewed the Department of Education including its role, operations, responsibilities and management.
Greater responsibilities were devolved to 11 regions for resource, financial administration and human resource management.
A new English Language Arts Syllabus was introduced.
Priority was given to expanding languages other than English (LOTE).
The Viviani Report recommended the establishment of the Tertiary Entrance Procedures Authority (TEPA).
Consultants were engaged to assist in the development of an Equal Employment Opportunity (EEO) management plan.
The Equity Directorate (Workforce and Studies) was established. A social justice strategy was developed.
The PSMC developed guidelines for recruitment and selection based on merit and equity principles.
The inspectorate ended.
The report Focus on Schools recommended that a strategy for managing the integration policy in Queensland schools be developed as a matter of urgency, and that a state-wide support centre for students with low incidence disabilities be established. A restructure of the Department of Education followed.
Occupational therapists and physiotherapists were employed by the Department of Education to work in schools with students with disabilities. (These services were transferred from the Department of Families).
Policy Statement — Management of Support Teaching: Learning Difficulties (P–7) was introduced.
education.qld.gov.au/about-us/history/chronology-of-educa...
This image was captured in New Delhi, in December 2013 around the time of India's national election. When you vote, your index or ring finger are inked to indicate that you have voted. This symbol has the middle finger inked and is a political statement for "Don't Vote".
Don't_Vote_7798ec
08/07/2020. London, United Kingdom. Summer Statement Cabinet. The Prime Minister Boris Johnson and the Chancellor of the Exchequer Rishi Sunak brief members of the cabinet at the weekly Cabinet meeting inside No10 Downing Street, on the day the Chancellor delivers his summer statement to the House during the coronavirus. Picture by Andrew Parsons / No 10 Downing Street
Policy Statements ITU PP-22
Mr Don Graves
Deputy Secretary of Commerce
United States Department of Commerce
Bucharest, Romania
26 September 2022
©ITU/Rowan Farrell
cute & little blog | petite fashion | sheinside sleeveless floral crochet lace maxi dress, rocksbox slate mia statement necklace, nude bow sandals | spring summer outfit
Policy Statements ITU PP-22
H.E. Mr Petr Očko
Deputy Minister for Digitisation and Innovations
Ministry of Industry and Trade
Bucharest, Romania
26 September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Ishaq Sider
Minister
Ministry of Telecom & IT Palestine
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Kit: M3 April 2017 Add On Elements by Little Butterfly Designs at the-lilypad.c...3-April-17.html
Background Paper: Girl Power Papers(August 2017 BYOC) by Little Butterfly Wings at the-lilypad.c...irl-Papers.html
Style(Title): Style 242 Metals by Mommyish at the-lilypad.c...Stylin-242.html
Stitches: Hold It Together Stitched Backgrounds byErica Zane at Sweet Shoppe Designs at www.sweetshop...365&cat=&page=1
Fonts: Birch Std and Calamity Jane
Dress: A Grecian Turn Dress, Rubber Ducky via ModCloth
Cardigan: Charter School Cardigan in Raspberry via ModCloth
Bracelets: Nordstrom (blue bracelet), Talbots (orange and pink bracelet), and vintage (gold bangles)
Necklace: Statement of the Art Necklace in Sun via ModCloth
Laptop Bag: Marc by Marc Jacobs via Nordstrom
Photo by Pat Zimmerman
PP-22 - Policy Statements
Ms Eka Kubusidze
Head of Communications, Information and Modern Technologies Department of the Ministry of Economy and Sustainable Development of Georgia
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
08/07/2020. London, United Kingdom. Summer Statement Cabinet. Chancellor of the Exchequer Rishi Sunak on his way to brief members of the cabinet at the weekly Cabinet meeting inside No10 Downing Street, on the day the Chancellor delivers his summer statement to the House during the coronavirus. Picture by Andrew Parsons / No 10 Downing Street