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i was so impressed by this couple and this setup. she's creating art while he's singing. makes me wonder if i still have this passion.
aqui os dejo el guetto set up que monte en el curro para hacer la foto a la ballena.. lo mas complicado era sujetar el acetato azul con una mano y hacer la camara con otra
Aburrido de nuevo (En realidad le estoy haciendo el quite a escribir un texto para la U), esta vez sin flash para variar.
This photo was taken at Insomnia60
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Photo Credit - David Portass/iEventMedia
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk
This is the setup I used for most of my shots tonight. Minor variations for each one. While I was shooting the black Camaro with the bare umbrellas I noticed you could see the reflection of the 'fingers' in the car. I tossed a nylon shower curtain that I picked up at Lowes to double diffuse my key light, this really smoothed out the light on the subject and killed the reflection of the umbrella. The umbrella'd sb28dx to the left was on low power just to add fill to the grill area of the car. The snooted SB800 was set up to cast a shadow on the background. It worked great on the black cars, but I shut it off for the super snake shots.
Resulting shots are here and here.
Strobist:
1 - Strobe directly above the camera with a 20 degree grid
1 - Strobe to the models back left side with a 30 degree grid
Triggered via sync cable
Use this to share your lighting setup or to document your setup for future reference. Email me at kevin@kertzdesign for comments and/or suggestions. Not for commercial use.
DEMO Setup - DEMO Fall 2013 at the Santa Clara Convention Center in Santa Clara, California Monday October 14, 2013. Complete coverage of DEMO, the Launchpad for Emerging Technologies and Trends, can be found at bit.ly/DEMOsite.
Here is the lighting setup I used for the Balancing Sunlight exercise. Not shown on this diagram is the friend holding the flash ;-)
This photo was taken at Insomnia60
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Photo Credit - David Portass/iEventMedia
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk
We have 4 16-man tents we setup for the week. Wilderness gets a true taste of God's beautiful creation.
Model - Sade //
SB-800 Fired From Left With Softbox @ 1/32 Power -- Triggered with a Extended TTL Cable
Just had to photograph the setup, it makes a picture in itself.
Setup for this picture and this picture
Ambient has been killed by f/14 @ 1/200s @ 200 ISO.
With this configuration, it's really easy to get interesting results. Try it!
Setup shot for: www.flickr.com/photos/8270692@N02/1864215115/
The Sb800 was used the light the whole scene while I held the sb600 at just the right angle and location to create a specular highlight on the blade. Oh and the wife holding the foam board. I need to get some clamps for that. She gets bored quickly. ; )
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
This photo was taken at Insomnia60
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.
Photo Credit - David Portass/iEventMedia
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk
"My first strobist" from fisher price ;-)
I don't have a separate flash, so I placed the camera such that the lens and on-camera flash were separated by the nylon top sheet. The flash kind of clipped over the top of the box. The idea was that this would make the on-camera flash do an off-camera job.
It worked reasonably well. The main problem is fighting with the automatic flash. I had to turn the flash exposure compensation up two stops to get a reasonable photograph, and changing the aperture made no difference to the final result because the camera could simply compensate for that change by changing the flash power. I can't see a place in the menu to turn off the automatic features of the flash and just set the power.
Possibly the cheapest strobist setup ever though: £9.99 for the portable studio (when it was on sale). £0 for the flash :-)
This is the setup for this photo.
As I forgot my umbrellas in the car, and I had no time, I used a piece of white sheet as diffuser.
I also used a snoot to avoid the filling light on the christmas light.
The warm light on the back of Yotsuba, came from the Canon 580EX II with a light red gel from Lee gels ;)
And the photo was taken with a 24-70 @ 70mm @ 0,6 s. leaned on a chair (yes, I forgot my tripod too ^^'). With the camera timer of course.
This is the set up for my Emo Tears shot.
The strobe on the left is going through a snoot on 1/4 power, the on on the right going through the umbrella was on 1/16 power.
This photo was taken at insomnia55
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Photo by David Portass Photography
My live setup for the show at dreamland on 12.21.2006. Pictured from left to right: Powerbook, custom USB QWERTY keyboard controller for Ableton Live, PodXT Live, Trigger Finger, Ibanez guitar.
First bare flash from behind and about 4 ft. high, second flash with small bounce card in front, camera right.
This is the setup for the "Smoke" shot.
I was using a black backdrop for this, a remote-controlled flash with "poor man's snoot" set to 1/4.
The camera was set to 1/125, f5.6 and ISO 100 and controlled via remote cord.
I turned off the light for the actual shot.
Post-processing was done in Lightroom. I inverted the colors by switching the Y-coordinates in the "Tone Curve" section. Afterwards, I added some coloring.