X3 direct image sensor (aka Foveon)
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Mit 750mm KB zur Landschaftsfotografie.... Die Stimmung war durch den dichten Bodennebel im Naabtal und den anbrechenden Tag mehr als speziell und zum Glück hatte ich die lange Brennweite dabei. Auf Verdacht an einen Baum angelehnt, gezielt... und zum Glück traf der Aufofokus perfekt... Bereits im Kameradisplay lies sich erahnen, was da auf dem Sensor gelandet ist. Für mich ein absoluter Glücksmoment, als ich das Ergebnis dann auf meinem großen Monitor sah.
Finally, the temps feel like Spring as 2016's first Honey Bee (for me) visits an awakening Grecian Wildflower in my garden.
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
AKA Common sundew, round-leaved sundew, pyöreälehtikihokki (fin).
Taken with Canon FD 100mm F4 Macro + 50mm Extension Tube (1:1 Macro) / Full Frame Sensor / Natural Light / Lightroom.
Ich fuhr früh morgens mit meinem Motorrad zum nicht all zu weit entfernten Federsee nach Bad Buchau. Als ich dort angekommen war, war so gut wie nichts los und der Federsee war in einen dichten Nebel gehüllt. Ich lief in Richtung der letzten Plattform um dort den Sonnenaufgang auf meinen Sensor zu bannen. Es war ein sehr beeindruckender Ausflug.
Diese kleine Statue bewacht den Dorfeingang von Großmoor. Ist es eine Statue vom Höllenhund? Eigentlich sieht er doch ganz nett aus.
Das Aufnahmedatum ist falsch. Kameradatum stimmte nicht.
DSCF1964Lndi
AKA Lingonberry, partridgeberry, mountain cranberry, cowberry, puolukka (fin).
Taken with Canon nFD 50mm F1.4 / Full Frame Sensor / Natural Light / Unedited (.jpg export at Lightroom).
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
Supernova diffraction extreme.
I was trying to reproduce some cool lens flares, similar to what happens when doing astro photography and bright stars.
The number of diaphragm blades on your shutter when stopped down cause these star like spikes. Here my lens has 7 blades that causes 14 spikes. It's different for the # of intrusions into the light path.
What's neat about this is the reflections are also causing a hyperbola dot pattern as well due to the sensor.
I had fun with this one, HMM!
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
Direct sunlight reflected by face and camera, then via a mirror reflected back to the camera that registers only the strength of light, not its colours. The three points of interaction between photons and surfaces (face/camera, mirror, lens/sensor) must have reduced and modified the incoming light. Even when not taking into account that the final image becomes an image only when constructed in our brain, on a purely physical level the image can not possibly be a full representation of what is out there. It is a diminished representation - not of what "is" out there, but what "has been". Time is passing. The moment has gone. Photography is totally different from, say, painting. In painting, the act of painting is always in the present tense and the light is not received, it is created. Leica M246 Mono, Voigtlander AS 2.8/90, Olympus electronic viewfinder.
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
(Super Crop)
DISCLAIMER: This Snowy Owl was photographed from a safe distance, using a 600mm prime lens, with a 1.4 Teleconverter on a cropped sensor, which is a 1260mm equivalent. The image was also cropped in post editing.
Snowy Owl
The Snowy Owl (Bubo scandiacus) is a large, white owl of the typical owl family. Snowy Owls are native to Arctic regions in North America and Eurasia. Younger Snowy Owls start with darker plumage, which turns lighter as they get older. Males are almost all white, while females have more flecks of gray plumage.
For more info: en.wikipedia.org/wiki/Snowy_owl
20250521 LEICA M9 43
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion
A blown-up Siegfried Line bunker, now standing vertically in the forest due to the force of the explosion.
The standing part is actually the bunker roof.
Taken for Flickr Friday: Vertical
Esta vez lleva un filtro Zomei que sólo deja pasar las radiaciones de más de 950 nm. Como los sensores de silicio son sensibles hasta 1000-1100 nm se trata de una banda muy estrecha. En las anteriores fotos se colocaba como filtro un negativo (film) velado, que dejaba pasar el ultravioleta y parte de visible.
Ahora ya no aparecen colores. Observar lo oscuro que aparecen los cristales (vidrios) de los coches y casas.
We spent the weekend in Madeira Beach (near St. Petersburg, FL), and left yesterday right before they declared a mandatory evacuation. Hurricane Ian is headed that way and expected to arrive tomorrow.
This is from an Apple 48MP RAW format DNG file, processed in Lightroom (which doesn't have a profile yet for this sensor / lens).
This morning I conducted an experiment: I shot the same scene in quick succession with three digital cameras that use sensors of a very different make: the now almost ubiquitous CMOS type, the CCD type that was used exclusively in the first generation of digital cameras and Sigma's Foveon X3, which leads a niche existence.
This one was shot with an Epson R-D1x with an APS-C sized CCD sensor.
Overall, I find that this has the best colour rendering and best retains the nuances in the hues. None of the highlights are blown out (contrary to the CMOS sensor) and there are no strange colour shifts (as with the Foveon sensor).
Interesting that such an old and by now largely abandoned sensor design can still hold its own against much newer technology.
Sminthurides aquaticus springtails living a precarious existence on a common frog (Rana temporaria). Ignore the 90mm on the EXIF, this was taken using the 25mm Laowa super macro at 2.5X magnification on the sensor.
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion.
Home village pagoda in Trung Thuy Thuong Village - Dan Phuong - Ha Tay
In this time, i were here with a 16mm crop sensor to taken this, i hope next time i will be here with my coming 11mm super wideangle lens
Dan Phuong, Ha Tay, Vietnam
This photo is one of My 20 Favs +++
This is (the upper floor) of one of two churches of a small semi-alpine village, counting just over 1K inhabitants.
Initially erected in 1414, but later in part rebuild a number of times due to earthquakes, fires and storms and located in a remote, very rural area it still has it all, iconography in gold, oil paintings causally sitting on the floor, rugs, books laying around, even a small organ.
This was mid summer and afternoon, a couple of years ago, very hot outside and I was surprised that the church was even open. I'm not religious and certainly not in favour of ideology generally, but I grew into liking churches, if nothing else but for their historic significance.
Entering was a weirdly intense experience somehow, it was cool inside and felt kind of private; it was obvious that there is literally nothing going on, no mass no tourists no nothing, and the traditional tiled stained glass windows bathed the inside in a warm soft light creating beautiful shadows along the arched sides and ceiling.
I really like how these turned out in the equirectangular projection, and that's why I didn't add the respective tag for Flickr to make it interactive. (Well, Flickr does it anyway :|, ..c'est la vie.)
It was a truly special atmosphere and the silence was magnificent, so I did take my time to enjoy just that (after the panorama work).
Technically this is complete spherical panorama, consisting of 12 individual photos and a equirectangular projection yielded 10580 x 5290px, ~56MP. And I again did it with f/3.5, not sure why, except for one reason, which isn't really a good or necessariy one.
For getting a closer look without jumping into this interactive viewing modality, hit 'L' first and then '+' resp. left mouse button..
Nikon D90 (APS-C crop sensor / DX)
Samyang 8mm f/3.5 UMC FE CSII
ISO320, 8mm, f/3.5, 1/13sec (-0.3EV)
(thus 12mm full frame equivalent)
tripod with panorama head, remote
photons from the sun bounced off the moon then off us and again off a fisheye mirror to be focused through a lens to be recorded by a sensor - simple really - also additional light painting provided by a passing mercedes benz who's driver must have wondered why on Earth we were standing dead still staring at a mirror grinning as he passed