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Alright everyone here is your first glimpse of my version of the 20-T Conveyex.
The engine is more or less complete. It was designed to house two motors and all the gear work to make this beast actually drive!
I have an order coming in with enough parts to make about 4 feet of track :D
Next is to tackle the first hopper (which will contain the battery pack and sensor) and to work on the support struts to hold up the track.
Once I am done this will be my first submission into Lego Ideas!
Come join me on
Keep Dreaming in Bricks!
Statue of businessman and President of the Tennessee Centennial and International Exposition in 1897. Located at Centennial Park in Nashville, Tennessee. ~ www.waymarking.com/waymarks/WMGDWM_John_W_Thomas_Nashvill...
Vacation Day, 03/6//2022, Nashville, TN
Leica Camera AG M Monochrom
Canon 35mm f2.0 LTM
ƒ/4.8 1/3000 800
DC's own Sensor Ghost playing in Lost Origins Gallery in Washington, DC's Mount Pleasant neighborhood.
Amazing. I finally cleaned my sensor and I'm overjoyed with the clean skies! This is pretty much right out of the camera, no cloning out dirt spots. Taken in Felicity, CA, just this side of the Arizona boarder.
The first thing to say is that each electronic sensor has a protective filter over it, so we are not actually touching the electronics. That would be a disaster. Most people send the camera off for a service and a clean and that's a very good idea. After all this is an expensive investment and we want to make sure our camera works as well as possible for as long as it can.
But, it is quite easy to clean your sensor at home. All you need is a kit (like the one I've shown). This includes sealed sterile swabs and a little cleaning fluid (they are essential - do not try to clean your sensor with a cloth where you can scratch the dust into the sensor filter). There are also many videos on YouTube showing you how to use these dust cleaning swabs, but provided you get the right size for your camera (mine is full frame) a simple swipe will suffice.
For a DSLR you obviously need to lock your mirror up before the clean, and then lower it immediately afterwards. Then with the other side of the swab give your mirror a quick wipe as well. Do not apply too much pressure. After all, these are only tiny dust particles - you should not have any dirt.
My Leica D-Lux 7 which I used to take these pictures has a fixed lens, so it will never need its micro-four-thirds sensor cleaned.
Introduction to CMOS Image Sensors
evidentscientific.com/en/microscope-resource/knowledge-hu...
Factory Butte Utah BLM Lands Panorama Fine Art Aerial Drone Photography DJI Mavic Air 2S 20mp One Inch Sensor Fluvial Erosion Patterns DJI FC3411
22.4 mm f/2.8 Camera! Epic Panorama! Fine Art Abstract Landscape Desert River Washes Abstract Veins of Erosion McGucken Art
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Sensor X3foveon, cámara sd1 Merrill y lente sigma 15-30 ya veterana.
Todas las fotografías del volcán y su laguna realizadas con está cámara, con archivos que van desde los 45 mb hasta 58 mb.
2 of 2 new toys. Looking for flare and sensor bounce. Both are reasonable, one small flare lower left of sun. Increasing contrast higher than normal does show some weak sensor reflections. Pretty good for my tastes. Rendering is very appealing to me, great, love it.
At 66, it is art right? It's like everything else in life, you develop an appreciation of your liking. I'm new to this but I think barrel distortion is appreciated, and a little mid frame fall off, nice in this over bright digital world, can be restful. Again, to me, subjects at this angle need to be an element in the group.
Once I find my focus spot, This will be a great addition to my light lens combinations taken on backpacking trips. 12 - 35 is great point and shoot focal lengths. 50 and above require focusing skill I yet to perfect and don't know if possible due to failing visual acuity. (It's not the equipment) When I take my zooms, I tend to be at one extreme or the other. Though I adore my 12-24 f4, it is heavy and bulky for walking chest mount. These eight ounce high performance lenses are nice. On a 2 pound budget, that could mean 4 lenses. Work that into your cross country photo shoot plan. Seems to me, Adams had 3 focal lengths, 35, 50 and 85. I like 12 to 35. The 90 is my Le Conte Canyon lens. On most trips for 2022 I'll take 12, 21, and 35 primes except for the End of Road to MTR via Lake Basin leg when I'll take the 90.
Both lenses , the 90 and this 21, together weigh 1 lb 2 ounces. :)
The Gharials or Gavials (Gavialis gangeticus) are pure fish eaters, though a crab or two may be unlucky to be swallowed by these majestic river dwellers. They are the kings of few North Indian rivers, especially Ganges! Since they spend most of their time in water, their eyes are telescopic, placed well on top of their heads. This allows only their periscope-like eyes to come out of water when they surface. Also notice the thin translucent membrane called as 'Nictating Membrane' that is there in the frontal part of the eyes, ready to move backwards to protect the eyes once the animal is submerged. This acts as a water-screen or swimming goggles, which improves the vision of the submerged gharials. This morphological adaptation is there in all 23 crocodilian species around the world!
Seventh Sense: Note that their eyes with vertical pupil are bordered with small pressure sensors (clearly visible in the lower eyelid) that appear like dark spots. With these, they are able to assess the changes in water pressure around them and gives them better navigation and fishing efficiency even in darker and murkier waters, where vision might not be of great assistance. Moreover, these pressure sensors sense the movement of fish and other elements around their mouth (since their jaws are ridden with several of these), leading them to accurately catch fish. Even though this is an extension of touch mechanism, but can be recognized before touching something, since the fish are too smart to swim close to or touch a hungry gharial. The fish have a "lateral line" running along their body from mouth to tail that acts as their pressure sensing mechanism.
Fishing Strategies: Since both prey and predator have these, the predator has 3 strategies. It either waits without any movements for the fish to swim close by to swiftly snap shut its mouth and get its meal. Otherwise, it frightens and chases fish to nooks and corners close to the river beds and bends. Once they are trapped between its huge body and the bank, it feasts on them. The third way is to capture the overconfident huge fishes that do not care about the presence of this huge reptilian in their vicinity.
The dark slit behind the eye is its ear, which also is shut in a watertight manner after diving.
Slightly sensored for social media :-)
Not perfect, but I think it's at least better than putting on a star or white paint...
Hope to get book and ebook of Aijule out this weekend.
Got a rather long BTS video from this weekend: youtu.be/mdSjQcJuzTk
APS-C and 35mm sensor cleaning kits came in the mail this week, photographed on white paper.
Nikon D200
Tokina AT-X SD 80-200mm f/2.8 AI
Lit with 1 Vivitar 285 bounced from the wall
Agfa Optima 1535 Sensor • Agfa Paratronic Solitar S 1:2.8/40
Ilford Pan 400 film developped in Caffenol CLCS 80min @15°-20°C
Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio
Luxembourg
Caffenol CLCS
500 ml Filtered Water
8gr Anhydrous Washing Soda
5gr Vitamin C
0.5gr KBr
20gr Instant coffee ("Cora")
60 sec. slow agitations then let stand for 79 minutes
Camera: ATIK 383L+ sensor -25°C with Atik EFW2
Optics: Takahashi FSQ85 ED “BabyQ”
Filters: Baader 2″
Exposure time (seconds):
SII: 5x1800 bin 1×1
HA: 6x1200 bin 1×1
OIII: 4x1800 bin 1×1
Guiding camera: Starlight Xpress Lodestar on TS-OAG9 off-axis guider
Place: Fontecorniale (PU) Italy
Date: 15-16/09/2012
Agfa Sensor Cameras
Agfa Silette LK Sensor
Agfa Optima 200 Sensor
Agfa Optima 500 Sensor
Agfa Selectronic Sensor
Agfa Selectronic S Sensor
Agfa started that series in the early 1970ies, the new identifier of all models was the red-orange dot as shutter button, a feature Agfa used successfully for all following cameras. The name "Sensor" refers to that shutter button, the new design should guarantee a very soft and shake-free release.
All models share basically the same body, which includes another characteristic feature: with the film advance lever at the bottom also the exposed film has to be rewound. Furthermore the exposed frames have an extra container in the film chamber, so they are protected when the door is opened accidentally.
Other shared characteristics are a manual focus lens with the minimum focus distance of 1 m, an f-stop range from f/2.8 to f/22 and the lack of a filter thread. All models have an exposure meter, a bright frame viewfinder with parallax marks, a cable release thread (due to the red button it's on the back), a hot shoe, a tripod bush and a frame counter at the bottom, which has to be reset manually.
In the mid 70ies these cameras were replaced by the very compact Optima Sensor Electronic models, which kept some features like the peculiar rewind mechanism.
The models in detail:
The Silette LK is clearly the budget model, fully manual and fully mechanical (no battery required), 3-element 2.8/45 Color-Agnar lens in Parator shutter, unlike the other models the lens barrel is plastic made. Shutter speeds from 1/30 to 1/300 s and B, coupled exposure meter with Selenium cell whose needle is visible in the viewer and on top, ISO range from 25 to 400.
Optima 200: 3-element 2.8/42 Color-Apotar lens in Paratic shutter, zone focusing. Like all previous Agfa Optima cameras the Optima 200 has a programmed automatic exposure, in the viewfinder a red/green signal displays sufficient light. Shutter speeds from 1/30 to 1/200 s. A Selenium cell is used, so the camera also doesn't require a battery, ISO range (of the variant here) 25 to 160. If a flash is mounted in the hot shoe, the camera uses 1/30 s and switches into flash-matic mode, guide number (m) from 11 to 27.
Optima 500: like the Optima 200, but with a CdS-cell for the exposure meter instead of a Selenium cell, so a 625 PX battery is required. ISO range from 25 to 400, shutter speeds from 1/30 to 1/500 s. Furthermore the shutter features a B-setting with the full f-stop range. Afaik the Optima 500 was the only model which was available in black and silver.
Selectronic: 3-element 2.8/45 Color-Apotar lens in Paratronic shutter. Aperture priority automatic exposure mode, the f-stop ring has no click-stops. Both F-stop and shutter speed (1/500 to 1/30 s, symbol for slower speeds) are displayed in the viewfinder. Slowest shutter speed up to 15 s. CdS-cell (behind the right one of the two eyes), two 625 PX batteries are required, ISO range from 25 to 400. Behind the left eye is a light bulb, it is lit when the shutter is open, it also indicates full batteries when the test button is pressed.
Self-timer, no B-setting, no flash-matic mode.
Price about DM 350,-
Selectronic S, the top model. Like the Selectronic, but with 4-element 2.8/45 Color-Solinar lens and rangefinder.
Price about DM 450,-
This is long exposure test on X10.
Usually it is a tough task for small sensor compact to do long exposure because of noise inherent to small sensor.
Modern technology has nearly overcome this issue. The long exposure in X10 results in very clean dark tones and I like its in camera B&W conversion. This is monochrome with yellow filter mode.
This is an ordinary night scene in my neighborhood but I like the beauty in mundane and the atmosphere in the neighborhood street.
This is ISO 100 F5.6 15 seconds exposure on tripod.
Have a great weekend!
Blond & Pretty, Hot & Sexy Twin Sister Bikini Swimsuit Model Goddesses with Long Blonde Hair!
One of these may be in my LA gallery show!
While shooting stills with a Nikon D800 & video with a Sony NEX 6 with my 45surfer rig, I set another D800 up on the rocks for video! Enjoy some of the video here:
www.youtube.com/watch?v=HLIwKVQ0JOA
www.youtube.com/watch?v=DGpIJ6c7u0g
In a Malibu sea cave!
They were tall, thin, pretty, hot, beautiful and hard to tell apart! :)
Twin sister goddesses!
Shot with my rather expensive B&W CP (circular polarizer)--the B W XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating ! I love the finish it gives! Nothing in post compares! :)
Finished in Lightroom 5!
Nikon D800 Photographs of two beautiful blonde swimsuit bikini model twin sisters shot with the brand new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Captured in both RAW and JPEG.
Check out the amazing detail in the full resolution photos! I was running out of CF & SD cards fast, as the files are huge!
Classic California Hero's Journey Mythology Goddesses! Tall, pretty, thin, fit, with pretty blue eyes and long straw-blonde hair, blowing on the sea breeze.
On El Matador Beach in Malibu!
Enjoy the epic beauty of the mythological hero's journey, in great detail via the Nikon D800! :)
The full resolutions RAWs and JPEGs are amazing!
Enjoy!
May the goddesses inspire you along your artistic hero's journey!
The tall, golden-haired, blue-eyed twin goddesses were modeling the black & gold Braveheat Sword (Cross) simsuit and "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! Holding it up all day, alongside the Sony NEX 6 with the 50mm F/1.8 lens for cool video bokeh which I have mounted under the Nikon D800E camera, is quite the workout! My shoulders have gotten bigger after so many days with six hour shoots in the AM and 3 hour shoots in the PM holding that rig up :). Plus I have to carry all the gear, books, and clothes a few hundred yards up and down the steep cliffs. I count my photography days as two workout days. :) But I love it! Every day presents a puzzle--how to figure out the light, and every model presents a mystery to be unlocked--what are her best angles/poses/actions? Nothing beats the challenge of capturing the natural beauty of a day out there, when the light's dynamic range can change by a factor of ten in a few minutes as the mist burns away to reveal the sun, and then the wind whips up and a fog rolls on in, making it seem like a windy December dusk in July. One must always be mindful of tide, times, and temperatures and work quickly before the cameras get too hot in the sun, or the model gets too cold in the wind, as the tide and rogue waves reach out to grab your equipment/props/clothes and claim them for Poseidon, the god of the sea . Beach photography/video is just like surfing, with the conditions always changing and every wave a bit different. Studio photography is like riding an exercise bike set at level 1 in a gym in front of a TV. And shooting stills and video @ the same time is like Jimmy Page or Slash improvising on his double-necked guitar.
I'm working on a book called "Lone Cowboy Photography: A Humble Hero's Journey into the Art of Photography" about how to shoot it all on your own--stills and video for sports, portraits, and landscapes--with no assistants nor teams. Just you and the goddesses, the heroic athletes, the majestic, epic landscapes, and a copy of Homer's Iliad and Odyssey to teach you of the poetry of epic, heroic beauty. You gotta be ready, son--you gotta be ready for quick-draw showdowns at sunrise and sunset, during the magic hours and in the harsh light at high noon. Every shoot is over the second you finish packing your bags for the day with all your batteries, backup cameras, freshly-cleaned lenses, washed and folded clothes and hoodies, and props and polarizer filters. Every shoot ends the second the prep is over, and the fun, and art, and life of the live performance begins. :) "Every fighter has a plan," said boxing great Mike Tyson, "Until they get hit."
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
Vintage Nikon Digital (CCD Sensor): Great Blue Heron - 8 (of 15) - Nikon D50 (2005) with AF-S Nikkor 18-55mm 1:3.5-5.6G VR Zoom (F mount) - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
El sensor que está en segundo plano es inductivo y detecta cuando el piñón de ataque del prelanzador está en reposo (LED verde) y cuando está accionado (LED rojo). Este único LED está encima del panel de instrumentos al lado del cuenta revoluciones del rotor y se ilumina en verde o rojo según el sensor detecta o no el piñón de ataque. Es un elemento que nos indica que una vez prelanzado, el piñón a descendido completamente y se puede iniciar el despegue al pasar de color rojo a color verde.