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Canon 6D Mark II with an EF100-400mm f/4.5-5.6L IS USM lens. Atop the camera is a CamRanger 2 WiFi adapter. Beneath the camera, and beneath the Manfrotto ball head, is a Slick Master Deluxe tripod that I received as a Christmas gift in 1973. It was purchased at the Central Department Store on Silom Road in Bangkok, Thailand.
Supplemental lighting: Profoto A1X with Soft Bounce.
This is my fancy setup for a bottle series. One SB-800 shooting through a paper diffuser (right of the bottle), a SB-600 (CLS activvated by the SB-800) mounted with a snoot made of a Nutella plastic jar (you can screw on whatever color paper diffuser mounted in a proper lid), a white cardboard reflector to fill the right side, an old Micro 55mm Nikkor full manual on a D70 conected to my wife's laptop and using Nikon Control software to see what I'm doing wrong.
Ok so I don't have any lights set up or anything. I just clamped this shower curtain to a beam in my basement. There isn't much room for lights here. But this is a great temp area to work. Setup shot for:
http://farm3.static.flickr.com/2394/2089882732_9ebf0b294f_m.jpg
setup for this shot.
DISCLAIMER: That is not the arm pit of Mer, it was Photoshop, and yes she was sitting next to me when I did it, no she wasn't mad, and yes we did have a good laugh about it...hahahaha
From photoclub photo session. Small studio. Lots of gear & photographers = controlled chaos. Got some frames with somebody's leg or head in the picture :) Good times.
Light setup for This series.
Profoto 2400 watt/second pack with one head on a c-stand. I believe it's a 36" box. I'm pretty sure I had it set to 1/8th power, so about 300 watts or so, give or take a stop.
My one light setup for small product shots which has appeared several times before :)
A sweep of white cartridge paper (A3_ for the background.
A yongnuo YN460 flash set to 1/2 power and activated by a Blazzeo SLT-4 radio trigger.
A Pringles tube attached to act as a striplight reflector. This one is a little different to the one I normally use, which just has an opening covered in tracing paper to act as a diffuser.
This has a similar sized opening, but has the flaps from the opening retained and folded out to give additional reflection. This gives a harder light, for more of a shadow, which I felt suited this shot.
I see my Yongnuo SYD-0808 LED video light managed to sneak into the frame at the front left. This is used to aid focussing and to act as a work light. it is so much weaker than the flash, that is is left on at 1/2 power the whole time and has no effect on the image.
A familiar setup for subjects on a black glass/acrylic base, acrylic here as the amount of dust will indicate.
Main difference to my usual setup, is the addition of a white reflector above. This is a cheap white memo board which sometimes gets hung on the wall for scribbling notes on. Often described as a dry wipe board, which uses pens with water based inks that will just wipe off with a dry cloth.
This is just resting on top of a pair of tracing paper screens, through which the Neewer SF-01 mini slave flashes are fired. Both activated by Blazzeo SLT-4 radio triggers mounted on mini tripods. The flashes are shielded from the black backdrop which is approx 12inches/300mm behind by a couple of sheets of black card attached to the screens with clothes pegs.
Simple but effective :)
The finished image is shown below:
Setup shot of paper shredder.
Home made background stand, home made pvc pipe light stands, Home Depot light stands, Home Depot shower rod for light boom. Home made soft box from foam core and gaffer tape.
Home made cardboard snoots.
Purchased items are 2 grip heads, seamless paper, mini grip clamp, umbrella clamps.
Hard steel setup.
Foreground one proxxon tabel TK70 X-Y axis with extra DIY 2 rotary axis in order to position the object.
Background one extra proxxon TK70 X-Y table with extra a DIY Z axis to hold to object, background color can be used but not actieve into this picture setup.
More right the foreground led module 80W peak., the Mitutoyo M plan APO 10X lens monted on the nikkor AF-S 70-200G-ED lens as tube lens.
All mounted on the the lineaire stage module range 250mm at 1 um resolution for a full step on the stepper motor.
Picture take with this setup:
2D version:
www.flickr.com/photos/fotoopa_hs/16857585076/
3D version:
www.flickr.com/photos/fotoopa_hs/16882296662/
Info: Lens center height 42.5 mm, important if you want to support the lens.
- Flash camera left is fired full power
- Flash camera right is fired 1/2 power
- Frontal flash (snooted) fired full power
All flashes triggered by a Cactus (ebay) trigger
Cheers!
A quick picture of my setup, consisting of an Apple Bluetooth Keyboard (I enjoy typing on those keys), a Razer Pro Revolution mouse, and last but not least an 23" Apple Cinema Display.
and tangerines and grape juice ;)
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Schnelles Bild meines aktuellen Setups, bestehend aus einem Apple Bluetooth Keyboard (Tastenanschlag einfach genial), einem Razer Pro Revolution Nager, und last but not least einem feinen 23" Apple Cinema Display.
...und Mandarinen u. Traubensaft ;)
Not recommended for those of a nervous disposition :)
All setup ready to add the flammable liquid to the spoon. For this I use cigarette lighter fluid, which is neat petroleum spirit and must be used with caution. One advantage of placing it in a metal spoon is that the flame is kept confined and only a couple of drops are needed.
Lighting of the spoon from below is done with a makeshift light table.
This is a cardboard box with a white interior which has a 20watt stick type CFL lamp in it.
On top of the box a sheet of glass which is in turn covered with the white nylon front panel from a light tent, but any white material that lets light through will do, even a sheet of white paper.
As I wanted a red colour light, a vacuum formed tray from a pack of cakes was used and surrounded with black cards to block the white light from escaping.
Finally, a sheet of black fun foam is placed about 12inches/300mm behind for the background. Much better than any other material I have tried for absorbing light and doesnt reflect it like paper or card.
Resultado de 4 horas 39 min totales de integración, con una humedad relativa 88% y temperatura 5.5°C ambientales.
Tomas individuales de larga exposición de 180 seg, Ganancia 252 , Offset 30 y una temperatura de -10°C. con filtro corte UV-IR.
Primer resultado utilizado nuevo setup de adquisición: telescopio refractor Askar FRA 400, dew heater ,montura CEM 40, PPB y cámara ZWO585MC.
Estas fotografÃas se realizaron en sector de reserva de Niblinto, Región de Ñuble. Bortle 3-4.
Apilado y procesado por PixInsight.
Tomas astrofotográficas realizadas en plena noche dÃas 27 y 29 Noviembre 2024 utilizando con filtro UV-IR
Sin dithering.
Van den Bergh 83 es ​​la nebulosa de reflexión azul que rodea varias estrellas en el lado derecho de la imagen.
Van den Bergh 84 es la nebulosa de reflexión azul más pequeña que rodea la estrella que se encuentra debajo de vdB 83.
Estas se encuentran aproximadamente 3 grados por debajo de Sharpless 304 en Canis Major.
NGC 2272 es una galaxia elÃptica/espiral en la constelación del Can Mayor . NGC 2272 está situada al sur del ecuador celeste y, por lo tanto, es más fácil de ver desde el hemisferio sur. Dada su magnitud visual de 11,88, NGC 2272 es visible con la ayuda de un telescopio que tenga una apertura de 200 mm o más.
NGC 2280 es una galaxia espiral situada en la constelación de Canis Major . Se encuentra a una distancia de unos 75 millones de años luz de la Tierra, lo que, dadas sus dimensiones aparentes, significa que NGC 2280 tiene unos 135.000 años luz de diámetro. Fue descubierta por John Herschel el 1 de febrero de 1835. NGC 2280 tiene un núcleo pequeño y brillante. Los brazos espirales emanan del bulbo y son estrechos y de gran magnitud superficial en la parte interior del disco. En el disco exterior, los brazos se hacen más anchos y de menor magnitud superficial y parecen tener más nudos. El brazo este se puede rastrear a través de ~540° mientras que el oeste se desvanece después de ~360°. El patrón espiral de la galaxia no está alterado, con un patrón de flujo regular y sin evidencia de una distorsión en forma de barra u oval. En el núcleo de NGC 2280 se encuentra un agujero negro supermasivo
Todos los derechos reservados ©2010
Modelos desfilando las creaciones de los graduados en Diseño del instituto Discenters en Cali, Colombia.
Setup strobist:
Canon xti, 18-55 y 90-300
Vivitar 285HV a 1/2 potencia, en trìpode y sombrilla blanca traslúcida disparado por radio trigger como luz de relleno. Vivitar 2800 modo manual con gobo, en trÃpode atrás como luz de recorte, disparado por fotocelda.
Editado con photoshop cs4
Filtros y acciones varias para el color.
Lighting Setup en:
Marina Lighting Setup. Result can be see in 1. Marina 1, 2. Mary Poppins, 3. Marina 2 and 4. Naughty Marina.
Image can be downloaded here.
Learn to light at Strobist.
Use this to share your lighting setup or to document your setup for future reference. Email me at kevin@kertzdesign for comments and/or suggestions. Not for commercial use.
setup shot day 337.
One of the things I accomplished over the holiday break was to paint the "studio" aka the garage. I had an off white semi-gloss paint everywhere and it made light control a real pain. Now the walls are a neutral gray and I was able to push my seamless roll another 2 feet rearward which IMHO is huge. I have three strobes firing and the room is still nice and dark now :)
Setup for Eruption followed Ryan Taylor's excellent Water Figure Tutorial.
I forgot to shoot the setup at the time so I have recreated it.
Out of picture, my pc is running Multisine 1.74. Using the headphone output I have then connected my pc via the Mic input to an old stereo (at the the top of the picture) which is connected to the speaker.
The speaker was wrapped in clingfilm, and a small amount of a 50:50 cornflour (cornstarch)-water mix was placed on top.
Due to the small space, I could not get the legs of my Giottos MTL9361B tripod splayed wide enough to drop the camera in line with the top of the speaker. So I moved the centre column into the lateral position and hund the camera upside down off my Manfrotto 322RC2 ball head.
The lights on the landing and bedroom behind were turned off and at f/16 I ran a 5 second exposure. Using my wireless remote shutter I triggered the camera. During the 5 second exposure I activated a 0.2 sec pulse at a frequency of 120Hz on my pc and using a PT-04 wireless flash trigger in the other hand tried to time the flash to coincide with the sound. This took several attempts to time it right, and in actual fact the final Eruption shot is actually a blend in CS3 of two images in order to increase the drama.
The ghosting in Eruption is not an artefact of blending the two images, but due to some double triggering of the flashes when I pressed the remote trigger.
The pink/orange hues in the conflour-water mix of the final shot are, I think, attributable to the flashes bouncing off the bare plaster walls. This was not intended but presumably it would have helped to soften the light as specular highlights are not too much of a problem.
The final edit involved usual adjustments in LR3.6 to saturation, levels, sharpening etc together with burning in CS3 to darken the background which in the original shot I felt was distracting.
Olympus XZ-1
1/15 sec at f/1.8
ISO 200
6 mm
Copyright 2011 Ben Gethin
A variation on a setup I use often, but with a few tweaks to cater for the material of the bottle, which being plastic, acts in a different way to glass.
This setup shot is taken from a slightly lower angle as will be obvious from the black background behind the bottle.
There are 3 x 20W CFL lamps used in this setup, all fitted into Pringles tube reflectors to enhance and direct the light.
The first is located behind the black card and is illuminating the white background, approx 6inches/150mm behind.
The other 2 are in view and located each side. They are placed behind semi opaque polythene box files opened into a V shape to be freestanding. Light is prevented from spilling to the rear by a couple of black cards, which dont really show here.
Also, to soften the light further on the bottle side, sheets of white printer paper are clipped onto the screens.
Guess I had beter also mention the way the bottle is held at an angle, it looked a bit boring stood upright :)
A strip of paper was wrapped around the bottle and the two ends held quite tightly with a sprung clip. This created a sort of tripod, which also allowed the bottle to rotate, to get the most pleasing angle.
One thing not shown here, is that I held a sheet of white card above the bottle to reflect light back onto the top of the cap to bring out the white printing.
This image is to show the strobist setup only. The actual distances in the final image may be slightly different.
We're arranging tables before we start putting all the displays and consoles in the proper positions.
One light setup with a twist, no not of lemon :)
The Pringles tube contains an 11watt spiral CFL bulb and is lined with black paper. The bottle is full of water, which does help to diffuse the light.
Not the easiest setup to move around to alter the angle with all the weight in the bottle, but possible with care. Good thing it was a plastic bottle though, not sure I would want to try the same thing with a glass one.
Setup completo do-it-yourself: amplificador, caixa e pedal. Só faltou a guitarra e a pedaleira... Um dia eu chego lá :)
I used this setup for two versions of the same shot: one on a white background and one on a black background. All I changed was the background light.
Simple stuff really. It's just lighting on two separate planes again.