View allAll Photos Tagged setup
My Usual setup. From Left to Right: Moleskine Grid Pocket Journal, Moleskine Line Pocket Journal, 32gb iPod Touch, Samsung Alias, Sharpie, Mechanical Pencil, Pen, Book(currently Lord of the Flies)
Merlin Mxe /balanced Super Bam
Cardas GR Speaker cable
Cardas GR Power
Cardas Clear interconnect XLR
Graaf GM20 mono
DCS Puccini
Setup Shot for 064/365 Lost In It All.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/3.5, 1/60s, ISO 100, Canon Timer Remote Control TC-80N3
This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro HSM Lens @17mm.
Strobist Info:
-Canon 430EXII Camera right and behind subject, 1/32 power @105mm Zoom fired bare, 7 feet high and 4 feet away from subject.
-Canon 430EXII Camera left and behind subject, 1/32 power @105mm Zoom fired bare, 7 feet high and 4 feet away from subject.
-Canon 430EXII slightly left of camera, 1/16 Power @24mm Zoom inside 40 inch softbox, 8 feet high and 10 feet from subject.
-Flashes triggered with Interfit Strobies.
Strob info:
550EX @ 1/128 105mm red gel (derrière/background)
430EXII@1/16 105mm cam left
430EXII@1/16 105mm cam right
Canon EOS 5D MkII SIGMA 24-70mm f/2.8 @70mm f/8 1/160s ISO50
Setup Shot for 080/365 One Of Those Days.
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @ 70mm, f/4.0, 1/100s, ISO 100
Strobist Info:
-Canon 430EXII Camera left and slightly to the left of subjects face, 1/2 Power, @24mm zoom, about 6 feet high, 6 feet away from subject through 40 inch Wescott softbox.
-Flash was triggered with Interfit Strobies.
once in a while i have a crazy setup to get a pic and i just like to share how i did it.
mouse over the pic for notes.
The final setup in my specular assignment attempt for Lighting 102 at strobist.com
Vivitar 285 at the right, 1/16 power, diffused through and reflected from two sheets of typing paper.
Nissin 360TW background light, 1/16 power, illuminating the back of a green leather chair.
Three-light setup for some portraits I shot last night. Key light provided by bouncing one 285HV off a large Lastolite tri-grip. It'll do when one lacks a softbox. A gridded and gelled 285HV aimed at the bookshelf covered in beer bottles (background), and then a snooted 285HV bouncing off a spot on the wall just behind the subject for a bit of diffused side light.
This photo was taken at insomnia54
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
Setup for these images:
www.flickr.com/photos/terytky/2796174891/
www.flickr.com/photos/terytky/2797019470/
Both were fired via D300 commander.
Setup for Strobist Lighting 102: Assignment - Cooking Light. This is minus a white card held above the jug and slightly to the right of the camera sloping down fron eft to right looking from the camera. The aim was to get a reflection in the cooker hob.
Setup shot for specular umbrella portrait. Snooted backlight is in this image although my final image did not include this light.
made my first composite image.
wasn't the best but i was about to go nuts if didn't shoot something tonight.
Strobist info: Single light setup, using a 20W CFL daylight bulb in a 12"x12" DIY softbox (that's quickly falling apart at the top - duct tape doesn't like heat). Car is centered under the light for this shot.
White A4 paper folded in half are pushed back far enough they only highlight the grill and tail but not the side of the car.
I wanted to bring up the rims and tires a bit without impacting the body. I started with tiny tents of white paper, but they had to be in the shot to get the brightness I wanted. I switched to chrome paper (found at Hobby Lobby, Michaels, etc.) tents, and rounded one side to keep the light just on the tires.
Black mirror is sitting on a 12" dia. concrete tube from Home Depot, which in turn is sitting on my shooting table (the tube comes in handy when the ole back is hurting).
For this shot, which was the first one, I removed the reflectors and had just the softbox. I attached a foam board gobo to it to block all but about 2" of light along the "bottom" edge (the side closest to the camera).
Setup shot for Apples using The Lunch Box.
SB800 behind and slightly above the apples. Two reflector cards in front. Fired via Nikon CLS.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
The setup for my smoke art is as follows:
At the back, a large sheet of black card attached to the wall.
Forward is the flashgun at 45º mounted on a stand above a remote trigger sensor.
The main part is the incense stick, elevated above the surface with an A4 sheet of black card to prevent the light from the flash reaching the lens.
The camera is mounted on a tripod and is set level with the incense stick at the bottom of the viewfinder so that about 15-18cm of rising smoke is visible.
The camera has a remote trigger to send a signal to the sensor attached to the flash so it fires wirelessly.
It's important to have the camera level with the path of the smoke, for which I use a spirit level attached to the onboard camera flash mount.
A shot of my setup used in this shot
I use a soft box I built myself that has 3 individual lights which can be toggled on/off for level of brightness I want. Everything else in my setup as an active light source are cheap clamp style lights..
For bulbs I use the GE fluorescents that have a temp of 6500 k. They are cool and equal to 100w tungsten. I like having the clamps and being able to drape scrims over them to create essentially second and third soft boxes.
Finally I do use mirrors, foam core, flash cards, etc. when needed.
This is the first shot i've done with my macro studio that i put together this weekend. one day i'll get around to doing some shots of what it actually is made with.
This was the setup shot for today's Photo a Day.