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I Got my friend to take a picture on my iphone for me. For some reason I decided to climb up this train ladder and look and see what shot i could create. I was using my 50mm 1.8 on manual and once i had it set, then I only needed one hand on the camera (Nikon D40x). Now i could lean out further from the train.
Well I like what turned out so I thought I would share it with you guys! Hope you all are having a merry Christmas!
If you would like to see more from this shoot, visit my blog! www.davidshootsnikon.blogspot.com
Having used a Pringles snoot to light similar shots recently, I thought I would try something different here.
Instead, the 20watt CFL stick bulb was placed in a reflector to give more of a strip of light.
This was placed below the shelf, to prevent direct light into the cup above, just using that which is bounced off the white card background.
The cup is sat on a sheet of glass which has the underside painted white, hard to believe when the final shot below is viewed :)
To the sides of the cup are reflector cards, black to the sides and white to the front to reflect light back onto the cup. Again because of the position of the light source, these cards look far from white in the setup shot.
Setup shot for 044/365 Patience Is A Virtue.
Camera Info:
Canon 7D, Canon L 70-200mm@126mm, f/4.0, 1/80s, ISO 200
This setup shot: Sigma Lens 17-70mm @ 17mm
Strobist Info:
-Canon 430EXII Camera Right and in front of subject, 1/2 Power, @24mm zoom, about 6 feet high, 10 feet away from subject inside 40 inch softbox.
-Canon 430EXII Camera left and in front of subject, 1/4 Power, @35mm zoom, about 7 feet high, 10 feet away from subject fired into black back reflective umbrella.
-Canon 430EXII pictured in setup shot behind subject camera left but did not fire in the shot I used.
-Flashes triggered with Interfit Strobies.
Here's the boom I constructed to try out some rig shots, at full extension and lowest height setting. From end to end, it is approximately 5 metres. I managed to scrounge up some Croker rowing oars that had broken near the blade for the black section - these are perfect, as one should never let free carbon fibre tube go to waste ;-). It is actually two oars, with one sliding partially over the other so the whole thing is in three sections for disassembly (it fits in the car it is being trialled on in the photo). The end section is aluminium tube from a whipper-snipper shaft, which extends and is drilled to lock at a range of intervals via a pin. The PVC end piece is just to enable really low or high shots, and to stop the pole from being so prominent in the photo and make photoshopping easier, and I just screwed my tripod ball head onto the end of that. Essentially, the only cost was the three panel-beater suction cups and plastic spring clamps, which totalled about AU$30.
Setup shot for 116/365 Mr. Reliable.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/2.2, 1/60s, ISO 100
This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro HSM lens.
Strobist Info:
-Canon 430EXII's Camera Left and in front of subject, 1/16 Power, @24mm zoom, about 7 feet high, 2 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/32 at 105mm Zoom fired bare, 8 feet high and 10 feet away from subject, fired bare.
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
Looks a bit like the MCP, doesn't it?
Strobist info:
Profoto D1 Air with zoom reflector and 5° grid, subject rear left high
Profoto D1 Air with zoom reflector and 5° grid, subject rear left high
Profoto ProHead with small strip box over camera
This is the setup for this shot: www.flickr.com/photos/ahdchild/6337804816
Details:
Vivitar 285HV in shoot through umbrella - camera right
Lumopro lp160 in 8"x12" softbox - camera left, behind subject
Shoplights with 23w CFL bulbs - camera left and right (rimlights)
The same very simple setup that I used yesterday, but with a second light, if you can call it that, sneaking into the frame :)
Main light is a 20W CFL desklamp which is lighting a green card backdrop.
In addition, just visable at the top, is a small LED flashlight directly above the lump of glass which is giving the blue highlights.
Guess it is worth mentioning, the white balance on the camera is set to tungsten, which is a close match to the CFL bulb used here.
The subject is placed on a clear glass shelf which is picking up the reflected colour from the backdrop.
The 2 sheets of black card which are folded in half to create a V shape are placed either side to add black reflections or should that be lowlights, in the subject.
The clear glass base might not have been a such a good idea and I might have another go using a black mirror base, we shall see.
Model: Lotta / Modelpoint
MUAH: Mariel Hynynen
This studio corner setup demonstrates that you can achieve good light with just one speedlight and a softbox. For this example, I used a compact Profoto A1X, which I acquired in used copy at an irresistible price, paired with a 2x3' softbox as the modifier. The result is a ultra portable setup with clean, versatile light that works well for a variety of scenarios.
This is what I've been using for sketchcrawl and such, a molskein, a
little set of water basins that clip on, and an old rowney spitbox.
Setup shot for this photo www.flickr.com/photos/xenedis/2409620276/
Canon Speedlite 580EX II (bounced off the umbrella) at camera right, a Nikon Speedlight SB-600 as a hair light behind her to the right (not seen in this shot).
This is the setup shot for my submission for David Hobby's 3rd Boot Camp Assignment. The assignment was to photograph a residential dwelling and light it creatively (using off-camera strobes, of course). As my apartment doesn't have three square feet of clean, presentable floor area, I decided to shoot Amber's house. After studying the rooms (having initially deciding to shoot the living room), I decided on incorporating my favorite part of Amber's decorating--the Live, Laugh, Love signs that adorn the doorways to the rooms off the hallway. They are appropriate, too, as "Live" is above the living room doorway, "Laugh" is above the ferret's room, and "Love" is...well...you get the picture.
After deciding on what I wanted to photograph, I found it quite difficult to find an angle in which to show all three signs as well as a part of the room they relate to. My new Canon 10-22mm f/3.5-4.5 proved essential in this instance. The hallway is very small and angled--without the extreme wide angle, this shot would have proved impossible.
After dragging out just about every piece of gear I own, I ended up using only 1 flash on a lightstand (with a white umbrella or a grid as a modifier). I combined multiple exposures (six) to get the final result.
strobist: 1 gridded Vivitar 285 pointed at each sign, 1/4 power. 1 Vivitar 285, shot through a white umbrella, full power in the ferret's room and bedroom, and 1/2 power in the living room. Triggered via Cybersyncs. Final shot here.
Setup shot for the DPS shot. Notes should explain everything, although it's pretty self-explanatory really!
Blog: www.photosmudger.com/
Setting up of Insomnia 49
This photo was taken at insomnia49,
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