X3 direct image sensor (aka Foveon)
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I met an angel yesterday.
Or six of them. My friend has new European litter
AND for some reason Facebook sensors this post. I cannot post this link any where :O
Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
Time again for an "how low can you go" image. Shot on my smartphone Nexus 5X with the Sony IMX377 sensor with 1.55 microns pixel size.
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
Bridge over Paimio River.
Taken with Sony E PZ 18-105mm F4 G OSS / APS-C sensor / Hähnel Captur remote control / Lightroom.
Meine Hobby Fotowerkstatt ... Filigrane Werkzeuge und ein sauberer Arbeitsplatz dann kann nix mehr schiefgehen...
Falls mal jemand eine Sensorreinigung braucht .... ich kann auch digital ... 😉
Analog mirror cleaning
My Hobby photo workshop ... Filigree tools and a clean workplace then nothing can go wrong ...
If someone needs a sensor cleaning .... I can also digital ... 😉
Taken with Canon FD 100mm F4 Macro + 50mm Extension Tube (1:1 Macro) / Full Frame Sensor / Natural Light / Lightroom.
I took a photo of this same fungi with the lens wide open at F4. Which one do you prefer?
Had a go at trying for a macro shot of one of these amazing little creatures. It was sitting outside my window ledge. I had good natural light which helped. I think I got as close to the spider as my lens would allow (which is 295 mm from my subject to the sensor of my camera). Worth enlarging.
AKA Cow parsley, wild chervil, wild beaked parsley, Queen Anne's lace, keck, koiranputki (fin).
Taken with Canon FD 35mm F2.8 TS / Full Frame Sensor / Natural Light / Lightroom.
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
📷 Google Pixel 8 Pro - Telephoto Sensor (50MP Mode) - Throwback to a Foggy Morning - October 2025
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
(Super Crop)
DISCLAIMER: This Snowy Owl was photographed from a safe distance, using a 600mm prime lens, with a 1.4 Teleconverter on a cropped sensor, which is a 1260mm equivalent. The image was also cropped in post editing.
Snowy Owl
The Snowy Owl (Bubo scandiacus) is a large, white owl of the typical owl family. Snowy Owls are native to Arctic regions in North America and Eurasia. Younger Snowy Owls start with darker plumage, which turns lighter as they get older. Males are almost all white, while females have more flecks of gray plumage.
For more info: en.wikipedia.org/wiki/Snowy_owl
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
20250521 LEICA M9 43
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion
Esta vez lleva un filtro Zomei que sólo deja pasar las radiaciones de más de 950 nm. Como los sensores de silicio son sensibles hasta 1000-1100 nm se trata de una banda muy estrecha. En las anteriores fotos se colocaba como filtro un negativo (film) velado, que dejaba pasar el ultravioleta y parte de visible.
Ahora ya no aparecen colores. Observar lo oscuro que aparecen los cristales (vidrios) de los coches y casas.
SOOC
Lovely little Leica D-Lux 3 with a CCD sensor. Now a relatively inexpensive camera, tiny and quite nice to use.
Jetty adjacent to the Old Scituate Light
Scituate, Massachusetts
This is my first experiment with the Google Nik Collection, which was highly recommended to me by a Flickr friend. I've been happily using Lightroom for photo management and editing and was very, very reluctant to fall further down the post-processing rabbit hole, but thought I'd give it a try. It's pretty impressive, and integrates nicely with Lightroom. The possibilities are a bit overwhelming, but over time I think a reasonable workflow can be established. Actually, I spent most of my time here "healing" freckles introduced by my dirty sensor. Gotta get on that.
I'm currently enamored with black and white fine art photography. Not sure this qualifies, but it's been fun and fascinating to pursue, and there are countless examples on Flickr from which to learn.
Having said that, I think my next post will be in color. :-)
We spent the weekend in Madeira Beach (near St. Petersburg, FL), and left yesterday right before they declared a mandatory evacuation. Hurricane Ian is headed that way and expected to arrive tomorrow.
This is from an Apple 48MP RAW format DNG file, processed in Lightroom (which doesn't have a profile yet for this sensor / lens).
Took this in B&W (RAW+JPG), but the +2 contrast setting which I use a lot doesn't do well with high ISO and just looks ugly. I usually try to get it right in camera, but the RAW file is nice fallback to have.
Taken with Canon nFD 50mm F1.4 / APS-C Sensor / Natural Light / Darktable.
Taken with Canon FD 50mm F3.5 Macro / 42mm Extension Tube (1.34:1 Macro) / APS-C Sensor / Darktable.
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
Nothing crazy, just had the need to do something colorful, so after some month, I started my new school IR VM again.
This is from a long walk in March, 550nm handheld only, after the cold second half of April, it was just getting warm, trees starting to produce leaves, ..and the whole summer still ahead, *sigh*. Nature was radiant (in IR).
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep orange 4x (22) filter
ISO100, 13mm, f/8, 1/400sec (-2.7EV)
(therefore ~20mm full frame equivalent)
handheld, manual focus, via optical viewfinder
another flick taken by the Samsung L110, specially with dust on the sensor by using it hard and without no remorse. however, i love this shot!
DISCLAIMER: This Snowy Owl was photographed from a safe distance, using a 600mm prime lens, on a cropped sensor, which is a 900mm focal length equivalent. The image was also cropped in post editing. No Dunes were harmed during the making of this picture.
Snowy Owl
The Snowy Owl (Bubo scandiacus) is a large, white owl of the typical owl family. Snowy Owls are native to Arctic regions in North America and Eurasia. Younger Snowy Owls start with darker plumage, which turns lighter as they get older. Males are almost all white, while females have more flecks of gray plumage.
For more info: en.wikipedia.org/wiki/Snowy_owl
Even though there is a little bit of blue sky, it was pretty dark (for afternoon), very dim light. The weather was coming from behind, super dark low clouds and it was just minutes before it started raining. That's one of those 'just do it' panoramas, but I took the chance despite the light cause it's not the old days anymore, this is besides a well-trodden path and so when the weather is nice, it's ..touristy by now. 😕 Would like to do this location with better conditions one day, the lake takes on all sorts of beautiful green tones (at least on the visible spectrum) due to the forest around.
Source for this is a 4 piece panorama, 12567 x 5520px, ~69,4MP, but cropped a little, to give the lake center stage.
There is some fringing going on against the sky (not a huge fan), which is in part due to the lens I think, but I'll spare you the rant.
It was also the time when I (finally) decided to jump on AdobeRGB as long as I'm lossless with the D3300, ran the D90 with an sRGB chain for IR.
Monochrome conversions turned out nice, did not offer anything distinct however, were just like regular b&w. Overall, field of view is about 180°. 👀
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep yellow 4x (15, G) filter
ISO100, 13mm, f/8, 1/160sec
(therefore ~20mm full frame equivalent)
tripod, panorama head, remote (ML-L3)