X3 direct image sensor (aka Foveon)
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Mit 750mm KB zur Landschaftsfotografie.... Die Stimmung war durch den dichten Bodennebel im Naabtal und den anbrechenden Tag mehr als speziell und zum Glück hatte ich die lange Brennweite dabei. Auf Verdacht an einen Baum angelehnt, gezielt... und zum Glück traf der Aufofokus perfekt... Bereits im Kameradisplay lies sich erahnen, was da auf dem Sensor gelandet ist. Für mich ein absoluter Glücksmoment, als ich das Ergebnis dann auf meinem großen Monitor sah.
Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
Finally, the temps feel like Spring as 2016's first Honey Bee (for me) visits an awakening Grecian Wildflower in my garden.
Quería sacar la llegada de las grullas a su dormidero con una baja velocidad y a ser posible contra las ultimas luces del día que aportaran algo mas a la toma. Lo ultimo fue imposible ya que llegaron literalmente en oscuridad total, pero gracias al ISO auto conseguí esta toma, donde ya no funcionaba el autoenfoque. La gran sorpresa fue hasta donde llegaron los valores del ISO y como este y el sensor permitían ver algo donde el ojo humano-al menos el mío- ya no apreciaba nada
What a joy to see these fabulously-shaped flowers growing around the base of a tree. I tried this shot last year with my apsc camera but the full frame sensor of the canon 6D really helps give the shallow focus I wanted.
I had to lie on the ground to get the angle and background I wanted. Luckily t wasn't wet, but I did get some funny looks from passersby!
The praying mantis cleaned her antennae while taking pictures.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved
my first Bluethroat in the reeds. Far away, really far. But it´s ok for me. Humid air, 700mm, MFT-Sensor and cropped to 50%.
AKA Common sundew, round-leaved sundew, pyöreälehtikihokki (fin).
Taken with Canon FD 100mm F4 Macro + 50mm Extension Tube (1:1 Macro) / Full Frame Sensor / Natural Light / Lightroom.
Got up at silly o'clock on Saturday (4:30am) morning to get out to see the sun rise over the Tottiford reservoir in Dartmoor. This shot is SOOC as far as colour and composition goes, but I have cloned out a couple of dirt marks which were on my sensor. How is it that I look after my camera and lenses but everything gets so mucky?
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
Nevada. Enough warmth already.
Uploading out-of-camera jpegs while traveling. Forgive any sensor dust.
No Sensor Ship
No sensors or modern equipment showing on this one
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
horcruxes:
オリンパス : 街拍 : 45mm f/1.8
digital tip jar: buy me a coffee
© All rights reserved. Please do not use this image on websites, blogs or any other media without my explicit written permission.
abandoned house
taken with a Olympus EVOLT 400 from 2005
this is a DSLR with a 4/3 CCD sensor from Kodak that produces film like images
AKA Yarrow, common yarrow, siankärsämö (fin).
Taken with Sigma 16mm F1.4 DC DN / APS-C sensor / LED light / Lightroom.
I witnessed the occultation of Mars behind the Moon. This is a composite of six exposures, 5 minutes apart starting at 6:37pm local time in Cupertino, California. In the San Francisco Bay Area we had the privilege that the red planet was traveling dead center behind the Moon. In reality it's the other way around, the Moon travels in front of the stars in the background. I took these shots with a 600mm lens and a 2x tele extender on a crop sensor camera, resulting in a 35 mm equivalent of 1800mm, which is a very small field of view, or in other words a large magnification.
Mars is twice as big as the moon (3400 km vs. 1700 km radius), but appears much smaller because it is so much further away.
I processed a realistic and a balanced HDR photo from 6 RAW exposures, manually aligned and stacked them, and carefully adjusted the color balance and curves. I welcome and appreciate constructive comments.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- ƒ/20, 1800 mm, 1/50 sec, ISO 100, Sony A6000, Tamron SP 150-600mm f/5-6.3, HDR, 6 RAW exposures, _DSC6795_hdr6rea1bal1g.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
A blown-up Siegfried Line bunker, now standing vertically in the forest due to the force of the explosion.
The standing part is actually the bunker roof.
Taken for Flickr Friday: Vertical
We spent the weekend in Madeira Beach (near St. Petersburg, FL), and left yesterday right before they declared a mandatory evacuation. Hurricane Ian is headed that way and expected to arrive tomorrow.
This is from an Apple 48MP RAW format DNG file, processed in Lightroom (which doesn't have a profile yet for this sensor / lens).
For the Macro Mondays Theme: "Photography Gear"
WARNING: Don't try this at home!!!
Note: No real harm was done and the sensor and camera survived the (photoshop) experiment without any scratch or (water)damage 😉 Thanks for your concerns...
Thank you very much for your time, faves and comments. It's much appreciated.
Happy Macro Mondays
AKA Scentless false mayweed, scentless mayweed, scentless chamomile, wild chamomile, mayweed, false chamomile, Baldr's brow, peltosaunio (fin).
Taken with Sigma 16mm F1.4 DC DN @ f2 / APS-C sensor / Lightroom.
Yoshino cherry tree (Prunus × yedoensis) - Hall County, Georgia
The delicate bloom of a Yoshino cherry tree.
©2023 Nature's Spectrum, For consideration only, no reproduction without prior permission.
On a rainy evening, the "Popradské Pleso" lake in the Tatras mountains, Slovakia.
This shot was taken with a mobile phone, as my camera broke down at the very beginning of this trip. I locked the ISO setting of the phone to 100 ISO to try to get as much as possible out of the camera phone, and then resorted to post-processing to try to get a quality image.
For post-processing, I used darktable. I used non-local means denoising, and adjusted the tone curves to have a strong highlight in the center of the image. I use both the equalizer filter (in clarity mode) and the local contrast filter, with masks selecting the center of the image, to increase the contrast gradually toward the center. My goal was to make more visible the different layers of mountains.
Then, I worked a lot on the lower part of the image, the lake, to enhance the highlights in the reflection. For this, I started with a strong modification of the tone curves. However, this created a lot of noise as the sensor of the phone is not too good in the shadows. To fight this noise, applied a set of filters only on the lower part of the image: I used a stronger non-local means that I combined with a wavelet-based denoising (using the "profiled" denoising filter of darktables) as these have different types of artifacts. To cancel out the artifacts, I added to these a low-pass filter that smooths out the image. On top of this, I added artificial grain, to restore the grain of the image destroyed while smoothing.
Finally, I worked a bit on the clouds. I wanted to crop the top of the image, in order to focus more on the horizon line, but I was interested in the shapes of the cloud. So I used a liquify filter to warp these clouds down. Last, in a minor and classic trick, I created a vignetting-like effect by making the top and left clouds darker with a tone-curve filter.
My neighbor, Richard. in a stop and chat. Sweet man. He had two teeth extracted earlier, poor guy. Too bad for him, I had my camera. First shot from my latest Topcor, the 58mm F3.5 Macro! It covers the sensor from what I can see and it's already stunning me with its micro contrast. Not bad for a 45 year old lens made for 35mm film, shot wide open. Topcor lenses are very special, my personal favs. Reechard is too.
Just a simple candid street style Snapograph captured at London UK of a guy with his guitar and microphone doing a bit of street playing.
"THANK YOU KINDLY" to anyone who finds this shot good enough to put amongst their "FAVES".
"THANK YOU KINDLY" to anyone who finds this shot good enough to leave a "Comment", I'll do my very best to reply to you individually.
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion.
I decided to get off my lazy butt and go take a picture. My son turned 4 recetly and we got him a Big Wheel. Unfortunatly he is still too small to pedal the thing. One thing I learned this weekend is that my camera sensor is extremely dirty.
Strobist: AB B1600 in a Beautdy Dish (HOBD Silver) camera right trigged by Pocket Wizards
I'm on Twitter: @isayx3.
That is all about.
Light and perspective are the two basic ingredients in studio photography.
In a studio, light must be under complete control so the result must be exactly as the eye of the photographer wanted it to be.
Perspective is also basic. In this picture the subject was slightly lopsided, and combined with a good zoom (better for portraits), it "flats" the image regarding to the plane of camera sensor. Therefore, the model looks better without using the liquify filter in photoshop. Sometimes, a good control of the elements is much better than a good control of photoshop ;)