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Setup Shot for 083/365 Ben Sharp.
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @70mm, f/4.0, 1/60s, ISO 100
This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro HSM lens.
Strobist Info: See Setup Shot here.
-Canon 430EXII Camera left and in front of subject, 1/4Power, @24mm zoom, about 6 feet high, 5 feet away from subject through 40 inch Wescott softbox.
-Flash was triggered with Interfit Strobies.
Strobist: One 580EX II, with a serving menu or bouncer acting as a barndoor, at camera left, shooting at the ceiling at 1/2 power with a zoom setting of 105mm
Setup shot for an uber-macro shot of a silicon wafer. Results here: www.flickr.com/photos/packet/3329619247/
Setup consists of an LED flashlight, pinched together by a salt and pepper shaker and Rachel's hair scrunchie. Lens used is Canon's MP-E65 1-5x macro lens @ 5X magnification, on a RRS collar lens mount coupled to a RRS macro rail. Macro rail is held by a Markin Q-Ball head on a Manfrotto tripod.
Using Acra-swiss style dovetail mounting means that all load bearing surfaces are metal-on-metal contact. Considering how sensitive this setup is (deflection in the floor from our weight shifting will throw the shot out of focus) the common metal-rubber-metal coupling found on regular quick-release plates would make this a very filmsy setup.
Back view of the setup for Acme IPA showing the white card reflector. A stunt double bottle is used here.
B800 below, in the box, to light the label. SB800 behind and below with a beer bottle "gobo" to light and color the background. SB800 with snoot to the left and bounced off the white card behind the bottle. Fired with pocket wizards.
Beer bottle gobo is here.
Its actually quite boring. I don't have much space in my office, and I was given about 10 minutes to produce new graphics with new pics, so I set up my lights as shown, dropped Belen in the middle and you've seen the rest.
btw, we do have this huge empty studio on the other side of the building, but its kind of a hassle to take the equipment over there, setup, only to have to take it all down 10 minutes later. In my office, I can just lock the door when I leave and know that it will all be there in the morning.
Not to mention, when the Anchors and Personalities come by, they follow their own schedule, so I have to be ready when they are. This just makes it way easier for everyone.
Setup de la sesión de fotografÃa para la agrupación AfroSon.
Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trÃpode a un lado disparado por fotocelda.
Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.
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Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.
Instagram: @_morg.z/
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia54
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
Setup for a shot of Sam. The notes do all the work for me.
Blog: www.photosmudger.com/
Setup shot for the shot of Sam. Notes should explain everything.
Blog: www.photosmudger.com/
New setup including my new iMac core duo (20"), my 12" PowerBook, Wacom Tablet etc... Oh, and my superb Jensen Speakers... Mmmm soundy goodness!
This is the setup shot fore the ricer: af360FGZ with a neutral density gel at 1/32 placed just inside the ricer, cookie dough scoop placed about 4" away on glass with white foamcore under it.
Here's a setup for the bright field lighting shots that I do, like light reading, which I did specifically for this setup explanation.
Before you read on I need to say that I'm no expert on this - this is solely an interpretation of how I think the bright field technique is performed - so it may not be 100% pure (I have only just started to read 'Light - Science and Magic'!).
In the case of the light reading I used a 50x50cm white sheet of 5mm plastic as the base and put it right on the edge of a table closest to the wall (the wall I used was white - if I was doing a narrow DoF shot then this would be fine itself but usually I use some plastic coated foam board from our local hobby emporium to act as a back drop). I also used a supplementary light to the left of the camera (not shown in diagram) to get the words right on the spine.
For other shots like weight and translucent I use a larger black sheet of plastic.
Note: that glass is probably a better long term solution as plastic tends to scratch easily. Addendum: if considering glass make sure that you can only see one reflection in it and not two like you can with a lot of glass when you look at it from an angle - the colour needs to be dense enough to stop light passing through it.
The light below the table can be anything you like as long as it is bright enough - a flash, a strip light (for even distribution of light across the full plane of the shot) or even a house lamp. I experiment with diffusers and gels on the light to get the effect I want.
addendum: if you publish a photo using this technique it would be great if you could put a link in the description pointing to this article (and also add me to the photo so I know you've used it), so that others can benefit from it too please - many thanks :)
I hope that this is useful.
Have fun!
Strobist:
1 Flash Metz 58 a 1/16 Potencia montado en un Beauty Dish
1 Flash desnudo Metz 48 a 1/32 Potencia disparado al fondo
Cámara: Canon EOS 50D
Exposición: 0,004 sec (1/250)
Aperture: f/6.3
Lente: 36 mm
Velocidad ISO: 400
www.flickr.com/photos/javieraguayo/4475941685/
www.flickr.com/photos/javieraguayo/4505250000/
www.flickr.com/photos/javieraguayo/4479095416/in/photostr...
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Setup for mobile traditions shot:
Equipment: 'bay Strobe with softbox @ 1/5th power, triggered optically. sunpak 383 though umbrella @ 1/4th power, triggered via pov wizard. Camera on tripod. Background is a roll of white wrapping paper from kmart, less than $5 for 3meters of white shiny goodness.
Setup for my water strobe projects
www.flickr.com/photos/canon-eos/3389274961/
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Equipamento utilizado para realizar astrofotografias.
- Montagem equatorial Orion Atlas EQ-G GO-TO Computadorizada
- Telescópio Refrator Meade 80mm ED APO F6 480mm
- Telescópio Refrator Orion 80mm Acromático F5 400mm (guiagem)
- Câmera Orion Starshoot (guiagem)
- Buscadora eretora Orion 9x50
- Apontador Laser 80mw
- Câmera Canon 500D T1i Rebel EOS não modificada
Final Image:
www.flickr.com/photos/davidmattos/9273993881/in/photostream/
Blog Post:
davidmattosphotography.com/photo-session-month-four/
Camera Info:
Nikon D700, 85mm 1.8g @ f/8, 1/250th sec. ISO 200, on Manfrotto Tripod w/Ball head
Strobist Info:
SB-28 @ 1/2, Westcott Apollo Medium Softbox, camera right
SB-28 @ 1/8, Westcott Apollo Strip light Softbox, camera left
Triggered with Pocketwizard Plus III's
Processing:
LR5 & PS CC
This is the setup for tonights shot which you can check out here
Photo Spec:-
Model:
Sam Wilson (not in shot right now duh!)
Lighting:
430ex camera right behind subject up high shooting almost straight up into a black/white brolly on 1/1 power, 430ex camera left low in front of subject shooting through a white brolly on 1/1 power. Fired by IR.
Strobistinfo:
Left: LP160-1/4-35mm + 5400HS-1/4-35mm
Right: LP160-1/4-35
Left (next to camera): 5400HS-1/8-70mm
Setup for: Dreaming
This photo was taken at insomnia53
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
WALL MOUNTED 24 INCH IMAC WITH GLASS SHELF. MATCHING BRUSHED ALUMINIUM CABLE MANAGEMENT CLUTTER FREE
Model Name:iMac
Model Identifier:iMac7,1
Processor Name:Intel Core 2 Duo
Processor Speed:2.4 GHz
Number Of Processors:1
Total Number Of Cores:2
L2 Cache:4 MB
Memory:3 GB
Bus Speed:800 MHz
Boot ROM Version:IM71.007A.B00
SMC Version:1.21f4
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Home studio product shot setup, glass sample. Photography by J Mark Stewart. Please visit www.blackgeckophotography.com for contact information.
© J. Mark Stewart
This is my light setup for the SBs I used in the darkfield wineglass shot. The SBs are attached to my DIY worklights. The worklights themselves were not used in the wineglass shot.
See product shot here.