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This is one of my images from Samsung’s championship of speed. Recently I took part in Samsung’s championship of speed. The event was geared towards showing of all the speedy attributes of the Samsung NX300. Samsung invited 30 Photo / Fashion / Tech bloggers from all over europe to the UK to try out the NX300 and capture a series of images based around speed. The NX300 is an compact interchangeable lens camera with a a APSc sensor (Same size as most DSLRs), once you have prime lens on it fits in your pocket. If you want to know more about the camera read my full review on the NX300.
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THE DUSTBUSTERS…
We ALL have them, we ALL need them... anti static, natural or artificial fibres...
Dust on the screen, dust on the scanner, dust on the keyboard, dust on the camera, dust on the lens and OOOOOOPS.... dust on the sensor...
A series of ‘loose’ subjects.
It can be anything, just seeing different scenes that attracted my attention.
But you ALSO have the bigger gear, for house and garden!
LOL, thank you, M, (*_*)
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brooms, wall, rake, feathers, plumes, colourful, brushes, dusters, textures, shapes, sizes, studio, black-background, colour, design, square, NikonD7000, "Magda indigo"
Fresh photos, taken this past weekend! It's been warm and sunny, there was a lot of work to be done - planting potatoes and clearing dry trees. It's never boring in the countryside, even if you move to a big city. :D
Taken with Pentax K100D Super digital camera, with smc Pentax-DA 18–55mm F3.5–5.6 AL lens. Slightly cropped to fix unlevel horizon.
Six megapixels from the CCD sensor means there's not a lot of data in the first place, and it's not a high-quality data to work with – dynamic range is narrow and noise starts to creep up quickly. But the colours are nice! I've dug up this ancient DSLR to see how outdated it is. It feels quite outdated, from the small viewfinder, and sluggish operation, to the use of AA batteries. Fun camera to use from time to time, but definitely not for daily use.
The Moon taken with a AZ4 mounted Skywatcher ED100 Refractor with a Canon 60D at prime focus ( 900mm ). The true focal range is in reality 1440mm as the sensor in the 60D is cropped and you must multiply the focal length of any lens or telescope by x1.6 to get the accurate focal length. To answer quite a few questions recently the lunar image only fills about half the sensor/ field of view even at this focal length on a cropped sensor and I crop the the image to only 2300x2200 pixels to get a decent whole disk size, I then usually enlarge this to 3000 pixels for posting here. I also have a 6D which is full frame but the image is so small that by the time it's enlarged it's marginal resolution benefit over the 60D is lost and the lunar images produced by the 6D at this focal range are always inferior to the 60D's, this also applies to solar images as well as the Sun is about the same angular size in the sky as the moon despite being 400 times further away from the Earth.
This may or may not be kinda badass. We've got a bunch of varmints here in Lower Alabama, and I'm curious about what skulks around in the night. This thing has 6MP resolution at its best and can be programmed to shoot one to nine shots every time the IR motion sensor is tripped. It also can do video. The flash is supposed to reach out to 50 feet, and from testing in the living room, it's bright as hell.
Too bad it doesn't shoot RAW....
I'm too tired and lazy to strap it to a tree today, but tomorrow we'll see what happens.
Chinese brand of lens manufacturer 7Artisans has a 10mm focal length fisheye lens for cameras with full frame sensors.
The angle of coverage is very wide, 178º, in fact, in this test photo you can see my Nikon Z 7 II camera with that lens on the far left of the mirror.
It is marketed with different mounts, including Nikon's Z mount.
It does not have any electronic connection pin, so there is no communication between the camera and the lens, therefore the focal length or aperture parameters may be wrong or non-existent.
Obviously, the focus and aperture are done in manual mode (M), although you can interact with other camera parameters such as exposure time or ISO sensitivity.
You can also use that new function that many advanced cameras have, such as the so-called "focus contour" (or "focus peaking").
I appreciate the explanations that Flickr member Mali Davies makes in his Youtube video regarding this lens.
Photo taken in Pozuelo de Alarcón, Madrid, Spain.
PRIMER TEST CON LA NUEVA LENTE OJO DE PEZ, 2023
La marca de fabricación de lentes, de origen chino, 7Artisans, tiene una lente ojo de pez con una distancia focal de 10mm para cámaras con sensores de formato completo.
El ángulo de cobertura es muy amplio, de 178º, de hecho, en esta foto de prueba se ve mi cámara Nikon Z 7 II con esa lente en el extremo izquierdo del espejo.
Se comercializa con diferentes monturas, incluida la montura Z de Nikon.
No tiene ningún pin de conexión electrónica, con lo que no hay comunicación entre la cámara y la lente, por tanto los parámetros de distancia focal o de apertura de diafragama pueden ser erróneos o inexistentes.
Evidentemente el enfoque y la apertura de diafragma se hacen en modo manual (M), aunque se puede interactuar con otros parámetros de la cámara como son el tiempo de exposición o la sensibilidad ISO.
También se puede usar esa nueva función que tienen muchas cámaras avanzadas como es el llamado "contorno de enfoque" (o "focus peaking").
Agradezco las explicaciones que hace en su video de Youtube el miembro de Flickr Mali Davies en relación con esta lente.
Foto tomada en Pozuelo de Alarcón, Madrid, España.
This is a tower located at the summit of Mt. Washington and it has many sensors and tech for the weather observatory.
Taken in NYorks, UK.
*The EXIF has no lens info. as I used a Samyang manual only 10mm - which is 15mm on my cropped sensor X - T10. There is no electronic communication between the two. In future, I will just add Samyang here so that your viewing of the shot is a little better informed :-)
Please try the UP arrow @ top right (or L)
Sincere thanks to all who view, comment upon or make a favourite of my shots, for each is a help and pleasure in equal lmeasure.
I decided to try shooting the hawks with my z50, considerably less expensive than the z9, but crop sensor. Here is the thing. Of 10 shots this one is the most in focus, really the only one in focus of the birds eye. But damn! Look at it! Not bad compared to the z9. The crop sensor helped more than I thought it would. The birds are sitting low right now, will try again later when they might be stretching a bit.
This is an other picture of our new campaign for next summer.
I took it last week at the upper terrace which is on the top of our office in Varanasi (Benaras).
Anand who is our favourite model is holding a cushion in white linen with an embroidery made of flowers and swirls and matching with the throw in the background.
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Tropical Checkered Skipper (Pyrgus oileus) - Glenn Garrett Memorial Park boat ramp, Ingraham Highway, Homestead, Florida
Sometimes after I've shot a bit of video, I forget to change the ISO back to "normal", and I get crazy settings like 1/3200 @ ISO 1600 in my stills. But amazingly (with the Sony anyways), it seems to produce acceptable images in spite of that!
Don't be thinkin' you'll get away with that with Canon sensors!
Not bad for coming straight out of camera. Pre-rotated shot and trimmed for a 16:9 and still 6400px wide. Effective focal length of 640mm on crop sensor. Spectator vantage point 8'-10' away from the fence I had to shoot through. Glad it was overcast :P
I generally do not put full size images up here but figured 'why not' for anyone that wanted to see what the camera can do.
Admittedly, there was an issue with focusing that was not really revealed (that I could not fix) until after this event so I had a helluva time with this camera. I have since (I think) rectified the matter but have not had a chance to really test it. Was not really a fan of the 400 f2.8 mkIII and how it focused. Much prefer the way the mkII focuses but could have also been user-error. Ok, likely was user error. Note to self: Don't show up to a major event with brand new kit that you've never tested. Still got hundreds of keepers though.
I also learned that I cannot underexpose by 2/3 to 1 stop as I would like to with this sensor because it's too dark. Dynamic range is definitely better than the 7DmkII but the dark areas are a little to dark. My concern with that is I will have to compromise on the highlights a little bit because the darks are so dark and not so sure I want to do that. Nevertheless, I figured I'd put-up what I got straight off the camera because for the price of this camera (and quality glass), it's pretty darn good.
There is no editing done to this other than the crop and converting the RAW to RGB. Settings like contrast, sharpness were set in-camera so what I shot is what I got.
Definitely a little crunchier for my tastes with the noise than what I'm used to getting from my 5D mkIV but overall, decent. Jury is still out though on whether the 90D is viable for me to use. Not a fan of crop sensors and how they cut-into/trim the perspective-feel/look compared to a full frame. Time will tell after some more testing and using the 300mm f2.8 and what I can get.
Turner Motorsports BMW
GTD Class Winner
2019 - IMSA WeatherTech Sportscar Championship
Motul Petit Le Mans, Michelin Raceway Road Atlanta.
Portrait of me beside the Nimbus temperature sensor for NWS records, installed with the help of my National Weather Service supervisor. Cabled sensor sends data to readout console in the house, senses temperatures from -99.9° F to 120.9°.
La foto con sensor desnudo se parece al efecto "orange-teal", si nuestro ojo fuera igual que un sensor de cámara de fotos, veríamos el entorno así.
South West France: Nice to visit on a warm morning...
Playing with crop sensor settings on the full-frame D800
With really warm temperatures, our workshop students' cameras were running a little hotter than normal. No, their cameras were not exploding but I did have a little fun with it in this single exposure image captured in Arches National Park.
How I Got The Shot
This is a 20 second single exposure image where I shot for about 15 seconds with the camera locked on the tripod before releasing the camera for the final 5 seconds. During this last 5 seconds, I moved the camera free-hand using the lighted LCD screens to make the smoke.
2020 Workshops Released
2020 events were just recently released so they all have spots available. Check out the exciting events at NightPhotographyWorkshop.com and be sure to use discount code "EARLYBIRD" for a 20% discount on workshop payments through the end of September. Our feedback is great so claim your spot today!
Willy the dog in Guernica, Pais Basco, Spain, summer 2011
Original shots taken with an Agfa Silette LK Sensor 35mm camera, Color Agnar 45mm f2.8, 24x36mm format on some 100 asa film, light post processing.
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From my recent shoot with Ellie
See camera on YT - youtu.be/KvP_R_EXjgs
Hasselblad H3D-39 + HC 100mm f2.2
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Google Translation
AGFA first used this mechanical support of the trigger force with the red trigger on the Optima 200 sensor from 1968. The purpose was to avoid camera shake by using a lower trigger force. This red trigger then became the trademark of all AGFA cameras. In fact, people even tried to transfer this symbol into the digital age.
Here I show a few late specimens, some of which were produced in Japan.
German
AGFA setzte diese Mechanische Unterstützung der Auslösekraft mit dem Roten Auslöser erstmals bei der Optima 200 Sensor von 1968 ein. Der Sinn war durch eine geringere Auslösekraft Verwackelungs-Unschärfe zu vermeiden. Dieser Rote Auslöser wurde daraufhin das Markenzeichen aller AGFA Kameras. Tatsächlich versuchte man dieses Symbol sogar in das Digital Zeitalter zu übertragen.
Hier zeige ich ein paar späte Exemplare deren Produktion teilweise schon aus Japan kam.
Mark Murphy in his family's P-51D taking off for home after the conclusion of the Quonset Point airshow.
Any time you get a new lens there is a learning curve. For me, the new Nikon 500mm F5.6 PF is a great lens, especially given its small size and light weight. It is easily hand holdable. It focuses well in low light and the VR seems to work great. For me, the learning curve involves improving my hand holding skills as the narrow view angle on the lens makes it susceptible to hand shake, movement, etc. I think I am getting better at it. This little fellow, a male house finch, sat still for a portrait or two. It was raining (see the little streaks of raindrops) and the light was fading rather quickly. I was able to get a fairly crisp shot at 1/320 second. The 500mm lens coupled with the D500's crop sensor gave me an effective focal length of 750mm. I could not fit the entire bird into the frame and the image is slightly cropped to get rid of some dead space at the top. The background colors are the browns and reds of scrub oak taking on their fall colors. I love the tiny little water droplets on his head.
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