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Here is an older picture, as I am without my 5d at the moment.
Working on the Heidelberg exposed Set, revealed how desperate my MkII was in need of some serious sensor cleaning (Thx Russ). After weeping over messed up shots, I brought the cam in and will be able to pick it up on Tuesday.
It feels weird not having my Cam, like something is missing.
Olympus E-500 ( KODAK CCD sensor ) + Olympus Zuiko Digital ED 50mm f/2.0 Macro
OLYMPUS DIGITAL CAMERA
The sensors detect the level of pellets and email operator when to order more fuel.
Oakridge Elementary Biomass Heat System. Fuel: wood pellets
Oakridge, OR
Agfa Optima Sensor compact 35mm camera. Top plate showing rewind button, depressed and turned to use the advance lever to rewind the film.
Specifications:-
Type: 35mm compact camera
Size: 104 mm x 68 mm x 54 mm (W x H x D)
Image Format: 24 x 36 mm (W x H)
Lens: Agfa Solitar, 40 mm f/2.8
Diaphragm: Automatic f/2.8 to f/22
Focusing: Manual scale pictograms on top of the focus ring/ meter/feet scale on bottom, focusing 3ft/1.09m - infinity
Shutter Speeds: 1/500 second - 15 seconds
Viewfinder: Large direct finder with parallax marks for near focus
Film Loading: Manual
Film Transport: Manual single stroke lever, also used to rewind film when the 'R' button is depressed and turned
Film Speeds: 25 ASA/15 DIN to 500 ASA/28 DIN, selected on a ring around the lens
Flash Contact: Hot shoe, aperture selected manually with flash
Cable Release Socket: On left hand side of the camera body
Tripod Socket: 1/4 in. on right hand side which doubles as camera strap attachment
Battery: 3 V625U batteries, located by opening the camera back
Factory Butte Utah BLM Lands Panorama Fine Art Aerial Drone Photography DJI Mavic Air 2S 20mp One Inch Sensor Fluvial Erosion Patterns DJI FC3411
22.4 mm f/2.8 Camera! Epic Panorama! Fine Art Abstract Landscape Desert River Washes Abstract Veins of Erosion McGucken Art
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Balloon with cornflour inside popped with a dart. Shutter open, SB900 front, camera right, at 1/128 triggered by Triggertrap on sound sensor.
A.k.a. the "Bokina". Minty, with 1:1 extender. Actually turns out to be greater than 1:1 magnification with respect to APS-C sensor size
Sensor's been cleaned up by Nikon School on January. This is a picture of the empty blue sky in June.
Camera is currently being fixed at Nikon's, I hope this will be its last trip.
Medtronic Continuous Glucose Monitoring
Update: I am now, as of October 2017, using the Guardian Sensors with the 760G insulin pump. Same look different tech. Not a fan, as of December, as the sensors are supposed to last 7 days. Mine quit on day 6.
The nDETECT sensors undergo testing at Sandia. Money from DOE’s Energy I-Corps program will help the technology advance toward commercialization.
Learn more at bit.ly/3TqfJHw
Photo by Craig Fritz
Capteur d'un appareil photo Panasonic DMC-FZ28 (focus stacking).
Image composée de 17 photos assemblées avec CombineZP.
Light sensor inhibits the string lights during daylight.
Motion sensor triggers lights when motion is sensed.
Relay routes 12V power to the LED string.
D300 + af200 mm + ais 35 mm reverse.
SB-29-s flash.
40 pictures @ 5 um zerene stacking.
I found the sensor type number on the chip:
Image sensor CCD KC73129
• Number of Total Pixels: 537(H) ´ 597(V)
• Number of Effective Pixels: 500(H) ´ 582(V)
• Chip Size: 6.00mm(H) ´ 5.10mm(V)
• Unit Pixel Size: 9.80um(H) ´ 6.30um(V)
100% crop image on the corner.
Mutations, mutations... another (totally) fictional Valkyrie version, and an exotic one, too. This kit had two inspirational sources: after building some grey low-viz Valkyries, I considered a machine with a darker paint scheme like "Europe One" a.k.a. "Lizard" (even though I am not a big fan of this kind of murky look).
On the other hand, with the recent VF-1G AEW Valkyrie in the back of my mind, I speculated about a specialized SAM supression aircraft like the F-105G, F-4G or Tornado ECR (so-called "Wild Weasel" aircrafts), and how an innocent Valkyrie could be eqipped for such a task...?Well, with this murky and not really elegant VF-1W, both aspects came together.
Some further explanation might be useful: A "Wild Weasel" is an aircraft (the term originates from the United States Air Force) specially equipped with radar seeking missiles, and tasked with destroying the radars and SAM installations of enemy air defence systems. Wild Weasel tactics & techniques were first developed in the Vietnam and the Yom Kippur War, and were later integrated into the Suppression of Enemy Air Defenses (SEAD). In brief, the task of a Wild Weasel aircraft is to bait enemy anti-aircraft defenses into targeting it with their radars, whereupon the radar waves are traced back to their source so that the Weasel or its teammates can precisely target it for destruction.
A simple analogy is playing the game of "flashlight tag" in the dark; a flashlight is usually the only reliable means of identifying someone in order to "tag" (destroy) them, but the light immediately renders the bearer able to be identified and attacked as well. The result is a hectic game of cat-and-mouse in which the radar "flashlights" are rapidly cycled on and off in an attempt to identify and kill the target before the target is able to home in on the emitted radar "light" and destroy the site.
The kit is a standard, vintage 1:100 scale VF-1D dual seater Valkyrie Fighter from ARII, which underwent various modifications. As usual, it received a crew. Since the machine would be rather dark, I went for olive drab pilot suits, but I could not resist and still use a bright red and white ("bone dome") helmet ;) Further cockpit details include a HUD, a console for the 2nd crewman, seat belts and election seat triggers. Some antennae on the outside were added, too..
Beyond that, the extra radar sensor equipment on board had to be placed somewhere - in the USAF's F-4G for example, the M61 gatling gun had to go. I found two plausible places on the Valkyrie: most obvious change is the different, more voluminous nose cone which comes from an 1:72 IAI Kfir. Less obvious is the elongated dorsal hump, which is supposed to hold extra equipment and a heat exchanger. Additionally, radar sensors were added on the fins as well as sensor arrays on the legs' sides, later enhanced witn dielectric panels. Overall, the VF-1W looks bulkier and somehow bigger now - much of it must be tributed to the nose. It is not longer than the original cone, but the proportions have become way different.
This "different" look is augmented by a bizarre looking ordnance mix under the VF-1W's belly and wings. Instead of the GU-11 gun pod, this SEAD version carries a slender ECM/sensor pod. It consists of two very poor (not to say ugly!) ALQ-119 pods from a vintage Revell F-16 prototype kit, combined and with some added elements. After years, these things could be used somewhere... This piece, painted in grey, also holds an adapter for the kit's display.
In order to accomplish its radar suppression task, a pair of 1:72 AGM-45 'Shrike' came under the outer pylons, including starter rails, conincidently resembling AGM-88 HARM anti radar missiles in 1:100 scale. Under its inner wing pylons the VF-1W carries a vintage ALQ-87 (in white) and an ALQ-101 (in grey) ECM pod, from a 1:72 Hasegawa aircraft weapons kit. Four AMM-1air-to-air missiles are also carried for self-defence purposes, even though such a Wild Weasel machine would hardly operate on its own. Being a special decoy machine with high target priority, it must be assumed that it is accompanied by true fighters for protection, and by some buddies which carry (more) weapons against ground targets.
For the paint scheme, inspiration came from Spangdahlem-based F-4Gs from the 80ies. These Germany-based machines used to carry the USAF "Lizard" scheme. Effectively, these Phantoms were painted in the South East Asia scheme with two greens (FS34102 and FS34079), but the tan simply replaced by charcoal grey (FS36081). Such a livery is even plausible in the Macross universe - in the "This Is Animation Special: Macross PLUS" source book, U.N.S.A.F.'s VF-11 and VF-5000 are shown in a similar livery.
Anyway, on the small 1:100 kit, "Lizard" with authentic colors would look VERY dark and dull. I searched for lighter alternatives and stumbled across A-4K Skyhawks from New Zealand. These machines used to carry a wrap-around paint scheme with the Lizard colors, but when I found a drawing of their paint scheme, I was intrigued by the "wrong" colors that were used in the graphic. The overall machine looked rather greyish and ...interesting. I found this different look so unique that I tried to emulate these "wrong" tones, and the VF-1W's three basic colors have finally become:
Humbrol 224 "Dark Slate Grey" (probably a British tone)
Humbrol 66 "Dark Olive Drab", which is VERY dark and has a rather greyish hue
Humbrol 79 "Dark Blue Gray", much lighter than FS36081
After basic painting the kit received a thin black ink wash, blending out the differences between the 3 colors even more. Additionally, engravings were blackened witha 0.1mm fine liner pen. No colorful markings were intentionally added, just the wings' leading edges received a contrats in Humbrol 83 (Ochre), some dielectric sensor covers were marked with black decals. Almost all markings and stencelling were kept in black or grey for low contrast. The Macross insignia were self-made from sliding decal paper, enamel paint and a black fine liner. The result is not perfect, but it was the only way to make these markings almost invisible and blend them into the camouflage. Finally, the kit received a matte varnish coating - except for the black radar nose, which is - just as on the A-4Ks - glossy black, a total contrast to the rest of the greyish-green machine.
Honestly,I am not totally happy with the overall result. The dark camouflage scheme takes the kit very far away from the Macross "color code"? I suppose it will remain the first and last attempt into this direction...
Principal investigator Jacques Loui, left, and a firmware developer are part of a team redesigning high-performance radar as a flexible, multipurpose sensor.
Researchers are working to replace legacy analog radars commonly used by the military with a new, digital, software-defined system called Multi-Mission Radio Frequency Architecture. The overhauled design promises U.S. warfighters unprecedented flexibility and performance during intelligence, surveillance and reconnaissance operations, even against sophisticated adversaries.
Learn more at bit.ly/3hKHWM7
Photo by Craig Fritz.
Agfa Silette LK Sensor, introduced 1970, perhaps one of the last Silettes and an early Agfa with the red shutter release button. The body is based on the Agfa Optima 200 from 1968.
It is a low-budget camera, the lens barrel and the housing are made of plastic, though the top and the bottom look like metal. This camera hasn't a rewind crank, the rewinding is done by the advance lever, when the button "R" is tripped before, so the inner mechanism is complex.
The lens is a Color-Agnar 2.8/45 mm with three elements, the shutter is a Parator with 1/30 to 1/300 s and B. The Selenium exposure meter is coupled and the match needle is displayed in the viewfinder and on top, the ASA range is from 25 to 400 ASA. All settings has to be done manually, like on all Silettes, I think. The LK has a thread for a cable release on the backside and a hot shoe. There is no self-timer, no focussing aid and the frame counter has to be reset manually.
(If you want to remove the top plate: there is a third screw hidden in the hot shoe. The cover in the hot shoe has the most diabolic clip mechanism I've ever experienced.)
There is a tiny little motor and gear box in this paddle sensor. Every now and again it would jump its teeth and start driving backwards for some reason.
TUESDAY, SEPTEMBER 29, 2015
Fortune Brainstorm E - Austin, TX, USA
9:45 AM
THE WIRED ENERGY CONSUMER
The race is on to control every aspect of the house from electric vehicle hookups, solar and storage systems to energy management, which includes smart products such as Internet connected thermostats and appliances. Technology, big data, sensors, massive processing power and mobile apps will help make tomorrow’s homes be more energy efficient. The businesses that control these smart products will be able to tap into a tremendous amount of data about the habits of Americans, presenting a huge, new marketing opportunity. The utilities want to dominant this new business but so do a lot of big home security, cable and Internet companies. Who will be the winners and losers?
Nick Akins, Chairman, President and CEO, American Electric Power Company
Ben Bixby, Director of Energy Products, Nest
Suzanne Shelton, Chief Executive Officer, Shelton Group
Dan Yates, Founder and CEO, Opower
Moderator: Stacey Higginbotham, Senior Editor, Fortune.com
Photograph by Stuart Isett/Fortune Brainstorm E
Nikon D810 Fine Art Landscape Photos John Muir & Ansel Adams Country-- Eastern and Western Yosemite! Dr. Elliot McGucken Fine Art Nature Photography!
Nikon D810 Fine Art Photos John Muir Country-- Kings Canyon & Sequoia! Dr. Elliot McGucken Fine Art Photography during a Breaking Thunderstorm with Majestic and Interesting Skies!
I always love getting away and photographing John Muir Country--Yosemite, Kings Canyon & Sequoia in California I also shot it all with the Sony A7r as well as the Nikon D810 and the wonderful Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens as well as the new Tamron AFA012N700 15-30 mm f/2.8-Di VC Wide-Angle Lens for Nikon F (FX) Cameras and the Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens !
I hope that you enjoy browsing through my photos and comparing and contrasting the Nikon D810, Sony A7r, Sony A7rII, and the various lenses!
Long story short, you can't go wrong!
The Sony A7r and the Nikon D810 have the same sensor! While the D810 saves the RAW in 14bit lossless compressed (or uncompressed0, the A7r performs a bit of lossy compression, which I have never noticed, but which some say they have!
At any rate, I am super excited for the Nikon's next camera as well as for the recently released Sony A7rII Mirrorless Digital Camera which I now own! Some highlights include a 42 MP Full-Frame Exmor R BSI CMOS Sensor, a
BIONZ X Image Processor,
Internal UHD 4K Video & S-Log2 Gamma, and a
5-Axis SteadyShot INSIDE Stabilization system! You can see some of my fine art photos from the amazing camera in my photostream, with many more to come!
And I have a feeling that Nikon will be releasing something epic soon--a 50mp+ camera with awesome dynamic range!
An important thing to remember is that even though pixel sizes keep getting smaller and smaller, the technology is advancing, so the smaller pixels are more efficient at collecting light. For instance, the Sony A7RII is back-illuminated which allows more photons to hit the sensor. Semiconductor technology is always advancing, so the brilliant engineers are always improving the signal/noise ratio. Far higher pixel counts, as well as better dynamic ranger, are thus not only possible, but the future!
Yes I have a Ph.D. in physics! I worked on phototranistors and photodiodes as well as an artificial retina for the blind. :)
You can read more about my own physics theory (dx4/dt=ic) here: herosodysseyphysics.wordpress.com/
And follow me on instagram! @45surf
Facebook!
www.facebook.com/elliot.mcgucken
www.facebook.com/45surfAchillesOdysseyMythology
Compare these D810 shots with the photos taken with the Sony A7r and new Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens!
After looking through my work,what do you think about Nikon vs. Sony? Do you prefer the Nikon D810 and Nikkor / Tamron / Sigma lenses /glass, or the Sony A7r and Sony Sonnar Carl Zeiss e-mount glass/lenses? I love them both! And I am so excited about the Sony A7rII !
Dr. Elliot McGucken Fine Art Photography!
I love shooting fine art landscapes and fine art nature photography! :) I live for it!
45surf fine art!
Feel free to ask me any questions! Always love sharing tech talk and insights! :)
And all the best on Your Epic Hero's Odyssey!
Join me on instagram! @45surf instagram.com/45surf
Nikon D810 Fine Art Landscape Photos: Ansel Adams & John Muir Country-- Eastern and Western Yosemite! Dr. Elliot McGucken Fine Art Nature Photography!
45surf photography! :)
45SURF Hero's Odyssey Fine Art Landscape Photography! :)
Tailwater Installation/RIO-204/TW-13-1
Find out more about this senor suppor at: www.simplifiedbuilding.com/blog/sensor-support-structure/
How to put a SMD line-sensor on a single PCB layer?
Here a simple solution, just milling a groove in your PCB, you push smd sensor in the groove. Now solder the 8 pads. The picture is a closeup macro of the board.
Remember mirror the layout pads of the linesensor for auto routing the device!
Replaced the IR sensor on our 42" Vizio LCD. Turned out to be pretty easy to do and an cheap ($9) fix.