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Black Pureview - Collection of large sensor/MP Phone Cameras - the 41MP Nokia 808 Pureview, the 41MP Nokia Lumia 1020, the 20MP (1" sensor) Panasonic Lumix CM1
Testing out an infrared sensor I picked off of the auction site, works pretty good. I put a 3.5 mm plug on it and hooked it to the camera axe. Model number is E18-D50NK.
Selasphorus rufus
The Agfamatic 200 Sensor uses 126 cartridge film introduced by Agfa in 1972. The exposure is controlled using four "weather" icons above the lens barrel, the shutter release button is bright orange/red and has a solid "click" when pushed.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
DC's own Sensor Ghost playing in Lost Origins Gallery in Washington, DC's Mount Pleasant neighborhood.
Das Topmodell Optima 1535 Sensor mit Paratronic Verschluss und den Zeiten 15 - 1/1000 s, hochwertigem Objektiv (Solitar S 1:2,8/40, 4 Linsen, Mehrschichtvergütung), einem eingebauten Mischbildentfernungsmesser zur punktgenauen Scharfstellung des Objektives, kam 1979 in den Verkauf für ca. 300,- DM. Die Agfa Optima 1535 war der eigentliche Höhepunkt der Serie. Sie war baugleich mit der Agfa Optima 1035 Sensor electronic, allerdings ohne Selbstauslöser, dafür mit einem Messsucher zur präzisen Entfernungseinstellung. Kleiner Nachteil dieser Kamera ist der Sucher, der nicht ganz so strahlend hell ist wie die Sucher der anderen Agfa Optimas dieser Baureihe. Passend zur Kamera gab es auch das im Design angepasste würfelförmige schwarze Optima-Lux-Blitzgerät (Leitzahl 12), das eine eigene Messzelle besaß und von zwei separaten AAA-Zellen versorgt wurde.
Techn. Daten:
Objektiv: Solitar 1:2,8/40 mm (4 Linsen, mehrfach vergütet)
Sucher: Leuchtrahmen und Parallax-Marken, Belichtungs-LED
Belichtungsmessung: Cadmiumsulfid-Belichtungsmesser, innerhalb des Filtergewinde
Programmautomatik: LED-Anzeige rot/grün im Sucher
ASA - Einstellung: 25 - 500 ASA.
Verschluss: Agfa Paratronic
Zeiten: 15 - 1⁄1000 s & B, stufenlos
Blendenbereich: 2,8 - 22
Blitz: Hot shoe
Blitz: Keine Automatik, bei Blitzbetrieb muss man die Blende rechnen und einstellen
Filmzählwerk
Drahtauslöser-Anschluss
Stativgewinde an Kameraseite
Batterien: 3 x Alkali/Silberoxidzelle 625G
Gewicht: 286 g
Produktionsort: München
Damaliger Preis: ca. 300,- DM
November Zion National Park Autumn Subway Hike! Sony A7rii & Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens! Dr. Elliot McGucken Fine Art Photography
An important thing to remember is that even though pixel sizes keep getting smaller and smaller, the technology is advancing, so the smaller pixels are more efficient at collecting light. For instance, the Sony A7rII is back-illuminated which allows more photons to hit the sensor. Semiconductor technology is always advancing, so the brilliant engineers are always improving the signal/noise ratio. Far higher pixel counts, as well as better dynamic ranger, are thus not only possible, but the future!
Yes I have a Ph.D. in physics! I worked on phototranistors and photodiodes as well as an artificial retina for the blind. :)
You can read more about my own physics theory (dx4/dt=ic) here: herosodysseyphysics.wordpress.com/
And follow me on instagram! @45surf
Facebook!
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Dr. Elliot McGucken Fine Art Photography!
I love shooting fine art landscapes and fine art nature photography! :) I live for it!
45surf fine art!
Feel free to ask me any questions! Always love sharing tech talk and insights! :)
And all the best on Your Epic Hero's Odyssey!
The new Lightroom rocks!
Beautiful magnificent clouds!
View your artistic mission into photography as an epic odyssey of heroic poetry! Take it from Homer in Homer's Odyssey: "Tell me, O muse, of that ingenious hero who travelled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; but do what he might he could not save his men, for they perished through their own sheer folly in eating the cattle of the Sun-god Hyperion; so the god prevented them from ever reaching home. Tell me, too, about all these things, O daughter of Jove, from whatsoever source you may know them. " --Samuel Butler Translation of Homer's Odyssey
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
The first thing to say is that each electronic sensor has a protective filter over it, so we are not actually touching the electronics. That would be a disaster. Most people send the camera off for a service and a clean and that's a very good idea. After all this is an expensive investment and we want to make sure our camera works as well as possible for as long as it can.
But, it is quite easy to clean your sensor at home. All you need is a kit (like the one I've shown). This includes sealed sterile swabs and a little cleaning fluid (they are essential - do not try to clean your sensor with a cloth where you can scratch the dust into the sensor filter). There are also many videos on YouTube showing you how to use these dust cleaning swabs, but provided you get the right size for your camera (mine is full frame) a simple swipe will suffice.
For a DSLR you obviously need to lock your mirror up before the clean, and then lower it immediately afterwards. Then with the other side of the swab give your mirror a quick wipe as well. Do not apply too much pressure. After all, these are only tiny dust particles - you should not have any dirt.
My Leica D-Lux 7 which I used to take these pictures has a fixed lens, so it will never need its micro-four-thirds sensor cleaned.
Introduction to CMOS Image Sensors
evidentscientific.com/en/microscope-resource/knowledge-hu...
Amazing. I finally cleaned my sensor and I'm overjoyed with the clean skies! This is pretty much right out of the camera, no cloning out dirt spots. Taken in Felicity, CA, just this side of the Arizona boarder.
The "sensor spots" are really raindrops. Even though it was bright, there was a very fine horizontal mist blowing straight onto my lens -- I couldn't completely protect it without also blocking the shot.
Sensor X3foveon, cámara sd1 Merrill y lente sigma 15-30 ya veterana.
Todas las fotografías del volcán y su laguna realizadas con está cámara, con archivos que van desde los 45 mb hasta 58 mb.
Shot some macro photos with the Nikon 55mm f3.5 Macro lens in our backyard.
Our backyard
Knoxville, Tennessee
Monday, June 12th, 2023
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Colorado Springs - Garden Of The Gods
A very interesting place of some very cool rock formations. This is 3 frame HDR shot.
May be too much for some tastes, but the original photo was a bit drab..
Unfortunately didn't have the time to check out the entire area as much as I would have liked.
Shot at FL-Studios. Post-processing done in Capture One 20.
The heresy continues... that Goerz (taking lens) dates back to around 1904. Such gentle rendering. Perfect match for digital!
~~~ GAS info ~~~
Ebony RW45e
SK Makro-Symmar HM 5,6/120
Linhof Quick Release Plate
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Thanks for visiting!
APS-C and 35mm sensor cleaning kits came in the mail this week, photographed on white paper.
Nikon D200
Tokina AT-X SD 80-200mm f/2.8 AI
Lit with 1 Vivitar 285 bounced from the wall
Slightly sensored for social media :-)
Not perfect, but I think it's at least better than putting on a star or white paint...
Hope to get book and ebook of Aijule out this weekend.
Got a rather long BTS video from this weekend: youtu.be/mdSjQcJuzTk
Season of Tilt
Week 20, Wednesday
When I was around twenty, the town where I lived had social issues regarding racism. Finland had just received a minor (but major in our national history) amount of refugees from couple of African countries and it had raised some issues in many smaller towns. There was a certain racist mob in our town too and for some reason I had singled out as a target for their negative attention. In one summer night when I was alone at the streets bunch of them found me and tried to beat me. I escaped from their first attack and run as fast as I could, but there were too many of them and they succeeded exhausting me. I had run through couple of streets and town square when they finally drag me down like a prey at one street corner and gasping my breath I wasn't much of resistance. I can't say I remember much of the actual assault. They had boots with reinforced steel heads and some bars which they used to beat me. Some of the kicks hit me on the head and I lost my consciousness for a while. It felt like a pitch black state and could hear their laughter like it was coming somewhere very far away. I don't know how long they continued or why they stopped. I only remember that once it was done I reached out to nearest car on street and it took me to local hospital. I survived with minor bruises, but from the psychical point of view it was a horrible experience. Afterwards I had, for example, troubles to sleep or go to any open public space. They had broke me from the inside and I had lost my basic social security.
Later on it turned out that one of my friend had actually saw the assault. I asked him to testify it so I could sue the beaters and gain justice for what had happened. He refused and claimed that the assault was actually my own fault because I had been in the streets at night - the truth was he was as afraid of the racist mob as I was and didn't want to be take a stance against them in any way. With this experience I learned something about the nature of violence and why people will always accept and justify some amount of it. It doesn't matter if the violence is physical and happens at the streets, or institutional and is tied into politics of identity, people will accept some of it if it isn't targeted to their own group, because it will make them feel safe to see that it's 'others' who are suffering from it. People will also accept violence if it sustains the social and cultural order and they feel their own group is not targeted. I know, it's an cowardly act, but that's what people do by their nature because everyone is afraid of violence – especially in the war of all against all.
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This is the beginning of my last week of Season of Tilt. Therefore I feel I need to contemplate on my experiences. At the very early stages of this season (actually at second post) I said that the Lensbaby and their products present an approach which is very different from current commercially driven technical approach to photography, which emphasizes the technical qualities like lens sharpness, sensor performance, etc. I asked if this technical discourse of camera manufacturing is obliterating some aspects of photography. I can't say it is a condition that applies to whole photography world, but I can say that in some ways it has applied to me. Before using Lensbaby lenses I was very concentrated on technical matters like pixel perfect editing of my photographs (well, I still am). But by using Lensbaby I have given myself a permission to do other kind of photography what I wouldn't normally do, and it has, finally at the end of this season, led me to more personal photography – which I think is positive development. I've began to use photography to search my inner feelings & memories and tried to find a visual language for them – in this case it's the unscrupulousness of the nature. I see this turning point as a some sort of small victory and I'm happy to finally get there. If someone would ask me what's my experience with Lensbaby, this would be it.
Year of the Alpha – 52 Weeks of Sony Alpha Photography: www.yearofthealpha.com
Olympus E-500 ( KODAK CCD sensor ) + Olympus Zuiko Digital ED 50mm f/2.0 Macro
OLYMPUS DIGITAL CAMERA
I'm currently film testing this little beauty, it has been tested and cleaned up with a new colour and some tlc. She's ready to rock and roll all over again! On sale very soon!
Agfa Selectronic Sensor 35mm Film Camera
Agfa Optima 1535 Sensor • Agfa Paratronic Solitar S 1:2.8/40
Agfaphoto Vista 400 film in Tetenal Colortec C-41
Scanned with Plustek OpticFilm 120 at 1600dpi with Silverfast AI Studio
Murbach • Haut-Rhin • Alsace • France
Instagram: instagram.com/45surf
Subscribe to my new youtube channel and see how I used the divine section and golden rectangle, spiral, and ratio to get the cover of N-Photo Magazine! And see how Ansel Adams and the great painters and fine art masters used the golden mean in their compositions!
www.youtube.com/watch?v=JLlB_W3XG-k
www.youtube.com/channel/UC42cWDExI8K8stjROqOlLbQ
It shows up in a lot of my surf photos too!
Nikon D810 Photos Pro Women's Surfing Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
Join me friends!!
www.facebook.com/elliot.mcgucken
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Subscribe to my new youtube!
www.youtube.com/watch?v=JLlB_W3XG-k
All the best on your epic hero's odyssey! :)
Been hard at work on my books--my physics books on Dynamic Dimensions Theory (dx4/dt=ic) celebrating the hitherto unsung reality of the fourth expanding dimension which all the photons surf across the universe en route to making a photograph! Also working on an art, mythology, and photography book titled The Golden Hero's Odyssey! All the best on your Epic Hero's Odyssey! Always love hearing from y'all! :)
Fabriqué en Allemagne à partir de 1971.
Le Format 126 est un format de pellicule photographique 35 mm à perforations spéciales monté dans une cartouche plastique, mis au point par l'ingénieur Hubert Derwin et produit de 1963 à 1999. Les vues sont au format carré, de 28 mm de côté.
Sylvania Magicube . Fabriqué en Belgique!