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Getting closer! In this photo, systems are hooked up and powered on, placards have been placed on top of he monitors, and we have some banners setup.
Almost didnt post a setup shot today, as this is another variation on the one I have been using over the last few days, but i guess it shows how versatile it is.
All the light here is being bounced off the white background and there are black cards clipped onto my diffusion screens to prevent light from the sides hitting the subject.
Again there are 3 stick type CFL lamps mounted in Pringles reflectors. One each side and the third to the rear and below the glass shelf, which has the underside painted black, for the mirror effect.
Setup shot for 128/365 Happy Mother's Day.
Camera Info:
Canon 7D, Sigma 24mm 1:1.8 DG EX Macro, ƒ/2.5, 1/125s, ISO 100
Strobist Info:
-Canon 430EXII Camera Left and in front of subject, 1/4 Power, @24mm zoom, about 3 feet high, 2 feet away from subject inside 24 inch Photoflex softbox.
-Flash triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
Setup shot for 044/365 Patience Is A Virtue.
Camera Info:
Canon 7D, Canon L 70-200mm@126mm, f/4.0, 1/80s, ISO 200
This setup shot: Sigma Lens 17-70mm @ 17mm
Strobist Info:
-Canon 430EXII Camera Right and in front of subject, 1/2 Power, @24mm zoom, about 6 feet high, 10 feet away from subject inside 40 inch softbox.
-Canon 430EXII Camera left and in front of subject, 1/4 Power, @35mm zoom, about 7 feet high, 10 feet away from subject fired into black back reflective umbrella.
-Canon 430EXII pictured in setup shot behind subject camera left but did not fire in the shot I used.
-Flashes triggered with Interfit Strobies.
Strobistinfo:
Back: LP160-24mm-1/32-Softbox 20x30cm
Front (snow): LP120-28mm-1/16-Gobo
Under (ice): LP160-105mm-1/2-2/1 CTB gel-Orbis
Left & Right (rim): 5400HS-24mm-1/32-DIY softbox 8x31cm
Setup shot for 142/365 My Birthday Suit.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/5.0, 1/100s, ISO 200
Strobist Info:
-Canon 430EXII's Behind and above camera in front of subject, 1/8 Power, @24mm zoom, about 8 feet high, 3 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/32 at 70mm Zoom fired bare, 7 feet high and 5 feet away from subject, fired bare.
-Canon 430EXII Camera left and behind subject, 1/32 at 70mm Zoom fired bare, 7 feet high and 5 feet away from subject, fired bare.
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
A Studio Setup for the Gel Candle photos.
* LighBob
* TT520 flash with Homemade diffuser
* Nikon D7100, Camera in-hand
* Nikkor 18-300mm.
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عذرا، سيتم حذف التعليق المحتوي على صور او وصلة الكترونية لصورة
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This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Lighting setup for Stephen's portraits. Novatron monolight high, behind subject. ABR800 in front, to camera right. Silver reflector to camera left.
Photo by Loren Rodgers: www.lorenrodgers.com.
Stephen's page: www.modelmayhem.com/StephenHinton
This is a minifigures scale version of our Lego setup. Hope you like it and thanks for 100 followers.
Setup:
SB25 with shoot trough umbrella camera right on 1/2 just out of frame.
580EXII bare 50mm from back camera left.
Sun from back camera right.
Set up shot for this. The only part missing from the set up, for obvious reasons, is the foam core and reflector that covers the top of the structure.
Un pequeño setup fácil de armar para sociales sencillos
Strobist info:
1x Yongnuo YN-560 with a shoot-thru umbrella.
Todos los derechos reservados. No usar esta o alguna de mis imágenes sin mi permiso por escrito.
All rights reserved. Do not use this or any of my images without my written consent.
Here is the setup for the smoker self-portraits. This is reversed from the actual images I have posted because the wind kept shifting so I moved the light back and forth about 4 times. I pumped up the ISO on this one just so you could see the setup better.
Setup shot for 115/365 Her Escape.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4 , f/2.0, 1/200s, ISO 100
Strobist Info:
-Canon 430EXII's Camera right, 1/32 Power, @24mm zoom, about 6 feet high, 3 feet away from subject inside 40 inch Wescott softbox.
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
This is the setup used to produce executive headshots for my company last month in Vienna, Virgina. I could not have asked for a more perfect room for portraits. This room is barely used. It's the executive "retreat", on the top floor and next to the executive gym.
It had ample room to manuever the lights and stands, comfortable chairs, relaxing tungsten lamps, and darkened window shades that pull up and down.
See notes for strobist info.
Panorama using 7 handheld vertical images, thus the stitching errors on the ceiling.
My little sand and sea shell terrarium was the most interesting thing to take macro shots of. Here's the setup - I angled my tripod over the terrarium a bit since the camera+lens+filter+torque weight on the tripod made it very easy to tip! (it didn't tip though) Shot in the kitchen under fluorscent lights. Gear: Canon XTi + Opteka Grip + 70-200L IS 2.8 + Marumi Macro Filter +5 + cheap $20 tripod.
Battalion Chief Charles Butler oversees members of the Los Angeles Fire Department's Battalion 14 as they perform a litter basket rescue training exercise in North Hollywood, California on November 29, 2008. Photo by Scott La Rue
setup
strobist
lighting102
specular
Canon 580EX II
Manual 1/8th power
Triggered by PW
Above camera
Bounce off the
wall and ceiling
Setup shot for the DPS shot. Notes should explain everything, although it's pretty self-explanatory really!
Blog: www.photosmudger.com/
The setup I used for "Inspection". This is a higher angle than the shot I ended up using.
Note that the blue light filter is LEGO. www.bricklink.com/catalogPG.asp?P=2409&colorID=14
My new sweet setup!
Got to be a bit more careful not to kick the desk...
Thanks to a couple of awesome hardware donations from my great friends!
As well as 2 VHS cassettes mask-taped together holding up the laptop, and the whole thing mask-taped to the monitor, blacking out the white tape strips in the front with a sharpie.
Same keyboard/mouse across both machines, transparently switching as you drag your mouse to the next screen - courtesy of Synergy. Both online, both hooked into the same speakers.
I love techmology!
Setup for Eruption followed Ryan Taylor's excellent Water Figure Tutorial.
I forgot to shoot the setup at the time so I have recreated it.
Out of picture, my pc is running Multisine 1.74. Using the headphone output I have then connected my pc via the Mic input to an old stereo (at the the top of the picture) which is connected to the speaker.
The speaker was wrapped in clingfilm, and a small amount of a 50:50 cornflour (cornstarch)-water mix was placed on top.
Due to the small space, I could not get the legs of my Giottos MTL9361B tripod splayed wide enough to drop the camera in line with the top of the speaker. So I moved the centre column into the lateral position and hund the camera upside down off my Manfrotto 322RC2 ball head.
The lights on the landing and bedroom behind were turned off and at f/16 I ran a 5 second exposure. Using my wireless remote shutter I triggered the camera. During the 5 second exposure I activated a 0.2 sec pulse at a frequency of 120Hz on my pc and using a PT-04 wireless flash trigger in the other hand tried to time the flash to coincide with the sound. This took several attempts to time it right, and in actual fact the final Eruption shot is actually a blend in CS3 of two images in order to increase the drama.
The ghosting in Eruption is not an artefact of blending the two images, but due to some double triggering of the flashes when I pressed the remote trigger.
The pink/orange hues in the conflour-water mix of the final shot are, I think, attributable to the flashes bouncing off the bare plaster walls. This was not intended but presumably it would have helped to soften the light as specular highlights are not too much of a problem.
The final edit involved usual adjustments in LR3.6 to saturation, levels, sharpening etc together with burning in CS3 to darken the background which in the original shot I felt was distracting.
Olympus XZ-1
1/15 sec at f/1.8
ISO 200
6 mm
Copyright 2011 Ben Gethin
The lowdown for the thug life shot:
* Lastolite Ezybox
* Westcott folding reflector (totally boss)
* A few Pocketwizard II's
* Various Manfrotto stuffs (tripod, head, stand, swivelage)
* Hair, feathered back for style