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A couple of repaints for the Iwan Jones fleet, both stripped to bare metal and brush finished with Phoenix / Cherry enamels.
The pharmacy had received it's repaint sometime within the last couple of weeks as well. Looks like I don't have an old pharmacy photo posted of this location, or else it's lost in another photo set! I'll definitely plan on doing a "before and after" split view once the pharmacy remodel is complete.
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Walmart Neighborhood Market, 2002-built, Goodman Rd. at Hurt Rd., Horn Lake MS
Before and after images for the latest repaint for Iwan Jones' IJ Coaches fleet.
Donor was stripped to bare metal followed by the usual multi-coat finish. The glazing was not in good condition, but all printed detail was removed, the surface cleaned as well as it could be and detail re-established. A new rear lower panel was made from Plasticard and a pair of white metal mirrors fitted.
And the interior was repainted with seat fabric decals fitted.
A lot of work on this one, but not a bad result.
Yup, these are still the same repaints from last time, just took new pics of them... I'll be working on more repaints soon :)
Raven Queen is one of my favorite customized dolls, I tried to make a makeup similar of the one she is wearing in the cartoon but with my own style.
Since I saw Kitty Cheshire with a sort of double buns in the episode “A Tale Of Two Parties” I wanted to do the same haircut to one of my dolls, now Raven looks like Maleficient !!
I got her on sale a couple of weeks back and i was always intrigued by this sculpt- androgynous and strong, which upon arrival , it confirmed all my expectations. the sculpt is surprisingly detailed and easy to work with though quite ginormous lols. She is wearing a leatherette empire gown, with shoulder sculpture details and a filigree headpiece all inspired by Cherlize on Snow White and the Huntsman.
This is my latest Rapunzel custom with a screencap of the look I was going for. My boyfriend saw her and went 'that's probably your most ambitious re-do, but it doesn't look anything like Rapunzel', so I showed him the picture I was working from. He went 'Oh. Okay. Well, it looks like that, but she doesn't look anything like herself there'.
No pleasing some people.
This is a custom repaint of the Unicorna figure from the Combo Warrior knockoff line.
There seem to be two versions out there, this one started out as the lighter version. I added layers of blue and pink with metallic white for an iridescent kind of look, and changed the trunks from green to blue with a new gold belt. Also replaced the very boring blue vest with a furry soft goods accessory that I borrowed from a Zoloworld figure, and armed him with a hefty stone axe to imply great strength.
Ultimately I was going for a wild and free kind of look, like a unicorn... but also a barbarian.
This isn't the first time I've repainted an 80s knockoff figure, I tend to like them better after some custom work.
I may have bought this set primarily for Maleficent, but I paid 10 quid in import duty for them both, so I was damned if I was leaving Sleeping Beauty herself to languish in a box...
It almost feels like 'too little, too late' with Mattel's Signature series. There are some great new head sculpts - but then they all have the same, stiff arms and (at least these two) completely unjointed legs! Monster/Ever After High and the Fashionista/Style series have shown us that Mattel can make some brilliant articulated bodies - I just don't understand why they wouldn't try and use some of that for these dolls - which are supposed to be some sort of premium range, after all.
As for the repaint - I went for a side-glance (because I usually do), and a sort of doe-eyed, Veronica Lake-esque face; she always strikes me as looking half asleep even when she isn't under the spell. I refrained from rooted lashes/gloss varnish this time because I wanted her to have the rather stylised, flat appearance of the movie art direction (which is genius, by the way).
Compre este muñeco de bestia para mi hermano , solo había uno por lo que me lo tuve que llevar , este venía muy mal pintado . Mi hermano lo repinto y bueno aquí os adjunto el resultado.
The first thing you need to do is remove the old faceup.
I use Acetone nailpolish remover and cotton balls.
As soon as the faceup is removed, I rinse the face with warm water, to make sure there is no acetone residue left behind.
After I dab the cottonball in the acetone, I squeeze it out. You want to make sure the cottonball is not dripping with too much acetone, otherwise it will drip down the doll and possibly stain the clothes.
A recent repaint into the new livery is 27602, seen here on Ellon Road at the former AECC now a church on the X60.
Newly painted Class 20s 20142 & 20189 are seen on 06/05/14 working their first train since repaint: 6Z41 1310 Doncaster West Yard-Stapleford and Sandiacre Balfour Beatty Yard with 2 KFA flats, seen from the Derby Road bridge just North of Toton.
So I decided to Repaint my Meygana's lips with this cute pink color I bought from Michael's
so tell me, yay or nay?
The latest E500 to re-enter service following repaint is 38213, latterly unbranded in Olympia. Sister 38205 has already been done and is ready for return from Caledonia.
38213 is seen here on Union Street on the Bridges 1 for Garthdee.
Official list entry
Heritage Category: Listed Building
Grade: I
List Entry Number: 1163790
Date first listed: 30-Jun-1961
Statutory Address: CHURCH OF SAINT JAMES THE APOSTLE
Location
Statutory Address: St Jame's Church, Village Rd, Christow, Exeter EX6 7LZ
County: Devon
District: Teignbridge (District Authority)
Parish: Christow
National Park: DARTMOOR
National Grid Reference: SX 83613 85039
Details
CHRISTOW CHRISTOW SX 88 NW 2/88 Church of Saint James the Apostle 30.6.61 GV I Parish church. C12 font, medieval fabric C15, restoration of 1862 by Edward Ashworth included rebuilding the chancel, the porch, adding the vestry, reseating and repairing and repainting the screen. Granite ashlar tower, the remainder of the church rubble and snecked stone ; slate roofs. Largely Perpendicular. Plan: of nave, chancel, 4-bay north and south aisles, south porch, west tower north- east vestry. C19 chancel with granite ashlar quoins set back buttresses, 3-light C19 Perpendicular east window with carved label stops, 1 buttress on the south side which has a C19 moulded priest's door and a 1-light cusped window with carved label stops; similar north window to chancel ; north-east vestry with 2-light cusped square headed window on the east side and a moulded doorway on the north side. North aisle with set back buttresses and buttresses with set-offs between the 4 C19 Perpendicular 3-light windows retaining medieval mullions and jambs ; similar east window ; 2-light square-headed cusped west window. South aisle with set back buttresses 2 windows east of porch, one to west, Perpendicular, 3-light with C19 tracery ; smaller west window ; tall 3-light C19 Perpendicular east window. Tall slim battlemented granite ashlar west tower of 3 stages with battlementing and obelisk pinnacles, set back buttresses and string courses. Shallow-moulded granite west doorway dated 1680 (presumably a restoration date) on the arch ; 3-light Perpendicular granite traceried west window ; 2-light chamfered belfry openings on all 4 faces ; rectangular openings at bellringers' stage on east and west faces. Porch with set back buttresses and a shallow moulded granite outer doorway with NB carved on one jamb, C19 hoodmould and carved label stops, good ledger stone used as paving slab outside porch, commemorating Nicholas and Walter Busell, died 1631 and 1632 ; C19 arched brace roof to porch with crude chamfered rounded inner doorway and probably C17 door. Interior: Plastered walls ; C19 timber chancel arch on brattished corbels ; 4-bay granite arcades of conventional Perpendicular design; double chamfered tower arch, the inner order on stone corbels. Ceiled wagon roofs with carved bosses to nave, similar C19 roof to chancel, ceiled wagons without bosses to north and south aisles. 5-bay rood screen, (Pevsner 'A'type), the coving missing, re-painted in the C19. 3- bay of the screen, formerly across the south aisle, have been re-sited as the tower screen. 1860s stone reredos of 5 gabled bays with texts and paintings on tin in the centre 3 bays, co-eval floor tiling and C19 poppyhead choirstalls with traceried fronts. The nave has a late C19 timber drum pulpit with carved panels incorporating C16 blind tracery ; C12 font with a square scalloped bowl on a replaced cylindrical stem and plinth. C16 square-headed bench ends with 2 tiers of blank tracery, one carved with a pomegranate, fixed to later seating in the aisles with low door added in the C19. Plain C19 benches in the nave except for 2 rows facing north and south with carved frontals. 1682 Royal Arms in plaster in high relief with the names of Tho Moore and Chr Moore, churchwardens, below. Memorials: Numerous C19 wall white marble wall monuments to the Exmouth family in the chancel, 2 of 1833 signed E. Gaffin, Regent Street, London : one to the Right Honourable Pownoll Bastard Pellew with a mourning woman ; the second commemorating the Right Honourable Edward Pellew with a sarcophagus, urn and laurels framed by half columns, naval trophies above and long verse below recording Pellew's rescue of 500 people from the wreck of the 'Dutton' ...." so, when this mighty orb, in dread alarm,/ shall crash in ruins, at its God's decree;/May thy redeemer, with triumphant arm,/ from the vast wreck of all things - rescue thee"/. The nave has a number of C19 wall monuments and 2 fine slate-cut ledger stones fixed to the west and north walls commemorating Edmund Davis, died 1652 and John Davys died 1682. Stained Glass: Fragments of C15 canopy work and a figure in the easternmost window of the south aisle ; some C18 bottle glass in the head tracery of the north aisle ; Outstanding Clayton and Bell glass, memorial date 1862, in the east. window of the south aisle ; chancel east window probably by Drake of Exeter, memorial date of 1899 glass by Ward and Hughes in the window in the south aisle, first bay from the east, memorial date of 1913. Window in north aisle, opposite the door, with memorial date of 1867, probably by William Wailes. Devon Nineteenth Century Churches Project.
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