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Camera that was on operating bench was mine, the silver Rebel XT is my co-worker's. My tripod, and home-made foot switch contraption to fire the camera

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.

Instagram: @_morg.z/

 

Setup for SAJC Rapture 2010, Dance Full Dress Rehearsal shoot. Thanks for Delise & Jon for lending some of their gear!

Quick and dirty table-top setup in my kitchen. One SB-800 at 28mm, 1/128 power with gridcloth (to take the edge off) on a stand directly over the car, and 1 SB-800 at 1/32 firing through a CTB gel on to a piece of white foamcore. Both were on slave mode, triggered by the on-cam built-in flash. White CVS drawing paper served as a floor and bounced a little light back around the sides of the car. Incidentally, both flashes were on SU-4 (slave) mode at this point as either my D70's manual commander mode quit or the flashes quit listening to it...

 

Learn how to light at Strobist.

Here is my setup for the Ghetto Lighting shoot.

 

See notes on photo for more info.

This photo was taken at insomnia57

 

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Photo by David Portass Photography

Black wool outdoor base layer on top of 5-litre plastic bottle. Flower placed on top of higher section created, with leaves and stem behind, falling to the ground level, so that stem and leaves recede even further from the plane of focus.

Arca Cube GP tripod head makes this kind of shot so much easier to set up, but still have to fiddle with tripod legs to ensure correct working distance for the required magnification/bellows extension.

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Setup Shot for 049/365 Lucky Penny.

 

Camera Info:

Canon 7D, Sigma 17-70 @17mm, f/20.0, 1/200s, ISO 200

This setup shot was taken with a Sigma 17-70mm lens at 17mm.

 

Strobist Info:

-2 Canon 430EXII's Camera Right and in front of subject, FULL Power, @24mm zoom, about 8 feet high, 4 feet away from subject both inside 40 inch Wescott softbox.

-Canon 430EXII Camera Right and behind subject, 1/2 power at 105mm Zoom fired bare, 5 feet high and 15 feet away from subject.

-Sun was camera left and behind subject.

-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Setup Shot for 043/365 Backside Disaster.

 

Camera Info:

Canon 7D, Sigma Lens 17-70mm @17mm, f/14, 1/250s, ISO 100

 

Strobist Info:

-Canon 430EXII Camera left and in front of subject, FULL Power, @24mm zoom, about 5 feet high, 5 feet away from subject fired bare.

-Canon 430EXII Camera left and in front of subject, FULL Power, @24mm zoom, about 5 feet high, 5 feet away from subject fired bare.

-Canon 430EXII Camera Right and behind of subject, FULL Power, @105mm zoom, about 7 feet high, 12 feet away from subject fired bare.

-Flashes triggered with Interfit Strobies. The sun was not triggered by Interfit Strobies.

 

QUESTION: Can anyone explain how to achieve what the STROBIST is talking about in this article with a Canon 7D and the 430EXII speedlites? I really wanted to to get my shutter over 1/250s today for this but couldn't pull it off and didn't have enough time to mess with it. Any insight would be greatly appreciated!

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Strobist info:

SB800 fired with blue gel reflected to a silver board. Made a mock-up TV consisting of a box of nappies with an antennae on top and a silver board.

 

This setup was used for the photos found on this link.... www.flickr.com/photos/erickguerrero/sets/72157617318120300/

Live at Groezrock 2014 Day 2

3rd of May 2014

© - Arne Desmedt

Mikko took portraits with this setup. Check his photos from Nokia Suomi FB page.

 

Quadra battery packs and heads are surprisingly compact and light to carry around. Both heads were powered with own battery unit.

Setup for fretboard removal using hand tools and a science lab hot plate.

 

Heat was applied to the bottom of the neck instead of the fretboard, to prevent melting/scorching the binding and inlays.

 

The polyester clear finish was scored just below the binding to create a separation line between the neck and binding.

 

The small piece of luan plywood between the hot plate and the neck created an air gap to prevent burning the paint and the pink foam on top was to help retain heat in the fretboard.

First rehearsal with the band.

Pretty ingenious setup...isn't it?

 

Shot Setup. My small basement studio. Long and narrow, low ceilings. It will just have to do until I upgrade...

 

Strobist WL 10k, left. Vivitar285hv, right. Bolero #23 collapsible rear.

  

Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.

Instagram: @_morg.z/

 

Setup for the recent chocolate shots. See notes.

 

Canon 430EX on 1/8 power camera left. Sunpack 383 on 1/8 power camera right. White foam-core to make a nice reflective box. Later shots also used a Wescott Apollo softbox in front of the candy and to the left of the photographer. Everything fired with Gadget Infinity 16-channel triggers.

Setup for this shot, who needs a big studio ;)

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

Setup shot for the Paris Workshop. 2nd location.

 

I added notes to the best of my recollection. Please hit me in the comments with corrections, since I did not setup or look at all the flashes.

 

I wanted to make sure someone got a setup shot.

 

Shooting settings for the real shot were 1/250 f8 ISO100.

Actually took this shot first so that i could see where both my lights were hitting. going to have to remember that trick, as it made angling the lights easier then framing for the actual photo.

setup for this shot.

 

couple minor notes:

NO.1: this SB600 was choked up inside of the umbrella so I can get as much light control of the highlight on Mer dress (Mer's right)…there is a little light spill on her arms, but trying to adjust that would have driven me crazy…it's one of those let slide moments…hahahaha

 

NO.2: in the setup shot, the softbox is not tilted, we got to playing a little with the lights and I tilted it, I noticed it after I took the setup shot. It was also feathered more to the front of Mer just enough to have some light spill on her back…

hopefully this makes sense, if not, let me know…no worries.

setup shot for thumbtack macro

This photo was taken at Insomnia61 #i61.

 

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Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This is the setup for the Tomato Illustration. two SB-800 units in command mode. The Master fired into umbrella at 1/32 power metered for f/3.2 at 100 ASA. Second is bounced off of the ceiling set as Slave -1 stop. I Love these freaking strobes.

Oh, my 2 year old helper is dialing china on my cell phone in the background(He's home sick today).

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

Valaisija meeting.

 

VikaValter is taking this shot. VikaValter

I'm learning how to light at strobist.blogspot.com/2006/02/welcome-to-strobist.html

 

Camera :NIKON D70

Exposure mode :Manual

Speed light :wireless

Focal length :24 mm

Shutter speed :1/160second

Aperture :F4.5

White Balance :Cloudy

Lens :50mm

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