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Equipamento utilizado para realizar astrofotografias.
- Montagem equatorial Orion Atlas EQ-G GO-TO Computadorizada
- Telescópio Refrator Meade 80mm ED APO F6 480mm
- Telescópio Refrator Orion 80mm Acromático F5 400mm (guiagem)
- Câmera Orion Starshoot (guiagem)
- Buscadora eretora Orion 9x50
- Apontador Laser 80mw
- Câmera Canon 500D T1i Rebel EOS modificada com filtro Astrodon
- Filtro Astronomik CLS EOS Clip
- Field Flattener 2" Astro-Tech
I've been using the 10' EMT pole for a little while but it was never reached far enough to where I wanted. So I ordered a custom aluminum pole setup which sat unused for almost two years. Finally was able to buy the misc. screws, bolts, tension wire, etc. as I already have the grip equipment (cups, arms, clamps, etc.).
Total length of the pole is 16' in four sections with sleeves. And of course an adjustable tension wire. Overall it's a somewhat heavy setup but the flex and bounce is significantly less compared to the EMT pole. Haven't done as many rig shots when I shoot cars because it takes time to setup and edit compared to standard stills or rolling shots (car to car). That may change this year but we'll see.
You can check out more rig shots I've done here.
Resulting image here.
© Steven Pham Photography
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Home studio product shot setup, glass sample. Photography by J Mark Stewart. Please visit www.blackgeckophotography.com for contact information.
© J. Mark Stewart
This is my light setup for the SBs I used in the darkfield wineglass shot. The SBs are attached to my DIY worklights. The worklights themselves were not used in the wineglass shot.
See product shot here.
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
ironically, did a studio shoot without any studio lights..
2 430EXIIs at 1/4th power to blow the background, 580EXII at 1/8th power into a softbox below and 580EXII at 1/4th power bounced off the ceiling on cam as master and main light..
for rest of the set click here..
Here's the setup for the Giant Softbox. Simple, one light setup. Well, simple if you have a softbox that big...
From Don Giannatti's Lighting Essentials Workshop.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
It's always amazing to me how much different a setup shot looks on the same camera setting with the camera pointed at a different angle.
One thing we are learning very quickly, there is no substitute for a big honkin' diffused light source (even our panel's not big enough) and LOTS of light when shooting cars.
Special thanks to John K. and Dennis S. in setting up this shoot, as well as the owner of Pro-Max for lending us the cars to model. If you are interested in purchasing this vehicle, please visit www.pro-max.com
Strobist:
AB1600 and AB400 1/1 into diffusion panel held high, lighting the side.
One thing worth pointing out here is that we goboed the AB400 and AB1600. In bare tube mode the spill is lighting the roof structs which then gets reflected in the glass. We took my craftsman tool catalog, tore pages out of it and then electrical taped it over the top of the strobes to act as a gobo. :-)
Snooted SB600 for accent lighting on the wheels. Note that it doesn't work as well here as body panels cover half the wheel and that gets lit up unnaturally bright on the rear.
2 generic AC strobes in soft boxes cross lighting the front.
580EX M1/8, diffuser down, driver seat, firing into roof.
430EX M1/4, diffuser down, passenger seat, firing into roof.
The interior of the car is creme colored leather and at M1/1 the insides look like an alien abduction is going on..
.
Final result here.
Strobist info: #1 SONY HVL-F43AM 1/2 power, @70mm, camera left, 1m high, 1m from subject (at 2 o'clock); #1 MINOLTA 5400HS 1/32 power (a little piece of masking tape was on the lamp to reduce dazzling), @105mm, 30cm high, 40cm from subject, positioned in front of subject. Ebay Triggers on both.
I think I actually prefer the setup to the final shot today. Took me a few mins to work out how to light the tank up, so I ended up putting the lights straight in the top of the tank! Boo Ya! Now the fishies are all blind and keep swimming into stuff… sorry Phil!
The left flash was at 1/16 and the right was at 1/8
The finished shot can be seen here.
Setup shot for 092/365 Long Drive Home.
Does anybody actually care what my settings are on my flashes are or do you just care to see where they are located in relation to subject and the modifier used?.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/1.8, 1/60s, ISO 200
Strobist Info:
-Canon 430EXII Camera right and facing subject, 1/32Power, @24mm zoom, about 7 feet high, 4 feet away from subject through 24 Photoflex softbox.
-Flash was triggered with Interfit Strobies.
this is the setup i used to do the autumn crown shot. Just thought I'd share it with everyone, I hope you enjoy.
shot with apple iPhone shutter not sure apperature not sure flash none lens not sure. ;-)
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Setup de la sesión de fotografÃa para la agrupación AfroSon.
Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trÃpode a un lado disparado por fotocelda.
Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.
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Setup Shot for 087/365 So Much Work To Do.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/11.0, 1/200s, ISO 100
Strobist Info: See Setup Shot here.
-Canon 430EXII Camera left and in front of subject, 1/1Power, @24mm zoom, about 8 feet high, 4 feet away from subject through .
-Canon 430EXII directly in front of subject subject behind camera (trying to make a face ring flash effect), 1/4 Power, @24mm zoom, about 5 feet high, 2 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/2Power, @35mm zoom, about 5 feet high, 3 feet away from subject, fired bare.
-Flash was triggered with Interfit Strobies.
This photo was taken at insomnia54
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Very similar to the Vicky Coren setup, but without back lights.
This photo was taken at insomnia54. Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter. Photo by Martyn Compton.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk