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The stage setup and lighting was incredible, including the video board that descended in pieces to create a whole new effect around the centre stage area.
This is the setup that I used for a recent shot of Neil. The building was strange in that it had 2 sets of staircases intertwined but independant. I was standing on the lower of the two (bottom in diagram) to get the wall covering totally filling the space behind Neils head.
The resulting image can be seen here.
You’ve made the decision—you’ve decided that recording and/or creating music is in your future. There are many different routes you can take, and they all depend on what you plan on doing. But no matter your ultimate goal, learning how to set up a home music studio setup is the first step.
Source URL: www.evernote.com/shard/s534/sh/60973536-6a07-94c4-8bb2-d7...
This photo was taken at insomnia45,
Find out more about Multiplay, the event and see all the coverage.
The setup I used to do my first attempts at smoke photography. I dialed down the flash to 1/64, 2.8 aperture, and shutter speed of 1/250. You can see the Homemade snoot I attached to my flash.
Here's the setup for the JJ cup shot.
SB900 down below with blue gel angled & zoomed to 85mm. Hand-held SB800 connected with sc29 cord set as master to trigger the SB900 and shot through Lumiquest Softbox III. Honl flag/bounce to camera right for some fill.
F/8 @ 1/125. SB900 on manual 1/16, SB800 TTL -.3.
D300 w/ 24-70mm.
1 black well-worn wooden foldable tray.
My Setup is:
4.5" SkyWatcher Reflecter Telescop
Celestron CG-4 German Equatorial Mount
Celestron 1-1/4" T Adapter/Celestron Canon T-Ring
And A Canon FT SLR
Setup on Tripod for Landscape shots Orbisâ„¢ Ring Flash mounted on a clamp head 32 with a plain shoe mount to hold the flash and customed off shoe cord, Orbisâ„¢ secured with a nylon strap,. I can carry this and nothing falls off.
I've been trying to get a "pure white" background look with only one flash by using a diffuser. These are some test shots.
In this setup I gridded the flash and shot it through the diffuser. I only wanted the diffuser for dropping the subject light (from half the flash) whilst leaving the full power to fall on the backdrop. However, in my flower shots I found the light was giving hardly any definition thanks to all the diffusion. Hence the shots of the tin straight through the diffuser with the snoot.
This is the final setup. I tried a different kind of pulley first, but it ended up working much better to just use the simplest pulley I could find. I wanted big loop to go around the entire canoe which would allow for the canoe to hang upsidedown from how it is here. Upsidedown would allow it to drop directly unto a car. I didn't do it that way for now because the loops were giving so much under the strain that I thought it hung too low when not in use. eventually I'll probably work through that (webbing instead of rope, perhaps). I'll post new pictures when I get it hung upsidedown.
Setup for Toronto Taste started Saturday evening. It continued all through the night, with Chefs and their teams starting to arrinve around noon. Everything was finally wrapped up by about 5:30pm Sunday, when, mysteriously the fire alarm went off and we all got locked into the ROM.
But the Toronto Fire Department camed and has us up and running just in time to open the doors for the VIPs. Wow!
Disclosure: I'm on the steering committee so while I get an insider's view, I'm also biased.
Strobist Info: Main-SB-800 @ 1/64 @ 35mm full CTO white poster board bounce into shadow
Camera Info: Nikon D100 | 28-70mm(Æ’/2.8) 70mm | Æ’/5 | ISO 640 | 1/125s
Setup for THIS