Strobist setup for day 207 of my 365

Shot with my phone, sorry. This is the setup for Pair.

I have a CTO-gelled flash in the foreground, adorned with a cardboard snoot manufactured for the occasion. The camera is to the right, with a 300mm lens, and the flowers are sitting on the table to the left. In the background is the other flash, greened. The camera was color-balanced for tungsten. I triggered the camera from my laptop so I could see full-res results for every shot.

The snooted flash is at full power and the greened flash is at 1/4, but I still couldn't get enough light. The snoot, especially, cuts most of the light. Then I had one of those "Oh, duh" moments. I turned off the overhead lights, left the shutter open for 30 seconds, and triggered the flashes 3 times.

A bit of sensor noise, due to the long exposure, was mostly removed in Gimp.

setup for this shot

This photo was taken at insomnia58

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Photo by David Portass/iEventMedia.co.uk

Home Office/Setup Evolution.

I have been working from home now for over a year and needs/requirements have changed. Like many other people, I was made redundant in 2020. I was lucky to find another job fairly quickly hence the update.

Mac Mini 2020 (2018) for personal use, connected to a eGPU to drive the triple screen setup.

Dell Latitude connected to a Dell D6000 dock driving the displays, LAN and other peripherals for work use.

Some of the kit has been supplied by my employer.

Strobist setup for day 188 of my 365

My current Settup

TV set-up in May of 2006.

Here's what it looked like during most of the headshots.

This photo was taken at insomnia58

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Photo by David Portass/iEventMedia.co.uk

unfortunately, there are no feline assistants

Setup picture for depth of field

Setup for Cornered

Setup for the Ricard shot

Setup shot for this, except I think the two rims had flags on them and were closer together.

This photo was taken at Insomnia60

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Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This is the set up for this image, which was a follow up of this earlier image.

More setup photos

Setup shot for this photo of Sophia.

This photo was taken at Insomnia60

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Big Dipper

Setup shot for Boot Camp2: Assignment #4

setup for beer cap shot

setup for this

Beckerle Cristian de Saber Menos

This is a setup shot for my glass-bottom product setup.

I didn't have two softboxes handy so I'm using one softbox and a shoot-through umbrella, with a black disc on top to block ceiling reflections. Using a black fleece blanket on a boom in the background.

Gala 2009 Setup

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Strobist:

Ambient was a ceiling light above and mid-day light coming thru the windows. It was raining outside but I shot when the sun was out.

Another really simple lighting setup. One 430EX ii on 1/8 power was shot into the 24" softbox about 7' high and 4' away. Triggered using PW Flex TT5s.

This is the lighting setup used for my new piece titled "A View Through an Eye of Glass"

Canon 60D

Canon 24-105 f/4 L

3 Alien Bee B800's set at 1/32 power

This is my setup for the "Don't hate me" photo. It was shot by another brother using his P&S camera. Other than my camera body, tripod, lens, & hot shoe flash, all the other parts were scrounged from around the house. The bay windows and overhead lights had no significant effect on the finished portrait.

Setup for this

This photo was taken at insomnia59

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

This photo was taken at Insomnia60

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

@designeour : Setup inspiration to create your best work by designer and... bit.ly/1Zn7z0s bit.ly/1s0qsw9 (via Twitter twitter.com/designeour/status/728619031759073280)

This photo was taken at Insomnia60

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This photo was taken at Insomnia62 #i62.

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Photo Credit : David Portass/iEventMedia

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Copyright : © iEventMedia 2018

The top drawing had some gestural setup lines most of which i ignored when I got down to ink but I think they helped make it a better drawing.

This is the setup that I used for my duckling time-lapse shots.

I mounted the camera (with 15mm fisheye lens on a heavy duty Giottos MH-3300 Pro Ball Head (just the head).

I tethered the camera to my laptop and used. EOS Utility software to control it. Software was set to fire the camera every 5 seconds.

Here are the links to the results

www.flickr.com/photos/craigjewell/5518684343/ www.flickr.com/photos/craigjewell/5519256712/in/photostream/

The setup shot for 'Home' - unfortunately it's a pretty low quality file, cos flickr got stroppy about the size of the original!

Actual photo is here:

www.flickr.com/photos/22912966@N00/547888386/