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Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
Finally, the temps feel like Spring as 2016's first Honey Bee (for me) visits an awakening Grecian Wildflower in my garden.
I don't recognize this plant.
Taken with Canon nFD 50mm F1.4 / 17mm Extension Tube / Full Frame Sensor / Natural Light / Unedited (Straight from camera).
For example, I said that I was shooting in RAW mainly. True. However, I am just about to reserve one of my cameras for JPEG shots only. This is a JPEG shot done with the old X-Pro1 and a fast Fuji lens. The camera I am preparing for this will be the Fuji X-E2, also an 'old' (second hand) camera, but one with interesting features I am wishing to exploit. In fact, the equally old 16MP sensor is, in my view, one of the best ones Fuji has ever made. We'll see.
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
AKA Scentless false mayweed, scentless mayweed, scentless chamomile, wild chamomile, mayweed, false chamomile, Baldr's brow, peltosaunio (fin).
Taken with Canon FD 85mm F1.8 / APS-C Sensor / Natural Light / Lightroom.
Pilze, und in diesem Fall meine ich in erster Linie die Großpilze, lassen sich auf unterschiedliche Weise in Szene setzen. Man kann sie mit einer längeren Brennweite vom Hintergrund loslösen und so die Aufmerksamkeit ausschließlich auf den Pilz und seine Strukturen und Farben legen. Man kann aber auch mit einer kürzeren Brennweite den Pilz in seinem Waldumfeld abbilden. Nun spielt er zwar immer noch die Hauptrolle, ist aber Teil einer Gesamtkomposition geworden. Letzteres habe ich mit dieser Aufnahme versucht. Zum Einsatz kam eine 22mm Festbrennweite, die am Canon APS-C Sensor 35mm KB entspricht.
Mushrooms, and in this case I primarily mean large mushrooms, can be presented in different ways. You can separate them from the background with a longer focal length and thus focus exclusively on the mushroom and its structures and colors. But you can also use a shorter focal length to image the mushroom in its forest environment. Now he still plays the main role, but has become part of an overall composition. I tried the latter with this recording. A 22mm fixed focal length was used, which corresponds to 35mm KB on the Canon APS-C sensor.
AKA Lesser Stitchwort, Grass-like starwort, Grassy stitchwort, Heinätähtimö (fin).
With a midsummer pyre in the background.
Taken with Laowa 60mm F2.8 Macro 2:1 / APS-C Sensor / Darktable.
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
This is the first of a series of images taken in showery weather in fields above the Black Forest village of Riedöschingen.
They were taken with a Fuji X10 fixed zoom lens, small sensor camera. This camera was introduced in late 2011.
RAW files, lightly edited.
Recently I took advantage of a Nikon holiday sale and picked up a new 70-200 f2.8 S lens, and so far I'm loving it. One of the first trains to enter my sensor via the new glass was this L529 with a relatively mundane lashup; CN 4713 & IC 9607 ahold of about a thousand feet of traffic for industries along the Weston Sub.
Went to a local park today at lunch to take a photo of the rushing water contrasted against the frozen water. The long exposure made me realize how dirty my sensor is. Should probably clean that.
I think I'm going to try to do a photo a day. I need to get myself out shooting more.
Day 2 of 365
Photos at circus
I like to go to circus it's always a lot of fun and people of circus need us, so I encourage everybody to go to circus.
About the photo, I used the Tamron 70-180 F2.8 VXD to test it in a very difficult light environement and I was sooooo happy with it. It is soooo sharp even full open at F2.8 with a 43Mp FF sensor, and AF is sooo fast even in a diffcult light, I didnt miss one shoot.
Let speak about the circus and this artist, the circus is called "le crique Franco Belge" and this artist was doing a performance with the rings. Please zoom in to see more details in the photo.
Photos au cirque
J'aime aller au cirque, c'est toujours très amusant et les gens du cirque ont besoin de nous, alors j'encourage tout le monde à aller au cirque.
A propos de la photo, j'ai utilisé le Tamron 70-180 F2.8 VXD pour le tester dans un environnement lumineux très difficile et j'en suis super content. Il est tellement piqué même complètement ouvert à F2.8 avec un capteur FF de 43Mp, et l'AF est tellement rapide même dans une lumière difficile, je n'ai pas manqué une seule prise de vue.
Parlons du cirque et de cet artiste, le cirque s'appelle "le crique Franco Belge" et cet artiste faisait une performance avec les anneaux. Veuillez zoomer pour voir plus de détails sur la photo.
(_DSC0188_DxO_1+2pan-DNclrm50v4-DNsnm+6-SHtsnm50v3+)
I couldn't resist another look at Senior SPAN sensor equipped
'Kimi 01' aka Lockheed U-2S Dragon Lady 68-10337 returning to Fairford in 2020 after a near 11 hour mission
276A3302
An evening thunderstorm moves off the coast of Delaware, just south of the Indian River Inlet Bridge and Delaware Seashore State Park.
The sunset to the west was brilliant with its own color, but my attention quickly turned to the east and the vast view of the Atlantic Ocean where a spectacular lightning show was taking place. I rode my bike over to the beach and managed to get a few photos of lighning strikes on the horizon. This one was a long shutter from the sand dune along the North Inlet beach. On the right is Coastal Highway DE-1 and the Indian River Inlet Bridge.
During the exposure, besides the large bolt of lightning, cloud bursts lit up the sky over the bridge causing unique shapes to be caught by the sensor.
Perhaps my closest "storm chasing" moment but the location, timing, and lack of rain all lined up pefectly. I was pleased with several of the photos I captured, but overall enjoyed watching the magnificent display of nature.
AKA Wood Anemone, Valkovuokko (fin).
Not as bad as I expected in close up photography. Very soft of course with busy bokeh, but those things are opportunities.
Taken with Makinon 35-70mm F2.8 / Full Frame Sensor / Unedited (Straight from camera).
An adult male Icius hamatus found in my garden.
I hope you like it and I thank you for your visits, faves and comments that are always very appreciated!
Handheld stack at 2:1 magnification on MFT sensor (as usual not cropped) and diffused Meike MK320
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
Bij het uitrijden van de Antigoontunnel werd deze ECR Traxx met Transfennica sleep in een fractie van een seconde stilgezet. Hierop mocht de trein als een combinatie van ‘1’ en ‘0’ zijn weg veder zetten vanaf de sensor richting SD-kaart.
Fuji-san or Fujiyama or Mt. Fuji from Lake Kawaguchiko.
The last frame of the best afternoon/evening by the lake... While some cloud in the middle of the day would have provided some interest in the sky, the golden hour colours made up for it.
This wasn't the last fame taken but by now we were having to walk really fast back to the other side of the lake and the bus station. The later frames had still more colour but the foregrounds were way less interesting.
Hope you've liked this collection - but it was an interesting exercise to see how each frame could be made different with just three elements - sky, volcano and lake.
Fuji X-H1, XF18/2, 1/20th sec at f/6.4, ISO 400 - handheld.
"No Filters!"
But of course filters are used, if I have a look at my cameras' settings, I'll discover all sorts of neat little adjustments. Digital adjustments which control the built in "filter" imbedded on the sensor. Camera phones included.
Another question I sometimes I ask myself.....Can anyone tell me "Why do sunsets have to be in color?". Nothing wrong with color, I love color imagery. We punch it up with our articificial software, adding more filtration beyond what our artificial camera/sensor provides (they ALL have built in filters btw, phones included) creating artificial scenes, which is fine if expressing an artitistic interpretation, but then many are then used to promote tourism.....are they *realistic* as to what any givien person would actually see? When we do this, are we bordering on "false advertising"?
Kinda like back in the days of airbrushing the models that appear on the magazine cover....it's fake. The only way to appreciate a scene is to acually see it with ones' own eyes....other than that, it's all "fake news". lol
And yes... I include my own images, but I never make any bones about it.... I'm an artist first, everything else is then my interpretation of what I see with no representation of "Come see this..." ....because it doesn't exist except of course, in my own mind. lol
Image was taken last night in front of our home as the sun was setting. Happy Sunday!
Based on 1980s De Havilland Canada DHC-8-100 Dash 8 regional airliner - provides Royal Canadian Air Force and allies with navigation, tactics, surveillance and search-and-rescue (SAR) training for Air Combat Systems Officers (ACSOs) and Airborne Electronic Sensor Operators (AESOPs) - operated by 402 Squadron, Winnipeg, Manitoba
www.canada.ca/en/air-force/services/aircraft/ct-142.html
skiesmag.com/news/voyageur-aviation-lands-contract-upgrad...
en.wikipedia.org/wiki/De_Havilland_Canada_Dash_8
www.planespotters.net/airframe/de-havilland-canada-dhc-8-...
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Two Pratt & Whitney Canada PW100 turboprops
en.wikipedia.org/wiki/Pratt_%26_Whitney_Canada_PW100
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Large nose radome - CT-142s are informally nicknamed 'Gonzo' after Muppets character
en.wikipedia.org/wiki/The_Muppets#Characters
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Hamilton Air Show at Hamilton Munro airport (YHM), sponsored by Canadian Warplane Heritage Museum (CWHM)
en.wikipedia.org/wiki/Canadian_Warplane_Heritage_Museum
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Nikon D300 + Nikon Nikkor 18-135mm 1:3.5-5.6 G ED-IF AF-S DX
en.wikipedia.org/wiki/Nikon_D300
www.dpreview.com/reviews/nikond300
www.kenrockwell.com/nikon/18-135.htm
www.opticallimits.com/nikon--nikkor-aps-c-lens-tests/241-...
_DSC2945 Anx2 1024h Q90 f25
SH2-308 is an expanding bubble of oxygen that has been ejected from Wolfe -Rayet star WR 6 (the blue star in the centre of the image).
I plan to add hydrogen as well as more oxygen data.
Location: Blairgowrie, Victoria, Australia
Scope: Takahashi 130 TOA NBF refractor, focal length 1000 mm
Camera: mono ML16200 with a Loadstar X2 on an Astrodon MOAG off-axis guider.
Acquisition:
7 x 1200 sec on an Astrodon OIII 3nm filter
10 x 60 sec RGB (for the stars)
Sensor temp: -30
I found these traffic cones at a nearby shopping mall and though they were quite photogenic with thir way they had been randomly placed. I tried several compositions and this particular one looks bit more pleasing to me. As I need more depth of field to bring the traffic cones from the far disance to the focus, a small sensor equipped Fuji F20EXR should do the job.