X3 direct image sensor (aka Foveon)
View allAll Photos Tagged sensor
The Samyang 6.3/300 mirror reflex lens (450mm on my camera sensor) is actually a long tele lens, but in my kind of photography it works very well for close-ups too. Fixed at F6.3, the lens allows me to focus on minute details.
Ich fuhr früh morgens mit meinem Motorrad zum nicht all zu weit entfernten Federsee nach Bad Buchau. Als ich dort angekommen war, war so gut wie nichts los und der Federsee war in einen dichten Nebel gehüllt. Ich lief in Richtung der letzten Plattform um dort den Sonnenaufgang auf meinen Sensor zu bannen. Es war ein sehr beeindruckender Ausflug.
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
.
Yesterday's fantastic clouds continued all the way to sunset.
Decided to take this one to the very edge of being able to look myself in the mirror as the description of the sliders sunday group says. And even then, I'm just peeking around the side of the mirror.
This is a pano created from 8 portrait orientation shots, hand blended in Ps. Each layer had to have its own color balance adjustment layer with lots of sliding. I'm always amazed that even with the camera set on manual everything, how differently the sensor will render hues from one shot to another, moving only millimeters from one to another.
After all that, the layers were merged up and that was copied. I used a technique from a youtube video by Calvin Hollywood to create a more dodge burned look.
(I know, Calvin Hollywood?)
It involves vivid light mode, inverting, blurring, merging down, changing blend modes, copying to accentuate effects. I had to write down the method due to my oh so wonderful memory.
Then into Nik Viveza for spot sliding using control points.
And some isolated dodging, burning, adjustments using luminosity based channels and masks.
And that's how you get to the point where you can look yourself in the mirror after editing, but only with one eye, and that eye squinting in embarrassment.
HANDLEY PAGE VICTOR XL231_Yorkshire Air Museum_former RAF Elvington
The Handley Page Victor is a British jet-powered strategic bomber, developed and produced by the Handley Page Aircraft Company, which served during the Cold War. It was the third and final V-bomber to be operated by the Royal Air Force (RAF), the other two being the Avro Vulcan and the Vickers Valiant. The Victor had been developed as part of the United Kingdom's airborne nuclear deterrent. In 1968, it was retired from the nuclear mission following the discovery of fatigue cracks, which had been exacerbated by the RAF's adoption of a low-altitude flight profile to avoid interception.
A number of Victors were modified for strategic reconnaissance, using a combination of radar, cameras, and other sensors. As the nuclear deterrence mission was given to the Royal Navy's submarine-launched Polaris missiles in 1969, a large V-bomber fleet could not be justified. Consequently, many of the surviving Victors were converted into aerial refuelling tankers. During the Falklands War, Victor tankers were used in the airborne logistics operation to repeatedly refuel Vulcan bombers on their way to and from the Black Buck raids.
The Victor was the last of the V-bombers to be retired, the final aircraft being removed from service on 15 October 1993. In its refuelling role, it was replaced by the Vickers VC10 and the Lockheed Tristar.
Wikipedia
AKA Cow parsley, wild chervil, wild beaked parsley, Queen Anne's lace, keck, koiranputki (fin).
Taken with Canon FD 35mm F2.8 TS / Full Frame Sensor / Natural Light / Lightroom.
.
.
Dati Tecnici
.
a) Fujifilm X-H1+ Anello adattatore FRINGER-EF-FXPRO2 + Canon Zoom Lens EF 24/70mm f.2,8 L USM:
b) Tempo 1/65s con apertura diaframma a f.4,8 +1,5 di stop in manuale (a mano libera);
c) Lettura Esposimetrica effettuata con esposimetro della macchina impostata su "Media a Prevalenza Centrale" ( ho effettuato 5 misurazioni a luce incidente con il Sekonic Dual Spot F-L778 con lettura impostata a 1° per confrontarla con la lettura che mi dava l’esposimetro della macchina, ho effettuato quella correzione di +1,5 di stop per recuperare alcun particolare nelle ombre e nelle penombre.
d) Impostazione nel corpo camera ISO/ASA 6400, DR (100%), Modalità AF (Area), WB Bilanciamento del Bianco (Auto), Simulazione Film (Provia Standard), Colore (+2), Nitidezza (0), Tono Alte luci (0), Tono Ombre (0), Riduzione disturbo (+1), Gamma Dinamica (Auto), Qualità Immagine (Fine), Filtro ND (On), Dimensione Immagine (3:2 - L);
e) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;
f) Prima Post-Produzione (leggerissima file quasi perfetto) per la correzione del bilanciamento cromatico/tonale (dopo la desaturazione) delle varie aree e zone di colore per compensare l’intensità di luce (ore 12,30 di ripresa) con Nikon Capture NX 2;
g) Seconda Post-Produzione con Adobe Photoshop CC per il bilanciamento delle zone d’ombra (Lievissima file quasi perfetto);
h) Post-Produzione di completamento con Nikon Capture NX 2 e CorelPhoto-Paint X5 per il completamento e la sistemazione finale del "Sistema Zonale".
.
.
===========================================================
.
Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
.
Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
.
===========================================================
Tutti i diritti riservati ©2022©2030 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
.
All rights reserved ©2022©2030 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
===========================================================
.
Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
.
===========================================================
.
Da Ascoltare guardando l’immagine e leggendo Ia poesia
.
Letter from a Friend - Carlos Viola
www.youtube.com/watch?v=8vEFnzC69Wk
.
.
Nella penombra tu sei la luce
.
Trattenerti non posso come vorrei in questo
abbraccio
chiudo gli occhi
mi lascio cullare
dal battito del tuo cuore
mi perdo nella tua dolcezza
tieni aperti i tuoi fari figlia mia io sarò qui al tuo
fianco nella penombra.
Ti lascerò viaggiare nella luce
tu sei la stella più fulgida. Nel cammino della vita i
passi ti condurranno lontano da questo abbraccio.
ma niente ci terrà distanti
io sentirò ancora il tuo odore di buono rimasto
tatuato nel mio cuore bambino
abbracciato al tuo.
………………………………..Maria Sapienza
.
.
In the twilight you are the light
.
I can't hold you as I would like in this
hug
I close my eyes
I let myself be cradled
from the beat of your heart
I get lost in your sweetness
keep your headlights open my daughter i will be here at yours
side in the dark.
I will let you travel in the light
you are the brightest star. On the journey of life i
steps will lead you away from this embrace.
but nothing will keep us apart
I will still feel your smell of good left
tattooed on my heart baby
hugged to yours.
………………………………..Maria Sapienza
.
.
Si ringrazia la scrittrice e poetessa Maria Sapienza per la concessione dei bellissimi versi.
.
We thank the writer and poet Maria Sapienza for the concession of the beautiful verses..
.
.
Winter of the Past - Crows Over The City (By Carlos Viola)
www.youtube.com/watch?v=tMrPiYc93Fk
.
===========================================================
.
.
Italiano
.
Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
.
Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
.
.
English
.
This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
.
These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
.
.
===========================================================
.
.
.
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
For example, I said that I was shooting in RAW mainly. True. However, I am just about to reserve one of my cameras for JPEG shots only. This is a JPEG shot done with the old X-Pro1 and a fast Fuji lens. The camera I am preparing for this will be the Fuji X-E2, also an 'old' (second hand) camera, but one with interesting features I am wishing to exploit. In fact, the equally old 16MP sensor is, in my view, one of the best ones Fuji has ever made. We'll see.
Nach vier Monaten einer angstrengenden aber guten Zeit....wieder unterwegs mit Kamera und meinem Freund Werner.
IMG_4969-Verbessert-NRhh
Die äthiopisch-amerikanische Künstlerin Julie Mehretu (*1970, Addis Abeba) ist eine der einflussreichsten Maler*innen der Gegenwart. Diese bislang größte Überblicksausstellung in Deutschland zeigt mit rund 100 Werken die ganze Bandbreite von Mehretus Schaffen, von ihren frühen, urbanistisch geprägten Linienzeichnungen der 1990er Jahre bis zu ihren jüngsten, spektakulären abstrakten Gemälden. Präsentiert werden auch zeitbasierte Medien, die von Mehretus Werk inspiriert sind, wie ein Musikalbum, ein Dokumentarfilm und eine Videoarbeit. Die Ausstellung zeigt Mehretus kreativen Prozess. Häufig geht sie von Medienbildern politischer Ereignisse und historischer Schauplätze aus und übersetzt diese in abstrakte Kompositionen, die sie mit Notationen, Übermalungen und Abklebungen überzieht. Mit einer Auswahl von Mehretus Referenzmaterial und teils nie gezeigten Papierarbeiten kontextualisiert die Ausstellung im K21 das konzeptuelle Denken hinter den Arbeiten der Künstlerin.
von Werner:
Ihr seht hier Metallrahmen, die jeweils zwei Bilder zeigen und die sich auf leicht durchscheinenden Trägern befinden, wodurch sich die auf Vor- und Rückseite befindlichen Bilder beeinflussen ... zudem setzen, je nach Standpunkt, das durchscheinende Fensterlicht oder Lichtstrahler, Akzente ...
Die Metallrahmen sind "Upright Brackets"
der Künstlerin Nairy Baghramian. Die Ergebnisee werden "Trans-Paintings" genannt und gehören zu ihren neuesten Arbeiten. Trump und und der von dem amerikanischen Oligarchen Peter Thiel in der Politik installierte JD Vance werden diese Bilder (weil "trans") sicher bald verbieten, als entartete Kunst.
Seit Monaten war ich wieder zusammen mit Werner fotografieren. Wir machten etwa das gleiche Foto vom gleichen Standort mit Kameras eines gleichen Herstellers und 2 verschiedenen Linsen und die Ergebnisse der jeweiligen Sensoren waren sehr unterschiedlich. Hildes Bild war quasi sooc brauchbar, die Ausgabe meiner Kamera war noch stark bearbeitungsbedürftig. Wir haben beide Arbeiten gemeinsam durch Photoshop gebracht und wollten sie gleichzeitig zeigen.
es war eine eine kreative wunderbare Zeit mit Dir ...und bei Dir Zuhause empfing und Deine Frau mit dem durft eines leckere Kuchens...
EXPLORED [# 122 Highest] on Flickr - 19 June 2011 - Thanks Everyone!
Total: 206 shots stitched together.
Total Duration: 2 hours.
Each shot is f/3.5, 30 sec exposure, ISO 100, focal length 18 mm. I did not use the "bulb" mode for a continuous 2-hour-shot in order to avoid excessive noise, sensor heating and over exposure.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
Pilze, und in diesem Fall meine ich in erster Linie die Großpilze, lassen sich auf unterschiedliche Weise in Szene setzen. Man kann sie mit einer längeren Brennweite vom Hintergrund loslösen und so die Aufmerksamkeit ausschließlich auf den Pilz und seine Strukturen und Farben legen. Man kann aber auch mit einer kürzeren Brennweite den Pilz in seinem Waldumfeld abbilden. Nun spielt er zwar immer noch die Hauptrolle, ist aber Teil einer Gesamtkomposition geworden. Letzteres habe ich mit dieser Aufnahme versucht. Zum Einsatz kam eine 22mm Festbrennweite, die am Canon APS-C Sensor 35mm KB entspricht.
Mushrooms, and in this case I primarily mean large mushrooms, can be presented in different ways. You can separate them from the background with a longer focal length and thus focus exclusively on the mushroom and its structures and colors. But you can also use a shorter focal length to image the mushroom in its forest environment. Now he still plays the main role, but has become part of an overall composition. I tried the latter with this recording. A 22mm fixed focal length was used, which corresponds to 35mm KB on the Canon APS-C sensor.
AKA Lesser Stitchwort, Grass-like starwort, Grassy stitchwort, Heinätähtimö (fin).
With a midsummer pyre in the background.
Taken with Laowa 60mm F2.8 Macro 2:1 / APS-C Sensor / Unedited (Straight from camera).
Just a simple candid street style Snap captured of some people arriving at a London Station.
I'm Just A Guy With A Camera From London And Some Place Else.
Many thanks for any "FAVES" or "COMMENTS" they're much appreciated.
Taken with Canon FD 50mm F3.5 Macro / 42mm Extension Tube (1.34:1 Macro) / APS-C Sensor / Darktable.
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
Taken with an old 6MP DSLR: Nikon D70 (2004)
Vintage Analog Lens: Nikon AF 70-210mm f4-5.6 (1987)
(Press "L" or click on the image for a large view).
Location: Smyrna Dunes Park, New Smyrna Beach, Florida).
Thanks for your visits, comments, faves, and views.
AKA Wood Anemone, Valkovuokko (fin).
Not as bad as I expected in close up photography. Very soft of course with busy bokeh, but those things are opportunities.
Taken with Makinon 35-70mm F2.8 / Full Frame Sensor / Unedited (Straight from camera).
Category: Panoramic Shot
IG: victorlimaphoto
Story:
Captured in the heart of the Jalapão region, this panoramic nightscape reveals the raw beauty of Brazil’s Cerrado under a pristine Bortle 1 sky. Dominating the scene is the luminous arch of the Milky Way, stretching from one horizon to the other, its core glowing with interstellar dust, emission nebulae, and countless stars. The reddish tones near the galactic center are enhanced by the use of a modified sensor, revealing prominent H-alpha regions like the Lagoon and Trifid Nebulae.
To the right, a striking column of Zodiacal Light rises—sunlight scattered by interplanetary dust—perfectly aligned with the ecliptic. Subtle green and red hues of airglow add a surreal touch to the lower sky, interacting with the warm tones of the dunes and the reflecting waters of the meandering stream. Buriti palms and native vegetation complete the composition, grounding this celestial spectacle in the unique landscape of the Brazilian savanna.
This image is not a blend but a multi-frame panorama, precisely captured to preserve the spatial relationships of both the terrestrial and astronomical elements. A technical and artistic tribute to one of the darkest skies in South America.
EXIF:
25/06/2025 19:46h
Canon 6D Ha Mod / Sigma Art 20mm f/1.4
18x 13sec / f:1.8 / ISO 5000
Hello every one .. i am having serious problem with night shoot .. why do my night shots have noise ?!
Once a residential tower on Lambeth Embankment, Core Assembly became part of the propulsion network driving Earth’s evacuation. Sensors still record faint magnetic activity within the structure. Part of my 'Broadcast from the future' project. See more at davidtravisphotography.com/blog/exodus.html
The magic of a high-end camera sensor: ISO 32,000, handheld (above my head no less), no stabilization in a vibrating airplane... and it still manages to produce a usable photo. Bearing down on the Croatian towns of Petrinja (left) and Sisak (right), back in Yugoslav times one of the country's main industrial powerhouses. Indeed, even today, quite a bit of Croatia's automotive fuel is produced by the Sisak Oil Refinery, visible above the right hand PFD...
Even though there is a little bit of blue sky, it was pretty dark (for afternoon), very dim light. The weather was coming from behind, super dark low clouds and it was just minutes before it started raining. That's one of those 'just do it' panoramas, but I took the chance despite the light cause it's not the old days anymore, this is besides a well-trodden path and so when the weather is nice, it's ..touristy by now. 😕 Would like to do this location with better conditions one day, the lake takes on all sorts of beautiful green tones (at least on the visible spectrum) due to the forest around.
Source for this is a 4 piece panorama, 12567 x 5520px, ~69,4MP, but cropped a little, to give the lake center stage.
There is some fringing going on against the sky (not a huge fan), which is in part due to the lens I think, but I'll spare you the rant.
It was also the time when I (finally) decided to jump on AdobeRGB as long as I'm lossless with the D3300, ran the D90 with an sRGB chain for IR.
Monochrome conversions turned out nice, did not offer anything distinct however, were just like regular b&w. Overall, field of view is about 180°. 👀
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep yellow 4x (15, G) filter
ISO100, 13mm, f/8, 1/160sec
(therefore ~20mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
オリンパス : 街拍 : 45mm f/1.8
digital tip jar: buy me a coffee
© All rights reserved. Please do not use this image on websites, blogs or any other media without my explicit written permission.