X3 direct image sensor (aka Foveon)
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Finally, the temps feel like Spring as 2016's first Honey Bee (for me) visits an awakening Grecian Wildflower in my garden.
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
I was playing around with my newclose-up lens and D7100 to see how many details I can get out of the 24 mpx sensor.
Had a go at trying for a macro shot of one of these amazing little creatures. It was sitting outside my window ledge. I had good natural light which helped. I think I got as close to the spider as my lens would allow (which is 295 mm from my subject to the sensor of my camera). Worth enlarging.
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
Nach vier Monaten einer angstrengenden aber guten Zeit....wieder unterwegs mit Kamera und meinem Freund Werner.
IMG_4969-Verbessert-NRhh
Die äthiopisch-amerikanische Künstlerin Julie Mehretu (*1970, Addis Abeba) ist eine der einflussreichsten Maler*innen der Gegenwart. Diese bislang größte Überblicksausstellung in Deutschland zeigt mit rund 100 Werken die ganze Bandbreite von Mehretus Schaffen, von ihren frühen, urbanistisch geprägten Linienzeichnungen der 1990er Jahre bis zu ihren jüngsten, spektakulären abstrakten Gemälden. Präsentiert werden auch zeitbasierte Medien, die von Mehretus Werk inspiriert sind, wie ein Musikalbum, ein Dokumentarfilm und eine Videoarbeit. Die Ausstellung zeigt Mehretus kreativen Prozess. Häufig geht sie von Medienbildern politischer Ereignisse und historischer Schauplätze aus und übersetzt diese in abstrakte Kompositionen, die sie mit Notationen, Übermalungen und Abklebungen überzieht. Mit einer Auswahl von Mehretus Referenzmaterial und teils nie gezeigten Papierarbeiten kontextualisiert die Ausstellung im K21 das konzeptuelle Denken hinter den Arbeiten der Künstlerin.
von Werner:
Ihr seht hier Metallrahmen, die jeweils zwei Bilder zeigen und die sich auf leicht durchscheinenden Trägern befinden, wodurch sich die auf Vor- und Rückseite befindlichen Bilder beeinflussen ... zudem setzen, je nach Standpunkt, das durchscheinende Fensterlicht oder Lichtstrahler, Akzente ...
Die Metallrahmen sind "Upright Brackets"
der Künstlerin Nairy Baghramian. Die Ergebnisee werden "Trans-Paintings" genannt und gehören zu ihren neuesten Arbeiten. Trump und und der von dem amerikanischen Oligarchen Peter Thiel in der Politik installierte JD Vance werden diese Bilder (weil "trans") sicher bald verbieten, als entartete Kunst.
Seit Monaten war ich wieder zusammen mit Werner fotografieren. Wir machten etwa das gleiche Foto vom gleichen Standort mit Kameras eines gleichen Herstellers und 2 verschiedenen Linsen und die Ergebnisse der jeweiligen Sensoren waren sehr unterschiedlich. Hildes Bild war quasi sooc brauchbar, die Ausgabe meiner Kamera war noch stark bearbeitungsbedürftig. Wir haben beide Arbeiten gemeinsam durch Photoshop gebracht und wollten sie gleichzeitig zeigen.
es war eine eine kreative wunderbare Zeit mit Dir ...und bei Dir Zuhause empfing und Deine Frau mit dem durft eines leckere Kuchens...
AKA Red clover, puna-apila (fin).
Taken with Canon FD 85mm F1.8 / Full frame sensor / Natural light / Lightroom.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
Nevada. Enough warmth already.
Uploading out-of-camera jpegs while traveling. Forgive any sensor dust.
Really had a hard time photographing this one. I used a drier for the paint that I normally do not use that created an uneven sheen that does not sit well with the camera sensor. While it is not noticeable looking at the painting, it is quite noticeable on the photo unfortunately.
Taken with the assistance of a Camtraptions camera trap and remote PIR sensor.
Illumination provided by Hahnel Modus 600 RT speedlights mounted on MagMod MagRings with diffusers.
Explore Front Page on September 20th. Thank you!
The Jumeirah Beach Residence (JBR) is a 1.7 kilometre (1.06 mile) long, 2 million square metre (22 million square foot) gross floor area waterfront community located against the Persian Gulf in Dubai Marina. It is the largest single phase residential development in the world and contains 40 towers (36 are residential and 4 are hotels). JBR's capacity is about 10.000 people living in its apartments and hotel rooms.
Digital Blending, 6 exposures at f/2.8 (between 0.5 to 15 seconds). It was already quite dark (9:30pm), but the D300 sensor can do miracles! ;-)
Have not been very active on flickr this past week. The dense haze here has become a real obstacle for photo shooting! But it is starting to get better today.
Dubai Set | Digital Blending Set | Night Photography Set | Most Interesting shots
AKA Pohjanmesisieni (fin).
Taken with Canon nFD 200mm F2.8 / APS-C Sensor / Unedited (Straight from camera).
It is late December and a dark, foggy day anyway. The camera's 10MP sensor (though manufactured by Kodak) has always been criticised for its capricious colour rendition. Myself, I don't feel at home in the world of colour and most of my work is in monochrome. However, given that the light is weak, I thought it was alright to try colour (lens is the collapsible Elmar 2.8/50).
Really.
The iphone's light sensors do not "see" as our eyes do...
This was taken at 8:30 at night and it was quite a dark sky to me, but the iphone camera found the blue, and the light that was there that I could not detect. The cool blasting light (as opposed to the warm light from the houses across the street) from the left on the tree and the yard is from a streetlight (and a bit on the right from the next one.)
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
25x10sec (composited in sequator - Align Stars), f1.8 ISO 1600.
In photos like these with clear sky (feat. 41mpx sensor) you can easily notice the downsides of your lens.
I could have cropped the corners but I'll leave it as it is, just for the reference.
Things like blurry stars in corners you can't fix. They do get less light than the center of a sensor, so maybe that's the reason for them being blurry in corners.
All in all, I'm thrilled with this result, that I've been taking while enjoying the beautiful seashore wind in Krapanj.
Image Details:
15x1200s Ha 1x1 (5hrs)
14x1200s OIII 1x1 (4hrs 40mins)
18x1200s SII 1x1 (6hrs)
Darks, flats and bias, all binned 1x1 @-20c.
Total Exposure 15 hours 40 mins.
Optic - SW Evostar ED80 DS-PRO with SW 0.85 reducer.
Mount - HEQ5 PRO Synscan with Rowan Belt Drive mod.
Sensor - Atik 383l+ Mono CCD + Baader 36mm 7nm Ha.
Guiding - ZWO ASI120MM + Orion 162mm/F3.2 guidescope with PHD2.
Sequence Generator Pro and PixInsight.
Thanks for looking.
Image Details:
11x1200s Ha 1x1 (3hrs 40mins)
8x900 OIII 2x2 (2hrs)
8x1800s 2x1200 SII 1x1 (4hrs 40mins)
Darks, flats and bias, all binned 1x1 @-20c.
Total exposure of 10 hours 20 mins.
Optic - SW Evostar ED80 DS-PRO with SW 0.85 reducer.
Mount - HEQ5 PRO Synscan with Rowan Belt Drive mod.
Sensor - Atik 383l+ Mono CCD + Baader 36mm 7nm Ha, 8.5nm OIII and 8nm SII filters.
Guiding - ZWO ASI120MM + Orion 162mm/F3.2 guidescope with PHD2.
Sequence Generator Pro and PixInsight.
Thanks for looking.
My neighbor, Richard. in a stop and chat. Sweet man. He had two teeth extracted earlier, poor guy. Too bad for him, I had my camera. First shot from my latest Topcor, the 58mm F3.5 Macro! It covers the sensor from what I can see and it's already stunning me with its micro contrast. Not bad for a 45 year old lens made for 35mm film, shot wide open. Topcor lenses are very special, my personal favs. Reechard is too.
Camera: Nikon Coolpix P950
Aperture: 8
Exposure time: 1/1250s
ISO: 800
Focal length: 285mm / 1600mm (With crop factor through sensor size)
Focus: AF
We knew there was a west bound empty grain getting close on the former Milwaukee main line, along with several east bounds were meeting a vehicle train at Yellowstone so we set up where the Hettinger Sub crosses over the Forsyth Sub with the hopes of an over/under shot. Well it never happened.
In reality the V-BLULAU1-19 showed up under the bridge first, probably just 2-3 minutes too early. Just as it was almost out of the photo frame, the G-ANVVAW9-20 crossed over the bridge, just a little too late. Through the magic of Photoshop, we get to see what almost happened... but never did.
Photoshop is truly an amazing product with its ability to align and blend photos from two different cameras with two different lenses. The Grain train was shot with a Nikon D750 full frame with a 80-200 f2.8 lens on a tripod while the Vehicle train was shot with a Nikon D300 APS sensor with a 24-70 f2.8 lens handheld.
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En esta ocasión un trabajo con la olympus. La saltarina era muy muy pequeña con lo que incluso a 10x y estirando quedaba mucho encuadre vacío.
En esta ocasión olympus omd-em1 con Leica N plan 10x sobre fuelle. Lente de tubo rayona dcr-250mm. 83 disparos a 0.005mm con 0.6 segundos de exposición e iso 200. La diferencia de calidad respecto al sensor sony es evidente en este campo extremo.