X3 direct image sensor (aka Foveon)
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Taken with Canon FD 100mm F4 Macro + 50mm extension tube (1:1 macro) / Full frame sensor / LED lights / Lightroom.
Garden shot!
I always thought we had a Badger visiting the garden. I bought a trail cam to confirm this.
Then set up my dslr camera to shoot at night with a pir sensor, while I slept!
I will be away for a long weekend!
check out my two new albums below:
オリンパス : Instant Film : 16:9
digital tip jar: buy me a coffee
© All rights reserved. Please do not use this image on websites, blogs or any other media without my explicit written permission.
I hope that this photograph answers the question that was posed on the internet: "I'm looking for a compact camera and I am looking at the Lumix DMC-TZ80. Now reading reviews online are giving me mixed feelings. I see a lot of comments about how it takes bad pictures... So the question is, is it the camera or just the way people are using it?"
This is an uncropped zoom shot from the Lumix DMC-TZ80. I doubt I could have achieved a better result even with my 45.7 MP Nikon D850. And this compact camera has 18 MP. So you see, it's not about the sensor size or the specs of a particular camera. It is all about the light and composition.
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
IC 5068 is an emission nebula located in the constellation of Cygnus at approximately 1600 lights years distance from Earth. Technical info: 90 x 300 sec. Astronomik Ha 12 nm filter
92 x 300 sec. Astronomik OIII 12 nm filter
95 x 300 sec Astronomik SII 12 nm filter
Gain 200, Offset 50, Binning 1x1
Total Integration 23.1 hours
Explore Scientific 102mm f/7 APO Refractor
Sensor cooled to -15°C on ZWO ASI1600MM Pro (mono)
Calibration frames: Bias, Darks, and Flats.
Plate Solve-PlateSolver 2 via N.I.N.A. 2.0
Image processing Pixinsight 1.8.9-1 and Photoshop 2023
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
20250610 LEICA M9 Tenerife 11
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion
ILCE7R CAMERA SERIES SENSOR,
Can't be clean, or otherwise end up with scratches and wiped coating...no matter who and how do the process, by which gadget or cleaner.
By the way, i have changed the sensor for 3 times!
Taken with Canon FD 35mm F2.8 Macro / 17mm Extension Tube (over 1:1 macro) / APS-C Sensor / Unedited (Straight from camera).
I had fun yesterday down the beach chasing the tide out and waiting for the light. I was the only one down there so had the whole beach to myself. After all the recent rain the waterfall was flowing well and shining in the dazzling sun. Sadly my sensor was covered in dust spots so yesterday's photos were a nightmare to edit. I need to clean the sensor before my next venture. Stranger on the shore is a. reggae version by Val Bennett and the Upsetters
20250521 LEICA M9 52
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion
Tucked away in the foothills of the Blue Tier is this very modest but quite pretty little waterfall - Halls Falls, on the Groom River. The falls are accessible by short forest stroll from the Anchor Mine Road near Pyengana (pub and cheese available).
Another of the re-discovered files on my old PC hard drive that I thought had been lost for good.
I don't think I owned an ND filter at this point.
Nikon D7000, 18-105mm f/3/5-5.6. 1.4 secs at f/22, ISO 100 FL ~18mm
I arrived on Skye late afternoon and just missed the last rays of sunlight lighting up the snow dappled peaks. A few minutes earlier would have been fantastic but isn't that always the way with photography. At least the snow shouldn't disappear for a. few days so I'll get lots more opportunities. I need to clean my sensor on my limping camera, ( the shutter button still isn't working ) luckily live screen shooting works ok at the moment. Happy( Reprise ) is by the Delines, I have loved Skye since my first trip across on the ferry with the university climbing club, camping in deep snow in Glenbrittle.
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
25x10sec (composited in sequator - Align Stars), f1.8 ISO 1600.
In photos like these with clear sky (feat. 41mpx sensor) you can easily notice the downsides of your lens.
I could have cropped the corners but I'll leave it as it is, just for the reference.
Things like blurry stars in corners you can't fix. They do get less light than the center of a sensor, so maybe that's the reason for them being blurry in corners.
All in all, I'm thrilled with this result, that I've been taking while enjoying the beautiful seashore wind in Krapanj.
Christmas Day Brunch, 12/25/2022, Nashville, TN
Leica Camera AG M Monochrom
Canon 35mm f2.0 LTM
ƒ/2.0 1/3000 640
Fisherman on the Galata Bridge -
Emınönü District, Istanbul, Turkey
Back in 2012, I didn't have the skills to make a pleasing photo of this fisherman in Istanbul. There was too much shadow on his face, and my Olympus' sensor had a ton of noise when used in low-light. 13 years later, though...
I used to think that for a good capture I need a modern camera with large sensor, sticky autofocus, tons of cutting-edge features...
Since I started to use vintage film cameras something changed in me. The more I dive into photography, the more clearly I feel that the photography is about moments and light, not technologies...
change your attitude to the World around you, things, events, people, to yourself after all... And the World will shine with new colors, will open up in a new light...
horcruxes:
olympus : street : black and white
© All rights reserved. Please do not use this image on websites, blogs or any other media without my explicit written permission.
🇺🇦A Print for Ukraine🇺🇦
Each Friday I post a discounted image for sale to benefit the children of Ukraine.
100% of the proceeds from the sale of 🇺🇦A Print for Ukraine🇺🇦are donated.
This week's print for Ukraine is number 19 in the series. It is called "Inflection Point." This is the concave facade at the northwest corner of the Rainier Square Tower in Seattle, Washington. (It is visible from the intersection of 4th Avenue and Union Street.) Through Thursday July 21, all proceeds from the sale of Inflection Point go to UNICEF for the benefit of Ukrainian children. It is available on my website here: www.brianmoorefoto.com/ukraine
"The best camera is the one that you have with you." I left my new camera at home, but luckily I had my Canon A590.
© Leanne Boulton, All Rights Reserved
Posed street portrait taken for my 100 Strangers project in Glasgow, Scotland.
This picture is #82 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
Coming to the close of a grey, wet and windy day on a street shoot I spotted Shannon listening to some tunes outside of the Gallery of Modern Art in the city. I simply loved her outfit, beret and her beautiful locks of hair that complimented the colours so well. I approached, with a slight wave and, after she had removed her earbuds, introduced myself and asked if she would like a portrait.
Shannon, a television and theatre actor from Glasgow, who has coincidentally worked in the show Outlander as has one of my previous 100 Strangers, was waiting for her friend in town and I decided to make the most of the location at the GoMA rather than relocate.
Light was atrocious with a heavy overcast sky and using natural light only, a higher ISO than I would like was used - though grain is so easy to remove from images on the 5D MkIII sensor.
I added a little warmth in post and edited initially in Lightroom with some frequency separation work in Photoshop to clean up the image, although her skin was immaculate and needed little work. I have forwarded the images on to Shannon and I hope that she likes them. It was a pleasure to meet her, albeit briefly, and I wish her the very best in her continued acting career.
I have a couple more images I may post at some point in the future but I loved the pure honesty of this one, such a natural smile captured during the brief shoot. Enjoy!
Taken with Samyang 16mm T2.2 ED AS UMC CS II / APS-C Sensor / LED Light / Unedited (Straight from camera).
A close in image of M82 from 15 Dec 2022.
Equipment:
- Celestron 9.25 edge SCT (2350mm focal length at f/10)
- ASI533MC colour camera
- Moonlite focuser
- Celestron CGX mount
Acquisition:
- 80 x 300s
with camera sensor at -15degC
Processing:
APP, StarTools and Gimp.
The Voigtlander 21mm/4 Color Skopar vignettes on the full sensor, but at full frame crop it is already plenty wide!
My obsession with sun stars continues. Captured this on a morning photo excursion to a park near my job. Alas, these parks are tough to photograph because they a disorganized and chaotic. The sun hitting the branches caught my attention and the sigma lens provides odd patterns of light and shadows.
Avhal turned from his display, his face shadowed. “K’hall,” he said, voice low and grim. “Transmission from Axiom12. Axiom5’s distress call was interrupted. All contact lost. Sensors indicate she’s broken up. Mass casualties expected. Axiom12 will reach the escape pods in ten sectors.”
Bext’s hand flew to her mouth, eyes wide with silent horror.
K’hall didn’t move. Then slowly, he turned to Avhal. “I have failed them,” he said, “The attack wasn’t stopped in time.” The words trailing off.
He stared into the void ahead, mind racing—how fast it must’ve come, how final. Had the Council escaped? Had the two humans survived? Had the last thread of the Ikhon bloodline on Earth had just been extinguished?
“Bext,” he said quietly, “time to target?”
She swallowed, voice cracking. “Fifteen sectors. All systems green. Weapons at full capacity. Portal coordinates locked. No intel on their defenses.”
“They will be ready,” K’hall muttered, jaw clenched. “Lizards always are. Be ready to target any missiles they send our way.”
He grabbed the comm. “Ramva3, 4, 19—same formation as before. Line up behind us. Stay tight. Attack run begins now.”
He plunged the orb so it was skimming the desert floor. The other three following.
Avhal’s screen flared. “Incoming. Fighter jets—fast on intercept. Vector 195 and above.”
K’hall growled. So much for surprise. “Ramva19,” he barked into the comm, “target the jets the moment they’re in range.”
Oam’ka’s voice crackled back. “Weapons locked. Ready to fire.”
Sirens screamed across the portal complex. They were already on full alert. K’hall and his attack group were well below the reptilian radar, but the fighter jets had alerted them of the approaching attack. The defense crews weren’t able to get a lock on the low flying orbs but they had every weapon aimed in the direction reported by the jets. All eyes were focused and waiting to launch the counterattack.
K’hall’s voice sliced through the comms. “Ramva3, 4, 19—prepare to break right. Then loop hard back. On my mark… 3, 2, 1—BREAK HARD!”
“3, 2, 1—BREAK LEFT! —Bext, now! FIRE!”
There wasn’t time to redirect the defenses. Energy beams tore through the air. Missiles detonated before launch. The portal, split cleanly in two, collapsed in a cascade of fire and metal.
Ramva19 downed two jets instantly. But a third struck back and scored a hit. Remva19 impacted the ground and swerved from the impact. Oam’ka’s voice crackled. “We are hit.”
Ramva3 vaporized the remaining two jets.
The remainder of the complex erupted in a sea of fire—tactical nuclear missiles intended for defense exploding on the ground. The entire site covered by a radioactive cloud.
K’hall’s voice sliced through the static. “Ramva19, report your status.”
Oam’ka’s reply came ragged, strained. “Direct hit. Hull breach—severe. Lower structure integrity unknown. Cabin pressure and life support compromised. Altitude restricted… we won’t make it to sky dock.”
K’hall banked hard, scanning the damage. “Ramva19, your lower third of your hull is torn away. The damage is too extensive. You will need to land—anywhere safe. We’ll stay close and extract your crew.”
The decision was made. But the fate of Axiom5 hung heavy in the silence.
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You can view Quantum Fold episodes in order from the beginning in her album titled, Quantum Fold:
www.flickr.com/photos/199076397@N02/albums/72177720326169...
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