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ironically, did a studio shoot without any studio lights..

 

2 430EXIIs at 1/4th power to blow the background, 580EXII at 1/8th power into a softbox below and 580EXII at 1/4th power bounced off the ceiling on cam as master and main light..

 

for rest of the set click here..

The setup I used to shoot "drowning my sorrows". See the notes for the details.

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

 

It's always amazing to me how much different a setup shot looks on the same camera setting with the camera pointed at a different angle.

 

One thing we are learning very quickly, there is no substitute for a big honkin' diffused light source (even our panel's not big enough) and LOTS of light when shooting cars.

 

Special thanks to John K. and Dennis S. in setting up this shoot, as well as the owner of Pro-Max for lending us the cars to model. If you are interested in purchasing this vehicle, please visit www.pro-max.com

 

Strobist:

AB1600 and AB400 1/1 into diffusion panel held high, lighting the side.

 

One thing worth pointing out here is that we goboed the AB400 and AB1600. In bare tube mode the spill is lighting the roof structs which then gets reflected in the glass. We took my craftsman tool catalog, tore pages out of it and then electrical taped it over the top of the strobes to act as a gobo. :-)

 

Snooted SB600 for accent lighting on the wheels. Note that it doesn't work as well here as body panels cover half the wheel and that gets lit up unnaturally bright on the rear.

 

2 generic AC strobes in soft boxes cross lighting the front.

 

580EX M1/8, diffuser down, driver seat, firing into roof.

 

430EX M1/4, diffuser down, passenger seat, firing into roof.

 

The interior of the car is creme colored leather and at M1/1 the insides look like an alien abduction is going on..

.

Setting up of Insomnia 49

 

This photo was taken at insomnia49,

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Final result here.

Strobist info: #1 SONY HVL-F43AM 1/2 power, @70mm, camera left, 1m high, 1m from subject (at 2 o'clock); #1 MINOLTA 5400HS 1/32 power (a little piece of masking tape was on the lamp to reduce dazzling), @105mm, 30cm high, 40cm from subject, positioned in front of subject. Ebay Triggers on both.

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

Via Pixabay _ Free Photos

I think I actually prefer the setup to the final shot today. Took me a few mins to work out how to light the tank up, so I ended up putting the lights straight in the top of the tank! Boo Ya! Now the fishies are all blind and keep swimming into stuff… sorry Phil!

 

The left flash was at 1/16 and the right was at 1/8

 

The finished shot can be seen here.

I am at this desk a lot as I am learning iOS programming. I could not quite get everything in the picture as there is so much, but I will name everything in the picture.

 

Left to right:

PowerMac G5 2.7Ghz Dual Processors, 8 GB DDR, 1.5TB

Dell Inspiron 1545 2 Ghz Core 2 duo, 4GB DDR2, 500 GB (On top of G5)

iMac G5 2 Ghz, 2GB DDR, 160 GB, 20"

iPad 2 white 16 GB

PowerBook G4 titanium 500Mhz, 1 GB, 40 GB

iPod Nano 8GB

iPod Touch 4th gen 32 GB

22" Apple cinema display

Beats by Dre headphones, they were a good deal even though everyone says they suck, I like them.

Apple keyboard

Magic mouse

12" PowerBook G4 1.5 Ghz , 1.25 GB, 120 GB

20" Viewsonic monitor

iPad 1st gen 64 GB

used for this article on DIY grid spots

 

setup for this, this, and this.

 

learn to light at Strobist

quick setup for taking some testshots with my selfmade reflector

I have only one outlet in my garage and it's located on an inside wall right next to my electrical panel. Plugging the EVSE in at that location would have been fine for those times when the car is in the garage. The charge cord simply would not reach for those times when the car is outside.

 

The solution was to run an extension cord out near the door. I decided to use a 25 foot 12 gauge cord and mount the EVSE out near the door. Frankly, I needed a cord out there to power the wall hung vacuum cleaner.

 

From this location, the charge cord easily reaches the car in or out of the garage and doesn't interfere with door closure.

 

Someday I would like to install permanent 220v and 115v outlets in this area.

 

The stock EVSE takes about 12 hours to recharge a depleted battery. This is typically not a problem when charging overnight. A 220v charger only takes 4-1/2 hours which could be handy from time to time.

 

EVSE = Electric Vehicle Service Equipment.

We often refer to these as “chargers” but in reality they are simply a connection between an electrical power source, the cars builtin charger, and the cars computer which regulates how much is needed to recharge the battery.

Setup shot for 092/365 Long Drive Home.

 

Does anybody actually care what my settings are on my flashes are or do you just care to see where they are located in relation to subject and the modifier used?.

 

Camera Info:

Canon 7D, Canon EF 50mm 1:1.4, f/1.8, 1/60s, ISO 200

 

Strobist Info:

-Canon 430EXII Camera right and facing subject, 1/32Power, @24mm zoom, about 7 feet high, 4 feet away from subject through 24 Photoflex softbox.

-Flash was triggered with Interfit Strobies.

this is the setup i used to do the autumn crown shot. Just thought I'd share it with everyone, I hope you enjoy.

shot with apple iPhone shutter not sure apperature not sure flash none lens not sure. ;-)

Setup de la sesión de fotografía para la agrupación AfroSon.

 

Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trípode a un lado disparado por fotocelda.

Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.

 

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This is the setup I used for the droplets.

 

EOS 60D, RS-60E3, EF 100mm 2.8 L macro, ST-E3-RT transmitter, Speedlite 600EX-RT, 2 IKEA lamps, couple tripods, Off-Camera Shoe Cord OC-E3 for attaching Speedlite to the tripod, A3 paper, glass of juice and a straw.

 

This photo is taken with Android tablet.

On the left side of my office wall I have my GTD Workflow & Organizing Chart

computer setup..

This photo was taken at insomnia54

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass Photography

This photo was taken at insomnia54. Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter. Photo by Martyn Compton.

My humble workspace

Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.

Instagram: @_morg.z/

 

Setup shot for "Mobius" and "blue". Single flash used for lighting subject and background.

My humble workspace

Setup for: punk1, fallen angel 1, punk 2, fallen angel 2, punk 3, fallen angel 3

For some shots light was modified by putting two panels front of BD making it sort of striplight. More later.

Here's my only picture of my gear setup for Jamie and Ethan's wedding.

2 - 580 ex's bounced off a white reflector with model standing about 3-4 feet in front of the reflector. Optical Sync.

 

This is the setup used in the following photo's:

www.flickr.com/photos/dktphotography/4418652015/

www.flickr.com/photos/dktphotography/4418652029/

 

Setup for Craspedia C004132-D2, Spray Mum C004111-B2, and Purple Calla C004081-82

 

Same old Setup: White foam board v-flats left & right of subject; a white foam board "roof" on top of the v-flats for top fill & a white foam board base for bottom fill. Two SB-800s Left (1/8 power) & Right (1/8 power) aimed into apex of v-flats; Black foilas a gobo to protect sides from overexposure.

Setup Shot for 079/365 Strange New Planet.

 

Camera Info:

Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @70mm, f/4.0, 1/40s, ISO 400

This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro HSM lens.

 

Strobist Info:

-Canon 430EXII Camera right and in front of subject, 1/64 Power, @24mm zoom, about 3 feet high, 2 feet away from subject fired into black back silver reflective umbrella.

-Canon 430EXII Camera left and behind subject, 1/64 Power, @105mm zoom, about 4 feet high, 10 feet away from subject fired bare.

-Flash was triggered with Interfit Strobies.

Displays starting to take shape.

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