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Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.
Instagram: @_morg.z/
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
November 5, 2009
I was looking for a small, house-trained dog that I may or may not be getting Jerry for Christmas.
Setup shot for the shot of Sam. Notes should explain everything.
Blog: www.photosmudger.com/
New setup including my new iMac core duo (20"), my 12" PowerBook, Wacom Tablet etc... Oh, and my superb Jensen Speakers... Mmmm soundy goodness!
This is the setup shot fore the ricer: af360FGZ with a neutral density gel at 1/32 placed just inside the ricer, cookie dough scoop placed about 4" away on glass with white foamcore under it.
My Usual setup. From Left to Right: Moleskine Grid Pocket Journal, Moleskine Line Pocket Journal, 32gb iPod Touch, Samsung Alias, Sharpie, Mechanical Pencil, Pen, Book(currently Lord of the Flies)
Here's a setup for the bright field lighting shots that I do, like light reading, which I did specifically for this setup explanation.
Before you read on I need to say that I'm no expert on this - this is solely an interpretation of how I think the bright field technique is performed - so it may not be 100% pure (I have only just started to read 'Light - Science and Magic'!).
In the case of the light reading I used a 50x50cm white sheet of 5mm plastic as the base and put it right on the edge of a table closest to the wall (the wall I used was white - if I was doing a narrow DoF shot then this would be fine itself but usually I use some plastic coated foam board from our local hobby emporium to act as a back drop). I also used a supplementary light to the left of the camera (not shown in diagram) to get the words right on the spine.
For other shots like weight and translucent I use a larger black sheet of plastic.
Note: that glass is probably a better long term solution as plastic tends to scratch easily. Addendum: if considering glass make sure that you can only see one reflection in it and not two like you can with a lot of glass when you look at it from an angle - the colour needs to be dense enough to stop light passing through it.
The light below the table can be anything you like as long as it is bright enough - a flash, a strip light (for even distribution of light across the full plane of the shot) or even a house lamp. I experiment with diffusers and gels on the light to get the effect I want.
addendum: if you publish a photo using this technique it would be great if you could put a link in the description pointing to this article (and also add me to the photo so I know you've used it), so that others can benefit from it too please - many thanks :)
I hope that this is useful.
Have fun!
Strobist:
1 Flash Metz 58 a 1/16 Potencia montado en un Beauty Dish
1 Flash desnudo Metz 48 a 1/32 Potencia disparado al fondo
Cámara: Canon EOS 50D
Exposición: 0,004 sec (1/250)
Aperture: f/6.3
Lente: 36 mm
Velocidad ISO: 400
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This is the setup for tonights shot which you can check out here
Photo Spec:-
Model:
Sam Wilson (not in shot right now duh!)
Lighting:
430ex camera right behind subject up high shooting almost straight up into a black/white brolly on 1/1 power, 430ex camera left low in front of subject shooting through a white brolly on 1/1 power. Fired by IR.
Strobistinfo:
Left: LP160-1/4-35mm + 5400HS-1/4-35mm
Right: LP160-1/4-35
Left (next to camera): 5400HS-1/8-70mm
Setup for: Dreaming
Setup for the recent chocolate shots. See notes.
Canon 430EX on 1/8 power camera left. Sunpack 383 on 1/8 power camera right. White foam-core to make a nice reflective box. Later shots also used a Wescott Apollo softbox in front of the candy and to the left of the photographer. Everything fired with Gadget Infinity 16-channel triggers.
WALL MOUNTED 24 INCH IMAC WITH GLASS SHELF. MATCHING BRUSHED ALUMINIUM CABLE MANAGEMENT CLUTTER FREE
Model Name:iMac
Model Identifier:iMac7,1
Processor Name:Intel Core 2 Duo
Processor Speed:2.4 GHz
Number Of Processors:1
Total Number Of Cores:2
L2 Cache:4 MB
Memory:3 GB
Bus Speed:800 MHz
Boot ROM Version:IM71.007A.B00
SMC Version:1.21f4
This photo was taken at insomnia54
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Photo by David Portass Photography
Home studio product shot setup, glass sample. Photography by J Mark Stewart. Please visit www.blackgeckophotography.com for contact information.
© J. Mark Stewart
This is my light setup for the SBs I used in the darkfield wineglass shot. The SBs are attached to my DIY worklights. The worklights themselves were not used in the wineglass shot.
See product shot here.
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia51
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Photo by David Portass Photography
It's always amazing to me how much different a setup shot looks on the same camera setting with the camera pointed at a different angle.
One thing we are learning very quickly, there is no substitute for a big honkin' diffused light source (even our panel's not big enough) and LOTS of light when shooting cars.
Special thanks to John K. and Dennis S. in setting up this shoot, as well as the owner of Pro-Max for lending us the cars to model. If you are interested in purchasing this vehicle, please visit www.pro-max.com
Strobist:
AB1600 and AB400 1/1 into diffusion panel held high, lighting the side.
One thing worth pointing out here is that we goboed the AB400 and AB1600. In bare tube mode the spill is lighting the roof structs which then gets reflected in the glass. We took my craftsman tool catalog, tore pages out of it and then electrical taped it over the top of the strobes to act as a gobo. :-)
Snooted SB600 for accent lighting on the wheels. Note that it doesn't work as well here as body panels cover half the wheel and that gets lit up unnaturally bright on the rear.
2 generic AC strobes in soft boxes cross lighting the front.
580EX M1/8, diffuser down, driver seat, firing into roof.
430EX M1/4, diffuser down, passenger seat, firing into roof.
The interior of the car is creme colored leather and at M1/1 the insides look like an alien abduction is going on..
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This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Setup shot for 092/365 Long Drive Home.
Does anybody actually care what my settings are on my flashes are or do you just care to see where they are located in relation to subject and the modifier used?.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/1.8, 1/60s, ISO 200
Strobist Info:
-Canon 430EXII Camera right and facing subject, 1/32Power, @24mm zoom, about 7 feet high, 4 feet away from subject through 24 Photoflex softbox.
-Flash was triggered with Interfit Strobies.
this is the setup i used to do the autumn crown shot. Just thought I'd share it with everyone, I hope you enjoy.
shot with apple iPhone shutter not sure apperature not sure flash none lens not sure. ;-)
Setup de la sesión de fotografÃa para la agrupación AfroSon.
Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trÃpode a un lado disparado por fotocelda.
Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.
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This is the setup I used for the droplets.
EOS 60D, RS-60E3, EF 100mm 2.8 L macro, ST-E3-RT transmitter, Speedlite 600EX-RT, 2 IKEA lamps, couple tripods, Off-Camera Shoe Cord OC-E3 for attaching Speedlite to the tripod, A3 paper, glass of juice and a straw.
This photo is taken with Android tablet.
Trying a new setup on my Holga. This is for shooting microclics, will post photos of the result once I get the film developed. Hoping that the Tunnel Vision Lens will add more warping/distortion to each of the shots in the microclic series.
Setup Shot for 087/365 So Much Work To Do.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/11.0, 1/200s, ISO 100
Strobist Info: See Setup Shot here.
-Canon 430EXII Camera left and in front of subject, 1/1Power, @24mm zoom, about 8 feet high, 4 feet away from subject through .
-Canon 430EXII directly in front of subject subject behind camera (trying to make a face ring flash effect), 1/4 Power, @24mm zoom, about 5 feet high, 2 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/2Power, @35mm zoom, about 5 feet high, 3 feet away from subject, fired bare.
-Flash was triggered with Interfit Strobies.