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Finally got my photo studio all setup with the backdrop I received this morning. Loving strobist!

 

Strobist info on the tags

 

Result: www.flickr.com/photos/msuprana/3922905146/in/photostream/

Setup shot for 092/365 Dixie the Dolphin.

 

Madison wanted to get in on the setup shot :)

 

Camera Info:

Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @140mm, f/4.0, 1/200s, ISO 100

 

Strobist Info:

-Canon 430EXII Camera left and in front of subject, 1/8 Power, @24mm zoom, about 4 feet high, 2 feet away from subject through 24 Photoflex softbox.

-Flash was triggered with Interfit Strobies.

Setup shot for 157/365 Movie NIght.

 

Camera Info:

Canon 7D, Canon EF 50mm 1:1.4, ƒ/1.4, 1/100s, ISO 100

 

Strobist Info:

-Canon 430EXII, 6 feet high and 4 feet from subject, 1/64 power at 24mm zoom, 24 inch Photflex softbox

-Flash triggered with interfit strobie trigger

 

First one to tag the beer wins a prize!

Setup shot for 152/365 Shower Time.

 

Camera Info:

Canon 7D, Sigma 17-70 @70mm, ƒ/4.0, 1/60s, ISO 200

 

Strobist Info:

-Canon 430EXII camera left inside 24 inch Photoflex softbox, 7 feet high and 3 feet from subject, 1/8 power @ 24mm Zoom

-Canon 430EXII camera right, 6 feet high aimed at ceiling fired bare 1/32 power @ 24mm zoom

-Canon 430EXII camera right behind subject inside ziplock bag in shower, 6 feet high and 5 feet from subject fired bare, 1/32 power @ 80mm zoom

 

Follow me on Twitter @matthewcoughlin.

Setup shot for 040/365 Bokeh Buddy.

 

Camera Info:

Canon 7D, Canon L 70-200mm@200mm, f/4.0, 1/60s, ISO 200

 

Strobist Info:

-Canon 430EXII camera left, 1/4 Power @24mm zoom, about 6 feet high and 3 feet from subject.

-Flash triggered with Interfit Strobies.

 

Lighting setup for "Fragment of a Drinking Cup, Skyphos, with Apollo"

 

Equipment used:

-Nikon D80

-Nikon AF-S 60mm f/2.8 Macro lens

-Manfrotto tripod with basic head

-Manfrotto Articulated Arm and Super Clamp

-Sekonic L-358 lightmeter

-Speedotron 2403B Powerpack

-Speedotron 102 Light Unit (strobe)

---with diffusing panel (3-4 sheets)

---mounted to DIY boom-stand (vice-grip light-stand clamped to pan-arm of a large video tripod)

-table with seamless neutral-gray paper

-Qpcard 201 color-correction card (cropped out of final image)

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Setup for this shot for Macro Mondays:

www.flickr.com/photos/mag3737/53339913972/

 

Pretty simple setup for this one. A couple of fallen leaves, crumbled up a little bit, and illuminated with yellow & blue lights as an attempt to get some less harsh tones than the default overhead kitchen lights.

Camera that was on operating bench was mine, the silver Rebel XT is my co-worker's. My tripod, and home-made foot switch contraption to fire the camera

Stanton T.92 USB (black) - Denon DN-X1500S - Stanton T.80

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Setup for SAJC Rapture 2010, Dance Full Dress Rehearsal shoot. Thanks for Delise & Jon for lending some of their gear!

Yeah, I replaced my 19" CRT secondary display with a 19" LCD, simply to save 8 inches of floor space by being able to push my desk back to the wall.

 

Yuup.

 

There was a good deal on this SyncMaster 920Nx. End of line I suppose. The thing doesn't even have DVI. But I don't dare, it's only a secondary display for my bittorrent, edonkey, messenger, flickr uploadr, windows task manager and music player.

 

I'll post a photo with a clean desk later. I just don't have time for that now.

Setup Shot for 043/365 Backside Disaster.

 

Camera Info:

Canon 7D, Sigma Lens 17-70mm @17mm, f/14, 1/250s, ISO 100

 

Strobist Info:

-Canon 430EXII Camera left and in front of subject, FULL Power, @24mm zoom, about 5 feet high, 5 feet away from subject fired bare.

-Canon 430EXII Camera left and in front of subject, FULL Power, @24mm zoom, about 5 feet high, 5 feet away from subject fired bare.

-Canon 430EXII Camera Right and behind of subject, FULL Power, @105mm zoom, about 7 feet high, 12 feet away from subject fired bare.

-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.

 

QUESTION: Can anyone explain how to achieve what the STROBIST is talking about in this article with a Canon 7D and the 430EXII speedlites? I really wanted to to get my shutter over 1/250s today for this but couldn't pull it off and didn't have enough time to mess with it. Any insight would be greatly appreciated!

Strobist info: One bare flash, behind camera, bounced off of the ceiling. The jar is sitting on top of a shiny granite tile that I got at Home Depot, and the background is a piece of black craft foam. The carboard 'roof' is actually a gobo to prevent the flash from lighting the background. A minimal amount of post-processing was used to clean up the background a bit and increase the intensity of the lemon colors.

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

Another experiment with a Lastolite background: Building two setups. One with normal background paper and another with this collapsible background, where both use different lights. This way, I can quickly create different-looking images without the need to change everything between the setups.

 

With this setup, I later switched the light modifier to the reflective white umbrella and placed it on the right side of the model. Results below.

 

Model: Amanda / FMA

Setup Shot for 049/365 Lucky Penny.

 

Camera Info:

Canon 7D, Sigma 17-70 @17mm, f/20.0, 1/200s, ISO 200

This setup shot was taken with a Sigma 17-70mm lens at 17mm.

 

Strobist Info:

-2 Canon 430EXII's Camera Right and in front of subject, FULL Power, @24mm zoom, about 8 feet high, 4 feet away from subject both inside 40 inch Wescott softbox.

-Canon 430EXII Camera Right and behind subject, 1/2 power at 105mm Zoom fired bare, 5 feet high and 15 feet away from subject.

-Sun was camera left and behind subject.

-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.

Setup for this shot.. (Except light on the left was moved to the front.) The camera was held at ground level and he was jumping off the wooden blocks.

 

SB800, SB28, Pocketwizards

iMac G5 17" with 19" Viewsonic LCD (thank you Screen Spanning Doctor!)

Strobist info:

SB800 fired with blue gel reflected to a silver board. Made a mock-up TV consisting of a box of nappies with an antennae on top and a silver board.

 

This setup was used for the photos found on this link.... www.flickr.com/photos/erickguerrero/sets/72157617318120300/

I barely managed to fit a small homestudio in my living room.

Set up shot from my shoot with Nora

 

strobie: pretty self explanatory, but I'll write it out just for fun

 

abr thru moon unit

ab800 thru beauty dish above

ab800 on left with pink gel

ab800 on right with purple gel

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

cameras and stuff

Setup shot for the lens and knife photo. Highly technical snoot made out of a piece of copy paper and scotch tape attached to an SB600. SB800 right with flag. Triggered with CLS Commander mode on D200

Setup shot for the Paris Workshop. 2nd location.

 

I added notes to the best of my recollection. Please hit me in the comments with corrections, since I did not setup or look at all the flashes.

 

I wanted to make sure someone got a setup shot.

 

Shooting settings for the real shot were 1/250 f8 ISO100.

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

This photo was taken at Insomnia61 #i61.

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter @MultiplayEvents, Multiplay Esports Twitter @MultiplayEsport, UK Masters, instagram @insomniagamingfestivals and SnapChat @multiplayuk.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Tilt shift fotografie van een horloge

setup for this shot.

 

couple minor notes:

NO.1: this SB600 was choked up inside of the umbrella so I can get as much light control of the highlight on Mer dress (Mer's right)…there is a little light spill on her arms, but trying to adjust that would have driven me crazy…it's one of those let slide moments…hahahaha

 

NO.2: in the setup shot, the softbox is not tilted, we got to playing a little with the lights and I tilted it, I noticed it after I took the setup shot. It was also feathered more to the front of Mer just enough to have some light spill on her back…

hopefully this makes sense, if not, let me know…no worries.

Note: side fill cards removed for the posted shot.

Setup Shot for 076/365 Happy Saint Patty's.

 

Camera Info:

Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/9.0, 1/60s, ISO 100

 

Strobist Info:

-Canon 430EXII Camera left and in front of subject, 1/1Power, @24mm zoom, about 4 feet high, 4 feet away from subject through 40 inch Wescott softbox.

-Canon 430EXII directly behind subject, 1/8 Power, @35mm zoom, about 2 feet high, 1 foot away from subject clamped on mailbox fired bare.

-Canon 430EXII Camera right and in front of subject, 1/4Power, @24mm zoom, about 2 feet high, 5 feet away from subject, fired into reflective umbrella for some fill on the bottom of his shoes.

-Flash was triggered with Interfit Strobies.

Setup Shot for 050/365 The 3 Stooges.

 

Camera Info:

Canon 7D, Sigma 17-70mm @17mm, f/5.6, 1/50s, ISO 200

 

Strobist Info:

-Canon 430EXII Camera Right and in front of subject, Full Power, @35mm zoom, about 7 feet high, 15 feet away from subject fired bare.

-Canon 430EXII Camera left and in front of subject, Full Power, @35mm zoom, about 7 feet high, 20 feet away from subject fired bare.

-Canon 430EXII directly behind subject at Full power, @50mm zoom, about 5 feet high and 8 feet away from subject fired bare.

-Flashes triggered with Interfit Strobies.

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