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After great demand and lots of encouragement from friend photographers, the result of this very work intensive project is finally available. Please check your respective amazon online store.

 

The paperback version is recommended over the kindle version

 

Content:

This book is unique, in that it focuses on greatly improving photography skills, both for amateurs and professionals, by understanding the image sensor & camera operation and the impact of parameters changes on image quality.

Are you one of those photographers who continuously fights excessive image noise when shooting birds-in-flight, a photographer who would like to understand why certain camera and lens settings do a great job and others don’t, or, are you a photographer who fails in creating top quality images, independent of the circumstances? Then stop looking, because you have found your comprehensively written expert guide, created by image sensor specialist George F. Vittman, PhD, who has worked with world-renowned specialists in the field since the mid-1980ies, and who is also an outstanding and award-winning photographer.

Without going into too much technical detail, this book introduces the basic image sensor operation, and it devotes a large fraction to the study of visible image noise. What is noise caused by, what is its dependence on the 3 camera exposure parameters, shutter time, lens aperture and ISO-value, how does post-processing affect noise, and most importantly, how can the image noise be minimized under different circumstances. Besides image noise, this book also reveals little known secrets regarding auto-focus, camera operation and optics, and it gives image sensor based recommendations for a camera choice in the different fields of photography.

 

Agfa Optima 200 Sensor (second version).

German viewfinder camera produced c.1969.

.

The Meter Unit removed and lying upside-down.

 

There is a Green Mask (see green arrow) in a Slide and a Red Mask (see red arrow) moving with the Meter Needle.

 

These are used for the OK Exposure and Underexposure signals in the Viewfinder.

 

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WARNING :

This image is intended as a reference for the more experienced camera service man. If you have no experience in camera repair please do yourself a favor and send your camera to a professional service shop. It would be a pity to lose a vintage camera in a failed repair attempt !

'HARLEY DAVIDSON WORLD CHESTERFIELD' - TAKEN ON A PANASONIC LUMIX DMC-FX12 COMPACT CCD SENSOR CAMERA. - AUGUST 2024

The dust on my CMOS..easily seen against a blue sky! See NOTEs on screen..

 

Clean guy here!

www.flickr.com/groups/1759159@N24/discuss/721576667846499...

 

Congrats! The photo Looking for the dust on the CMOS check Sensor Cleaning you added to the group Tech Guy has been selected to be its cover photo.

See how it looks here.

Any "safe", public photo that has been added to a group is eligible to become that group's cover photo. To learn more about group cover photos, read all about them in this FAQ.

This is a service email related to your use of Flickr.

 

Image Details:

 

Ha 6x1800s 6x900s, binned 1x1 -20degC.

Total exposure 4 hours 30 mins.

Optic - SW ED80 DS-PRO with SW 0.85 reducer.

Sensor - Atik 383l+ Mono CCD + Baader 36mm 7nm Ha filter.

Mount - HEQ5 PRO Synscan with Rowan Belt Drive mod.

Guiding - ZWO ASI120MM + Orion 162mm/F3.2 guidescope with PHD2.

 

Captured with SGP and processed with PixInsight.

 

Thanks for looking.

The Birth of Venus: Sony A7 R RAW Photos of Pretty, Tall Fitness Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3. Great Abs!

 

45surf Hero's Odyssey Mythology Photography! & 45surf Hero's Odyssey Mythology Fine Art! :)

 

New Instagram! instagram.com/45surf

New Instagram!

instagram.com/johnnyrangermccoy

 

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

 

Ask me any questions! :)

 

Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Hair!

 

And here're a couple of HD video movies I shot of the goddess with the 4K Sony:

vimeo.com/45surf

 

Enjoy! Be sure to watch in the full 1080P HD!

 

The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).

 

Follow me on facebook!

www.facebook.com/45surfAchillesOdysseyMythology

 

Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!

 

Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.

 

New 500px!

500px.com/herosodysseymythology

 

Pretty Swimsuit Bikini Model Goddess! :)

 

She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

 

Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)

 

A laid-back,classic, socal lifestyle shoot!

 

May the 45surf goddesses inspire you along am artistic journey of your own making!

 

All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!

 

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.

 

All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!

  

Modeling the new black & gold & "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Dynamic Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Odyssey Physics here:

herosodysseyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D810's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

I never noticed before that the trams have a sign saying “Warning Anti-Climb Paint”

 

Today i took the opportunity to use a Sony NEX-7 [Crop-Sensor] with a Sony-Zeiss Full-Frame 35mm 1.4f lens.

 

I have recently read that using a full-frame lens with a crop sensor may not produce better results than using a lens designed from a crop-sensor camera and in fact the images will be less sharp.

 

When starting out, many photographers choose to go with a crop body and invest in full frame lenses. This is usually recommended as a good approach as you can keep your lenses and swap out your body for something newer down the road, eventually leading to that high quality full frame sensor that you always wanted. However some experts, especially Tony Northrup, claim that starting out with the full frame lens and crop bodies does not provide you with the sharp images.

 

In my case I had a top end full frame camera [Canon 1DSIII] with a set of very expensive glass and I was not at all happy as the combination was way too heavy and totally unsuitable for street photography. About five years ago I decided that I needed a better solution and after using a Sony NEX-5 for about a year I decided to purchase a NEX-7 and switch from DSLR to Mirrorless [at the time that was a big gamble]. In theory it would be possible to use my Canon lenses with the NEX-7 but in reality it was not a workable solution. The NEX-7 featured a crop-sensor so I purchased a set of suitable Sony lenses and they were not expensive.

 

My reason for getting the NEX-7 and associated lenses was greatly reduced weight coupled with the fact that my equipment did not attract unwelcome attention.

 

The NEX-7 performed way beyond my expectations and I was really pleased and then towards the end of last year because the camera was giving problems at random I threw all logic out the window and took an ever bigger gamble by purchasing a Sony A7RMkII full frame mirrorless camera which is larger and heavier than the NEX-7.

 

To be honest, there is no comparison between the two cameras, the A7R is very much superior and while it is heavier it is actually easier to use. Also the Canon lenses actually work with the A7R but using the necessary adaptor was a pain and added weight. However the Canon lenses showed what the A7RMkII could do so I decided that maybe I should consider getting some native Sony FE prime lenses and then I discovered that they all were expensive and heavy [ unless I got manual focus lens such as the Loxia ]. Anyway I ended up with a set of primes [and no cash] but I now have serious weight issue especially when I travel.

 

I was planning to use the NEX-7 as a backup or when I travel but the crop-lenses are not very good so it would make no sense to leave my full-frame lenses behind so a possible solution would to bring along one of the FE primes [35mm 1.4f] but then I came across discussions online claiming that FE lenses underperform when used with a crop-sensor. Of course there is another issue in that the NEX-7 is at the end of its life and needs to be replaced by something like the A6300 but as I already said I have no spare cash.

  

I have read that using a full-frame lens with a crop sensor may not produce better results than using a lens designed from a crop-sensor camera.

"Magic Wire" is so called because of detecting proximity to antenna.

 

THE MAGIC WIRE

 

As shown in the diagram, the input tube is a type 6R7 duo-diode triode. The triode section forms the oscillator, in conjunction with the coil L1 which is center-tapped to the cathode. When the triode section is oscillating, the r.f. voltage developed from cathode to ground is impressed on the diode section, causing current to flow through R2 and making the diode plates negative with respect to ground. The control grid of the 25L6 power tube is connected to the diode plates of the 6R7 and consequently a negative bias is placed on the grid which reduces its plate current to a very low value. As soon as the triode ceases to oscillate, there is no longer any r.f. voltage applied to the diodes, the voltage drops and the 25L6 draws high plate current, causing the relay to operate.

 

It will be noted that no rectifier tube or filler circuit is required in this design, yet the instrument functions on either a.c. or d.c. On a.c., the 6R7 oscillations and the 25L6 draws plate current only on the positive half-cycles. This principle effects a considerable saving in construction cost and in the size of the instrument.

 

After the parts required have been obtained, the first step in building the unit is to make the chassis, which consists simply of a piece of 16-gauge aluminum or steel bent and drilled in accordance with the plan shown. The front panel, which is included with the standard 6 by 6 cabinet, is drilled and a hole and grommet are placed in the rear panel. The oscillator coil is made by winding 100 turns of No.28 d.c.c. wire on a one-inch bakelite tube 3-1/4 inches long. A tap is brought out at the center of the winding. When the winding has been completed, the entire coil is dipped in a hot half-and-half mixture of beeswax and paraffin to keep the winding in place and exclude moisture. The sensitivity of the outfit is largely dependent upon the efficiency of the coil, so it should be carefully made. C1 is mounted on a small piece of 1/8-inch bakelite, because it must be insulated from the panel.

 

Wire the chassis first, starting with the heater circuits. Do not connect in the power cord until all wiring has been completed. The shield of the 25L6 is connected to its cathode, the shield of the 6E7 to the heater terminal which goes directly to the line. When all the main wiring has been completed, bring the power cord through the rear panel hole, and solder the three terminals to the terminal strip. The antenna wire is brought in through a rubber-grommeted hole in the top of the cabinet and connected to the stator or plate terminal of C1. A knot in the wire will relieve any strain on this connection. Stranded wire is preferred for the antenna.

 

The capacitances of C1 and C2 are largely dependent upon the length of antenna wire desired. If only 4 or 5 feet are required, C2 may be omitted. On the other hand, if the wire exceeds 15 feet, C2 will have to be larger than the value given. If the capacitance of C1 were made large (say 150 mmf. or more), C2 could of course be omitted but then the adjustment would become too critical.

 

The relay employed is a 3,000-ohm plug-in type of standard manufacture. It is a double-pole model and will handle a non-inductive load of 100 watts. It is somewhat more sensitive than is required and any other good relay of 1,000 ohms or more resistance should be suitable. The capacitor, C4, is shunted across the relay coil to prevent chattering. It may be advisable, in some cases, to put a 0.1 mf. paper capacitor across the relay contacts to stop sparking on heavy loads. It is better practice, however, to use a separate power relay when operating any but light loads.

 

In operation, the antenna wire is strung out well away from grounded metal objects and a 110-volt lamp is plugged into the outlet on the panel. When the tubes have heated, the lamp should light when the antenna wire is touched. If it lights without touching the wire, C2 should be screwed down until the lamp goes out. These adjustments should be made with C1 about one-half mashed. The panel may then screwed in on the cabinet and final adjustment made. This is done by gradually adjusting the vernier knob of the dial until the light remains lit when adjusting but goes out when the hand is removed from the dial. This may be carried to a point where the light will flash as soon as one approaches within 3 feet of the wire or instrument. It is better not to aim for such sensitivity, though, since it will vary somewhat with line voltage. A good, practical and stable point is about six to fifteen minutes or so for the instrument to acquire a stable point of operation owing to its sensitivity.

 

PARTS REQUIRED

C1 - Midget variable capacitor, 60 mmf. (see text)

C2 - Trimmer capacitor, 35 mmf. or more (see text)

C3 - Tubular paper capacitor, 0.05 mf. or more, 200 v.

C4 - Electrolytic capacitor, 10 mf., 100 V.

R1 - Carbon resistor, 5 meg, 1 watt

R2 - Carbon resistor, 1 meg., 1 watt

R4 - Wire-wound resistor, 5,000 ohms, 10 watts

R5 - Wire-wound resistor, 10,000 ohms, 10 watts

1 -- Steel cabinet 6x6x6 inches, front & back panels removable

1 -- Piece 16-gauge aluminum, for chassis 5-1/2 x 7-3/4 inches

1 -- Piece bakelite tubing, 1 inch diameter., 3-1/2 inches long

1 -- Piece bakelite, 1'1/2 x 1-1/2, 1/8 inch thick for C1

2 -- Octal wafer sockets, 1-1/2 inches center for mounting holes

1 -- 5-prong wafer socket, 1-1/2 inches center for mounting holes

1 -- Relay, Utah type RAC-110, 3,000 ohm

1 -- 6R7 metal tube

1 -- 25L6 metal tube

1 -- Kurz-Kasch vernier dial, small

1 -- Resistor line cord, 280 ohms (R3)

1 -- Single outlet receptacle

Miscellaneous screws, nuts, mounting bracket, and grommets.

 

- James P Hughes

 

ryan brenizer method

85mm f/1.4 on APS-C sensor Sony A77

10 images stitch, if there are lines that didn't match i tried to get rid of those as much as possible.

 

cheers!

eos 500d, tamron 17-50/2.8

M240 / 50 Summilux

 

Thank you for visiting and viewing.

Jim

 

www.jimservies.com

mylife&yours Blog

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No Usage Authorized Without Prior Written Permission.

 

©2015 Jim Servies Photography

All Rights Reserved.

   

minolta CLE | Leica Summicron-C 40mmf2 | Agfa Vista 400 Plus

Athletic Goddess! Nikon D810 Photos Pretty Swimsuit Bikini Fitness Model Goddess: Sigma 50mm F1.4 DG HSM Art Lens for Nikon Cameras!

 

Loved shooting the awesome Sigma 50mm F1.4 DG HSM Art Lens for Nikon Cameras! It was a bit tough sometimes to achieve optimum focus at F1.4 due to the shallow depth of field, but hey--not every eyelash has to be perfectly sharp! I could do it if I and the model were perfectly still, or F1.8 or F2.0 did the trick too. Kept switching it up! We had fun and she loves the photos! :)

 

All the best on your epic hero's odyssey from Johnny Ranger McCoy!

 

Facebook:

www.facebook.com/45surfAchillesOdysseyMythology

 

Instagram: instagram.com/45surf

 

blog: 45surf.wordpress.com

 

twitter.com/45surf

 

Modeling the new black & gold & "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Dynamic Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Odyssey Physics here:

herosodysseyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

 

Instagram: instagram.com/45surf

 

Fine art swimsuit model, ballerina, and ballet photography!

 

Nikon D810 Photos Pretty Swimsuit Bikini Fitness Model Goddess Sigma 50mm F1.4 DG HSM Art Lens for Nikon Cameras!

 

45SURF Fine Art!

 

After looking through my work,what do you think about Nikon vs. Sony? Do you prefer the Nikon D810 and Nikkor / Tamron / Sigma lenses /glass, or the Sony A7r and Sony Sonnar Carl Zeiss e-mount glass/lenses? I love them both! And I am so excited about the Sony A7rII !

 

Feel free to ask me any questions! Always love sharing tech talk and insights! :)

 

And all the best on Your Epic Hero's Odyssey!

 

The new Lightroom rocks!

Die Fujifilm X100S ist das Update der bekannten Fujifilm X100. Wichtigste Neuerung ist der Sensor, den nun 16 statt 12 Megapixel hat. Was die X100S sonst noch zu bieten hat, steht in meinem Test auf:

 

www.ralfs-foto-bude.de/kameratest/kamerahersteller/fujifi...

Remarkable shot, if you consider it was taken from ground level with a hand-held Canon Powershot G3X. I believe the 24-600 mm zoom and one-inch sensor are currently unique in the camera world.

Nikon D800E Photographs of a Beautiful Sandy-Blonde Swimsuit Bikini Model shot with the Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens. She was a gymnast growing up in Russia! Posing with the black 45SURF surfboard. She's from Russia, with love! :)

 

She had on a short sweater dress, so before the shoot started, we decided to shoot the 45surf hats & Gold 45 Revolver ballcaps in the short sweater dress. Well, I think you'll like our decision. Fun model fun shoot! :)

 

Some HD video of the epic goddess shot @ the same time as stills!

www.youtube.com/watch?v=E_WxB2UtiDE

www.youtube.com/watch?v=ilfHptl6s0w

www.youtube.com/watch?v=9kzZUdpYx2I

 

Photos captured in both RAW and JPEG, but most of these are RAW finished in Lightroom 5.3.

 

Check out the amazing detail in the full resolution photos! I was running out of CF & SD cards fast, as the files are huge!

 

A classic California Hero's Journey Mythology Goddess! Tall, pretty, thin, fit, with pretty brown/green/hazel/grey eyes and long, flowing sandy-blonde hair, blowing on the sea breeze.

 

Representing the 45SURF "man in black" hat theme! :)

 

Enjoy the epic beauty of the mythological hero's journey, in great detail via the Nikon D800E! :)

 

The full resolutions RAWs and JPEGs are amazing!

 

She was also modeling the new Gold 45 Revolver Hero's Journey Mythology Swimsuits!

 

Enjoy!

 

Modeling the Gold 45 Revolver" Gold'N'Virtue swimsuits & hats with the main equation to Moving Dimensions Theory on the swimsuits & new hats: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:

herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

 

May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! :)

 

All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!

 

May the classic California HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!

 

Follow my facebook page! www.facebook.com/45surfHerosJourneyMythology :)

Toronto, Ontario, fern stalks in our back garden, winter.

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

  

Image Details:

11 x 600sec @ ISO800 Lights for a total exposure of 1 hours 50 mins

66 Darks, 200 Bias, 25 Flats.

Optic - Altair Astro 8" Ritchey Chretien (CF) with AP CCDT67 reducer - 1110mm @ F5.46.

Mount - HEQ5 PRO Synscan with Rowan Belt Drive mod.

Sensor - Canon 1000D (Full Spectrum Modded) + Astronomik CLS-CCD filter.

Guiding - ZWO ASI120MM + Orion 162mm/F3.2 guidescope with PHD2.

 

Captured with BackyardEOS and processed with PixInsight.

 

Thanks for looking.

Agfa Optima Sensor compact 35mm camera

 

Specifications:-

 

Type: 35mm compact camera

Size: 104 mm x 68 mm x 54 mm (W x H x D)

Image Format: 24 x 36 mm (W x H)

Lens: Agfa Solitar, 40 mm f/2.8

Diaphragm: Automatic f/2.8 to f/22

Focusing: Manual scale pictograms on top of the focus ring/ meter/feet scale on bottom, focusing 3ft/1.09m - infinity

Shutter Speeds: 1/500 second - 15 seconds

Viewfinder: Large direct finder with parallax marks for near focus

Film Loading: Manual

Film Transport: Manual single stroke lever, also used to rewind film when the 'R' button is depressed and turned

Film Speeds: 25 ASA/15 DIN to 500 ASA/28 DIN, selected on a ring around the lens

Flash Contact: Hot shoe, aperture selected manually with flash

Cable Release Socket: On left hand side of the camera body

Tripod Socket: 1/4 in. on right hand side which doubles as camera strap attachment

Battery: 3 V625U batteries, located by opening the camera back

 

photo-analogue.blogspot.com/2011/09/agfa-optima-sensor.html

Taken with a motion sensor camera on a tree

Photographers love to share.

 

Connie, Tom, Kevin and I met Dr. Osheroff last weekend while in Big Sur. He's an avid photographer and you can tell how much he enjoyed teaching. Kevin had admired his Sony NEX. Then one thing led to another and before I knew it, he was having me hold his Hasselblad H4D-60 (it's pretty darn heavy). Then he took it apart, had me hold the viewing piece while he showed us the 60 Mpixel 40 x 54mm sensor. The sensor itself was almost as big as my live view!

 

Douglas Osheroff "is an American physicist known for his work in experimental condensed matter physics, in particular for his co-discovery of superfluidity in Helium-3. For his contributions he shared the 1996 Nobel Prize in Physics along with David Lee and Robert C. Richardson"

 

Per the modest Dr . Osheroff: "Here I'm just another photographer."

 

Prototype of a wireless soil temperature sensor using a single-bord microcontroller and an LCD display.

 

License photo

Camera for the 110 cartridge . Included in this set is the Agfamatic pocket LUX 400t electronic flashgun . The camera also has a socket for a topflash bulb flashbar . Made in Germany , introduced in 1975 .

948 seconds 3 lenses 1 exposure no edits.

Near vaped myself to death for the lasers 💩😂

Agfa Optima 1535 Sensor • Agfa Paratronic Solitar S 1:2.8/40

FujiColor C200 developed in Tetenal Colortec C-41

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio

 

Trier • Deutschland

My cat Luna, shot on my sigma dp2 quattro, no post production done except the conversion to b/w. Lots of drama straight out of the camera.

New video channels for epic bikini swimsuit model goddess videos shot at the same time as photography stills!

 

vimeo.com/87621461

vimeo.com/87621357

vimeo.com/45surf

dailymotion.com/45surf

 

Nikon D800 photography of Pretty Blond Swimsuit Bikini Model Goddess @ the 45SURF Summer Beach House! Gorgeous Green Eyes! Modeling a white bikini and black gold 45 revolver bikini! I'm thiking about adding a deck and a pool to the beach house / surf shack! You'll have to visit!

 

Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology

 

Follow me on facebook! facebook.com/elliot.mcgucken

 

Classic California--an athletic model goddess modeling Gold 45 Revolver bikini with the Moving Dimensions Theory Equation on it: dx4/dt=ic! Tall, thin, fit and very, very pretty!

 

Be sure to enjoy the epic videos in full screen HD! :)

 

Photos shot with the AMAZING Nikon D800 E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens and the B W 77mm XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating. Classic California Brunette Beach Babe! Beautiful Swimsuit Bikini Model Goddess with Pretty Blue Eyes and wavy sandy-brown hair!

 

Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5 ! :)

 

Modeling the classic 45surf t-shirts and the Gold 45 Revolver Gold'N'Virtue Bikini on a sunny Malibu summer afternoon--my favorite for shooting on the beautiful socal beach!

 

Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:

herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. She was thin, tall, fit, tan, and sexy! Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

 

May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! :)

 

All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!

 

May the classic California HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!

 

A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

I yanked this out of a Sony Standard def Camcorder. Such a "big" device for such a small sensor.

agfa optima sensor 1035 ektar 100

I am quite pleased with this. What do you think?

first from the test roll through my new purchased agfa optima sensor electronic.

some troubles with scanning at the moment, though.

Testing some new video channels for the epic Hero's Journey Mythology bikini swimsuit model photoshoots, where you can view videos shot at the same time as stills:

vimeo.com/45surf

dailymotion.com/45surf

 

Follow me! Let me know which ones your like best! :)

 

A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour. Just like Helen of Troy, she's worth fighting a ten year war for! :)

 

Got a brand new Prime Lens--the Carl Zeiss Sony Alpha e-mount FE 55mm F/1.8 ZA Carl Zeiss Sonnar T* Lens! Let me know how you like it! :)

 

Sony A7 R Test Photos of Bikini Swimsuit Model Goddess! Pretty, pretty, pretty woman! Shot with the awesomely sharp, sharp Carl Zeiss Sony Sonnar Sony FE 55 mm F/1.8 ZA Carl Zeiss Sonnar T* Lens and finished in Lightroom 5.3 ! Was using the B W 49mm Kaesemann Circular Polarizer MRC Filter on bright, sunny day. Check out the low glare off the rocks and water and the bright blue sky! Super sharp images and crystal-clear pictures!

 

Beautiful swimsuit bikini model goddess on a beautiful January Malibu morning! Shot it yesterday. :) Love, love, love the new Sony A7 R 55mm F/1.8 lens combo!

 

Was a fun test shoot. Many, many more to come!

 

All the best on your Epic Hero's Journey from Johnny Ranger McCoy!

 

Modeling the black & gold Celtic Cross and "Gold 45 Revolver" Gold'N'Virtue swimsuits, shirts, & lingerie with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:

herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!

 

All The Best on your EPIC hero's journey from Johnny Ranger McCoy! :)

 

Falling in love with the full frame 36 megapixel e mount Sony A7R!

 

The books behind the pretty goddess on the Malibu beach hut and surfboard are The Decline and Fall of the Roman Empire by Edward Gibbon, Homer's Iliad, Homer's Odyssey, Shakespeare, and Herman Melville's Moby Dick! My favorite books! Will have some video of the pretty model reading them beside a campfire soon.

 

They're all collectors editions! My books cost as much as my surfboards!

 

And for those who always ask, I shoot in RAW! Always! :)

 

Follow me on facebook: www.facebook.com/45surfHerosJourneyMythology

Twitter: twitter.com/45surf

2019 Ram 1500 (new body) with Precision Back-up Sensor Guard.

Nicolas Ivanoff passing through Gate 8 during Red Bull Air Race Ascot Free Practice Two.

 

Manufactured by Agfa Kamerawerk AG, Munich, West Germany

Model: c.1970, (all models of Silette produced between 1953-1974)

Agfa logo on the front of the camera: black relief

35 mm film Viewfinder camera

Lens:Agfa Color - Agnar 45mm f/2.8

Aperture: f/2.8 -f /22 , stepless allowing for easy adjustment with the TTL meter

setting: ring and scale on the back of the lens

Focusing: front ring manual focus, w/ DOF scale

Focus range: 1-5m +inf.

Shutter: Parator speeds: 30, 60, 125, 300 +B, extremely quiet

setting : ring and scale on the lens

Shutter release: Red "Sensor" shutter release button,

very smooth and sensitive so no camera shake

Cable release socket: on the back of the top plate

Exposure meter: TTL (coupled to the lens) Selenium Optima 200 Sensor (working !.)

Exposure setting: via 1- the small needle window on the top plate, 2- the indicator in the viewfinder, set the speed and turn the aperture ring

Film speed range: ASA 25-400 (DIN 15-27), setting knob and scales on the lens

View finder: bright frame finder,

Cocking lever: also winds the film, short stroke, on the left of the bottom plate

Frame counter: advance type, manual reset by a button behind the counter window, on the bottom plate

Re-wind release and re-winding: the black lever marked R and arrow on the right lower side of the lens releases and engages the reversing gear

thus the cocking and winding lever is the re-wind lever now

Flash PC socket: none, you can use a flash sync. cord with an Agfa flash adapter

Hot-shoe: flash sync. bulbs 1/30, electronic all speeds

Self-timer: none

Back cover: hinged, opens by a latch on the right side of the camera

Film loading: special easy quick loading system

Body: metal

Tripod socket: 1/4''

serial no. LW 6837 BC

The Silette series' rangefinder models were called Super Silette. There was also an interchangeable lens rangefinder model called the Ambi Silette.

Photos by the camera

My photographs are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and all my rights are reserved. Any use without permission is forbidden.

 

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The photographs in my set, "Weed Flower Micros," may appear to be close-ups of regular-sized flowers – they are not!

 

These are micro (macro) photos of tiny little flowers which bloom on ordinary weeds found in my lawn.

 

How tiny? The largest weed flower in the set is only, when measured across its widest part from petal tip to petal tip, 3/4" in diameter (19mm)!

 

Some of these miniscule flowers are so small that the entire blossom you are looking at is 1/4" in diameter (6mm)…or smaller! Again, that’s measuring from petal tip to petal tip across the widest part of the bloom!

 

The smallest part of a weed flower that I have managed to successfully shoot and achieve good detail in is a photo I made of a bud that measured LESS than 1/32" in diameter (0.7mm) across its widest part!

 

For size references I have included a photo of certain flowers and buds next to the head of an ordinary paper match, which dwarfs the blooms and buds.

 

It’s delightful to discover the beauty, complexity, and variety in something so small that it’s easily ignored, taken for granted, dismissed as a pest, or just downright difficult to see with the naked eye.

 

And it’s an even greater delight to realize that this incredible beauty has been growing wild in my lawn, year after year, right under my un-seeing eyes as I’ve repeatedly mown them down with my lawn mower, never realizing the unseen beauty that I was trampling under my feet.

 

I hope you enjoy viewing these as much as I do. I have a lot of fun making them for us to look at!

 

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See more of these incredible, tiny jewels in my set, "Weed Flower Micros:"

 

www.flickr.com/photos/motorpsiclist/sets/72157626023965740/

 

White egret, Sai Kung, Hong Kong

APS-C sensor swabs, fluid and dry brush with magnifying glass, cleaning the Sony α 77 ii sensor today.

 

Sony α 77 ii

DT 18-135mm ƒ/3.5-5.6 SAM

Sensors for guidane, navigation, control and positioning of the MASCOT lander.

 

Read more about MACOTs thrilling mission into the unknown here: www.dlr.de/dlr/en/desktopdefault.aspx/tabid-10081/151_read-30050/

 

Credit: DLR (CC-BY 3.0)

From my daughter's lens-less smashed camera.

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