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This is what a visitor sees when exits from the other side of the upper Antelope Canyon. I've made this photo for the second time after seven years and the result is almost the same; but this time I was more prepared to capture its stunning textures details; then I underexposed a little in order to capture all blue and purple hues that the sensor was able to register, maintaining the strong light coming from the outside. The result is something that I printed on a metal surface like aluminium in a vertical, supersaturated composition.
Speckled bush cricket (a young larva) after a walk through the flower of a evening primrose. Then she cleaned the feelers of the pollen. These are pulled several times with the help of the forefoot through the "mouth".
Punktierte Zartschrecke (eine junge Larve) nach einer Wanderung durch die Blüte einer Nachtkerze. Danach hat sie die Fühler vom Blütenstaub gereinigt. Dabei werden diese mehrfach mit Hilfe der Vorderfüße durch den "Mund" gezogen.
Danke für deinen Besuch! Thanks for visiting!
bitte beachte/ please respect Copyright © All rights reserved.
Finally, the temps feel like Spring as 2016's first Honey Bee (for me) visits an awakening Grecian Wildflower in my garden.
Photographed with my old Olympus E-1. Its only a 5 megapixel camera, but I've always loved the Kodak CCD sensor.
Chickweed-wintergreen, Arctic starflower, Metsätähti (fin).
Taken with Canon nFD 50mm F1.4 / APS-C Sensor / Natural Light / Unedited (.jpg export from Lightoom).
AKA Brown Knapweed, Brown-rayed knapweed, Brown-ray knapweed, Brownray knapweed, Common knapweed, Hardheads, Ahdekaunokki (fin).
Taken with Canon FD 100mm F4 Macro / Full Frame Sensor / Natural Light / Unedited (straight from camera).
AKA Common sundew, Round-leaved sundew, Pyöreälehtikihokki (fin).
Taken with Canon FD 35mm F2.8 Macro + 30-55mm helicoid (about 2:1 macro) / Full Frame Sensor / Natural Light / Lightroom.
Improved my editing process, and I think I can get cleaner IR results from that little 1/2.3-inch sensor. Still some other maintenance to do on the camera, but this came out well enough that I'm going to share it.
This is a Panasonic Lumix ZS6 with the hot mirror removed and a 720nm filter. I then swapped red and blue channels in post to get yellow trees and blue sky instead of the reverse, and did some additional color adjustments.
I really like IR skies. IR reveals quite a bit of detail and drama.
These images are also my fall fix before the leaves have even started to change.
More infrared and full spectrum images
— Theodore Tollefson @thetollart
A few weeks back our camera club had an outing to Canary Wharf in east London to photograph a 'winter lights' display, a selection of light displays scattered around Canary Wharf (some of them very good) that got underway once it got dark.
The meet up was at 5:30 pm but I decided to make my way there beforehand and so arrived in the early afternoon for what I hoped would be some long exposure photography. That didn't really turn out too well to be honest but I am forever the architectural enthusiast and so I set about shooting some of the architecture around the estate with a wide angle lens.
One of the compositions I saw in my mind's eye almost immediately was this one with all the vertical shapes in the frame. And for once, in a winter that has been as dull and gloomy as I can remember here in the UK, for once it was sunny and gloriously bright. The whole world seems lit up when the sun shines, our moods become more open and people linger in sunny spaces where otherwise they would slink back to their offices and places of work. It was just lovely to be out with a camera.
This was not a long exposure as you can probably see but the water was still and the reflections on it were clear. It's March as of tomorrow and I'm really starting to imagine we'll soon be getting more of this kind of weather... please!
Gawdy Sensor Ship
Plenty of sensors on this one including those ostentatious radars, a spinny round thing and a non-spinny round thing. All a little overblown?
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
For example, I said that I was shooting in RAW mainly. True. However, I am just about to reserve one of my cameras for JPEG shots only. This is a JPEG shot done with the old X-Pro1 and a fast Fuji lens. The camera I am preparing for this will be the Fuji X-E2, also an 'old' (second hand) camera, but one with interesting features I am wishing to exploit. In fact, the equally old 16MP sensor is, in my view, one of the best ones Fuji has ever made. We'll see.
The incredible combination of a modern small smartphone sensor from a 3x camera module (Samsung Galaxy S23 Ultra) in combination with Lightrooms AI denoise feature (or the one from Camera RAW in Photoshop or Bridge)
Just look at the parasols in the background
HACIENDO LIMPIEZA
La meteo da nieve a 1300m. y pillamos la pista a la parte mas alta del valle de Torán, (Valle de Arán) y tenemos la satisfacción de llevarnos al sensor esta magnífica toma.
20250521 LEICA M9 52
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion
A lovely afternoon with a turbulent atmosphere.
Raw photo from iphone rendered in lightroom- tee tiny sensor does well sometimes!
Mr Rainbow favourite habitat is low dark lying area making it a challenging to photography this gorgeous small birding. Especially so for m4/3 sensor. Thanks to ON1 NR this image came out acceptable. ISO 25600.
A big thank you to all Flickr friends for your visits.
Thanking you in advanced for all your kind feedback & favourites.
Wishing everyone a wonderful Sunday.
Keeping Smiling & Happy viewing
Thank you
💓💓💓💓💓
AKA Hepatica nobilis, Wood Anemone, Sinivuokko (fin), Lehtosinivuokko (fin).
Taken with Canon FD 50mm F3.5 Macro / Full Frame Sensor / Unedited (Straight from camera).
AKA Wood Anemone, Valkovuokko (fin).
Taken with Canon FD 50mm F3.5 Macro / Full Frame Sensor / Unedited (Straight from camera).
Bothriechis schlegelii
Notice the pit organ (left to the eye), which works as an infrared-sensor. The viper must have noticed me long before, however this sensor told her, that I am too big as a prey (at least that's my theory, why I survived this shot :-)
20250521 LEICA M9 36 Miramar 1
Sensor oxidation is visible at the top of photographs. Usually when there's a blue or clear sky.
It looks like an elongated dust spot. If I don't touch the photo with Lightroom, it's precisely to show the sensor oxidation.
This message will appear on all photographs.
I have a UV/IR filter on my lens.
LEICA, SAVE THE M9. PLEASE.
--------------------------------------------------------
La oxidacion del sensor se ve en la parte superior de las fotografias.Generalmente cuando hay un cielo azul,o claro.
Parece una mancha alargada de polvo.Si no toco la foto con Lightroom es para que se vea,precisamente,la oxidacion del sensor.
Este mensaje aparecera en todas las fotografias.
En el objetivo llevo puesto un filtro UV IR.
LEICA SALVA LA M9.POR FAVOR.
Creo que Leica tendria que darnos una solucion.
Macro Mondays " Less than 1 inch " . Actually ,this image of the ruler tool only 1mm use for Microscope, you can see it divide for 100, one small space = 0.01 mm or 10 Micron. Now I will let you know how I setup to shoot this ruler with my Nikon 7100.
First I attach the microscope eyepiece 20 X power to my Nikon D7100 with special adapter, put direct to the eyepiece hole of my Nikon microscope, and the objective len of the microscope I select the one with 4X power (There are 4 objective lens the lowest power is 4X,and 10X,60X,100X ) combine the eyepiece with objective lens I have total 80X (magnify ). The width of my Nikon sensor is 23.6 mm. The photo no crop you can see total about 1.1mm across the sensor that mean all most 21.5 X REAL MACRO 1.1
Thanks a lot to all my flickr member friends for visiting, All faves and comments are much appreciated!
AKA Scentless false mayweed, scentless mayweed, scentless chamomile, wild chamomile, mayweed, false chamomile, Baldr's brow, peltosaunio (fin).
Taken with Sigma 16mm F1.4 DC DN @ f2 / APS-C sensor / Lightroom.
Hello every one .. i am having serious problem with night shoot .. why do my night shots have noise ?!
An increíble place at the vasque coast in Spain, lucky time....
this is a merged panorama from 3 images taken with an incredible sharp lens, the Canon 17mm tilt & shift, and a great sensor the Sony a7r2
look more images on my website
moiseslevy.com
Stay tuned I'll post a tutorial how to shoot a panorama like this.
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Just a simple candid street style Snapograph captured at London UK of a guy with his guitar and microphone doing a bit of street playing.
"THANK YOU KINDLY" to anyone who finds this shot good enough to put amongst their "FAVES".
"THANK YOU KINDLY" to anyone who finds this shot good enough to leave a "Comment", I'll do my very best to reply to you individually.
AKA Sheet Weaver, Money Spider, Riippuhämähäkki (fin).
Taken With Canon FD 50mm F1.4 / APS-C Sensor / Unedited (straight from camera).