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Setup for "Selfy".
Strobist:
Ranger A Head, A port at 5.3, 70cm white maxisoft with silver deflector and 25 degree grid above me as key light.
Ranger Quadra A Head, A port at 2.7, 135 Midi Octa with both diffusers, below me as fill.
Ranger Quadra A Head, A port at 4.3, 130x50 strip with inner diffuser and 130x15 mask, camera left
Ranger Quadra A Head, A port at 3.9, 130x50 strip with inner diffuser and 130x15 mask, camera right
RX600, 3.0, 21cm reflector, rear camera left to light white background.
RX600, 3.0, 21cm reflector, rear camera right to light white background.
Triggered by Skyport Speed.
Yes...that's me pumping gas.
Headed to Long Island to get some supplies for my upcoming trip.
I was alone.
SO, WHO TOOK THE PICTURE??!!!
OoOoOoHhHhH!!!!!
Old office setup. This is my setup before the arrival of the new shiny. Main reasons for upgrading were: -
a) PC needed an overhaul to get latest games to run. GFX were fine but CPU, MB and RAM needed upgrading and I wanted to add an SSD. Things is ... I hate Windows and never use the PC when I'm not gaming so spending all that money on a games machine would have been pointless.
b) ASW bought me a nice new 13" MacBook Pro recently so I was selling my own MacBook 13" Unibody and needed a personal Mac.
c) Emma has pretty much stopped using the PC because it was too much of a pain in the arse to have to swap the monitor channel (Dell 2410 touch buttons are pish) and go plug in the keyboard and mouse (which I often unhooked cos they were getting in my way). Also, I wanted a desktop machine that could be the hub for all media, documents, backups, iPod/Pad/Phone connections etc. that was easy for Emma to use.
Next up ... the shiny :)
(ROLLOVER IMAGE FOR MORE DETAILS)
I made little glass shelves for my display at a holiday store i participated in- picked everything up, and the glass shelves are still coming in handy...
The set up for this shot, sorry about it being fisheye, it was the only way I could fit it in.
The shoe is sat on a sheet of glass, which is over some white vinyl. Then ive got one strobe directly behind pointing up at the wall to blast that out. Then the other strobe poits strighat up. It took me some time to workout how to light the shoe it's self. I went through a lot of variations with my little softboexes, pointing down from directly above, or from each side. In the end I took off the softbox & pointed straight up to the white celling. Suddenly I had super soft shadows. I could have done with a 3rd light pointing at the front of the shoe to bring out the reflection a little more.
Photo Spec:-
Model:
Fallen Rivals
Strobist:
430ex behind the subject pointing straight up at the wall - 1/4 power, 430ex camera left pointing straight up at the celling 1/1.
Camera & Lens:
Apertur Æ’6.3, Shutter Speed 1/60, ISO 100 with a Canon EF 50mm f/1.8 II
Setup for all of the shots in this set with this background.
Behind the scenes lighting video here.
Dave is holding a reflector about 8-10 inches in front of a lightstand and there is a vivitar 285HV bounced into the reflector at something like 1/4 or 1/2 power. Triggered by cyber syncs. This gave us a pretty big (aka soft) light source from a small strobe!
Visit my blog: guy with camera
Setup for Tulip 26326
Two SB-800s (1/16 power) bounced into white foam board v-flats left & right of subject; a white foam board "roof" on top of the v-flats for top fill.
Setup shot for PIerre Stealing Julie's Bike. The notes should explain everything, and the other angle is here.
Blog: www.photosmudger.com/
Setup shot for 093/365 Big Little Sister.
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @70mm, f/4.0, 1/200s, ISO 100
Strobist Info:
-Canon 430EXII Camera left and in front of subject, 1/16Power, @24mm zoom, about 8 feet high, 4 feet away from subject through 20 inch Photoflex softbox behind held above by a human light stand, AKA my mother.
-Flash was triggered with Interfit Strobies.
Setup for the supermacro. An extention tube (homemade) of 500 mm is used + the AF60/2.8Dmicro lens. A ringlight (homemade) is used because the distance between object and lens is to small for other ringlights. enlarging to 39:1 are possible.
El setup es de esta manera:
Proxmox 01
AMD Athlon LE-1640 2.7Ghz
8GB RAM 667Mhz Kingston
Gigabyte GA-MA78GM-US2H
Gigabyte 7300GS 256MB
Cooler Master Elite 360
CM eXtreme Power Plus 460W
Seagate ST3400832AS
Proxmox 02
Intel Core 2 Duo E6320
8GB RAM 667MHZ Kingston
Gigabyte GA-P43-ES3G
Powercolor X1650 PRO 256MB
Cooler Master Elite 360
CM eXtreme Power Plus 460W
Western Digital WD1002FBYS
Estacion de Trabajo/Workstation
Intel Core 2 Duo E6600
8GB RAM 800Mhz OCZ Blade
Asus P5K-SE/EPU
PNY GeForce 9500 GT 1GB
Cooler Master CM960 Pure
eXtreme Power Plus 500w
Western Digital WD5002ABYS
Hackintosh
Intel Core 2 Duo E7400
8GB RAM 667MHZ Kingston
MSI G33M
Gigabyte 7300GS 256MB
Acteck Octanux
Generica 650w
Western Digital WD3200AAJB
Pfsense
Intel Celeron 430
2GB RAM 667Mhz Kingston
Intel D946GZIS
Gabinete Generico
Generica 450w
Western Digital WD1600AAJS
Linksys NSLU2 Debian
Maxtor One Touch Plus
3com Baseline Switch 2226Plus
Airllink 101 Gigabit Switch AGIGA8SW-B
Epson Multifuncional TX-100
This is the setup for this shot: www.flickr.com/photos/ahdchild/6337804816
Details:
Vivitar 285HV in shoot through umbrella - camera right
Lumopro lp160 in 8"x12" softbox - camera left, behind subject
Shoplights with 23w CFL bulbs - camera left and right (rimlights)
I Got my friend to take a picture on my iphone for me. For some reason I decided to climb up this train ladder and look and see what shot i could create. I was using my 50mm 1.8 on manual and once i had it set, then I only needed one hand on the camera (Nikon D40x). Now i could lean out further from the train.
Well I like what turned out so I thought I would share it with you guys! Hope you all are having a merry Christmas!
If you would like to see more from this shoot, visit my blog! www.davidshootsnikon.blogspot.com
Setup shot for 142/365 My Birthday Suit.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/5.0, 1/100s, ISO 200
Strobist Info:
-Canon 430EXII's Behind and above camera in front of subject, 1/8 Power, @24mm zoom, about 8 feet high, 3 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/32 at 70mm Zoom fired bare, 7 feet high and 5 feet away from subject, fired bare.
-Canon 430EXII Camera left and behind subject, 1/32 at 70mm Zoom fired bare, 7 feet high and 5 feet away from subject, fired bare.
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
The lowdown for the thug life shot:
* Lastolite Ezybox
* Westcott folding reflector (totally boss)
* A few Pocketwizard II's
* Various Manfrotto stuffs (tripod, head, stand, swivelage)
* Hair, feathered back for style
Lighting setup for the shot of Alison.
The notes make my life easier. What would I do without them?
Blog: www.photosmudger.com/
Setup shot for 116/365 Mr. Reliable.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/2.2, 1/60s, ISO 100
This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro HSM lens.
Strobist Info:
-Canon 430EXII's Camera Left and in front of subject, 1/16 Power, @24mm zoom, about 7 feet high, 2 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/32 at 105mm Zoom fired bare, 8 feet high and 10 feet away from subject, fired bare.
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
The same very simple setup that I used yesterday, but with a second light, if you can call it that, sneaking into the frame :)
Main light is a 20W CFL desklamp which is lighting a green card backdrop.
In addition, just visable at the top, is a small LED flashlight directly above the lump of glass which is giving the blue highlights.
Guess it is worth mentioning, the white balance on the camera is set to tungsten, which is a close match to the CFL bulb used here.
The subject is placed on a clear glass shelf which is picking up the reflected colour from the backdrop.
The 2 sheets of black card which are folded in half to create a V shape are placed either side to add black reflections or should that be lowlights, in the subject.
The clear glass base might not have been a such a good idea and I might have another go using a black mirror base, we shall see.
This is the setup shot for my submission for David Hobby's 3rd Boot Camp Assignment. The assignment was to photograph a residential dwelling and light it creatively (using off-camera strobes, of course). As my apartment doesn't have three square feet of clean, presentable floor area, I decided to shoot Amber's house. After studying the rooms (having initially deciding to shoot the living room), I decided on incorporating my favorite part of Amber's decorating--the Live, Laugh, Love signs that adorn the doorways to the rooms off the hallway. They are appropriate, too, as "Live" is above the living room doorway, "Laugh" is above the ferret's room, and "Love" is...well...you get the picture.
After deciding on what I wanted to photograph, I found it quite difficult to find an angle in which to show all three signs as well as a part of the room they relate to. My new Canon 10-22mm f/3.5-4.5 proved essential in this instance. The hallway is very small and angled--without the extreme wide angle, this shot would have proved impossible.
After dragging out just about every piece of gear I own, I ended up using only 1 flash on a lightstand (with a white umbrella or a grid as a modifier). I combined multiple exposures (six) to get the final result.
strobist: 1 gridded Vivitar 285 pointed at each sign, 1/4 power. 1 Vivitar 285, shot through a white umbrella, full power in the ferret's room and bedroom, and 1/2 power in the living room. Triggered via Cybersyncs. Final shot here.