View allAll Photos Tagged setup

lighting setup for kodak tourist camera shot

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

Setup shot for this shot.

There are both advantages and disadvantages to online courses. Setup and maintenance costs are one of the considerations that have to be weighed when a schools is determining whether to offer online learning.

  

Photo used with permission:

 

Pliers with Some Coins

by Josefbosak

 

www.stockfreeimages.com/

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Setup for Day Thirty Seven.

 

strobist info: SB28 @ 1/4 @ 20mm fired into a IKEA lamp as difuser, with 1/2 CTO.

 

Triggered via Cactus V4.

Setup shot for this picture.

  

Strobist info :

 

One SB-600 (1/4, 24mm, shoot-through) on camera right

 

One SB-26 (1/1, yellow gel, 50mm) on the background

 

Camera : D70s @ 1/500 @ f5.6 @ 50mm @ ISO 200

Setup shot for spoon. 1xSB26 on 1/64 power into my trusty homemade softbox - lovely!

 

Final submission is here:

 

www.flickr.com/photos/22912966@N00/989713035/

Over all view of the setup and room we had.

This is the lighting setup for this pic of Aimee. Thanks to Shambrick for the lighting.

 

www.flickr.com/photos/46455136@N02/4397587610/

 

A friend wanted it so I thought I should add it here too.

This is the setup I used for taking the last two EPROM photos.

My current podcasting setups. Full write up will be at withmedia.ca

macro infrared setup

Yeah Right Group Show

feat art by Brandon Gay, Jacob Sells, Megan Karson, Max Pond, Danny Staton, Chelsea Marten, Christian O'Reilly, Bryce Gamble, and Rodolofo Marron with music performances by: (Whyte) Bitch

Honeytree Gallery

May 2011

Taken from the final shot position. I was pretty far away... this is at 70mm, final shot was ~ 200mm

 

Strobist:

 

On the left... SB 24 clamped to boom arm stand. Firing partially into the umbrella to get a bit more light on the front, and partially into the ceiling.

 

SB 28 on boom arm, shooting out into the ceiling to create a large continuous swath of light. Rotated horizontally, and zoomed out all the way.

 

On the right... another SB 24 on a stand... partially hitting the ceiling, partially hitting the umbrella to help light up the back of the car. Used distance (umbrella to car) angle (how much hits the umbrella) and zoom to control how much of that light hit the ceiling to light up the top of the car, vs how much light was reflected to the back of the car.

 

Behind the car was an SB 28, with a blue filter on it, hitting the wall.

 

Triggered by Cyber Syncs

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

Setup for isolated mess around shots

This one's sort of a setup shot for "Flamin' Whiskey." Well, not really, but it's what came out when the black foamcore I was using as a background fell off the box that was holding it up...

More than 60 cm snow on the summit.

The setup shot for my Scorched Toast photo. (http://www.flickr.com/photos/jayscottphotography/5364274204/)

Setup for isolating the dynohub from the fork. Test wires from axle end caps to multimeter.

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

See the resulting shot here and here.

 

OK - right off the bat, this is total overkill. Do this with some nice window light and save yourself thousands.

 

Strobist:

1 - studio flash head in softbox surrounded by white sheet to make a light tent.

Setup for the chocolate candy set.

 

Inside the Westcott Apollo softbox is a Sunpack 383 on 1/4 power. The light box with the candy inside is just 5 panels of white foam-core board taped together to eliminate as much shadow as possible.

Strobist:

Sun as rimlight from above left

430EX camera right filling in group to the right

430EX hidden behind the right tree filling in group to the left

triggered with CTR-301s

 

Final shot

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

have managed to set some of macs macs up

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