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A quick picture of my setup, consisting of an Apple Bluetooth Keyboard (I enjoy typing on those keys), a Razer Pro Revolution mouse, and last but not least an 23" Apple Cinema Display.
and tangerines and grape juice ;)
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Schnelles Bild meines aktuellen Setups, bestehend aus einem Apple Bluetooth Keyboard (Tastenanschlag einfach genial), einem Razer Pro Revolution Nager, und last but not least einem feinen 23" Apple Cinema Display.
...und Mandarinen u. Traubensaft ;)
This setup shot shows the most complex setup for the day. Shooting on the white seamless the basic setup was three White Lightnings X800's. Every shot was a variation of this.
One X800 in a beauty dish up top and to the left as a main light.
The second as a rim light behind and to the right with just the reflector (seen behind Travis' head).
The third shooting onto the white paper to behind Travis in this picture and at his feet.
For this sculpture we had to change it up a little. The glass box was reflecting the white seamless and the surrounding floor so we had to find some black fabric. As would seem appropriate there was plenty of black foam core at home that I didn't bring. Tried some dark colored fabric at first which reflected the color. Finally Brek and Travis found some black fabrics to kill the light. This left the bottom dark however. I knew I wouldn't be able to reflect light back into there, the reflection was the problem in the first place. I was out of X800's so I went to the SB700 in my bag and used the diffusion panel in the reflector to shoot through to get light from an angle the didn't reflect in the glass.
Also out of people I had to trigger the camera with one hand and my other hand stretched out to get the SB700 where I wanted it. In the end it worked quite well.
See the shot HERE
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Not recommended for those of a nervous disposition :)
All setup ready to add the flammable liquid to the spoon. For this I use cigarette lighter fluid, which is neat petroleum spirit and must be used with caution. One advantage of placing it in a metal spoon is that the flame is kept confined and only a couple of drops are needed.
Lighting of the spoon from below is done with a makeshift light table.
This is a cardboard box with a white interior which has a 20watt stick type CFL lamp in it.
On top of the box a sheet of glass which is in turn covered with the white nylon front panel from a light tent, but any white material that lets light through will do, even a sheet of white paper.
As I wanted a red colour light, a vacuum formed tray from a pack of cakes was used and surrounded with black cards to block the white light from escaping.
Finally, a sheet of black fun foam is placed about 12inches/300mm behind for the background. Much better than any other material I have tried for absorbing light and doesnt reflect it like paper or card.
A variation on a setup I use often, but with a few tweaks to cater for the material of the bottle, which being plastic, acts in a different way to glass.
This setup shot is taken from a slightly lower angle as will be obvious from the black background behind the bottle.
There are 3 x 20W CFL lamps used in this setup, all fitted into Pringles tube reflectors to enhance and direct the light.
The first is located behind the black card and is illuminating the white background, approx 6inches/150mm behind.
The other 2 are in view and located each side. They are placed behind semi opaque polythene box files opened into a V shape to be freestanding. Light is prevented from spilling to the rear by a couple of black cards, which dont really show here.
Also, to soften the light further on the bottle side, sheets of white printer paper are clipped onto the screens.
Guess I had beter also mention the way the bottle is held at an angle, it looked a bit boring stood upright :)
A strip of paper was wrapped around the bottle and the two ends held quite tightly with a sprung clip. This created a sort of tripod, which also allowed the bottle to rotate, to get the most pleasing angle.
One thing not shown here, is that I held a sheet of white card above the bottle to reflect light back onto the top of the cap to bring out the white printing.
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Modelos desfilando las creaciones de los graduados en Diseño del instituto Discenters en Cali, Colombia.
Setup strobist:
Canon xti, 18-55 y 90-300
Vivitar 285HV a 1/2 potencia, en trìpode y sombrilla blanca traslúcida disparado por radio trigger como luz de relleno. Vivitar 2800 modo manual con gobo, en trípode atrás como luz de recorte, disparado por fotocelda.
Editado con photoshop cs4
Filtros y acciones varias para el color.
Lighting Setup en:
Marina Lighting Setup. Result can be see in 1. Marina 1, 2. Mary Poppins, 3. Marina 2 and 4. Naughty Marina.
Image can be downloaded here.
Learn to light at Strobist.
Use this to share your lighting setup or to document your setup for future reference. Email me at kevin@kertzdesign for comments and/or suggestions. Not for commercial use.
setup shot day 337.
One of the things I accomplished over the holiday break was to paint the "studio" aka the garage. I had an off white semi-gloss paint everywhere and it made light control a real pain. Now the walls are a neutral gray and I was able to push my seamless roll another 2 feet rearward which IMHO is huge. I have three strobes firing and the room is still nice and dark now :)
Durga puja (Bengali:দূর্গা পূজা,),‘Worship of Durga’), also referred to as Durgotsava.
Durga Puja festival marks the victory of Goddess Durga over the evil buffalo demon Mahishasura.Durga Puja is widely celebrated in the Indian states of Assam, Bihar, Jharkhand, Orissa, Tripura and West Bengal.
Somewhere inside these complex edifices is a stage on which Durga reigns, standing on her lion mount, wielding ten weapons in her ten hands. This is the religious center of the festivities
The word pandal means a temporary structure, made of bamboo and cloth, which is used as a temporary temple for the purpose of the puja.
Creation of the idols
The entire process of creation of the idols (murti) from the collection of clay to the ornamentation is a holy process,
supervised by rites and other rituals.
On the Hindu date of Akshaya Tritiya when the Ratha Yatra is held,
clay for the idols is collected from the banks of a river, preferably the Ganges (Hooghly in Calcutta/Kolkata).
There is age-old custom of collecting a handful of soil (punya mati) from the nishiddho pallis of Calcutta,
literally ‘forbidden territories’, where sex workers live, and adding it to the clay mixture which goes into the making
of the Durga idol.After the required rites, the clay is transported from which the idols are fashioned.
An important event is 'Chakkhu Daan', literally donation of the eyes.
Starting with Devi Durga, the eyes of the idols are painted on Mahalaya or the first day of the Pujas.
Before painting on the eyes, the artisans fast for a day and eat only vegetarian food.
Goddess Durga Rides a Lion and vengeance to kill a demon residing in city of Mysore ,named after Mahishasur,
the very demon which was slain by the Goddess.The original Indian name was Mahishur. Along with these central statues, Idols are also made of other Gods and Goddesses.
As it also includes the worship of Shiva, who is Durga's consort (Durga is an aspect of Goddess Parvati),
in addition to Lakshmi, Saraswati with Ganesha and Kartikeya, who are considered to be Durga's children are crafted.
Worship of mother nature is also done, through nine types of plant (called "Kala Bou"),
including a plantain (banana) tree, which represent nine divine forms of Goddess Durga.
This could be my simplest setup shot yet, there is very little to it, but it did give a pleasing result as will be seen below.
I have added more light so that others can see what is involved.
Lighting is from a single Neewer SF-01 mini slave flash mounted on a small tripod and fired with a Blazzeo SLT-4 (PT-04TM) radio trigger. To this is fitted a DIY Snoot with a grid of drinking straws placed inside it, together with a piece of green photocopy paper to give the colouring.
For those not in the know, shooting a flash through a bunch of drinking straws, produces a very narrow beam of light as all the rays have to travel in a straight line. It is not very obvious in this setup shot, but the final image will give a better idea.
There are many articles around the web on using this technique, just try searching "Drinking straw grid".
A fun little setup, which I hope will have some uses for others :)
This image is to show the strobist setup only. The actual distances in the final image may be slightly different.
We're arranging tables before we start putting all the displays and consoles in the proper positions.
I used this setup for two versions of the same shot: one on a white background and one on a black background. All I changed was the background light.
Simple stuff really. It's just lighting on two separate planes again.
My setup home in March 2006. iMac G5 with 10.4, Remote desktop with G4 Cube, and a Dell Inspiron 9300 running Solaris
Setup shot for 177/365 Self Defense.
Camera Info:
Canon 7D, Sigma 17mm, ƒ/5.6, 1/200s, ISO 100
Strobist Info:
-Canon 430EXII Above and behind camera inside 40 inch Westcott Softox, 3 feet high and 5 feet from subjects at 1/2 power and @24mm zoom
-Canon 430EXII Behind subjects slightly camera left fired bare, 7 feet high and 8 feet from subjects at 1/1 power and @24mm zoom
-Flashes triggered using wireless Interfit Strobies
Setup for Ice God. View the actual Photo/
In this photo, a SB-800 on TTL mode trigged via a SC-28 TTL cable, modified with Rayflash provided the luminance for the 'ice-cold' ground surface. White balance 3250k.
On camera right was a SB-900 which was totally flattened by me at this point in time. It was used as the main light for the actual shot. 1/128 Power.
Home studio product shot setup, porcelain sample. Photography by J Mark Stewart. Please visit www.blackgeckophotography.com for contact information.
© J. Mark Stewart
See product shot here.
the updated setup... I've picked up a slightly larger beast to replace on of my 17 inch monitors
old version below:
Setup Shot for 095/365 Sessions.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/5.6, 1/50s, ISO 100
Strobist Info:
-Canon 430EXII Camera left and behind subject, 1/2Power, @105mm zoom, about 8 feet high, 12 feet away from subject fired bare.
-Canon 430EXII Camera right and in front of subject, 1/2 Power, @24mm zoom, about 8 feet high, 5 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and in front of subject, 1/4Power, @35mm zoom, about 8 feet high, 10 feet away aimed at building in the background.
-Flash was triggered with Interfit Strobies.
read about how I set-up my Personal Domino as my main planner :) breakitdawns.blogspot.com/2013/11/planner-setup-personal-...
My setups dont come much simpler than this :)
A Yongnuo YN460 flash mounted on the cameras hotshoe, with a Pringles tube strip;ight fitted to it. Flash set to 1/2 power and thats about it.
The subject was placed on a box which held it approx 2invhes/50mm above the white paper background to keep the shadow out of frame.
The slight blue tinge to the paper is from the Yongnuo SYD-0808 LED video light seen in the bottom right corner, which was used as a focussing aid.
The colour balance of the video light is the same as the flash and much weaker, so it doesnt register on the actual image.
Here's my current setup for Lego photos.
- For lighting, I've got two umbrella lamps from this kit.
- For the backdrop, I'm currently just using a roll of some cheap craft paper.
- Holding the paper up has always been a challenge--I need to just get a backdrop stand at some point. For the moment, I just so happen to have a very large mirror lying against the wall that works perfectly for holding up the paper.
- I have a really nice camera (Canon 7D) and tripod (Manfrotto 055XPROB) because I also do a lot of seascape photography; I bought the umbrella lights specifically for photography though :).