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Setup for this shot

 

Another of those 99 cent store trash cans was used here:

Zippo Setup

Margaret helps me test out my new 60" umbrella. It's big.

 

Setup shot for this photo.

unfortunately, there are no feline assistants

Setup picture for depth of field

This photo was taken at Insomnia60

 

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Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

setup for shooting flower, jewelry and macro.

Just a way to make things fly. You can have more angles with this, rather than just one with an average stand. Not too strong, but a bit of Blutac might help. And the big base is just to make sure the whole thing doesn't tip.

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Step 1 - Tire the dog out with a long walk

Step 2 - Lure him into position with the promise of treats

Step 3 - Start ripping film in front of a very confused looking dog....

Enjoy and remember to comment and critique.

 

Strobist Info: SB-800 @ 24mm @ 1/64

 

Camera Info: Nikon D7000 | 60mm(ƒ/2.8) 60mm | ƒ/20. | ISO 400 | 1/30s

 

Setup for THIS

Setup and strobist info for this shot.

 

50mm ƒ1.4, ƒ3.2,1/200s, ISO 100

 

Image is © Kurt VanderScheer and cannot be used or displayed without permission.

After the initial lighting setup is finished Mark takes a few photos for review. Mark reviews the images with the Art Director (AD) to make sure that everything is perfect before shooting for the day. This shoot was for catalog shots, in-store displays, ceiling banners, and billboards. The AD requested a high key setup and was intending to do some compositing on a few of the shots. The key thing we were looking at here was the highlight on the arms and legs. If the highlights from the kicker lights are too bright than the transition from arms to white is very difficult to see. Taking the time to review the setup and lock it in will save many hours in post-production.

This is how I froze myself tonight...

 

The Two trays are just baking sheets filled with hot water.

Hot water + Dry Ice = Rapid Sublimation (Smoke/Vapor).

Science Rules

 

SB 600 is gelled with a 1/2 CTB

WL-x1600 is in the softbox

My somewhat unorthodox home studio setup

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Strobist:

Ambient was a ceiling light featured in picture.

 

One light setup: One 430EX ii on 1/4 power shot into the 24" softbox about 8' high and 3' away camera right. Triggered using PW Flex TT5s.

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Strobist:

Ambient was a ceiling light above and mid-day light coming thru the windows. It was raining outside but I shot when the sun was out.

 

Another really simple lighting setup. One 430EX ii on 1/8 power was shot into the 24" softbox about 7' high and 4' away. Triggered using PW Flex TT5s.

This is the lighting setup used for my new piece titled "A View Through an Eye of Glass"

 

Canon 60D

Canon 24-105 f/4 L

3 Alien Bee B800's set at 1/32 power

 

This is my setup for the "Don't hate me" photo. It was shot by another brother using his P&S camera. Other than my camera body, tripod, lens, & hot shoe flash, all the other parts were scrounged from around the house. The bay windows and overhead lights had no significant effect on the finished portrait.

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

This photo was taken at Insomnia Scotland

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass Photography

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

i hope our setup will be as beautiful as this one.

i love the paper lanterns hanging on the tree.

love the tiffany chairs as well. we'll definitely get those too.

This photo was taken at Insomnia62 #i62.

 

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Photo Credit : David Portass/iEventMedia

Permitted Usage : Social and Editorial Use in relation to i62 Only (with photographers credit). All other use (including commercial) please email: photo@iEventMedia.co.uk

Copyright : © iEventMedia 2018

This is the setup that I used for my duckling time-lapse shots.

 

I mounted the camera (with 15mm fisheye lens on a heavy duty Giottos MH-3300 Pro Ball Head (just the head).

 

I tethered the camera to my laptop and used. EOS Utility software to control it. Software was set to fire the camera every 5 seconds.

 

Here are the links to the results

www.flickr.com/photos/craigjewell/5518684343/ www.flickr.com/photos/craigjewell/5519256712/in/photostream/

The setup shot for 'Home' - unfortunately it's a pretty low quality file, cos flickr got stroppy about the size of the original!

 

Actual photo is here:

 

www.flickr.com/photos/22912966@N00/547888386/

South San Francisco, CA.

The setup for the photoshoot with Larry in Larry's back yard

Setup for Day Thirty One

 

strobist info: SB28 @ 1/32 @ 24mm in an umbrella camera right, 1/2 CTO

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