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The flash was held about a foot above the plexiglass. The white cardboard (black on its other side) and the thick fabric were restricting the beam to create a line of light that reflected on the toy. I just had to move the car until I got the effect I wanted. Shot over a plastic mirror.
Macro setup - this is a 75-300mm Canon lens (right) stacked against a reversed Rikenon 35-70mm via a reversing ring. When both lenses are at their extreme (35mm vs 300mm) the magnification factor is 8.5x (300 / 35). This results in the full frame being ~2mm along the long edge, which on the 350D (sensor 22.2 mm × 14.8mm) works out to a macro factor of about 10x.
This arrangement replaces the $1.35 Pringles can solution. It's worth the $15-20 for the reversing ring ;)
You can see photos taken with the setup under my Lens Stacking tag.
Setup for these images:
www.flickr.com/photos/terytky/2796174891/
www.flickr.com/photos/terytky/2797019470/
Both were fired via D300 commander.
Setup for Strobist Lighting 102: Assignment - Cooking Light. This is minus a white card held above the jug and slightly to the right of the camera sloping down fron eft to right looking from the camera. The aim was to get a reflection in the cooker hob.
Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.
Instagram: @_morg.z/
Setup shot for specular umbrella portrait. Snooted backlight is in this image although my final image did not include this light.
made my first composite image.
wasn't the best but i was about to go nuts if didn't shoot something tonight.
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
A shot of my setup used in this shot
I use a soft box I built myself that has 3 individual lights which can be toggled on/off for level of brightness I want. Everything else in my setup as an active light source are cheap clamp style lights..
For bulbs I use the GE fluorescents that have a temp of 6500 k. They are cool and equal to 100w tungsten. I like having the clamps and being able to drape scrims over them to create essentially second and third soft boxes.
Finally I do use mirrors, foam core, flash cards, etc. when needed.
Dance Photoshoot : FauxTaux Grafix : Commercial Photography : Knoxville, TN
Lighting Setup:
Left Setup: www.flickr.com/photos/fauxtauxgrafix/8569524911/in/photos...
Right Setup: www.flickr.com/photos/fauxtauxgrafix/8569524947/in/photos...
More Info:
My Blog: fauxtauxgrafix.wordpress.com/2013/03/19/dancing-with-lab-...
Contact:
Portfolio: www.fauxtauxgrafix.com
FauxTaux Grafix /// People, Product, & Pet Photography /// Knoxville, TN
Setup shot for 166/365 Long Drive Home.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, Æ’/5.0, 1/40s, ISO 250
Strobist Info:
-Canon 430EXII, inside 24" Photoflex Softbox, 1/4 power @24mm zoom, wedged between 2 front seats aiming up at ceiling
The setup showing an SB-900 triggered via Nikon's CLS, and proving that it is indeed the 24X24 Lastolite modifier.
This setup weighs 10.5 lbs. This is the f/3.9 imaging setup.
Desmond Clamps: www.amazon.com/gp/product/B00HINMZ2S/ref=as_li_tl?ie=UTF8...
Fotasy L150 Plate:
www.amazon.com/gp/product/B00I5I4PAA/ref=as_li_tl?ie=UTF8...
Setup for the two Wavebird Gamecube controller shots. Nikon SB-24 wireless set off by GI trigger. Sigma EF-500 DG Super optically set off with red gel in background. Shots taken with a Sony F717.
This is the setup that I used to take the product-shot of the telephone.
I got a set of 5 honeycomb filters (8 till 36 degrees from Ebay) and wanted to test them out.
On the left the 430EXII flash, on a stand before the flash you can see the honeycomb-grid.
I placed it on a stand so I could turn and tilt it a bit to direct the flash-beam.
Flash fired at 1/8 by 105 mm zoom.
Behind and left from the phone I placed white reflectors.
Near the flash and grid, I flagged the flare of the flash by black paper.
The little Wacom tablet was used to remove the horrible dust, dust, dust and a lot more dust.
Next time I will cleanup before shooting!
Click this link to see the result:
Strobist setup shot. SB800 below table to light the background, second SB800 to the right bounced off ceiling, gobo above bottle to prevent reflection (specular highlight) on the bottle. Fired using pocket wizards. I used some post processing to lighten the label. Photo is here.
I received yesterday my first wireless flash trigger and umbrellas. This picture is one of my very first strobist shoots. A very simple light setup : one strobe and one umbrella.
Backlighting setup to give a restricted area of light behind a pair of see thru subjects.
Lighting is provided by a pair of 20watt stick type CFL lamps in pringles tube reflectors, to concentrate and direct the light onto a white card backdrop, approx 12 inches/300mm behind the subject.
In addition, a couple of pieces of black card folded into a V shape are stood between the lights and the bottle to prevent any direct light hitting it. With hindsight, these cards would have been better a little further back. Must remember that next time :)
I am a learner, I know nothing about lights, I just started learning by myself.
This is something I learned from the net, to have the light bounce back from the white background :) The flash is an old Sunpak flash, I used paper towel as a diffuser on it. The shotglass is on a white board with a nicely cleaned glass sheet. The vodka bottle was empty, I put some ice cold water in it and started to pour it. I used a wired remote to fire my camera.
The bucket is there to pour the water into it when the shotglass is full :)
Sony A100, 17-70mm lensat 55mm, f9, 1/200, ISO 200.
Final Shots are in the comments