X3 direct image sensor (aka Foveon)
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Supersampled RAW/DNG image from the main sensor of my smartphone taken with GCam night mode and developed in LR (without any tripod)
Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
The Beachcomber or ‘Stone Me’ and Others
I have over the years come across a few of these stone characters, and not only confined to the East Coast of England where I found the majority. They have been discovered in The States, France and Kent. A bit of a random order I know. Some have come home with me but in the main I have left them in situ. No stones were harmed in the making of these images and the ones who did come home did it willingly.
There has been a development, I have noticed faces looking at me embedded in other materials. I know, a bit left field. But I thought they needed to be identified. I haven’t yet seen any walls with ears but you never know. Is ‘Big Brother’ still watching?
AKA Wood Anemone, Valkovuokko (fin).
Taken with Schneider-Kreuznach Xenar 50mm F2.8 / Full Frame Sensor / Natural Light / Unedited (Straight from camera).
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
Image 85 in this fun series of the capturing of the BULB capture. This capture is taken at Middle River in Maryland showing the smoothed clouds and smoothed out water surface.
This series allows the viewer to see conditions as they were during the shot, and then the resulting long exposure effect on the water and clouds. It also shows how people moving about 'vanish' from the long exposure.
For this moment in time I am displaying the long exposure taken on the right side (796 seconds long), and the conditions that were during this time can be seen on the capture to the left showing the BULB capture being taken. It was actually pretty interesting watching the sky change tones and colors during that 800 seconds and the resulting combination obtained on the sensor.
Other images in this series can be seen in The Album "If They Could See What We Can See"
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
The dogs are dueling over the fence, causing the motion sensor lights to come on. Mooky and Kona need to chill. 100 Days of Darkness 8/100.
We were koming back from a wonderful day out in the kar...and I was trying differents settings on the kamera and shooting to a "there's no words to describe it" sunset... and well .. when i get home... and downloaded the piks.. he or she.. this presence was there.. I never saw it when I took the pik...
;)
JPGs straight out of camera using Nikon's NATURAL colour profile. The old CCD sensors have been said to be more filmic (if not noisier) and this is the Nikon D60, an old DSLR which was first announced back in Jan 2008 (a 15 year old camera)
The 1/2.5" sensor of the Canon PowerShot SD630 I am trying to repair. The gears look ok and I got the lens retracted. I'll try putting it back together tomorrow and see if it works. Wish me luck.
by RegiStax V6 www.astronomie.be/registax/
composed from 7 pictures by compact ultra zoom camera FZ70
sharpened by wavelet filter in RegiStax and denoised by greycstoration plug-in in GIMP.
ISO200 1/200sec F6.3 f=215mm(1200mm 35mmFilm equiv.)
1/2.5 CMOS sensor
www.panasonic.com/middleeast/en/consumer/cameras-camcorde...
It was a close encounter with a kestrel that first ignited my passion for bird photography. They are such wonderful birds.
Please view large size on black
Just a quick little doodle.
Wheel-inside-basketball-hoop joint's are totally Tobyhein's idea, I just kinda lifted it.
Gallery (when moderated)
No, my sensor wasn't dirty... those are snowflakes. I flew into an early springtime snowstorm in Colorado and got a chance to observe some jets being readied for takeoff.
This may or may not be kinda badass. We've got a bunch of varmints here in Lower Alabama, and I'm curious about what skulks around in the night. This thing has 6MP resolution at its best and can be programmed to shoot one to nine shots every time the IR motion sensor is tripped. It also can do video. The flash is supposed to reach out to 50 feet, and from testing in the living room, it's bright as hell.
Too bad it doesn't shoot RAW....
I'm too tired and lazy to strap it to a tree today, but tomorrow we'll see what happens.