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The starship Tia Maria for Andromeda's Gates on Eurobricks:
www.eurobricks.com/forum/index.php?showtopic=112443
This ship was inspired by Ian McQue's amazing work.
Debido a las críticas y recomendaciones decidí editarla y subirla de nuevo. Es la versión 2.0 de Seagulls' Sunset
Espero que les guste.
Due to the critics and recomendations I decided to edit and upload it again. This is the 2.0 version of Seagulls' Sunset
I hope you like it.
See where this picture was taken. [?]
GHOSTS OF THE PRAIRIE
HAUNTED ILLINOIS
BLOODY HISTORY OF CAVE-IN-ROCK
The History & Hauntings of Southern Illinois
The rivers and waterways of southern Illinois have always played a dominant role in its history and folklore. The early settlers, like the French, established themselves along the rivers and later, farmers would come to realize how much more simple it was to use the river to transport grain to market. The era of the steamboat created towns like Chester, Elizabethtown, Cairo, Metropolis, Golconda and Shawneetown. These towns became shipping ports with flour and lumber mills and even an iron foundry in Grand Tower. Travelers came to the towns by boat and hotels and establishments on the riverfront flourished.
Many stories have emerged from the rivers and the towns surrounding them, of wrecks, lawlessness, pirates and even ghosts. Perhaps the most famous pirate location on the river was an outlaw hideout called Cave-in-Rock, which is located along the Ohio River at the southeastern edge of the state. The cave became the stronghold of pirates who plundered flatboats on the river and who murdered and robbed travelers. It was also here, around 1800, that a robber named Samuel Mason began operating a tavern and gambling parlor in the cave. He used whiskery, cards and prostitutes to lure travelers in off the river and many of these customers found themselves beaten, robbed and sometimes dead, after tying up at the crude wharf.
Cave-in-Rock, located close to the town of the same name, was a perfect place for criminal enterprises along the river. At that time, it boasted a partially concealed entrance and a wide view up and down the river. The cave is about one hundred feet deep, with a level floor and a vertical chimney that ascends to the bluff above.
Samuel Mason operated here for several years. He was said to be a man of gigantic size and possessing no conscience, he killed for both pleasure and profit. He also operated along the Mississippi River and on the fabled Natchez Trace, a series of trails in the south that became known as a haven for thieves and pirates. Eventually a reward was offered for Mason, $1000 dead or alive, and a hatchet was put into his back by one of his own men. This traitorous wretch never collected the reward though as he was in turn killed by other members of the gang. Mason’s cronies eventually scattered to the wind and other outlaws took their place at Cave-In-Rock.
The pirates were also said to have preyed upon ferryboat passengers at Ford’s Ferry, a few miles upriver. The ferryman himself, James Ford, was said to have been in league with the pirates. He was also said to be one of the “slave catchers” in the employ of John Hart Crenshaw. Ford eventually came under attack by the vigilante “Regulators” and this would lead to his demise. One night, in 1834, he was having dinner at the home of a Mrs. Vincent Simpson, the widow of one of Ford’s men. He was eating his food at the table and someone brought him a candle and asked that he read a letter aloud for him. Using the candle as a signal, the “Regulators” outside opened fire, aiming between the logs of the cabin. Ford died with 17 bullets in his body!
For years after his death, the slaves told stories about how Jim Ford had died and “landed in Hell head first”. At his funeral, attended only by his widow, a few family members, neighbors and some slaves, a terrible thunderstorm came up. Just as Ford’s coffin was being lowered into the ground, lightning flashed and a deafening clap of thunder filled the air, causing one of the slaves to loose his grip on the rope holding the coffin. The box dropped into the grave head first and wedged there at a strange angle. The heavy rain that began to fall made it impossible to move the casket, so it was covered over the way that it had fallen. This left Ford to spend eternity standing on his head.
Ford’s death would not bring an end to the thievery at Cave-in-Rock. Many of the remaining pirates continued to prey on travelers from the sanctuary of the cave, while others joined with villains like John Murrell and his “Mystic Band”. Murrell was a “slave catcher”, thief and murderer, who killed his first man when he was only sixteen. He later died after serving time in prison.
By the late 1830’s, most of the outlaws, pirates and counterfeiters were driven away from Cave-in-Rock and the bloody past of the place began to fade with time. As years passed, the cave became more of a recreation area than a den of thieves and remains a natural attraction in southern Illinois today. The legends have never died completely though and many still remember the area’s blood-soaked past... and the stories of ghosts. In years gone by, travelers passing on the river often claimed to hear the keening moans of the dead echoing out from the mouth of the cave. These same cries are still sometimes reported today. Do these eerie voices belong to the crime victims of long ago, who were lured to their death at Cave-in-Rock? That answer remains as mysterious as the history of the cave itself.
(C) Copyright 2002 by Troy Taylor. All Rights Reserved.
From Wikipedia:
The Cave
Cave-in-Rock's primary feature is a striking 55-foot-wide cave, formed by water. The first European to come across it was M. de Lery of France, who found it in 1739 and called it "caverne dans Le Roc".
History
From the 1790s to the 1870s the area around Cave-in-Rock was plagued by what historians as early as the 1830s referred to as the "Ancient Colony of Horse-Thieves, Counterfeiters and Robbers", and better known today due to Otto Rothert's history early in the 20th Century as the "Outlaws of Cave-in-Rock".
Other names for the cave include Rocking Cave, Rock-and-Cave and House of Nature.
In 1790 counterfeiters Philip Alston and John Duff (John McElduff) used the cave as some type of rendezvous, though details are scarce. Although folklore printed in 19th Century histories failed to establish a prior connection between the two men, both lived in the area of Natchez, Mississippi, at the start of the Revolutionary War.
By the arrival of Samuel Mason at the cave in 1797 Duff was living upriver a few miles either at Battery Rock, or across the Ohio River at what would become Caseyville, Kentucky. Mason had previously made Diamond Island and Red Banks his headquarters. In 1797 he moved his base of operations to the cave and made it the home of river pirates. Two of Mason's brothers had been business partners of Duff at Kaskaskia, Illinois, in the 1780s.
James Wilson is the next leader of the Cave-in-Rock band, and may have been the Wilson who married one of Capt. Mason's nieces. In 1799 he's remembered for installing a sign reading "Wilson's Liquor Vault and House of Entertainment" over the cave entrance. Rather than be the actual leader he may have simply been the front man for the operation.
By this time in either 1798 or in the spring of 1799 Duff and his associates had been making salt (or looking for silver) at the Great Salt Springs area along the Saline River in southeastern Illinois. Soldiers from Fort Massac captured him and three of his men named Blakely, Hazle and Hall. The soldiers took their captives by boat down the Saline River to the Ohio, and then down the Ohio to below the cave. Although the old histories don't explain why they stopped at the cave, subsequent events indicate it may have taken place during the spring of 1799 when Wilson was running his operation, thus making the stop one of refreshment and entertainment. During the stop Duff and his men escaped and captured the soldiers. They placed them tied up in the boat and pushed the boat into the river to float downstream to the fort.
The infamous Harpes also reached the cave region in the spring of 1799. They were Big Harpe and Little Harpe, who were considered by many historians to be brothers Micajah and Wiley Harpe, though some sources provide different names and indicate they were first cousins instead. Contemporary references often left off the (e) at the end of their name. They are associated with two separate stories at the cave and one at the infamous Potts Spring area to the north.
The first story involves them pushing a young couple off the top of the cliff. They survived. The second involves an act of piracy where only one man survived. Later he was forced off the cliff as well, this time involving a horse. The Potts Spring story is simply recalled as a murder of two or three hunters.
Mason and Wilson's time at the cave may have come to an end during the summer of 1799 when attacked by a group of bounty-hunters/vigilantes under the leadership of Capt. Young who called themselves, "The Exterminators".
No contemporary accounts show the cave occupied by river pirates in the first decade of the 19th Century, but the outlawry continued as the Harpes retreated back into Kentucky, Mason traveled downriver and began to focus on highway robbery along the Natchez Trace, and Duff was killed by assassins on June 4, 1799. By the middle of the decade church services were being held in the cave. These Christians eventually formed Big Creek Baptist Church, the first church organized in southeastern Illinois in 1807.
The next generation of outlaws in the region fall either under the Sturdivant Gang, a group of counterfeiters based at Sturdivant Fort on top of the bluffs overlooking the Ohio River at what is now Rosiclare, Illinois; or the Ford's Ferry Gang led by James Ford based a few miles upriver from the cave at what became known as Ford's Ferry, Kentucky. The Potts Inn stories take place during this time as well.
Law enforcement officials led three raids against Sturdivant Fort in 1822 and 1823. Although it's not clear what happened following the raids, the gang disappears from the area by 1830. The Ford's Ferry Gang was broken up following the mysterious deaths or murders of James Ford's two sons followed by his own assassination in 1833.
Even after the death of Ford, outlaws remained. Isaiah L. Potts operated Potts Inn on the Ford's Ferry Road in Illinois north of the cave where travelers checked in, but sometimes failed to check out. The legend of Billy Potts, the returning son murdered unknowingly by his father, likely took place in the months following Ford's assassination. Records show the elder Potts and his wife separating in 1834 or 1835.
Eason Bigsby or Bixby also took up counterfeiting in Hardin County in the decades following the Sturdivants. His attack on his wife Anna in an effort to find out where her first husband's money was buried dates to the early 1860s and led to the legends of Anna Bixby, her treasure and her ghost. She actually survived running off of a cliff in the dark. She's remembered in the 21st Century as the namesake for the Anna Bixby Women's Center in nearby Harrisburg, Illinois.
Although not completely connected to the Ancient Colony, the Logan Belt Gang terrorized Hardin County in the 1870s and 1880s until Belt himself was assassinated.
Pop Culture
Popular culture recalls the river pirate history in scenes from Walt Disney's Davy Crockett and the River Pirates, and the MGM classic How the West Was Won. Both filmed at the cave as well as Battery Rock. In 1997, The History Channel show, "In Search of History" also filmed at the site for an episode entitled "River Pirates"."
Geography
Cave-In-Rock is located at 37°28′12″N, 88°9′59″W (37.470050, -88.166297).GR1
According to the United States Census Bureau, the village has a total area of 1.1 km² (0.4 mi²). 1.0 km² (0.4 mi²) of it is land and 0.1 km² (0.04 mi²) of it (7.14%) is water.
Here's an intersting story about America's first serial killers that crossed this area many times:
www.trutv.com/library/crime/serial_killers/history/harpe_...
© Angela M. Lobefaro
ALL RIGHTS RESERVED
RIPRODUZIONE RISERVATA
Ko Phi Phi - Thailand - June '08
Hi friends, today we arrived at Ko Lanta, our third stop here in Thailand, pleasant site with lots of green and no one in sight, God Bless Low Season !
;-)
Ciao from AngieMax
My Most interesting photos for a guy called Isaias
The Phi Phi Islands (Thai: หมู่เกาะพีพี) are located in Thailand, between the large island of Phuket and the western Andaman Sea coast of the mainland. Phi Phi Don, the larger and principal of the two Phi Phi islands, is located at [show location on an interactive map] 7°44′00″N, 98°46′00″E. Both Phi Phi Don, and Phi Phi Leh, the smaller, are administratively part of Krabi province, most of which is on the mainland, and is located at [show location on an interactive map] 8°02′30″N, 98°48′39″E.
Ko Phi Phi Don ("ko" (Thai: เกาะ) meaning "island" in the Thai language) is the largest island of the group, and is the only island with permanent inhabitants, although the beaches of the second largest island, Ko Phi Phi Lee (or "Ko Phi Phi Leh"), are visited by many people as well. There are no accommodation facilities on this island, but it is just a short boat ride from Ko Phi Phi Don. The rest of the islands in the group, including Bida Nok, Bida Noi, and Bamboo Island, are not much more than large limestone rocks jutting out of the sea.
Phi Phi Don was initially populated by Muslim fishermen during the late 1940s, and later became a coconut plantation. The Thai population of Phi Phi Don remains more than 80% Muslim.But the actual population if counting laborers, especially from the north-east, from the mainland is much more Buddhist these days.
Ko Phi Phi Leh was the backdrop for the 2000 movie The Beach. Phi Phi Leh also houses the 'Viking Cave', from which there is a thriving bird's nest soup industry. There was criticism during filming of 'The Beach' that the permission granted to the film company to physically alter the environment inside Phi Phi Islands National Park was illegal. [1] The controversy cooled down however, when it was discovered that the producers had done such a decent job of restoring the place that it finally looked better than it had done before.
Following the release of The Beach, tourism on Phi Phi Don increased dramatically, and with it the population of the island. Many buildings were constructed without planning permission.[citation needed]
Ko Phi Phi was devastated by the Indian Ocean tsunami of December 2004, when nearly all of the island's infrastructure was wiped out. Redevelopment has, however, been swift, and services like electricity, water, Internet access and ATMs are up and running again, but waste handling has been slower to come back online.
My Most interesting photos for a guy called Isaias
VIDEO： www.youtube.com/watch?v=NRP0bkxDuOg
Buying link：http://www.52longhair.com/bbs/viewthread.php?tid=4407&extra=page%3D1
Seventeen days. That's what it took for me to get these shots!
For over two weeks I'd been stalking this bird every single day ... under difficult conditions ... one of which has been particularly excrucriating. In that time, I'd gotten lots of images but hadn't uploaded any because they were taken from a distance and the quality was terrible ... you know, like those you see taken by a paparazzi of some celebrity or other from about a half mile away. :-) I even shot her on at least four separate occasions with fish that she caught ... again, taken from a distance and so not uploaded. Persistance finally paid off, though and I managed to get some shots I'm extremely happy with. These are just two of them.
By the way, I was curious to see how many times I've pushed the shutter on my Nikon D300, so I checked this particular shot. There have been quite a few more since, but this one was the 105,004 th. That's since December, 2008, so I suppose that's not too bad ... averages out to almost 77 shots per day. :-) This shot, though, considering the time and difficulty involved in getting it, is perhaps my favourite of the whole bunch ... or, if not, then it's definitely in the top five of those shots.
You'll perhaps notice that sexual dimorphism is reversed with these Kingfishers ... the female is more colorful than the male rather than the other way around.
Please check out the second shot, too, if you have time.
We did the shoot with the leaf as well but it was giving me trouble so I switched out for the lighter more versital D90. but I did want to put up some of the pictures that I took with the leaf. This is just an outline I will be posting pictures as the tattoo progresses.
Strobist: Norman D24 with four strobes. Two large softboxes back and to the sides one beautiy light (small softbox) up and center and A gridspot hairlight.
Maymia RZ Pro II w/ 90mm F2.8
Leaf Aptus 65
Ver grande sobre fondo negro I View large on black
Foto reproducida en la portada de la Revista-Anuario de la Cofradía Penitencial de Nuestra Señora de las Angustias.
Mas fotos en éste monográfico:
Mas fotos en éste monográfico:
View On Black---------------------------------------- Clika aquí para ver Mejor
.
.La garza real europea (Ardea cinerea) es una especie de ave pelecaniforme de la familia Ardeidae nativa de Europa y de Asia templada, incluso partes de África. Es residente en zonas templadas pero muchas migran en verano a zonas más frías y en invierno a zonas más cálidas.
Características
Es un ave grande, parada mide 90 a 100 cm de altura, con una envergadura de alas de 1,70 a 2 m y un peso de 1 a 2 kg. Su plumaje es mayormente gris arriba, y algo blanco debajo. Los adultos tienen la cabeza blanca con un copete negro superciliar y una cresta delgada, en los juveniles toda la cabeza es gris. Tiene un pico fuerte rosa-amarillento, brillante cuando adultos. Tiene un vuelo lento, con su largo cuello retraído (forma de S). Cuando extiende su cuello, el pico semeja una cuchara. Esto es característico de las garzas y garcetas, y los distingue de las cigüeñas.
Está muy relacionada y es similar a la garza real americana Ardea herodias, que difiere en ser algo más grande, y pardos sus flancos y finales de ala. La garza de cara blanca australiana Ardea novaehollandiae es a veces incorrectamente llamada "garza real".
Comportamiento
La sp. crece en colonias, en árboles cerca de espejos de agua, o áreas inundables, y aún es capaz de anidar en juncales. Hace un nido compacto de ramitas.
Caza y come en aguas bajas, peces, ranas con su largo y afilado pico. Las garzas son capaces de coger pequeños mamíferos y pájaros. Su dieta también incluye invertebrados acuáticos. Frecuentemente espera que la presa se aquiete para atraparla, o puede lentamente cazar al acecho.
Su llamada es un fuerte graznido "fraaank".
Worklog (French) : www.overclocking-pc.fr/forums/showthread.php?58465-Waterc...
______________________
Configuration :
OS: Windows 10 Pro x64
PSU: Corsair AX1200i
MB: ASUS Rampage IV Black Edition
CPU: Hexacore Intel Core i7 4930K
RAM: 4x4 Go de Ram Corsair Dominator Platinum 2666 CAS 10
GPU: 3way-SLI GeForce GTX TITAN
Sound Card : Asus Essence STX II with 7.1 daugther card
SSD : Crucial MX 100 (512 Go)
HDD:
- WD Vélociraptor (1To)
- WD Green (2To)
- WD (1To)
Case : Phanteks Enthoo Primo
______________________
Watercooling Material :
Waterblock :
-CPU / Motherboard - EK Water Blocks - Kit for Southbridge, Mosfets/VRM & CPU - EK-FB KIT ASUS R5E Monoblock - Nickel / Acetal
-GPU-
- XSPC - WaterBlock VGA Razor TITAN / 780 / 780 Ti
- XSPC Backplate.
Thermal Compound :
- Gelid GC Extreme Thermal Compound
- Phobya thermal Pad XT 7W/mk 1mm
- Phobya thermal Pad XT 7W/mk 0.5mm
Pump :
- 2x Laing DDC 3.25 TP 12 Volts
- XSPC - Top Plexi DOUBLE for 2 Pumps Laing DDC V2
- 2x EK Water Blocks - EK-DDC Heatsink Housing - black
Fitting :
- Nanoxia Coolforce Acrylic Fittings 10/12
- Nanoxia Coolforce flex Fittings 10/13
- Some Barrow Fittings
- Koolance QD3 Quick Disconnect No-Spill Coupling 10/13
Tubing :
- Acrylic Tubing 10/12 [OK]
- Transparent Masterkleer flex Tubing 10/13
Reservoir :
- Alphacool - Reservoir HF 38 Cape Cyclone 250 V.2
Liquide :
- KooLance -High Performances 700mL - LIQ-702CL-B
Radiator :
- Alphacool - Radiateur NexXxoS Monsta 360 [Push/Pull]
- Alphacool - Radiateur NexXxoS UT60 Full Cuivre 360 [Push/Pull]
- Watercool MO-RA3 360 PRO black (3x360mm Rad) [Push]
Rhéobus :
- Lamptron CW611
- Hub Phanteks 11 Fan
- 2x PCB Y Phobya 8 Fan
Fan :
- Aerocool Dead Silence black (120mm & 140mm)
- Aerocool Dead Silence white (120mm)
- Phanteks PH-F140SP white LEDs (140mm)
Controleur :
- AquaComputer - temperature sensor 1/4"
- Barrow flowmeter 1/4"
Places / Germany / Baden-Wurttemberg / Tuebingen
Highest position: 255 on Friday, January 9, 2015
original!
bighugelabs.com/scout.php?mode=history&id=16041233569
Mondphase und Mondstand
am
8.1.2015
stand der Mond im Sternzeichen:
Löwe ♂
bei (Phase):
abnehmendem Mond (3. Viertel)
abnehmend bis
bis Dienstag 20.01.2015 -
--------
1. Vollmond:
2015
Schneemond
war am 5-1- 2015 - 6:00 Uhr
Nutzen Sie Voll- und Neumondtage als Fastentage ( z.B. Saftfasten o.ä.) bis zum Dienstag 20.01.2015.
Beginnen Sie Ihre Diät bei abnehmendem Mond z.B. direkt nach dem Vollmond. Der Körper entschlackt, entgiftet und entwässert in dieser Mondphase am besten. Es ist einfacher überhaupt anzufangen, geht müheloser und schneller.
Stimmt!
Effi
Auch wenn Sie Sportlernahrung oder Nahrungsergänzung zu sich nehmen, wird es wahrscheinlich nicht schaden, den Mond zu berücksichtigen ;-)
Raspberry ketone
Das Himbeer-Keton kommt auch im Tabakrauch vor, wobei es im Tabak selbst nicht gefunden wurde.
It is one of the most expensive natural flavor components used in the food industry. The natural compound can cost as much as $20,000 per kg.
de.wikipedia.org/wiki/Himbeerketon
4-(4-Hydroxyphenyl)butan-2-on, Frambinon, Oxyphenalon, Rheosmin
Summenformal: C-10 H-12 O-2
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Views about 10.000 clicks
tags/views10000/
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listed on
www.flickr.com/explore/2015/01/08
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THE EXPLORE GROUP
www.flickr.com/groups/inexplore/pool/
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From Raw-file, ".CR2", aka "Canon-Raw-File"
The CR2 file type is primarily associated with 'Canon Digital Camera' by Canon, Inc.. Raw image format for some Canon digital cameras. Raw images are basically the data as it comes directly from the CCD detector in the camera. Raw files can also contain text information about the picture and conditions in the camera when the picture was taken. These images are based on the TIFF image standard. Konvertor will display these EXIF metadata.
www.graphicregion.com/ablerawer.htm
converted by Faststone viewer IMG_2911
- hand-held
- with hands fixed on the wall,
- taken with the articulated display control
as good as it gets
Besser ging es nicht!
***
Jetzt bin ich mit der Canon SX60 d'accord.
Diese angemessene Qualität einer Bridge Kamera wollte ich unbedingt haben.
Den Vergleich mit der SX50 hat sie überwunden, wenn auch nur mit RAW-File!
Ein Quantensprung seit der Vorstellung der Canon Powershot SX1 von 2009.
Im Super-macro-modus (f/2,8), Foliage Modus für natürliche Farben und Sonneuntergang Modus ist die SX1 allerdings immer noch super!
weitreichenden Dioptrienausgleich: -6.0 bis +2.0 dpt (SX1)
Manches hat die SX60 nicht mehr genauso gut wie die Vorgänger-Modelle!
***
Canon PowerShot SX60 HS,
Canon, PowerShot, SX60, HS, Bridgecamera, bridge, camera, Canon PowerShot SX60, Canon SX60,Powershot SX60,SX60HS,eagle1effi, Powershot SX60,
Vorteil raw
Record Mode CR2+JPEG
Continuous Drive- Continuous 4.8 fps
postprocessing
Raw lässt sich 50% nachschärfen
JPG nur 15%
-
Camera Canon PowerShot SX60 HS
Exposure 0.017 sec (1/60)
Aperture f/6.5
Focal Length 247 mm ~1365 mm analog 35 mm film
ISO Speed 100
Exposure Bias - 1/3 EV
..
daily
File Number 612-2911
...
How do you actually visit the full 500 Explore list of any past date?
December 2014
www.flickr.com/explore/interesting/2014/12/
January 2015
Ahora en Biodiversidad virtual y hace poco en El País -en pdf- gracias a Elisabet Sans. También en la web de la Fundación Biodiversidad
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Si ayer Netrium interruptum era el alga cebra , hoy el alga estrella Micrasterias , se asoma por la ventana de esta galería. Es posible, eso sí, que Micrasterias truncata sea una de las menos estrelladas junto con M. oscitans dentro de este grupo de pequeñas joyas que son los désmidos, pero eso apenas importa, pues todas ellas conservan su hermosura, desde que comienzan a formarse hasta que su alma verde se desvanece.
La mayoría de las especies hermanas del género Micrasterias viven en lagunas de aguas ácidas o en turberas y son extremadamente sensibles a la contaminación. La lluvia ácida y la presencia de diferentes compuestos químicos en el agua ha hecho que muchas de ellas hayan desaparecido en el norte y centro de Europa. Por fortuna, las lagunas de montaña, alejadas de fuentes de contaminación, atesoran todavía una gran variedad de estos organismos que se recortan como pequeños soles verdes entre las gotas de agua de las lagunas de montaña.
Micrasterias truncata es una de las especies de menor tamaño dentro del grupo y sus extremos casi planos y sin apenas dientes son características particulares a las que se debe el nombre específico de esta alga.
Hoy Micrasterias está a punto de completar su desarrollo después de haberse dividido. Son dos estrellas gemelas que flotan unidas hombro con hombro, no se independizarán hasta haber finalizado completamente su crecimiento. De momento seguirán así, juntas, ayudándose mutuamente para poder flotar, equilibradamente, este equilibrio de la simetría es una constante en su vida, sin él, posiblemente no habría estrellas.
Micrasterias truncata parece que no quiere despegarse de su alma gemela, necesitará todavía un tiempo madurar, cuando sus dos mitades pequeñas igualen a las grandes se harán independientes y brillarán en el firmamento de agua de las lagunas.
Micrasterias truncataha venido junto con otras estrellas desde la Laguna de Cebollera, en la vertiente soriana de dicha sierra, cerca de Molinos de Razón, para mostrarse aquí fotografiada a 400 aumentos con la técnica de campo oscuro.
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☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen los vientos limpios que todos necesitamos. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.
Aston Martin was founded in 1913 by Lionel Martin and Robert Bamford. The two had joined forces as Bamford & Martin the previous year to sell cars made by Singer from premises in Callow Street, London where they also serviced GWK and Calthorpe vehicles. Martin raced specials at Aston Hill near Aston Clinton, and the pair decided to make their own vehicles. The first car to be named Aston Martin was created by Martin by fitting a four-cylinder Coventry-Simplex engine to the chassis of a 1908 Isotta-Fraschini.[5] They acquired premises at Henniker Place in Kensington and produced their first car in March 1915. Production could not start because of the outbreak of World War I, and Martin joined the Admiralty and Bamford the Royal Army Service Corps. All machinery was sold to the Sopwith Aviation Company.
Aston Martin Mk II 1935
Aston Martin 2-Litre 2/4-Seater Sports 1937
[edit] Inter war years
After the war the company was refunded at Abingdon Road, Kensington and a new car designed to carry the Aston-Martin name. Bamford left in 1920 and the company was revitalised with funding from Count Louis Zborowski. In 1922, Bamford & Martin produced cars to compete in the French Grand Prix, and the cars set world speed and endurance records at Brooklands. Three works Team Cars with 16 valve twin cam engines were built for racing and record breaking: chassis number 1914, later developed as the Green Pea; chassis number 1915, the Razor Blade record car; and chassis number 1916, later developed as the Halford Special. Approximately 55 cars were built for sale in two configurations, long chassis and short chassis. The company went bankrupt in 1924 and was bought by Lady Charnwood, who put her son John Benson on the board. The company failed again in 1925 and the factory closed in 1926, with Lionel Martin leaving.
Later that year, Bill Renwick, Augustus (Bert) Bertelli and a number of rich investors, including Lady Charnwood, took control of the company and renamed it Aston Martin Motors, and moved it to the former Whitehead Aircraft Limited works in Feltham. Renwick and Bertelli had been in partnership some years and had developed an overhead cam 4 cylinder engine, using Renwick's patented combustion chamber design, and had tested it in an Enfield Allday chassis. It was the only 'Renwick and Bertelli' motor car made. It was known as 'Buzzbox' and survives to this day.
They had planned to sell this engine to motor manufacturers, but having heard that the Aston Martin car was no longer in production they realised that they could capitalise on the reputation of the Aston Martin name (what we would now call the brand) to give themselves a head start in the production of a completely new car.
Between the years 1926 and 1937 Bertelli was the technical director of Aston Martin, and the designer of all subsequent Aston Martin cars during this period, these being known as the 'Bertelli cars'. They included the 1 1/2 litre 'T-type', the 'International, the 'Le Mans, the 'MKII' its racing derivative the 'Ulster, and the 2 litre 15/98 and its racing derivative the 'Speed Model'.
Mostly open two seater sports cars and mostly bodied by Bert Bertelli's brother Enrico (Harry)a small number of long chassis four seater tourers, dropheads and saloons were also produced.
Bertelli was very keen to race his cars and he was a very competent driver. One of the very few motor manufacturers to actually sit in and race the cars he designed and built, the competition no doubt 'improved the breed' and the 'LM' team cars were very successful in national and international motor racing including at Le Mans and the Mille Miglia.
Financial problems reappeared in 1932 and the company was rescued by L. Prideaux Brune who funded it for the following year before passing the company on to Sir Arthur Sutherland. In 1936, the company decided to concentrate on road cars. Car production had always been on a small scale and until the advent of World War II halted work only about 700 had been made. During the war years aircraft components were made.
[edit] The David Brown era
1958 Aston Martin DB Mark III
In 1947, David Brown Limited bought the company under the leadership of managing director Sir David Brown—its "post-war saviour". David Brown also acquired Lagonda that year, and both companies shared resources and workshops. In 1955, David Brown bought the Tickford coachbuilding company and its site at Tickford Street in Newport Pagnell, and that was the beginning of the classic series of cars bearing the initials "DB". In 1950, the company announced the DB2, followed by the racing DB3 in 1957 and the Italian-styled 3.7 L DB4 in 1958. All the cars established a good racing pedigree for the firm, but the DB4 was the key to establishing the company's reputation, which was cemented by the famous DB5 in 1963. The company continued developing the "grand touring" style with the DB6 (1965–70), the DBS, and the DBS V8 (1967–72).
[edit] 1970s - Changing ownership
Despite the cars' appreciation in value, the company was often financially troubled. In 1972, it was sold to a company called Company Developments Ltd., backed by a Birmingham-based consortium, and chaired by chartered accountant and company director William Willson, (MBE).[6] The company was resold in 1975 to North American businessmen Peter Sprague and George Minden. The new owners pushed the company into modernising its line, producing the V8 Vantage in 1977, the convertible Volante in 1978, and the one-off William Towns-styled Bulldog in 1980. Towns also styled the futuristic new Lagonda saloon, based on the V8 model.
In 1980 Aston-Martin had plans, which did not materialize, to buy MG, which they would have utilized as a sister marque, probably building smaller sports cars. Ideas were plotted to design a new model and they revealed to the press their approach to an 'updated' '1981' model MGB.
As worldwide sales of Aston Martin shrank to three per week, chairman Alan Curtis together with fellow shareholders American Peter Sprague and Canadian George Minden, had almost chosen to shut down the production side of the business and concentrate on service and restoration. Curtis attended the 1980 Pace sponsored Stirling Moss benefit day at Brands Hatch, and met fellow Farnham resident Victor Gauntlett.
[edit] 1980s - Victor Gauntlett
Gauntlett bought a 10% stake in Aston Martin for £500,000 via Pace Petroleum in 1980, with Tim Hearley of CH Industrials taking a similar share. Pace and CHI took over as joint 50/50 owners at the beginning of 1981, with Gauntlett as executive chairman. Gauntlett also led the sales team, and after some development and a lot of publicity when it became the world’s fastest 4-seater production car, was able to sell with success the Aston Martin Lagonda into Persian Gulf states, particularly Oman, Kuwait and Qatar.[7]
Understanding it would take some time to develop new Aston Martin products, they bought Tickford to develop automotive products for other companies. Products included a Tickford Austin Metro, a Tickford Ford Capri and even Tickford train interiors, particularly on the Jaguar XJS.[7] Pace continued sponsoring racing events, and now sponsored all Aston Martin Owners Club events, taking a Tickford engined Nimrod Group C car owned by AMOC President Viscount Downe, which came third in the Manufacturers Championship in both 1982 and 1983. It also finished seventh in the 1982 24 Hours of Le Mans race. However, sales of production cars were now at an all time low of 30 cars produced in 1982.[7]
As trading became tighter in the petroleum market, and Aston Martin was requiring more time and money, Gauntlett agreed to sell Hays/Pace to the Kuwait Investment Office in September 1983. As Aston Martin required greater investment, he also agreed to sell his share holding to American importer and Greek shipping tycoon Peter Livanos, who invested via his joint venture company with Nick and John Papanicalou, ALL Inc. Gauntlett remained chairman of the AML company 55% owned by ALL, with Tickford a 50/50 venture between ALL and CHI. The uneasy relationship was ended when ALL exercised options to buy a larger share in AML; CHI's residual shares were exchanged for CHI's complete ownership of Tickford, which retained development of existing Aston Martin projects. In 1984, Titan the main shipping company of the Papanicolaou’s was in trouble, so Livanos's father George bought out the Papanicolaou's shares in ALL, while Gauntlett again became a shareholder with a 25% holding in AML. The deal valued Aston Martin/AML at £2 million, the year it built its 10,000th car.[7]
Although as a result Aston Martin had to make 60 members of the workforce redundant, Gauntlett bought a stake in Italian styling house Zagato, and resurrected its collaboration with Aston Martin.
Aston Martin V8 Vantage from The Living Daylights
In 1986, Gauntlett negotiated the return of fictional British secret agent James Bond to Aston Martin. Cubby Broccoli had chosen to recast the character using actor Timothy Dalton, in an attempt to re-root the Bond-brand back to a more Sean Connery-like feel. Gauntlett supplied his personal pre-production Vantage for use in the filming of "The Living Daylights," and sold a Volante to Broccoli for use at his home in America. Gauntlett turned down the role of a KGB colonel in the film, however: "I would have loved to have done it but really could not afford the time."[8]
Although the company was doing well, Gauntlett knew it needed extra funds to survive in the long term. In May 1987, Gauntlett and Prince Michael of Kent were staying at the home of Contessa Maggi, the wife of the founder of the original Mille Miglia, while watching the revival event. Another house guest was Walter Hayes, vice-President of Ford of Europe. Despite problems over the previous acquisition of AC Cars, Hayes saw the potential of the brand and the discussion resulted in Ford taking a share holding in September 1987.[9] In 1988, having produced some 5,000 cars in 20 years, a revived economy and successful sales of limited edition Vantage, and 52 Volante Zagato coupes at £86,000 each; the company finally retired the ancient V8 and introduced the Virage range - the first new Aston launched in 20 years.
Although Gauntlett was contractually to stay as chairman for two years, his racing interests took Aston back into sports car racing in 1989 with limited European success. However, with engine rule changes for the 1990 season and the launch of the new Aston Martin Volante model, Ford provided the limited supply of Cosworth engines to the Jaguar cars racing team. As the "small Aston" DB7 would require a large engineering input, Ford agreed to take full control of Aston Martin, and Gauntlett handed over the company chairmanship to Hayes in 1991.[10] In 1992, the Vantage version was announced, and the following year the company renewed the DB range by announcing the DB7.
[edit] The Ford era
Ford placed Aston in the Premier Automotive Group, substantially invested in new manufacturing and quickly ramped up production. In 1994, Ford opened a new factory at Banbury Road in Bloxham. In 1995, the company produced a record 700 vehicles. Until the Ford era cars had been produced by hand coachbuilding craft methods, such as the English wheel. In 1998 the 2,000th DB7 was built, and in 2002 the 6,000th, exceeding production of all previous DB models. The DB7 range was boosted by the addition of V12 Vantage models in 1999, and in 2001 the company introduced the V12-engine Vanquish.
At the North American International Auto Show in Detroit, Michigan in 2003, Aston Martin introduced the AMV8 Vantage concept car. Expected to have few changes before its introduction in 2005, the Vantage brought back the classic V8 engine to allow the company to compete in a larger market. 2003 also saw the opening of the Gaydon factory, the first purpose-built factory in Aston Martin's history. Also introduced in 2003 was the DB9 coupé, which replaced the ten-year-old DB7. A convertible version of the DB9, the DB9 Volante, was introduced at the 2004 Detroit Auto Show. In 2006, the V8 Vantage sports car entered production at the Gaydon factory, joining the DB9 and DB9 Volante.
In December 2003 Aston Martin announced it would return to motor racing in 2005. A new division was created, called Aston Martin Racing, which became responsible, together with Prodrive, for the design, development, and management of the DBR9 program. The DBR9 competes in the GT class in sports car races, including the world-famous 24 Hours of Le Mans.
[edit] Sale by Ford
In 2006, under mounting financial pressure, an internal review of costs and realisable value on investment led Ford to consider divesting itself of parts of its Premier Automotive Group. After suggestions of selling Jaguar Cars, Land Rover or Volvo Cars, Ford appointed UBS AG to sell Aston Martin by auction. At the end of August 2006, Ford announced that it would be willing to sell all or part of Aston Martin. Bill Ford said: "As part of our on going strategic review, we have determined that Aston Martin may be an attractive opportunity to raise capital and generate value".[11]
The first round of the auction closed on 30 November 2006.[12] One of the four survivors was Syrian-born billionaire Simon Halabi,[13] while the Australian bid included James Packer, Australia's second richest man.[14] The German auto newspaper Autobild reported on 2 February 2007 that the luxury goods conglomerate LVMH had bought the company for an undisclosed sum. The paper cited "anonymous, but well-placed sources" with the information. It was later reported by Autocar magazine that LVMH had denied the news as "rubbish".
[edit] 2007 - A new era begins
On 12 March 2007 a consortium led by Prodrive chairman David Richards purchased Aston Martin for £475m/$848m.[15] Prodrive has no financial involvement in the deal.[16] Ford will keep a stake in the company (valued at £ 40 million / $ 70 million). The consortium also consisted of John Sinders, an Aston Martin collector; and two Kuwaiti investment companies, Investment Dar and Adeem Investment Co.
On 19 July 2007 the last car, a Vanquish S, was produced at the Newport Pagnell plant. Nearly 13,000 cars had been made there since 1955. All production was concentrated at Gaydon, with the old premises in Tickford Street remaining in Aston Martin ownership as the restoration and service department.[17]
Aston Martin has also boosted its worldwide appeal by opening more dealers in Europe, as well as branches in China for the first time in its 93 year history in Beijing and Shanghai. This has brought their dealership programme to 120 dealers in 28 countries.[18]
On 1 September 2008, Aston Martin announced the revival of the Lagonda marque. A concept will be shown in 2009, coinciding with the brand's 100th anniversary. The first production cars should come in 2012.[19]
In December 2008, Aston Martin announced that it would cut its 1850 workforce by 600.[20]
[edit] 2009 - Return to Le Mans
In January 2009 it was announced that the company was entering the 2009 Le Mans 24 Hours race as a factory team in the prestigious LMP1 division. After competing throughout the 2008 season with a Lola B08/60 LMP1 Coupe under the Charouz Racing banner, Aston Martin will use a slightly modified Lola LMP1 design for their programme. Three Lola-Aston Martins have been entered in the 2009 Le Mans 24 Hours by Aston Martin but only two have been confirmed with sponsorship. Aston Martin will also compete in the complete Le Mans series with the Lola-Aston Martin LMP cars, starting at Barcelona in early April. The programme got off to an unfortunate start at the pre season Paul Ricard test on March 8 when Tomas Enge destroyed the 007 car in an accident. Aston Martin Racing have subsequently taken delivery of a new Lola to replace the written off chassis.
www.goear.com/listen.php?v=3e2a5eb
Navidad. Para algunos, una fiesta, una celebración, reunión con familia, cenas con amigos, compañeros de trabajo, fechas de engordar unos cuantos kilos, de paseos por la plaza Mayor...
Para otros, una acentuación de la soledad que sufren, de la marginación por no cumplir los requisitos necesarios para pertenecer a la sociedad consumista.
Cuántos pasaremos por delante de personas así, con nuestras bolsas de regalos y de langostinos, a nuestra casita calentita...
Sí, es cierto; nuestro trabajo nos cuesta mantener ese estatus, esas comodidades.
Pero no es menos cierto que algunos no tienen la oportunidad siquiera de poder intentarlo, pues necesitas una plataforma desde la que impulsarte, como por ejemplo la casa de tus padres.
En la utopía de un mundo ideal, nada podríamos celebrar sabiendo que todo ésto sigue sin solución.
Sí, yo cenaré en una casa calentita, con mi familia, incluso viajando fuera de España una semana, a conocer Londres. Todo un lujo impensable para estas personas, que se conformarían con la mitad de la mitad...
Pero soy consciente de todo ésto, y aunque en parte podría tener la conciencia más o menos tranquila, por diferentes cosas que hago por ayudar, no la acabo de tener del todo, porque de manera individual no se consigue demasiado, así que aprovecho para pedir que si os cruzáis con alguna de estas personas, ayudéis un pelín, con lo que sea.
Y con lo que sea, me referiero a "con lo que sea", porque una vez me comentó una de estas personas que lo que peor llevaba al principio ( antes de que todo le diese igual ), era que la gente no se dignara ni a mirarle, y una sonrisa ni te cuento, era pedir demasiado.
El dinero soluciona muchas cosas, pero no todo. hacerle sentir a alguien que no está solo, y que no es invisible, yo he descubierto que se agradece infinitamente más que unos euros.
Pero unos euros también valen, eh?
Vaya mundo, en el que si no tienes nada, no eres nada.
Así de tremendo es;
"Si no tienes nada, no eres nada"
Manda cojones.
.
La Habana Vieja - Cuba
“I fanciulli gridando,
su la piazzola in frotta,
e qua e là saltando,
fanno un lieto rumore”
da “Il Sabato del villaggio” di Giacomo Leopardi
E’ una soleggiata Domenica di Pasqua all’Avana, passeggio per il centro quando vengo colto da una musica in lontananza. Pian piano questa si fa sempre più vicina: sono un gruppo di trampolieri mascherati e musicisti che improvvisano armonie dal ritmo latino-americano… con sé una folla di gente che balla e che aumenta, metro dopo metro, al loro passaggio. Unitomi alla “processione” mi accorgo di essere entrato in un altro mondo, come “Alice nel Paese delle Meraviglie” noto persone tutte colorate che ridono, ballano, mi sorridono e mi fanno cenno di immergermi in quel baccanale, come ci fossero barriere invisibili tra lì e la calma del pomeriggio in città. Tra tutti, la prima persona che noto è il bimbo sulla foto, che correndo da un capo all’altro della folla, insieme ad altri compagni, si gode il suo “di’ di festa”.
Hilo de la Fotohistoria en Pullip .es: Naruto VS Sasuke
(Read in order, this is: SHOT/FOTO 01 of 23) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23.
FOTOHISTORY: In English / En Español
Naruto: It's true!!! Why you never trust me? T^T
Sakura: That's what you won with sweat and effort since the day Sheryl finished you. You really came out like the real character... ¬¬ You better shut up or I'll kick your ass.
Sasuke: XDDDDDDDDD (Eat that! XDDD)
/
Naruto: Es verdad!!! Por qué nunca me crees? T^T
Sakura: Es lo que te has ganado con esfuerzo y sudor desde el día que te acabó Sheryl. Desde luego has salido fiel al personaje... ¬¬ Más te vale estarte callado o te daré una patada en el culo.
Sasuke: XDDDDDDDDD (Chupate esa! XDDD)
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de Naruto en Grupo en el Foro: miPullip
- See more photos at: Renske‘s Flickr
This was taken in a butterfly house. Where are the butterflies in Britain?
"Wildlife experts have ...warned that butterfly numbers could reach their lowest ever summer levels because of the effects of two washout summers in a row."
It's official. The UK experiences the least amount of sunshine during August since records began and temperatures only once breaking through the 70°F gauge.
Plaza de la Catedral - Cádiz (Spain).
ENGLISH
One of Cádiz's most famous landmarks is its cathedral. It sits on the site of an older cathedral, completed in 1260, which burned down in 1596. The reconstruction, which was not started until 1776, was supervised by the architect Vicente Acero, who had also built the Granada Cathedral. Acero left the project and was succeeded by several other architects. As a result, this largely baroque-style cathedral was built over a period of 116 years, and, due to this drawn-out period of construction, the cathedral underwent several major changes to its original design. Though the cathedral was originally intended to be a baroque edifice, it contains rococo elements, and was finally completed in the neoclassical style. Its chapels have many paintings and relics from the old cathedral and monasteries from throughout Spain.
Source: en.wikipedia.org/wiki/C%c3%a1diz#C.C3.A1diz_Cathedral
--------------------------
CASTELLANO
La Catedral de Cádiz es la sede episcopal de la diócesis de Cádiz y Ceuta, en España. Se empezó a construir en 1722 y no se terminó hasta el 28 de noviembre de 1838.
Recibe el nombre de "Santa Cruz sobre el Mar" o "Santa Cruz sobre las Aguas"[1] aunque los gaditanos la denominan "Catedral Nueva" en contraposición a la Catedral Vieja (de la Santa Cruz), edificada en el siglo XVI sobre la antigua catedral gótica mandada construir por Alfonso X El Sabio.
Está situada en la Plaza de la Catedral y es visible desde casi cualquier punto de la ciudad. Tiene horario de visitas tanto para el interior del recino como para la Torre del Poniente. La misma entrada a la catedral sirve para acceder al Museo Catedralicio, situado en la Plaza Fray Félix junto a la Catedral Vieja.
Se trata de un edificio religioso de grandes proporciones que se comenzó a construir según proyecto del arquitecto Vicente Acero en 1722. Acero dejó el proyecto en 1739 y se hizo cargo de las obras Gaspar Cayón, pasando en 1757 a su sobrino Torcuato Cayón. Tras su muerte en 1783, le sucede Miguel Olivares hasta 1790, fecha en la que empieza a dirigir la obra Manuel Machuca. Finalmente desde 1832 hasta su finalización las obras las dirige Juan Daura.
En los 116 años que tardó su construcción, se ve el cambio de estilo y los gustos de los distintos arquitectos, lo explica la mezcla de estilos, básicamente tres: barroco, rococó y neoclásico.
Los materiales que se emplearon fueron muy variados debido a las diferentes crisis económicas a las que tuvo que hacer frente la ciudad durante el período de construcción, así se puede observar mármol genovés para los diferentes altares y puertas, piedra caliza y piedra ostionera para los muros exteriores.
Fue el obispo Fray Domingo de Silos quien la bendijo en 1838. A causa del retraso de las obras, muchas partes del templo quedaron expuestas a los rigores del tiempo. Esto y la situación misma del edificio junto al mar ha provocado una enfermedad en la piedra que hace que ésta se vaya desmoronando poco a poco; es por ello por lo que las bóvedas del templo están cubiertas por redes que evitan que los cascotes caigan al suelo.
Tai O
Lantau Island
Hong Kong
View " Tai O " On Black & Large
Tai O,
Tai O (traditional Chinese: 大澳) is a fishing town, partly located on an island of the same name, on the western side of Lantau Island in Hong Kong.
History
Nearby archaeological sites date back to the Stone Age, but permanent, and verifiable, human settlement here is only three centuries old. Stories that would be impossible to substantiate have Tai O as the base of many smuggling and piracy operations, the inlets of the river providing excellent protection from the weather and a hiding place. In early 16th century, Tai O was once occupied shortly by Portuguese during Battle of Tãmão. At nearby Fan Lau, a fort was built in 1729 to protect shipping on the Pearl River. Smuggling of guns, tobacco, drugs and people remains a documented illegal activity both into and out of mainland China.
When the British came to Hong Kong, Tai O was known as a Tanka village. During and after the Chinese Civil War, Tai O became a primary entrypoint for illegal immigration for those escaping from the People's Republic of China. Some of these immigrants, mostly Han Chinese, stayed in Tai O, and Tai O attracted people from other Hong Kong ethnic groups, including Hoklo (Hokkien) and Hakka.
Reclamation at Tai OCurrently the fishing lifestyle is dying out. While many residents continue to fish, it barely provides a subsistence income. There is a public school on the island and most young people move away when they come of age. In 2000 a large fire broke out destroying many residences. The village is now mostly squatters huts and dilapidated stilt houses.
Tourism
Also known as the "Venice of Hong Kong", Tai O is also a hot tourist spot for both foreigners and residents of other parts of Hong Kong, despite damage by a fire in July 2000. The pang uk, a kind of stilt house, built right over the waterway are still quite scenic. A rope bridge tended by local women used to be quite popular with visitors, but it has been replaced with a steel pedestrian bridge.
The traditional salted fish and shrimp paste and storefronts at Tai O. For a small fee, some residents will take tourists out on their boats along the river and for short jaunts into the sea. Many tourists come to Tai O specifically to take these trips to see Chinese white dolphins. It is also a good place to see the sunset.
_________________________________
Tai O (chinois traditionnel : le 大澳) est une ville de pêche, en partie située sur une île du même nom, du côté occidental de l'île de Lantau à Hong Kong.
Les emplacements archéologiques voisins remontent à l'âge de pierre, mais la vérifiable vie humaine ici est de seulement trois siècles. Les histoires impossibles à verifier ont eu Tai O pour base dans beaucoup d'opérations de contrebande et de piraterie, l'entree du fleuve assurant l'excellente protection contre le temps et une cachette. Au XVIème siècle, Tai O a été par le passé occupé par le Portugais pendant la bataille de Tãmão. Dans le voisinage Fan Lau, un fort a été construit en 1729 pour protéger l'expédition sur le fleuve de perle. La contrebande des pistolets, du tabac, des drogues et des personnes demeure une activité, source documentaire illegale, dans et hors de la Chine continentale.
Quand les Anglais sont venus à Hong Kong, Tai O a été connu comme village de Tanka. Pendant et après la guerre civile chinoise, Tai O est devenu un point d'entrée primaire pour l'immigration illégale pour ceux s'échappant de République populaire de Chine. Certains de ces immigrés, la plupart du temps Chinois de Han, restés dans Tai O, et Tai O ont attiré des personnes d'autres groupes ethniques de Hong Kong, y compris Hoklo (Hokkien) et Hakka.
Récupération à Tai OActuellement le style de vie de pêche s'éteint. Tandis que beaucoup de résidants continuent à pêcher, il fournit à peine un revenu de subsistance. Il y a une école d'Etat sur l'île et la plupart des jeunes s'écartent quand ils en ont l'âge. En 2000 un grand feu a éclaté détruire beaucoup de résidences. Le village est maintenant la plupart du temps des huttes de squatters et des maisons délabrées sur pillotis.
Également connu comme « Venise de Hong Kong », Tai O est également une place touristique importante pour les étrangers et les résidants d'autres parties de Hong Kong, en dépit des dommages par un feu en juillet 2000. La douleur R-U, un genre de maison sur pillotis, établi bien au-dessus de la voie d'eau sont toujours tout à fait scénique. Un pont de corde tendu par les femmes locales était tout à fait populaire avec les visiteurs, mais il a été remplacé par un pont piétonnier en acier.
Les poissons et la pâte et les devanture de magasin salés traditionnels de crevette à Tai O. Pour de petits honoraires, quelques résidants prendront des touristes sur leurs bateaux le long du fleuve et pour des promenades courtes dans la mer. Beaucoup de touristes viennent à Tai O spécifiquement pour prendre ces voyages pour voir des dauphins blanc chinois. C'est également un bon endroit pour voir le coucher du soleil.
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Camera: Canon EOS 30D
Exposure: 0.001 sec (1/2000)
Aperture: f/4
Focal Length: 17 mm
ISO Speed: 100
Torre de la Vela - La Alhambra, Granada (Spain).
The last shot of The Alhambra / La última foto de La Alhambra.
ENGLISH
The ground plan of the Watch Tower (Torre de la Vela) is of 16 meters x 16 meters and its elevation is of 26,80 meters. It has a solid base and four floors with arches supported by pillars. During some time this tower was used as a dwelling, so it was modified. On the second floor there were merlons until the 16th century. In 1840 the current bell was put on the western façade and it had to be rebuilt in 1882 because a bolt of lightning damaged it.
The bell is an important element of this tower. Its chime used to indicate the farmers of the Vega, the meadow of the valley, the hours when they had to water the fields at night. The bell started striking at 8 or 9.30 p. m. and it kept doing so at different intervals with different chimes until 3 or 4 a. m., depending on the season. This bell was also used to call the inhabitants of Granada in case of danger. Nowadays, it is only on January 2nd that the Watch Tower and its bell are in the minds of all the inhabitants of the city. That was the date when the Catholic Monarchs took the city and the tradition says that every young woman who is still single and who strikes the bell, will get married before the end of the year.
The view from the top of the tower is marvellous, as it is possible to enjoy at the same time, the city of Granada, the Sierra Nevada, the Vega and the villages of the surroundings.
Source: www.alhambradegranada.org/historia/alhambratvela_en.asp
---------------------------
CASTELLANO
La planta de la Torre de la Vela mide 16 metros de lado y 26,80 metros de alto. La base es maciza y tiene cuatro pisos con arcos apeados por pilares. Durante algún tiempo, esta torre se convirtió en vivienda, por lo que su aspecto ha cambiado con respecto al que tuvo en sus orígenes. En el segundo piso tuvo almenas hasta el siglo XVI. La ubicación actual de la campana en la fachada occidental es de 1840 y tuvo que ser reconstruída posteriormente debido a la caida de un rayo en 1882.
La campana es la gran protagonista de esta torre. Antiguamente, su toque servía como reloj nocturno a los agricultores de la Vega para regar sus campos. Comenzaba a sonar de 8 a 9:30 de la noche, y seguía sonando a distintos intervalos y con distintos toques hasta las 3 o las 4 de la mañana, según la estación del año. Esta campana también ha servido para llamar a los granadinos en caso de peligro. Hoy en día, es el día 2 de enero de cada año cuando la torre de la Vela y su campana recuperan el protagonismo que tuvo antaño. En conmemoración de la fecha en la que los Reyes Católicos tomaron Granada, existe una tradición por la cual todas las muchachas solteras de la ciudad que hagan sonar la campana el 2 de enero de cada año, contraerán matrimonio antes de que termine el año.
El paisaje que podemos observar desde la torre es maravilloso, ya que es posible disfrutar de un solo vistazo de una panorámica de la ciudad, Sierra Nevada, la vega y los pueblos de los alrededores.
Fuente: www.alhambradegranada.org/historia/alhambraTVela.asp
Unsharp Mask, Tonemapping using LucisArt, Selective Color, adding a vignette+some textures (thx to SolStock )
Info:
Exposure: 1/ 50 Sec.
Aperture: f/1.4
ISO-Speed: 200
Focal Length: 30 mm
Lens: Sigma 30mm 1.4 DC HSM
La Casa de las Siete Chimeneas es uno de los pocos ejemplos de arquitectura civil del siglo XVI que quedan en Madrid. Fue proyectada y construida entre 1574 y 1577 por el arquitecto Antonio Sillero para Pedro de Ledesma, secretario de Antonio Pérez. Poco tiempo después, en 1583, la casa fue adquirida por el comerciante genovés Baltasar Cattaneo. Desde entonces la casa fue popularmente conocida como «casas de Cataño». Tres años después este genovés mandó al arquitecto Andrea de Lurano realizar la primera ampliación del inmueble, resultando un caserón de planta rectangular, de dos alturas y un tejado a cuatro aguas rematado por siete chimeneas.
De estas chimeneas le viene el nombre a la casa, y también entorno a ellas se ha ido originando una serie de leyendas que nada tuvo que ver con la realidad, como por ejemplo, la que decía que las siete chimeneas representaban los siete pecados capitales, o que la casa sirvió de reclusión a una hija ilegítima de Felipe II y que después de muerta todavía habitaba en ella su espíritu.
Lo único cierto es que en 1590 el doctor Francisco Sandi y Mesa compró la casa y fundó en ella el mayorazgo de la familia de los Colmenares, desde 1716 Condes de Polentinos, siendo de su propiedad hasta 1881. En el siglo XVIII su nueva función de residencia nobiliaria conllevó la realización de algunos cambios, como la ampliación del antiguo caserón con la construcción de un edificio anexo, transversal, que hoy da, no por casualidad, a la actual calle de Colmenares, resultando en conjunto una planta en forma de «L». Durante esta época también fue residencia del famoso Marqués de Esquilache, contra quien el pueblo madrileño se amotinó en 1766 dejando las huellas de su descontento en la casa.
De nuevo en 1874 el arquitecto Agustín Ortiz de Villajos realizó una nueva reforma, pero la casa no tardaría mucho tiempo en volver a tener colgados los aparejos de obras, pues con su venta al financiero Jaime Girona en 1881, se convertiría en la futura sede del Banco de Castilla. Para este propósito, al año siguiente el arquitecto Manuel Antonio Capo emprendió la reforma de las fachadas y restauró la casa devolviéndola su aspecto original, sin que ello implicara transformar profundamente las construcciones que se habían ido añadiendo a la antigua casa.
Durante el siglo XX la casa siguió acogiendo sedes bancarias, fue declarada Monumento Histórico-Artístico en 1948 y fue otra vez reformada en 1957 por los arquitectos Fernando Chueca Goitia y José Antonio Domínguez Salazar. Desde la década de 1980 hasta la actualidad es sede del Ministerio de Educación y Cultura.
La Casa de las Chimeneas fue declarada en Monumento Histórico Artístico en 1948.
La nueva legislación de patrimonio trajo consigo un nuevo nivel de protección, y en 1995 es declarada Bien de Interés Cultural.
Or you could see it here and get a close up on my super rad nails!
I have done nothing today. Except sit around and watch movies. Final Destination 1 and 2, I started the Ring with my brother but he wimped out on me half way through it. :( I just finished Starsky and Hutch and now I'm watching Cash Cab. How freaking exciting is my life? Blah.
I went outside to let Bambi out and I saw a frog! I picked it up and took some pictures of it and then it peed on me. UHEEEWWWW.
I got these awesome fake nails at Walmart and I wanted to show them off in todays shot. I tried doing a bunch of peace sign shots but I can't pull them off as well as Clarissa can. She's just too cute and I look retarded whenever I try to flash a peace sign. So I figured a grrr face would have to do. This is one of my favourite shirts. My dad hates when I wear it though because it's "too grown up!" Dad. I'm 20. My mom says it's because I'll always be a little girl in his mind though. I understand it but it's frustrating that he won't let me wear it around him.
This would have looked awesome on black but I don't have the Photoshopping skills to do that. I shoot against a white sheet and have to dodge out most of it in PS to get the "I shot this in a studio against a white background with awesome lights" look. But my hairstylist wants me to shoot her kids so I think my mom is going to take me to Home Depot or Lowes or something and finally get me some ghetto lights! YAY! And then I'll need some white and black muslin I guess - what do you guys use for your ghetto studios? And seriously, what are the best lights to buy so that my photos don't look like this SOOC? I'm tired of fucking around in PS trying to make my shots look better than they actually are.
This next part is about my camera issues. Feel free to skip over it because I rambled alot.
My camera: My parents and I both got brand new cameras for Christmas. We got these. I hated it at first but I came to love it, especially once I figured out all the neat things it did and how to use the manual settings. Well I dropped mine sometime in like January or February and when I went to have it fixed the dude said it had serious internal damage and would be $250 to have it fixed. Whatever, my mom spent $150 on it and that was just ridiculous. So I started using my parents camera. I was really really careful with it. Then last week I dropped it in the toilet. I freaked the fuck out. My dad was away on buisiness in Boston and was coming back THAT NIGHT. So I begged my mom to take me to Walmart so I could buy the exact same camera and replace it and my dad would never know the difference. I was going to pawn a bunch of my stuff, some jewelry, my Canon Rebel and my guitar and pay for it. Well they didn't have the same camera so I got this one. I spent about $300 on it. Well I will soon, I haven't sold my stuff yet to pay them back for it but my stuff will be pawned sometime this week. Anyway, since it wasn't the same camera my dad obviously found out and freaked out on me. I was panicking and hyperventilating the whole night because he was screaming at me, my mom wanted to take me to the hospital because it got so bad that I couldn't breathe, that night was just a horrible awful mess.
Anyway, my dad yelled at me and basically said that it wasn't an accident and I'm just obviously not meant to have a camera and I would never ever ever touch another one of his cameras again. I was pretty upset. I thought about it and I felt like he was right. Every camera I've ever owned I've broken and obviously I'm just not meant to have a camera. Its frustrating.
And the thing is, I spent twice as much on his new camera than he did on the one he bought himself for Christmas. It's got a 12x zoom, 8 megapixels AND and MANUAL FOCUS FEATURE. I'm pretty fucking devestated. My parents don't even know how to use any of the functions other than the auto smart scene. The just want a point and shoot for family snap shots and stuff. Do you know how hard it is to see them walk around with an amazing camera that they don't know how to use when I have nothing? I've cried over it so many times and I just don't understand why shit like this always happens to me.
The camera I dropped did eventually dry out, it's perfectly fine now. I haven't told my dad yet and I'm terrified to tell him because I know he'll get mad again and be pissed off that my mom went out and bought another camera when this one works fine now. So I'm hoping that after I save up some money to pay him for the new camera he'll let me have it and take back his old one. That camera is the closest thing I have to a DSLR and I love it so much and I want it to me mine.
I think I'm going to start sewing again and making purses and try and open up an Etsy shop. If I sold prints would you guys buy them? I've never set up a shop to sell prints because I always thought you had to have a DSLR to sell prints and I'd feel kind of lame selling shots from a P&S. Opinions? HELP?! I just need money and I can't work because of my medical issues. My mom wants me to file for disability but I refuse to do that because I'm 20. I am not disabled. I'm just a little messed up. And plus I don't know how that works - if I do get on disability and I get better can I get off of it and still get a job or am I just screwed for life?
And if you read this whole thing, I love you. Seriously. Because I babble on and on too much. <3
Ver grande sobre fondo negro I View large on black
Cuando hace aproximadamente un mes, comencé a editar el material de la Semana Santa 2008, tristemente me encontré con esta fotografía, que me hizo recordar con amargura el lamentable fallecimiento de Oscar Raúl Rodrigo, acontecido pocos días después de haberle sido hecha esta foto, con su pequeña en brazos, durante la celebración de la Procesión del Domingo de Rerrurrección.
Y al mirar la foto, los ojos de la niña se me clavaron como dardos en el alma por la profunda tristeza que me ocasionó el verla tan feliz y despreocupada en los brazos de su padre, ajena a lo que el trágico destino le tenía deparado a su familia. Quiere ser esta humilde foto un pequeño homenaje a Oscar Raúl, y a su familia en general, y un pequeño regalo para su preciosa hija, ya que en en la imagen se intuye todo el cariño de su padre hacia ella.
Mas fotos en éste monográfico:
Mas fotos en éste monográfico:
Mas fotos en éste monográfico:
This morning I went to Sausalito to watch the sun rise. I had my doubts, and expected heavy fog -but I figure it would still be nice to watch the sun rise. I have not done that in a long time. Plus, taking pictures during blue hour is nice, but golden hour -mmm, golden hour.
A couple months back I came to this same place -Ah, Sausalito revisited.
My alarm went off at 5AM. I did not even hit the snooze button. I packed my things in to the trunk of my car and headed to my local donut shop. Picked myself up a sugar donut for me to indulge in later while I wait for the sun rise. I did rack up some karma coins though (Thanks Seo!). On my way out of the shop I looked at the change I had crumpled in my hand. Something was not right. I did a quick mind squeezing calculation in my head.
Donut: $0.85
Tendered: $ $10.00
Change: $19.15
I returned the excess money to the cashier. He was pretty thankful.
As I made my way over the Golden Gate Bridge it became clear that yes, there is going to be fog. A lot of it. I didn't count myself out quite yet. It was a nice, and leisurely drive along "Historic Sausalito."
I spent the next hour and a half patiently waiting for the sun to make it's debut for the day. I ate that sugar donut I picked up earlier. Wonderful. Even though my arteries probably clogged a little :) I spent the rest of my time lounging on the dock. And yet again, I found myself without a flashlight. It were a bit creepy when I couldn't see anything. Near pitch black except for some small ankle level lamps every 30ft or so.
Sure enough, at 7:05 the sun showed itself. Well, kind of. There was fog. I could feel the sun trying to push past the fog ... "I'm here ... I'm here!!!" But it could have been worse. So that said, I'm glad I got to see what I did. It was nice. Cold though.
The tide was significantly lower this time around when compared to the last time I came -it was interesting to see the pilings in a slightly different manner.
I'll try this again when the weather is a bit more cooperative.
www.cornwallinfocus.co.uk/mining/levant.php
Levant Mine is located 2 miles north of St.Just and is bounded to the east by Geevor Mine, to the west by Wheal Unity and to the south by Spearn Moor and Spearn Consols mines. Levant appears as a mine in its own right on maps dating from 1748 on and consists of an amalgamation of several smaller and more ancient concerns. Their names such as Boscregan and Unity live on as shaft names. What we would consider today as modern Levant was formed in about 1820 by a group of investors - known in the trade as 'mining adventurers', who agreed to raise the sum of £400 by purchasing 80 shares at £5 each.
Two of the main investors in the company were Lewis Charles Daubuz and Mr John Batten. Their leadership along with some excellent prospecting helped the company to locate a large copper deposit at a depth of 20 fathoms (120 feet) below the surface. The adventurers rapidly got a handsome return on their investment and further exploratory work was carried out. From 1835 Levant began raising tin and was soon to become an important tin producer too. In the period 1820 to 1930 Levant produced over 130,000 tons of copper ore of high (10%) grade and 24,000 tons of black tin. In 1912 5,278 ounces of silver and 4 ounces of gold were also sold.
Levant swallowed up the nearby mine of Spearne Consols - now known as Higher Bal. Shafts were opened up at Angwin's shaft, Tresize's shaft, Goldsworthy's shaft and Batten's shaft. The underground workings of Levant extended out under the sea but in general due to the bedrock being the impervious greenstone there were very few problems with flooding.
A 'man engine' was installed on Daubuz's shaft in 1856 reached by a tunnel from the Miner's Dry. The shaft subsequently became known as engine Shaft one of only a dozen or so installed in Cornish mines. The journey time from surface to work place was radically reduced from over an hour to less than half an hour in most cases. The workers arriving fresher and more ready for work into the bargain. Along with all the new shafts and the installation of the man engine all the usual associated surface buildings sprang up around the site - stamps, both Cornish stamps and Californian stamps types; a calciner for roasting the ore and a mill area containing rag frames and buddles.
Levant is quite unusual amongst Cornish mines in one respect as it did use pit ponies for a short time from 1893 to tram the ore on the main 278 fathom (below adit) tramming level some 1600 feet underground. Levant is also remembered for the Levant Mine Disaster in October 1919. The second worst loss of life underground in a Cornish mine. 31 men were lost when the man engine snapped and fell down through the shaft.
Cornelian Cherry does this mean "Armenian Cherry blossoms" why not, LOL!! Blooming young trees at the new Park.
Wiki:
It is a medium to large deciduous shrub or small tree growing to 5-12 m tall, with dark brown branches and greenish twigs. The leaves are opposite, 4-10 cm long and 2-4 cm broad, with an ovate to oblong shape and an entire margin. The flowers are small (5-10 mm diameter), with four yellow petals, produced in clusters of 10-25 together in the late winter, well before the leaves appear. The fruit is an oblong red drupe 2 cm long and 1.5 cm in diameter, containing a single seed.
The fruit is edible, but the unripe fruit is astringent. The fruit only fully ripens after it falls from the tree. When ripe, the fruit is dark ruby red. It has an acidic flavour which is best described as a mixture of cranberry and sour cherry; it is mainly used for making jam, makes an excellent sauce similar to cranberry sauce when pitted and then boiled with sugar and orange, but also can be eaten dried. In Azerbaijan and Armenia, the fruit is used for distilling vodka.
Dancing with the Stars: Results, tonight
American Idol !! Usher is on!! SOOC, just cropping and resizing!!
Thanks for stopping by and commenting!!
11.11.11 Occupy the Streets. Occupy the World
O movimento "Ocupar Lisboa" está a planear fazer uma série de workshops no próximo dia 11.11.11. Em vez dos protestos públicos esperados no mundo inteiro, os elementos deste grupo reúnem-se no acampamento em frente ao Parlamento, assumindo uma atitude pacífica - sob o slogan "Ocupa-te a ti Próprio". Vão estar disponíveis para fazer uma série de workshops, de acordo com os conhecimentos de algumas pessoas do grupo, tais como: filosofias orientais, reiki, permacultura, criatividade, imaginação, expressão livre, olaria, música e teatro, entre outras.
O principal objectivo deste dia é atrair mais pessoas para participar nestes eventos, dar-lhes a conhecer os jovens criativos que eles são e levar mais pessoas a aderir a este movimento.
O grupo quer tornar-se maior para ter mais gente para levar a mensagem...
The movement Occupy Lisbon is planning a series of workshops for this day. Instead of public protests, the members are going to be in the camping in front of Parliament, assuming a peaceful attitude and - with the slogan "Occupy Yourself" - they will be available to do several workshops according to the expertise some people in the group have, such as: oriental philosophies, reiki, permaculture, criativity, imagination, free expression, pottery, music, theatre, among others.
The main goal of this day is to motivate more people to participate in these happenings, let them know the young and creative people behind "Occupy Lisbon" and make them join the movement. The movement needs more members to grow stronger and be able to spread the message...
www.meucat.com/maps/mapa_satelite.php?COD=roma&NOME=P...
Fontana dei Quattro Fiumi
Following, a text, in english, from Wikipedia, the free encyclopedia:
The Fontana dei Quattro Fiumi or "Fountain of the Four Rivers" is a fountain in Rome, Italy, located in the Piazza Navona. Designed by Gianlorenzo Bernini, it is emblematic of the dynamic and dramatic effects sought by High Baroque artists. It was erected in 1651 in front of the church of Sant'Agnese in Agone, and yards from the Pamphilj Palace belonging to this fountain's patron, Innocent X (1644-1655).
The four gods on the corners of the fountain represent the four major rivers of the world known at the time: the Nile, Danube, Ganges, and Plate. The design of each god figure has symbolic importance.
Design
Bernini's design was selected in competition. The circumstances of his victory are described as follows:
So strong was the sinister influence of the rivals of Bernini on the mind of Innocent that when he planned to set up in Piazza Navona the great obelisk brought to Rome by the Emperor Caracalla, which had been buried for a long time at Capo di Bove for the adornment of a magnificent fountain, the Pope had designs made by the leading architects of Rome without an order for one to Bernini. Prince Niccolò Ludovisi, whose wife was niece to the pope, persuaded Bernini to prepare a model, and arrange for it to be secretly installed in a room in the Palazzo Pamphili that the Pope had to pass. When the meal was finished, seeing such a noble creation, he stopped almost in ecstasy. Being prince of the keenest judgment and the loftiest ideas, after admiring it, said: “This is a trick … It will be necessary to employ Bernini in spite of those who do not wish it, for he who desires not to use Bernini’s designs, must take care not to see them.”
Paraphrase from Filippo Baldinucci, The life of Cavaliere Bernini (1682)
Public fountains in Rome served multiple purposes: first, they were highly needed sources of water for neighbors in the centuries prior to home plumbing. Second, they were monuments to the papal patrons. Earlier Bernini fountains had been the Fountain of the Triton in Piazza Barberini, the fountain of the Moor in the southern end of Piazza Navona erected during the Barberini papacy, and the Neptune and Triton for Villa Montalto, whose statuary now resides at Victoria and Albert Museum in London.
Each has animals and plants that further carry forth the identification, and each carries a certain number of allegories and metaphors with it. The Ganges carries a long oar, representing the river's navigability. The Nile's head is draped with a loose piece of cloth, meaning that no one at that time knew exactly where the Nile's source was. The Danube touches the Papal coat of arms, since it is the large river closest to Rome. And the Río de la Plata is sitting on a pile of coins, a symbol of the riches America could offer to Europe (the word plata means silver in Spanish). Also, the Río de la Plata looks scared by a snake, showing rich men's fear that their money could be stolen. Each is a river god, semi-prostrate, in awe of the central tower, epitomized by the slender Egyptian obelisk (built for the Roman Serapeum in AD 81), symbolizing by Papal power surmounted by the Pamphili symbol (dove). In addition, the fountain is a theater in the round, a spectacle of action, that can be strolled around. Water flows and splashes from a jagged and pierced mountainous disorder of travertine marble. A legend, common with tour-guides, is that Bernini positioned the cowering Rio de la Plata River as if the sculpture was fearing the facade of the church of Sant'Agnese by his rival Borromini could crumble against him; in fact, the fountain was completed several years before Borromini began work on the church.
The dynamic fusion of architecture and sculpture made this fountain revolutionary when compared to prior Roman projects, such as the stilted designs Acqua Felice and Paola by Fontana in Piazza San Bernardo (1585-87) or the customary embellished geometric floral-shaped basin below a jet of water such as the Fontanina in Piazza Campitelli (1589) by Giacomo della Porta.
Unveiling
he Fontana dei Quattro Fiumi was unveiled to the populace of Rome on 12 June 1651. According to a report from the time, an event was organised to draw people to the Piazza Navona. Beforehand, wooden scaffolding, overlaid with curtains, had hidden the fountain, though probably not the obelisk, which would have given people an idea that something was being built, but the precise details were unknown. Once unveiled, the full majesty of the fountain would be apparent, which the celebrations were designed to advertise. The festival was paid for by the Pamphili family, to be specific, Innocent X, who had sponsored the erection of the fountain. The most conspicuous item on the Pamphili crest, an olive branch, was brandished by the performers who took part in the event.
The author of the report, Antonio Bernal, takes his readers through the hours leading up to the unveiling. The celebrations were announced by a woman, dressed as the allegorical character of Fame, being paraded around the streets of Rome on a carriage or float. She was sumptuously dressed, with wings attached to her back and a long trumpet in her hand. Bernal notes that "she went gracefully through all the streets and all the districts that are found among the seven hills of Rome, often blowing the round bronze [the trumpet], and urging everyone to make their way to that famous Piazza." A second carriage followed her; this time another woman was dressed as the allegorical figure of Curiosity. According to the report, she continued exhorting the people to go towards the piazza. Bernal describes the clamour and noise of the people as they discussed the upcoming event.
The report is actually less detailed about the process of publicly unveiling the fountain. However, it does give ample descriptions of the responses of the spectators who had gathered in the Piazza. Once there, Bernal notes, the citizens of the city were overwhelmed by the massive fountain, with its huge life-like figures. The report mentions the "enraptured souls" of the population, the fountain, which "gushes out a wealth of silvery treasures" causing "no little wonder" in the onlookers. Bernal then continues to describe the fountain, making continuous reference to the seeming naturalism of the figures and its astonishing effect on those in the piazza.
The making of the fountain was met by opposition by the people of Rome for several reasons. First, Innocent X had the fountain built at public expense during the intense famine of 1646-48. Throughout the construction of the fountain, the city murmurred and talk of riot was in the air. Pasquinade writers protested the construction of the fountain in September 1648 by attaching hand-written invectives on the stone blocks used to make the obelisk. These pasquinades read, "We do not want Obelisks and Fountains, It is bread that we want. Bread, Bread, Bread!" Innocent quickly had the authors arrested, and disguised spies patrol the Pasquino statue and Piazza Navona
The streetvendors of the market also opposed the construction of the fountain, as Innocent X expelled them from the piazza. The Pamphilij pope believed they detracted from the magnificence of the square. The vendors refused to move, and the papal police had to chase them from the piazza. Roman Jews, in particular, lamented the closing of the Navona, since they were allowed to sell used articles of clothing there at the Wednesday market.
Navona Square (Piazza Navona).
Following, a text, in english, from Wikipedia, the free encyclopedia:
Piazza Navona is a city square in Rome, Italy. It is built on the site of the Stadium of Domitian, built in first century AD, and follows the form of the open space of the stadium.[1] The ancient Romans came there to watch the agones ("games"), and hence it was known as 'Circus Agonalis' (competition arena). It is believed that over time the name changed to 'in agone' to 'navone' and eventually to 'navona'.
Defined as a public space in the last years of 15th century, when the city market was transferred to it from the Campidoglio, the Piazza Navona is a significant example of Baroque Roman architecture and art. It features sculptural and architectural creations: in the center stands the famous Fontana dei Quattro Fiumi or Fountain of the Four Rivers (1651) by Gian Lorenzo Bernini; the church of Sant'Agnese in Agone by Francesco Borromini and Girolamo Rainaldi; and the Pamphilj palace also by Rainaldi and which features the gallery frescoed by Pietro da Cortona.
The Piazza Navona has two additional fountains: at the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta (1575) to which, in 1673, Bernini added a statue of a Moor, or African, wrestling with a dolphin, and at the northern end is the Fountain of Neptune (1574) created by Giacomo della Porta. The statue of Neptune in the northern fountain, the work of Antonio Della Bitta, was added in 1878 to make that fountain more symmetrical with La Fontana del Moro in the south.
At the southwest end of the piazza is the ancient 'speaking' statue of Pasquino. Erected in 1501, Romans could leave lampoons or derogatory social commentary attached to the statue.
During its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century and the market was moved again in 1869 to the nearby Campo de' Fiori. A Christmas market is held in the piazza.
Other monuments on the Piazza Navona are:
Stabilimenti Spagnoli
Palazzo de Cupis
Palazzo Torres Massimo Lancellotti
Church of Nostra Signora del Sacro Cuore
Palazzo Braschi (Museo di Roma)
Sant'Agnese in Agone
Literature and films
The piazza is featured in Dan Brown's 2000 thriller Angels and Demons, in which the Fontana dei Quattro Fiumi "The Fountain of the four rivers"(the Danube, the Gange, the Nile and the River Plate) is listed as one of the Altars of Science. During June 2008, Ron Howard directed several scenes of the film adaptation of Angels and Demons on the southern section of the Piazza Navona, featuring Tom Hanks.
The piazza is featured in several scenes of director Mike Nichols' 1970 adaptation of Joseph Heller's novel, Catch-22.
The Fontana dei Quattro Fiumi was used in the 1990 film Coins in the Fountain. The characters threw coins into the fountain as they made wishes. The Trevi Fountain was used in the 1954 version of the film.
A Fontana Dei Quattro Fiumi, é maior das três fontes, localizada no centro da praça. Na fonte dos rios, Bernini projetou quatro estátuas representando os rios dos quatro continentes: o Nilo, o Danúbio, o rio da Prata e o Ganges. As estátuas estão montadas sobre um obelisco egípcio, sendo circundadas por leões e outros animais fantásticos, tendo no cume uma pomba em bronze, símbolo da paz no mundo e da família Pamphili. Para realçar a rivalidade entre Bernini e Borromini, que fez a igreja de Santa Agnese, os romanos criaram uma lenda em torno da fonte dos rios, que fica em frente a esta igreja. Segundo os romanos, as estátuas duvidam da solidez do projeto de Borromini. A que retrata o rio da Prata, tem a mão erguida, a proteger o corpo do desabamento da igreja; a que retrata o Nilo, traz a cabeça coberta por um véu, a recusar a ver a obra de Borromini.
A seguir um texto, em português, da Wikipédia a Enciclopédia Livre:
Fontana dei Quattro Fiumi
Fontana dei Quattro Fiumi (Fonte dos Quatro Rios), foi esculpida por Gian Lorenzo Bernini entre 1648 e 1651, artista do barroco italiano, foi concebida por uma ordem do Papa Inocencio X o Papa da familia Pamphili, cujo tinha sua casa nesta praça.
Esta localizada na Praça de Navona, em Roma. Ela representa os quatro principais continentes do mundo cortados por seus principais rios: Rio Nilo, na África; Rio Ganges, na Ásia, Rio da Prata, na América e o Rio Danúbio, na Europa.
A seguir, texto em português do site Wiki lingue:
A escultura da Fonte dos Quatro Rios, encontra-se na Piazza Navona de Roma (Itália) e foi criada e talhada pelo escultor e pintor Gian Lorenzo Bernini em 1651 baixo o papado de Inocencio X, em plena época barroca, durante o período mais prolífico do genial artista e cerca da que em outro tempo fué a Chiesa dei San Giacomo de gli Spagnoli
A fonte compõe-se de uma base formada de uma grande piscina elíptica, coroada em seu centro de uma grande mole de mármol, sobre a qual se eleva um obelisco egípcio de época romana, o obelisco de Domiciano .
As estátuas que compõem a fonte, têm umas dimensões maiores que na realidade e são alegorias dos quatro rios principais da Terra (Nilo, Ganges, Danubio, Rio da Prata), a cada um deles em um dos continentes conhecidos na época. Na fonte a cada um destes rios está representado por um gigante de mármol .
As árvores e as plantas que emergem da água e que se encontram entre as rochas, também estão em uma escala maior que na realidade. Os animais e vegetales, gerados de uma natureza boa e útil, pertencem a espécies grandes e potentes (como o leão, cavalo, cocodrilo, serpente, dragão, etc.). O espectador, girando em torno da fonte, descobre novas formas que dantes estavam escondidas ou cobertas pela massa rocosa. Com esta obra, Bernini quer suscitar admiração em quem olha-a, criando um pequeno universo em movimento a imitação do espaço da realidade natural.
A fonte foi submetida a restauração, um trabalho que se deu por concluído em dezembro de 2008. Constitui um dos palcos finque da novela e o filme Anjos e Demónios, à qual é arrojado um dos cardeais sequestrados, e Robert Langdon (Tom Hanks) se lança à água para lhe salvar.
Os animais da fonte
A fonte apresenta figuras de sete animais, além de uma pequena pomba e o emblema dos Pamphili. Para poder observá-las basta com dar uma volta ao redor da fonte. As figuras são: um cavalo, uma serpente de terra (na parte mais alta, cerca do obelisco), uma serpente de mar, um delfín (que funciona também como desagüe), um cocodrilo, um leão e um dragão. Notar também a vegetación esculpida que parece real.
Praça Navona.
A seguir, um texto em português, da Wikipédia a Enciclopédia livre:
A Praça Navona (em italiano: Piazza Navona) é uma das mais célebres praças de Roma. A sua forma assemelha-se à dos antigos estádios da Roma Antiga, seguindo a planificação do Estádio de Domiciano (também denominado entre os italianos de Campomarzio, em virtude da natureza rude e esforçada dos exercícios - manejo de armas - e desportos atléticos que aí se realizavam). Albergaria até 20 mil espectadores sentados nas bancadas. A origem do nome deve-se ao nome pomposo que lhe foi dado ao tempo do Imperador Domiciano (imperador entre 81-96 d.c.): "Circo Agonístico" (do étimo grego Agonia, que significa precisamente - exercício, luta, combate). Actualmente o nome corresponde à corruptela da forma posterior in agone, depois nagone e finalmente navone, que por mero acaso significa também "grande navio" na língua italiana.
As casas que entretanto e com o passar dos anos foram sendo construídas sobre as bancadas, delimitariam e circunscreveriam até à actualidade o tão afamado Circo Agonístico.
A Navona passou de fato a caracterizar-se como praça nos últimos anos do século XV, quando o mercado da cidade foi transferido do Capitólio para aí. Foi remodelada para um estilo monumental por vontade do Papa Inocêncio X, da família Pamphili e é motivo de orgulho da cidade de Roma durante o período barroco. Sofreu intervenções de Gian Lorenzo Bernini (a famosa Fontana dei Quattro Fiumi (Fonte dos Quatro Rios, 1651) ao centro); de Francesco Borromini e Girolamo Gainaldi (a igreja de Sant'Agnese in Agone); e de Pietro de Cortona, que pintou a galeria no Palácio Pamphilj, sede da embaixada do Brasil na Itália desde 1920.
O mercado tradicional voltou a ser transferido em 1869 para o Campo de' Fiori, embora a praça mantenha também um papel fundamental em servir de palco para espectáculos de teatro e corridas de cavalos. A partir de 1652, em todos os Sábados e Domingos de Agosto, a praça tornava-se num lago para celebrar a própria família Pamphili.
A praça dispõe ainda duas outras fontes esculpidas por Giacomo della Porta - a Fontana di Nettuno (1574), na área norte da praça, e a Fontana del Moro (1576), na área sul.
Na extremidade norte da praça, por debaixo dos edifícios, foram postas a descoberto ruínas antiquíssimas, a uma cota muito abaixo da actual, comprovando a primeva utilização daquele imenso terreiro. Outros monumentos com entrada para a praça:
Stabilimenti Spagnoli
Palazzo de Cupis
Palazzo Torres Massimo Lancellotti
Church of Nostra Signora del Sacro Cuore
Curiosidades
Na Piazza Navona, está localizado o Palazzo Pamphilj, propriedade da República Federativa do Brasil, sede da Embaixada Brasileira e da Missão Diplomática do Brasil para a Itália.
Beyond the shadows,
Light beckons me.
I peer anxiously
Between the trees.
My mind stumbling
Through the undergrowth,
Snow freezing my bones,
Darkness seizing my soul.
Shall I make it through?
Shall I endure, with courage?
Will He be there for me?
And what will he say?
Welcome, be at peace!
Rest now from travail.
You ran your race,
And now...you are home.
--John Walford, December 7, 2007.
And, kindly drawn to my attention by Beau Elkins (see comment below), one from Robert Frost:
Stopping by the Woods on a Snowy Evening
Whose woods these are I think I know,
His house is in the village though.
He will not see me stopping here,
To watch his woods fill up with snow.
My little horse must think it queer,
To stop without a farmhouse near,
Between the woods and frozen lake,
The darkest evening of the year.
He gives his harness bells a shake,
To ask if there is some mistake.
The only other sound's the sweep,
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
-- Robert Frost
Best viewed LARGE on black: bighugelabs.com/onblack.php?id=6593596959&size=large&...
Yesterday we were traveling through Charlotte and stopped to take a quick look at two small Gardens, Wing Haven and the Elizabeth Lawrence Garden (pictures in a few days). We took the time to get a walk on a few streets in the neighborhood.
According to Wikipedia, "George Stephens developed a plan for a streetcar suburb on his father-in-law's (John Spring Myers) farm in 1905. The neighborhood was designed by Harvard-trained landscape architect John Nolen, and building got underway by 1911. Though its boundaries originally coincided with the boundaries of the 1,220-acre John Spring Myers farm, by 2008 the neighborhood comprised 2,200 acres and a population of 9,809. The Myers Park neighborhood is that area bounded by Queens Road on the north; Providence Road on the east; Sharon Road on the south; and Colony Road, East Woodlawn Road, and South Kings Drive on the west. Myers Park is bordered on the north by the lesser known Cherry Community, a historically African-American neighborhood. To the west lies Dilworth; to the east, Elizabeth, and to the south, South Park."
According to Charlotte Travel Guide: "Once located altogether outside the city, Myers Park is near the heart of modern-day Charlotte. Its reputation as an "old money" neighborhood is accentuated by its cathedral-esque tree canopy and slowly winding avenues. It is home to some of Charlotte's oldest and most expensive homes (formerly country estates), as well as Queens University of Charlotte and Freedom Park. A driving tour of Myers Park is a popular way for tourists to get acquainted with the city, but bring a map; some of Charlotte's most difficult intersections are located here. "
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Dissotrocha es un rotífero, lo manifiesta claramente a cada instante con esa doble corona de cilios gruesos que giran sin cesar, recogiendo las partículas, algas y detritus que forman parte de su alimento entre los sedimentos del fondo del río ▷. Su aparato masticador también trabaja de manera incansable en su interior moliendo todo lo que entra en su cuerpo arrastrado por la corriente.
Aunque muy parecido a Philodina , Dissotrocha está protegido por una gruesa cutícula, resistente y coriácea y su cola remata en cuatro dedos con los que se sujeta mientras se detiene a filtrar y moler o en los que se apoya para estirarse y así caminar, paso a paso, por los fondos de las aguas entre los que se mueve. De vez en cuando, asustado, se retrae y se esconde en el interior de la armadura de su propio tórax, replegando su doble corona, que se abrirá de nuevo, como una flor casi instantánea, cuando el peligro real o imaginario parezca que ha pasado.
A veces, como ocurre con su especie hermana Dissotrocha aculeata, la armadura del tórax está sembrada de fuertes espinas, pero la de hoy, Dissotrocha macrostyla, no las presenta aunque sí la refuerza con pequeñas varillas de color pardo y finas protuberancias.
El rotífero Dissotrocha , podría ser la presa del gigante unicelular Actinosphaerium, la ameba sol que vimos ayer, pero toda esta coraza dificultaría mucho su captura y digestión. Dissotrocha así asegura su presente pero también quiere guardar bien su futuro y lo hace a través de su reproducción vivípara. Los pequeños rotíferos a los que engendrará, sin fecundación en la mayoría de los casos, nacen vivitos y coleando…pero ya dentro de su coraza protectora ¡a ver quien se atreve con ellos !
El rotífero Dissotrocha suele encontrarse entre las arenas de los pequeños cursos de agua y es amante también del agua de las turberas.
Gracias a Mª Ángeles, Inés, Jesús, Luis, Pablo y Rodrigo, podemos mostrarlo hoy aquí. Ha venido desde la Sierra de Altamira, en Toledo, donde habita en el lecho del arroyo Pedroso, junto a Mohedas de la Jara. La fotografía se ha realizado a 200 aumentos con la técnica de contraste de interferencia.
Con nuestra gratitud para Pilar Gil por la publicación en Qúo, a Antonio Martínez Ron ...y también Paul/
Puedes tener otra infomación en la exposición LA VIDA OCULTA DEL AGUA
Y en este catálogo
También en la galería de Fotolog
Y nuestro granito de arena por la Paz
2010 5k
Listed below are the participants (sorted by cities and chip times) in the Bushtukah Canada Day 2010 5k road race, held in Kanata, Ontario.
Click here and enter the name or bib number for the full individual race results, race photos and finish-line videos.
Thank-you to Sportstats.
Photo (above): Maya Aden (15:06.3), In My Sights photograhy.
Local runners (Ontario)
- - - - - - - - - - - - - - - - -
bib # 1986…… Sandra MOORE……Almonte……22:32.0
bib # 257…… Jonas BARTER……Almonte……26:37.1
bib # 1157…… Harold KUEHN……Ashton……23:25.6
bib # 1158…… Nancy KUEHN……Ashton……35:54.1
bib # 296…… Scott BLAIN……Beachburg……20:32.2
bib # 447…… Louis-Philippe DEMERS……Bourget……26:45.6
bib # 1140…… Diana KING……Carleton Place……24:34.4
bib # 1898…… Wade MACMILLAN……Carleton Place……25:48.7
bib # 2469…… Sean MUIR……Carleton Place……26:31.3
bib # 2470…… Victoria MUIR……Carleton Place……26:32.2
bib # 1910…… Serge MARGUERIE……Carleton Place……27:08.6
bib # 217…… Simon AMIRAULT……Carleton Place……27:09.2
bib # 2149…… Momena ROUF……Carleton Place……38:41.0
bib # 1897…… Ivana MACMILLAN……Carleton Place……38:41.9
bib # 440…… Garrett DE JONG……Carlsbad Springs……16:28.7
bib # 2224…… Brent SULLIVAN……Carp……23:57.2
bib # 229…… Beth ANVARI……Carp……24:16.1
bib # 2225…… Mark SULLIVAN……Carp……25:10.0
bib # 2017…… Jordan NESBIT……Carp……26:20.7
bib # 1899…… Steve MACMILLIAN……Carp……26:42.2
bib # 527…… Kathy FISCHER……Carp……28:07.9
bib # 2131…… Spencer ROBERTS……Carp……28:22.1
bib # 2128…… Micheael ROBERTS……Carp……28:22.5
bib # 528…… Peter FISCHER……Carp……30:25.7
bib # 499…… Allison ECKFORD……Carp……33:53.6
bib # 1959…… Nicole MCMURRAY……Carp……38:18.7
bib # 281…… Andy BEST……Chalk River……21:27.1
bib # 2035…… Bruce OATTES……Cobden……20:11.9
bib # 2451…… Dylan SPENCER……Cobden……23:05.6
bib # 2452…… Leslie SPENCER-HITCHINS……Cobden……23:05.7
bib # 2036…… Dylan OATTES……Cobden……32:37.9
bib # 2037…… Janet OATTES……Cobden……32:42.1
bib # 1132…… Debra KENNETTE……Crysler……27:57.1
bib # 231…… Rachel APPS……Dunrobin……28:58.9
bib # 1088…… Roger HUNTER……Gloucester……27:42.4
bib # 1089…… Ryan HUNTER……Gloucester……27:42.9
bib # 2337…… Glenda WRIGHT……Gloucester……28:39.6
bib # 2077…… Shaun PIERCE……Gloucester……28:58.0
bib # 1085…… Kathy HUNTER……Gloucester……43:13.8
bib # 1086…… Kristen HUNTER……Gloucester……43:13.8
bib # 449…… Brooke DENNIS BOWSER……Greely……42:58.3
bib # 423…… Faun DANSON……Greely……43:00.3
bib # 2069…… Jasmin PAYANT……Hammond……19:52.2
bib # 2070…… Raphael PAYANT……Hammond……24:13.8
bib # 316…… Graham BOWES……Kanata……15:52.1
bib # 1651…… Tyson LONEY……Kanata……16:20.0
bib # 432…… Kieran DAY……Kanata……16:20.7
bib # 434…… Mickey DAY……Kanata……17:00.7
bib # 493…… Wayne DUSTIN……Kanata……17:07.1
bib # 212…… Jarvis ALEC……Kanata……17:14.8
bib # 891…… Brendon HOWARD……Kanata……17:34.1
bib # 2228…… Benjamin SWAN……Kanata……19:22.9
bib # 237…… Susan ATHERLEY……Kanata……20:03.7
bib # 1922… Tanyon MATHESON-FITCHETT..Kanata...20:10.2
bib # 532…… Jeff FITCHETT……Kanata……20:10.3
bib # 538…… Vincent Andy FONG……Kanata……20:10.5
bib # 411…… Mark CROZIER……Kanata……20:33.3
bib # 2143…… Ronald ROSS……Kanata……20:55.1
bib # 1189…… Charles LEBELLE……Kanata……20:55.4
bib # 1723…… Kenneth MACASKILL……Kanata……21:16.7
bib # 1712…… Jonathan MACASKILL……Kanata……21:16.9
bib # 2084…… Matthew POLLEX……Kanata……21:23.2
bib # 584…… Dave GRAHAM……Kanata……21:25.3
bib # 610…… Susan HALVORSEN……Kanata……22:04.9
bib # 1979…… Brendan MOLONEY……Kanata……22:48.3
bib # 591…… Jade GREGORY……Kanata……22:55.6
bib # 1200…… Cheryl LEVI……Kanata……23:14.5
bib # 2338…… Hugh WRIGHT……Kanata……23:23.2
bib # 555…… Graeme FRY……Kanata……23:33.3
bib # 1980…… Terance MOLONEY……Kanata……23:35.9
bib # 2191…… David SIM……Kanata……23:47.1
bib # 2254…… Ben TREMBLAY……Kanata……23:56.0
bib # 436…… Mike DAY……Kanata……24:08.8
bib # 1160…… Jasmyne LABONTE……Kanata……24:13.7
bib # 2196…… Yan SIM……Kanata……24:36.0
bib # 2252…… Christina TOWERS……Kanata……24:36.8
bib # 615…… Emily HAMMOND……Kanata……25:15.7
bib # 1915…… Jeremiah MARSHALL……Kanata……25:24.0
bib # 1917…… Theresa MARSHALL……Kanata……25:31.0
bib # 2213…… Kari SPARKES……Kanata……25:32.6
bib # 614…… Carolyn HAMMOND……Kanata……25:52.0
bib # 2195…… Wei SIM……Kanata……25:59.1
bib # 232…… Jane ARMSTRONG……Kanata……26:23.6
bib # 358…… Joanne CALLOW……Kanata……26:25.4
bib # 204…… Sue ACKERMAN……Kanata……26:38.2
bib # 2142…… Pamela ROSS……Kanata……26:45.1
bib # 1193…… Jordyn LEIGHTON……Kanata……26:54.4
bib # 2002…… Marianne MURAWSKY……Kanata……27:23.3
bib # 2206…… Isobel SMITH……Kanata……27:28.5
bib # 2164…… Sherry SANI……Kanata……27:29.2
bib # 897…… Shelby HOWARD……Kanata……27:34.2
bib # 2258…… Natalie TREMBLAY……Kanata……27:34.8
bib # 2202…… Adrian SMITH……Kanata……27:35.6
bib # 2205…… Holly SMITH……Kanata……27:36.3
bib # 2253…… Mary TOWERS……Kanata……27:41.6
bib # 1146…… Jeffrey KNIGHT……Kanata……27:54.5
bib # 1147…… Sylvie KNIGHT……Kanata……27:54.6
bib # 1120…… David JORGENSON……Kanata……27:59.5
bib # 1121…… Mark JORGENSON……Kanata……27:59.6
bib # 2130…… Nicholas ROBERTS……Kanata……28:10.6
bib # 2132…… Stephen ROBERTS……Kanata……28:11.0
bib # 416…… Morgan CUTTS……Kanata……28:28.5
bib # 2009.. Joanne & Mini-M MURRAY..Kanata…28:28.5
bib # 2039…… Jeff O'CONNOR……Kanata……28:46.5
bib # 406…… Christine COUTURE……Kanata……28:51.8
bib # 230…… Judith APPS……Kanata……28:59.2
bib # 384…… Lori CIARALLI……Kanata……29:00.2
bib # 525…… Peter FILLMORE……Kanata……29:05.7
bib # 218…… Alkarim AMLANI……Kanata……29:06.4
bib # 415…… Cindy CUTTS……Kanata……29:17.7
bib # 585…… Noah GRAHAM……Kanata……29:58.3
bib # 365…… James CANTELLOW……Kanata……29:59.2
bib # 1728…… Kim MACASKILL……Kanata……30:03.2
bib # 1849…… Olivia MACASKILL……Kanata……30:03.2
bib # 2298…… Ct VIVIANE……Kanata……30:11.1
bib # 2292…… Eugene VIGNERON……Kanata……30:15.6
bib # 579…… Sydney GOOLD……Kanata……30:19.8
bib # 574…… Andrea GOODMAN……Kanata……30:20.3
bib # 577…… Hannah GOOLD……Kanata……30:21.7
bib # 2291…… Anna VIGNERON……Kanata……30:30.5
bib # 562…… Juli GAGNON……Kanata……30:31.5
bib # 2052…… Season OSBORNE……Kanata……30:33.3
bib # 2124…… Casey RINGHAM……Kanata……30:42.6
bib # 315…… Rhonda BOUDREAU……Kanata……30:46.0
bib # 2342…… Erin YAMAZAKI……Kanata……30:48.8
bib # 1994…… Heather MOSES……Kanata……30:51.5
bib # 576…… Emily GOOLD……Kanata……31:04.3
bib # 431…… Ellen DAY……Kanata……31:06.4
bib # 498…… Sienna EBBINGHAUS……Kanata……32:16.4
bib # 497…… Lakmini EBBINGHAUS……Kanata……32:16.7
bib # 2004…… Emma MURDOCH……Kanata……32:25.6
bib # 2101…… Tim RAIZENNE……Kanata……32:28.4
bib # 1186…… Alexandra LAYER……Kanata……32:33.7
bib # 2112…… Yvonne RELF……Kanata……33:15.5
bib # 481…… Emily DOWNEY……Kanata……33:26.3
bib # 482…… Michael DOWNEY……Kanata……33:29.1
bib # 211…… Kristen AKINSULIE……Kanata……33:30.4
bib # 267…… Patra BEAULIEU……Kanata……33:36.7
bib # 1931…… Alastair MCCARTNEY……Kanata……33:36.8
bib # 2299…… Sophie WAHL……Kanata……34:00.0
bib # 526…… Sarah FILLMORE……Kanata……34:05.3
bib # 524…… Michael FILLMORE……Kanata……34:05.4
bib # 1192…… Erica LEIGHTON……Kanata……34:05.9
bib # 1194…… Robert LEIGHTON……Kanata……34:06.0
bib # 2229…… Brenda SWAN……Kanata……34:07.1
bib # 1932…… Christine MCCARTNEY……Kanata……34:11.4
bib # 2293…… Jeffrey VIGNERON……Kanata……34:11.7
bib # 1965…… Richard MICHAUD……Kanata……34:14.4
bib # 442…… Guylaine DECK……Kanata……34:38.6
bib # 219…… Alyssa AMLANI……Kanata……34:40.7
bib # 554…… Emma FRY……Kanata……34:43.3
bib # 2134…… Shaun ROBIN……Kanata……34:44.0
bib # 2148…… Will ROTOR……Kanata……34:55.9
bib # 2147…… Elaine ROTOR……Kanata……35:31.0
bib # 2146…… David ROTOR……Kanata……35:31.6
bib # 2192…… Elizabeth SIM……Kanata……36:05.3
bib # 1144…… Chris KITCHEN……Kanata……36:10.2
bib # 2330…… Daniel WINTERS……Kanata……36:12.6
bib # 2329…… Dale WINTERS……Kanata……36:12.7
bib # 221…… Shalina AMLANI……Kanata……37:56.4
bib # 540…… John FORSTER……Kanata……40:58.2
bib # 220…… Pamela AMLANI……Kanata……43:08.4
bib # 2107…… Belinda REED……Kemptville……27:53.2
bib # 518…… Isabelle FERNANDEZ……Long Sault……29:51.9
bib # 1940…… Karen MCDONALD……L'Orignal……25:28.3
bib # 495…… Harley EASTMAN……Manotick……25:36.3
bib # 1944…… Stephanie MCEVOY……Munster……32:01.7
bib # 1942…… Isaac MCEVOY……Munster……33:02.1
bib # 2048…… Erin O'HIGGINS……Nepean……19:51.8
bib # 2285…… Chris VAN NORMAN……Nepean……20:29.2
bib # 1182…… Robert C J LAUGHTON……Nepean……20:52.8
bib # 2231…… Michele TAKOFF……Nepean……21:43.6
bib # 2123…… Morgan RILEY……Nepean……22:38.9
bib # 531…… Ed FITCHETT……Nepean……22:49.1
bib # 501…… Randy EDGE……Nepean……23:06.3
bib # 638…… Christopher HILL……Nepean……23:17.2
bib # 2016…… Melanie NASON-GREEN……Nepean……23:59.3
bib # 2049…… Maureen O'HIGGINS……Nepean……24:30.0
bib # 318…… Trevor BOYD……Nepean……24:31.5
bib # 2237…… Linda TAYLOR……Nepean……24:35.1
bib # 2099…… Joe RAETSEN……Nepean……25:40.9
bib # 1111…… James JOHNSTON……Nepean……27:14.2
bib # 1155…… Martin KOU……Nepean……27:15.3
bib # 1981…… Susan MOLSON……Nepean……27:26.7
bib # 435…… Mike DAY……Nepean……27:45.0
bib # 311…… Valerie BONSALL……Nepean……27:47.0
bib # 2061…… Margeaux PARKINSON……Nepean……29:24.4
bib # 561…… Jessica GAGE……Nepean……29:37.1
bib # 2121…… Brendan RILEY……Nepean……30:46.7
bib # 588…… Brian GREEN……Nepean……30:48.1
bib # 2122…… Lisa RILEY……Nepean……30:49.4
bib # 317…… Angus BOYD……Nepean……30:55.3
bib # 582…… Shawn GOUDGE……Nepean……31:11.4
bib # 2154…… Marion RUNSTEDLER……Nepean……32:38.7
bib # 2110…… Sheila REID……Nepean……33:44.1
bib # 433…… Leah DAY……Nepean……34:41.9
bib # 2328…… Roseanne WILSON……Nepean……34:49.3
bib # 399… Andrea COPPERTHWAITE……Nepean……35:05.4
bib # 2219…… Stephanie STEPHENS……Nepean……35:12.4
bib # 2030…… Kerry NOLAN……Nepean……35:37.8
bib #581…… Lesley GOUDGE……Nepean……36:29.4
bib # 1908…… Jill MARCHAND……Nepean……41:19.6
bib # 2097…… Carina QUINN……North Gower……35:00.4
bib # 189…… BRUCE BRUNELLE……Orleans……25:46.0
bib # 842…… Stephanie HORVAT……Orleans……43:17.3
bib # 81…… Maya ADEN……Ottawa……15:06.3
bib # 2473…… Joshua ROUNDELL……Ottawa……15:37.4
bib # 2214…… Matthew STACEY……Ottawa……16:17.7
bib # 1958…… Derek MCMASTER……Ottawa……16:52.8
bib # 223…… Robbie ANDERSON……Ottawa……16:55.6
bib # 1935…… Larry MCCLOSKEY……Ottawa……17:05.2
bib # 310…… Brett BONISTEEL……Ottawa……17:07.8
bib # 2300…… Harold WALKER……Ottawa……17:08.7
bib # 2440…… Sebastian SAVILLE……Ottawa……17:14.8
bib # 2153…… Jon RUDDY……Ottawa……17:15.2
bib # 1556…… Rob LIVINGSTON……Ottawa……17:22.6
bib # 83…… Chris BRERS……Ottawa……17:33.3
bib # 2336…… Frank WRIGHT……Ottawa……17:57.5
bib # 1177…… Leah LAROCQUE……Ottawa……18:01.9
bib # 149…… Drew BURSEY……Ottawa……18:26.8
bib # 2422…… Bill ROSTEK……Ottawa……18:34.7
bib # 1173…… Stacey LANCE……Ottawa……18:37.7
bib # 2289…… Carlos VERVLOET……Ottawa……18:39.6
bib # 2496…… Rebecca STALLWOOD……Ottawa……18:39.9
bib # 2441…… David SAVILE……Ottawa……18:40.6
bib # 2024…… Ari NIEMI……Ottawa……19:07.6
bib # 2032…… Shantelle NOVAK……Ottawa……19:13.7
bib # 529…… Peter FISHER……Ottawa……19:13.8
bib # 90…… Bart KELLY……Ottawa……19:33.0
bib # 306…… George BODONI……Ottawa……19:36.5
bib # 158…… Kerry ROCHELEAY……Ottawa……19:36.6
bib # 171…… DAVID MCQUINN……Ottawa……19:39.9
bib # 2390…… Marian COKE……Ottawa……19:42.2
bib # 2301…… Steven WALKER……Ottawa……19:43.0
bib # 252…… Lisa BALERNA……Ottawa……19:44.3
bib # 2401…… Mark ROUNDEL……Ottawa……19:44.8
bib # 2067…… Melanie PATINA……Ottawa……19:50.3
bib # 586…… Ken GRANT……Ottawa……19:53.0
bib # 131…… Neil SNIDER……Ottawa……19:57.4
bib # 144…… Phil TESSIER……Ottawa……20:15.2
bib # 82…… Matt HEROD……Ottawa……20:19.7
bib # 2364…… Mike BIGELOW……Ottawa……20:34.2
bib # 2261…… Jim TUNNEY……Ottawa……20:34.8
bib # 2263…… Ronan TUNNEY……Ottawa……20:34.8
bib # 537…… Peter FOLEY……Ottawa……20:42.8
bib # 397…… Patrick CONRAD……Ottawa……20:50.5
bib # 2319…… Lawrence WILLIAMS……Ottawa……20:59.8
bib # 190…… JASMINE VIAU……Ottawa……21:01.1
bib # 2428…… Stephanie GORDON……Ottawa……21:01.1
bib # 1988…… Kyle MORGAN……Ottawa……21:08.7
bib # 270…… Bobby BEGIN……Ottawa……21:12.2
bib # 2429…… Patrick OWENS……Ottawa……21:14.4
bib # 117…… Mike BARNES……Ottawa……21:16.4
bib # 100…… Tyrus GIBSON……Ottawa……21:21.0
bib # 95…… Geordie GIBSON……Ottawa……21:21.6
bib # 2407…… Jeff AVON……Ottawa……21:27.5
bib # 550…… Nick FRENETTE……Ottawa……21:31.2
bib # 1950…… Katie MCGRATH……Ottawa……21:35.7
bib # 135…… Jim MCEACHERN……Ottawa……21:42.7
bib # 333…… Rob BROOKS……Ottawa……21:43.5
bib # 1129…… Carol KELLY……Ottawa……21:46.0
bib # 2170…… Suzanne SCHRIEK……Ottawa……21:46.8
bib # 102…… Doug GIBSON……Ottawa……22:04.7
bib # 150…… Terry STEWART……Ottawa……22:20.1
bib # 134…… Pete MACLENNAN……Ottawa……22:22.0
bib # 130…… Spencer EDWARDS……Ottawa……22:23.4
bib # 2193…… Greg SIM……Ottawa……22:25.5
bib # 2442…… Barbara SAVILLE……Ottawa……22:26.5
bib # 421…… Graham DALY……Ottawa……22:39.6
bib # 631.. Michele HERLEY-TREMBLAY……Ottawa……22:46.3
bib # 94…… Robert GIBSON……Ottawa……22:47.6
bib # 606…… Michelle HAINES……Ottawa……22:53.0
bib # 98…… Kiana GIBSON……Ottawa……23:00.5
bib # 268…… Brigid BEDARD……Ottawa……23:03.0
bib # 2439…… Tom SAVILLE……Ottawa……23:05.6
bib # 153…… Christopher HOULD……Ottawa……23:29.4
bib # 120…… Krista SULLIVAN……Ottawa……23:33.1
bib # 80…… Stephane BEDARD……Ottawa……23:34.2
bib # 2105.. Raahulan RATHAGIRISHNAN…Ottawa…23:39.0
bib # 246…… Rick BAIRD……Ottawa……23:39.9
bib # 124…… Alexandra DA COSTA……Ottawa……23:41.5
bib # 1974…… Tracy MINICHIELLO……Ottawa……23:46.3
bib # 259…… Zinab BASSUNY……Ottawa……23:48.3
bib # 2211…… Jamie SNIDER……Ottawa……23:49.8
bib # 2262…… Rita TUNNEY……Ottawa……23:49.8
bib # 106…… Kevin CHAPMAN……Ottawa……23:55.7
bib # 2457…… Bruce BATEMAN……Ottawa……24:11.1
bib # 1094…… Keren JACKMAN……Ottawa……24:12.3
bib # 191…… GAVIN LUMSDEN……Ottawa……24:12.3
bib # 91…… Ian CHAPMAN……Ottawa……24:12.8
bib # 422…… Richard DALY……Ottawa……24:14.6
bib # 2381…… Matthew PELLETIER……Ottawa……24:16.9
bib # 637…… Bryan HIGGINS……Ottawa……24:19.2
bib # 76…… Matthew BAFIA……Ottawa……24:21.1
bib # 2434…… Brad MAKEPEACE……Ottawa……24:27.2
bib # 2433…… Adam MAKEPEACE……Ottawa……24:30.5
bib # 2310…… Ed WHITE……Ottawa……24:38.8
bib # 1103…… Sylvie JACQUES……Ottawa……24:40.0
bib # 152…… Jacob HOULD……Ottawa……24:42.6
bib # 385…… Jasmine CLANCY……Ottawa……24:46.0
bib # 386…… Sean CLANCY……Ottawa……24:46.5
bib # 530…… Steven FISHER……Ottawa……24:50.3
bib # 1197…… Dominic LESSARD……Ottawa……24:51.2
bib # 2383…… Clayton HOY……Ottawa……24:59.2
bib # 373…… Andrei CHAREPKA……Ottawa……25:00.5
bib # 164…… Jordan FRASER……Ottawa……25:00.7
bib # 2075…… Lydia PEPIN……Ottawa……25:03.9
bib # 2269…… Nick TYLER……Ottawa……25:12.3
bib # 2388…… Kyle DYKES……Ottawa……25:18.7
bib # 2384…… Melanie KOWALSKI……Ottawa……25:19.8
bib # 129…… Alex EDWARDS……Ottawa……25:28.6
bib # 249…… Ethan BALAKRISHNAN……Ottawa……25:36.1
bib # 285…… Serge BIDNYK……Ottawa……25:38.7
bib # 1196…… Nathalie LEROUX……Ottawa……25:43.5
bib # 2432…… Jason MAKEPEACE……Ottawa……25:47.5
bib # 2349…… Chris JOHNSON……Ottawa……25:49.4
bib # 2311…… Janet WHITE……Ottawa……25:53.1
bib # 99…… Sean GIBSON……Ottawa……25:53.9
bib # 2396…… Andrea PERCH……Ottawa……25:54.5
bib # 2498…… Maria BABINEAU……Ottawa……26:13.4
bib # 2459…… Jennifer BOULIANNE……Ottawa……26:15.8
bib # 1909…… Paul MARCHAND……Ottawa……26:22.7
bib # 2416…… Daniel MORRIS……Ottawa……26:27.1
bib # 1176…… Joe LAROCQUE……Ottawa……26:34.0
bib # 2194…… Lauren SIM……Ottawa……26:37.1
bib # 1850…… Alanna MACAULAY……Ottawa……26:39.8
bib # 2212…… Patrick SNIDER……Ottawa……26:42.3
bib # 396…… Laura COLLISHAW……Ottawa……26:42.5
bib # 85…… Elizabeth BUTTERFIELD……Ottawa……26:43.4
bib # 788…… Jim HOGAN……Ottawa……26:45.2
bib # 145…… Melissa Cinicolo……Ottawa……26:51.8
bib # 2060…… Caroline PAQUETTE……Ottawa……26:57.5
bib # 1118…… Paul JONES……Ottawa……27:14.6
bib # 272…… Nathalie BELAIR JONES……Ottawa……27:14.7
bib # 407…… Alana COUVRETTE……Ottawa……27:15.8
bib # 2168…… Jasmine SAVOIE……Ottawa……27:19.2
bib # 626…… Valerie HAVEMAN……Ottawa……27:19.9
bib # 170…… SALLY MCQUINN……Ottawa……27:28.7
bib # 2042…… Jennifer OFFORD……Ottawa……27:45.5
bib # 2456…… Margarit BAAR……Ottawa……27:56.1
bib # 160… Donna-Lynne MACARTHUR……Ottawa…27:57.4
bib # 2476…… Vincent GRAJEWSKI……Ottawa……28:01.4
bib # 1969…… Bruce MILLER……Ottawa……28:03.8
bib # 2268…… Tara Frances TURNER……Ottawa……28:11.3
bib # 116…… Koni BENNETT……Ottawa……28:13.1
bib # 2185…… Vivian SHIH……Ottawa……28:18.9
bib # 77…… Lauren BAFIA……Ottawa……28:19.0
bib # 539…… Jackie FORMAN……Ottawa……28:20.6
bib # 619…… Trina HARPER……Ottawa……28:30.6
bib # 605…… Chantal HAINES……Ottawa……28:31.5
bib # 2026…… Jennie NIERADKA……Ottawa……28:33.3
bib # 580…… Michelle GOUCHIE……Ottawa……28:35.3
bib # 118…… John LARODA……Ottawa……28:42.4
bib # 2365…… Lisa JONES……Ottawa……29:05.4
bib # 2471…… Adina MANOLI……Ottawa……29:09.7
bib # 816…… Hannah HOPKINS……Ottawa……29:23.7
bib # 161…… Kathryn DARKINSON……Ottawa……29:27.4
bib # 2399…… Sarah ZAHAB……Ottawa……29:42.3
bib # 111…… Joshua TOLMIE……Ottawa……29:45.3
bib # 101…… Christopher GIBSON……Ottawa……29:48.7
bib # 1458…… Wit LEWANDOWSKI……Ottawa……29:54.1
bib # 303…… Debbie BLOOM……Ottawa……29:54.8
bib # 1954…… Robert MCINTYRE……Ottawa……29:59.0
bib # 75…… nick BAFIA……Ottawa……30:04.4
bib # 478…… Shannon DOW……Ottawa……30:04.7
bib # 73…… tim BAFIA……Ottawa……30:13.0
bib # 2379…… Fred PELLETIER……Ottawa……30:17.3
bib # 2382…… Jeffrey PELLETIER……Ottawa……30:17.9
bib # 484…… Shannon DUBOIS……Ottawa……30:22.3
bib # 964…… Dean HUCKLA……Ottawa……30:22.5
bib # 2179…… Mary-Pat SHAW……Ottawa……30:24.3
bib # 2180…… Stephen SHAW……Ottawa……30:26.3
bib # 1949…… Kerri MCGLADE……Ottawa……30:37.9
bib # 410…… Nathalie CROTEAU……Ottawa……30:40.3
bib # 507…… Keith ENNIS……Ottawa……30:45.2
bib # 1108…… Wendy JERMYN……Ottawa……30:48.3
bib # 2103…… Sandhya RAO……Ottawa……30:48.4
bib # 2350…… Chris VANDERPOL……Ottawa……30:49.7
bib # 2351…… melanie VANDERPOL……Ottawa……30:49.7
bib # 2354…… christina SYKES……Ottawa……30:50.8
bib # 2353…… teresa SYKES……Ottawa……30:50.9
bib # 312…… Edith BOSTWICK……Ottawa……30:56.3
bib # 599…… Sabrina GUSCHKE……Ottawa……30:58.9
bib # 87…… Stacey PEDLEY……Ottawa……31:03.0
bib # 1998…… Andrea MUNDAY……Ottawa……31:13.2
bib # 2378…… Johanne BERTRAND……Ottawa……31:26.1
bib # 2391…… Joanne GAGE……Ottawa……31:28.4
bib # 2114…… Karen RICHARD……Ottawa……31:29.3
bib # 1945…… Penny MCEWEN……Ottawa……31:33.0
bib # 248…… Ashok BALAKRISHNAN……Ottawa……31:37.6
bib # 2041…… Tracy O'CONNOR……Ottawa……31:41.2
bib # 1164…… Stacey LACROIX……Ottawa……31:46.8
bib # 367…… Marie-Jeanne CAROLA……Ottawa……31:50.7
bib # 103…… Denis GINGRAS……Ottawa……32:05.0
bib # 2492…… Cathy TAKAHASHI……Ottawa……32:09.5
bib # 2008…… Mary MURPHY……Ottawa……32:20.3
bib # 1136…… Najam KHAN……Ottawa……32:31.9
bib # 2406…… John CHARBONNEAU……Ottawa……32:32.1
bib # 154…… Silas MARSTON……Ottawa……32:38.4
bib # 833…… Annie HORRICKS……Ottawa……32:50.3
bib # 2054…… Raymond OUIMET……Ottawa……32:52.9
bib # 1101…… Laura JACKMAN……Ottawa……32:53.0
bib # 2464…… Martin BEAULIEU……Ottawa……33:02.0
bib # 52…… Raphael ROWLEY……Ottawa……33:19.3
bib # 51…… Vincent ROWLEY……Ottawa……33:20.8
bib # 424…… Laura DARLINGTON……Ottawa……33:24.6
bib # 2371…… Gdward BRADY……Ottawa……33:25.4
bib # 74…… Leslie BAFIA……Ottawa……33:25.8
bib # 612…… Shelley HAMILL……Ottawa……33:27.0
bib # 332…… Darrell BRIDGE……Ottawa……33:29.6
bib # 2446…… Danielle GAUTHIER……Ottawa……33:33.3
bib # 323…… Brandon BRADY……Ottawa……33:36.6
bib # 322…… Anthony BRADY……Ottawa……33:39.3
bib # 2493…… Emily TAKAHASHI……Ottawa……33:40.9
bib # 2305…… Marilyn WARREN……Ottawa……33:41.4
bib # 324…… Colleen BRADY……Ottawa……33:41.4
bib # 325…… Nancy BRADY……Ottawa……33:41.7
bib # 1938…… Pauline MCCLUSKIE……Ottawa……34:01.8
bib # 1937…… Mike MCCLUSKIE……Ottawa……34:02.1
bib # 2402…… Randi JEWER……Ottawa……34:02.5
bib # 1115…… Chelsea JONES……Ottawa……34:04.5
bib # 2243…… Pushpa TEJWANI……Ottawa……34:22.0
bib # 629…… Paul HEMPEL……Ottawa……34:27.0
bib # 557…… Robert FUENTES……Ottawa……34:34.5
bib # 234…… Aiden ARSCOTT……Ottawa……34:44.9
bib # 235…… Olivia ARSCOTT……Ottawa……34:58.0
bib # 226…… Lindsay ANDRUSEK……Ottawa……35:13.2
bib # 2376…… Judy FENTIMAN……Ottawa……35:19.3
bib # 556…… Kyle FUENTES……Ottawa……35:21.4
bib # 793…… Jennifer HOOD……Ottawa……35:38.6
bib # 261…… Jenn BEARZATTO……Ottawa……35:39.2
bib # 2481…… Melanie AMYOTTE……Ottawa……36:06.9
bib # 2393…… Claire-Anne LALONDE……Ottawa……36:07.2
bib # 2398…… Eileen SARKAR……Ottawa……36:10.4
bib # 2395…… Pam PELEATO……Ottawa……36:11.3
bib # 2201…… Oksana SMERECHUK……Ottawa……36:23.1
bib # 2394…… Ariana MURESAN……Ottawa……36:25.8
bib # 2431…… Shawna COLBEY……Ottawa……36:26.1
bib # 1138…… Maureen KILPATRICK……Ottawa……36:32.4
bib # 2403…… Ron PITT……Ottawa……36:37.0
bib # 571…… Alexandria GERRIOR……Ottawa……36:52.9
bib # 572…… Randy GERRIOR……Ottawa……36:54.2
bib # 2063…… Isabelle PATENAUDE……Ottawa……37:33.3
bib # 1133…… Frans KES……Ottawa……37:39.0
bib # 2324…… Heather WILSON……Ottawa……38:45.3
bib # 299…… Sabrina BLANCHARD……Ottawa……40:23.0
bib # 1167…… Maria LAHIFFE……Ottawa……41:25.6
bib # 1657…… Max LOSIER……Ottawa……42:39.7
bib # 1653…… Jonah LOSIER……Ottawa……42:40.5
bib # 123…… Jennifer LOW……Ottawa……42:56.9
bib # 328…… Mike BRAZEAU……Ottawa……43:15.0
bib # 1135…… Susan KES……Ottawa……43:22.1
bib # 207…… John ADDISON……Ottawa……43:54.7
bib # 1134…… Sharon KES……Ottawa……50:16.9
bib # 617…… Marjorie HANSON……Ottawa……50:31.0
bib # 1956…… Shelley MCINTYRE……Pembroke……25:37.2
bib # 2190…… Sonya SILVER……Pembroke……28:43.6
bib # 151…… Thor STEWART……Perth……16:50.3
bib # 459…… Maggie DEWAR……Richmond……26:01.7
bib # 181…… JASON HANDS……Richmond……26:57.0
bib # 107…… Michael KENNEDY……Richmond……27:16.0
bib # 460…… Sue DEWAR……Richmond……27:33.2
bib # 469…… Gabby DOIRON……Richmond……33:10.6
bib # 2079…… Kristina PISTOR……Richmond……34:23.7
bib # 513…… Nicholas FAVERO……Rockland……17:15.4
bib # 512…… Jonathan FAVERO……Rockland……21:57.7
bib # 1933…… Nancy MCCARTNEY……Smiths Falls……34:12.2
bib # 2318…… David WILLIAMS……Stittsville……18:53.9
bib # 289…… Heather BIJMAN……Stittsville……19:00.1
bib # 2216…… Lisa STEELE……Stittsville……21:41.4
bib # 347…… Nick BULITKA……Stittsville……22:10.1
bib # 1188…… Nicholas LAYER……Stittsville……22:28.3
bib # 2232…… Amy TALBOT……Stittsville……24:23.5
bib # 233…… Jonathan ARNOTT……Stittsville……24:39.2
bib # 636…… Ian HICKMAN……Stittsville……24:42.7
bib # 634…… Rebecca HICKMAN……Stittsville……24:59.3
bib # 2108…… Holly REID……Stittsville……25:23.9
bib # 1990…… Eric MORRISON……Stittsville……25:29.8
bib # 2111…… Stefanie REID……Stittsville……25:40.4
bib # 1109…… Grahame JOHNSON……Stittsville……25:50.0
bib # 2320…… Owen WILLIAMS……Stittsville……26:18.3
bib # 1903…… Ryan MACNEIL……Stittsville……26:23.6
bib # 1930…… Deborah MCCARTHY……Stittsville……27:14.8
bib # 359…… Kristen CAMERON……Stittsville……27:35.9
bib # 2140…… Don ROOKE……Stittsville……27:52.5
bib # 2109…… Liane REID……Stittsville……27:58.8
bib # 597…… Andrew GUMLEY……Stittsville……28:52.3
bib # 308…… Jocelyn BOND……Stittsville……29:00.4
bib # 2159…… Dakota SABOURIN……Stittsville……29:18.0
bib # 2138…… Gina ROMANI……Stittsville……29:27.9
bib # 1976…… Barb MOFFITT……Stittsville……30:04.5
bib # 266…… Jack BEAULIEU……Stittsville……30:05.1
bib # 2028…… Manda NOBLE-GREEN……Stittsville……30:05.6
bib # 1989…… Denise MORRISON……Stittsville……30:20.2
bib # 506…… Tracy ELLIOTT……Stittsville……30:36.8
bib # 2152…… Jenn RUDDICK……Stittsville……30:42.7
bib # 2160…… Doug SABOURIN……Stittsville……30:43.7
bib # 632…… Danya HERNANDEZ……Stittsville……30:45.2
bib # 2150…… Bethany ROY……Stittsville……30:46.0
bib # 222…… Jennifer ANDERSON……Stittsville……31:01.8
bib # 2085…… Brian PORTER……Stittsville……31:10.4
bib # 2321…… Rebecca WILLIAMS……Stittsville……31:11.5
bib # 2161…… Judy SABOURIN……Stittsville……31:39.2
bib # 1187…… Chris LAYER……Stittsville……32:33.9
bib # 265…… Karan BEAULIEU……Stittsville……33:28.0
bib # 2086…… Doug PORTER……Stittsville……33:28.1
bib # 1946…… Deb MCGEACHY……Stittsville……34:05.2
bib # 2158…… Caitlin SABOURIN……Stittsville……35:03.6
bib # 458…… Laura DEVENNY……Stittsville……36:41.7
bib # 457…… Kathleen DEVENNY……Stittsville……36:53.7
bib # 1900…… Amy MACNEIL……Stittsville……37:13.8
bib # 1901…… Curtis MACNEIL……Stittsville……37:24.3
bib # 298…… Paul BLANCHARD……Stittsville……40:22.6
bib # 1110…… Julia JOHNSON……Stittsville……42:56.6
bib # 1952…… Carine MCINTYRE……Vanier……32:59.7
bib # 491…… Alexandre DUPUIS……Vankleek Hill……26:07.4
bib # 492…… Pierre DUPUIS……Vankleek Hill……26:45.1
bib # 1652…… Chantale LORTIE……Vankleek Hill……41:19.0
bib # 227…… Kerry ANTONELLO……White Lake……28:10.0
bib # 541…… Jonas FOSSITT……Winchester……26:49.5
bib # 1126…… Ryan KEELING……Woodlawn……25:42.1
bib # 1127…… Shannon KEELING……Woodlawn……29:32.4
Local runners (Québec)
- - - - - - - - - - - - - - - - -
bib # 241…… Mark AVON……Cantley……26:46.9
bib # 242…… Owen AVON……Cantley……26:47.9
bib # 374…… Marc-Andre CHARETTE……Gatineau……17:50.2
bib # 623…… Marie-France HARVEY……Gatineau……20:47.5
bib # 2475…… Mathieu PAQUETTE……Gatineau……22:15.2
bib # 560…… Rex FYLES……Gatineau……22:34.2
bib # 1912…… Dario MARKOVINOVIC……Gatineau……24:15.0
bib # 334…… Stephanie BROUILLARD……Gatineau……29:30.2
bib # 2284…… Schuyler VAN DUSEN……Gatineau……29:55.5
bib # 2283…… Derek VAN DUSEN……Gatineau……29:58.7
bib # 2176…… Veronique SEMEXANT……Gatineau……30:56.6
bib # 409…… Brenda COX……Gatineau……31:08.4
bib # 2081…… Sonia PLOUFFE……Gatineau……34:05.0
bib # 2053…… Claudie OUELLET……Gatineau……37:38.1
bib # 2006…… James MURPHY……Hull……18:31.6
bib # 2246.. Nathalie THEORET……Lochaber Partie……36:07.1
bib # 380…… Jake CHICOINE……Wakefield……18:39.3
bib # 379…… Ed CHICOINE……Wakefield……18:58.0
bib # 381…… Karina CHICOINE……Wakefield……27:27.6
Other Ontario runners
- - - - - - - - - - - - - - - -
bib # 2082…… Jeremiah POINT……Akwesasne……25:34.8
bib # 427…… Kim DAVIS……Bracebridge……32:17.7
bib # 1948…… Lindsay MCGINN……Guelph……30:19.1
bib # 214…… Ron ALQUIST……Kingston……24:35.0
bib # 331…… Abigail BREWER……Peterborough……31:27.9
bib # 2249…… Jon TIERNAN……Peterborough……31:29.1
bib # 2478…… Matthew DUDZIAK……Scarborough……23:03.3
bib # 2477…… Daniel DUDZIAK……Scarborough……28:01.4
bib # 188…… IAIN DORAN-DESBRISAY……Toronto……24:05.2
bib # 592…… Emily GRISE……Toronto……33:18.4
Other Canada runners
- - - - - - - - - - - - - - - -
bib # 2210…… Graydon SNIDER……Montreal……15:27.4
bib # 2436…… Charmaine KREUGER……Moose Jaw……40:27.3
bib # 2435…… Isabelle KREUGER……Moose Jaw……40:28.7
bib # 2437…… Claire KREUGER……Moose Jaw……40:34.2
bib # 2260…… Natelle TULK……St. John's……29:18.6
bib # 338…… Marilyn BRUCE……St. John's……1:04:03.3
bib # 92…… Judy TULK……Traytown, N&L……1:03:18.3
Foreign runners
- - - - - - - - - - - - - - - -
bib # 2092…… Antony PRINGLE……Hong Kong……20:15.4
bib # 2094…… Lesia PRINGLE……Hong Kong……30:30.9
bib # 1907…… Igor MAKSYMIV……Ivano-Frankivsk……22:05.3
--Rabindranath Tagore
Explore--3/28/10
"How long does a monarch live?" "Why do monarchs migrate south?"
The answers to these two questions go hand-in-hand. Children ask them all the time. Most monarchs live from two to six weeks as an adult butterfly, but the Monarch's migration is the KEY to its yearly life cycle.
The total time frame for one butterfly's life cycle (one generation) is about 6-8 weeks . . . egg, caterpillar, chrysalis, butterfly. It grows inside the egg for about 4 days. It then munches milkweed and grows as a monarch caterpillar (larvae) for about 2 more weeks. The caterpillar's life inside the chrysalis (pupa) lasts about 10 days and its wonderful life as an adult butterfly lasts from 2 - 6 weeks.
February/March - hibernating monarchs in Mexico and southern California reawaken, become active, find a mate, begin the flight northward and lay their eggs. Finally they die. These special monarchs have lived about 4-5 months through the long winter.
March/April -the 1st generation monarchs are born -egg, caterpillar, chrysalis, adult butterfly;
May/June - the 2nd generation is born - egg, caterpillar, chrysalis, adult butterfly;
July/August - the 3rd generation is born - egg, caterpillar, chrysalis, adult butterfly;
Sept/Oct - the 4th generation is born - egg, caterpillar, chrysalis, adult butterfly . . . but THIS generation does not die. It MIGRATES south and lives 6-8 months in Mexico or Southern California. They begin awakening and mating in February/March of the NEXT SPRING, and then lay their eggs! Withered and tattered from their migration and hibernation . . . they finally die.
The cycles goes on as the new baby caterpillars are born each spring and the cycle continues throughout the year into the next spring. MAGICAL and AMAZING!
"OK... on a count of 3... " Simon and his brothers were supposed to be home over an hour ago. Mama was gonna be hoppin' mad, but the crazy old troll had taken forever to doze off so they could make a break for it."
These adorable little field mice were photographed by Catherine Houston (iolanthe on flickr). Sadly, Catherine passed away last January. Her photostream is still up and running, thanks to her sister, Ruth, so please feel free to visit and enjoy her love of animals and nature through her lovely photos.
www.flickr.com/photos/iolanthe/
thanks to nicolas gent for the awesome sky texture
www.flickr.com/photos/21680590@N06/5525811456/in/set-7215...
Orix fighting at Etosha Nat. Park, Namibia.August 2004.
Antílope africano perteneciente al género Oryx. Vive en manadas de hasta 40 individuos, pero en estación lluviosa, se reúnen cientos. En sequía, puede pasar muchos días sin beber, sobreviviendo de la humedad que contienen frutos y raíces. Mide hasta 1,6 metros de largo y la altura de la cruz llega hasta el 1,2 m. Armados con largos cuernos rectos y anillados, de un metro o más de longitud, en contraste con sus pequeñas orejas. Son resistentes a las temperaturas extremas, a la sed, y además pueden mantener un galope sostenido durante muchos kilómetros. Como particularidad, pueden aumentar la temperatura de su cuerpo para poder irradiar el calor al ambiente en lugar de absorberlo, gracias a un sofisticado sistema de irrigación sanguínea que también permite que la sangre más fría sea la que riegue el cerebro tras pasar previamente por las aberturas de la nariz (narinas), donde se refresca. Su carácter temperamental se puede comparar al de un toro bravo, de forma que su caza es peligrosa para cualquier predador. Los machos luchan embistiendose con los cuernos en paralelo, de forma que se produce un forcejeo entre ellos sin que se llegue a herir al rival, mientras que a la hora de defenderse de depredadores, embisten apuntando con su cornamenta de forma que pueden ensartar a su enemigo. Es la única especie de antílope cuyos descendientes ya nacen armados.
Artist: Styx
Album: Return To Paradise
Title: Come Sail Away
I'm sailing away, set an open course for the virgin sea
I've got to be free, free to face the life that's ahead of me
On board, i'm the captain, so climb aboard
We'll search for tomorrow on every shore
And i'll try, oh lord, i'll try to carry on
I look to the sea, reflections in the waves spark my memory
Some happy, some sad
I think of childhood friends and the dreams we had
We live happily forever, so the story goes
But somehow we missed out on that pot of gold
But we'll try best that we can to carry on
A gathering of angels appeared above my head
They sang to me this song of hope, and this is what they said
They said come sail away, come sail away
Come sail away with me
Come sail away, come sail away
Come sail away with me
I thought that they were angels, but to my surprise
They climbed aboard their starship and headed for the skies
Singing come sail away, come sail away
Come sail away with me
Come sail away, come sail away
Come sail away with me
View large, on black for the full effect.
This launch pedestal is the most striking structure remaining at LC-34. It was built to hold the heft of a Saturn 1 or Saturn 1B rocket - basically the truncated upper stages of the epic Saturn V. Several launches and tests were performed here but this site is best known for the events of January 27, 1967 - the terrible tragedy of Apollo 1. Here three of NASA's brightest astronauts (Gus Grissom, Ed White and Roger Chaffee) were incinerated by a lone spark in their pressurized all-oxygen cabin atmosphere during a dry run.
After one final launch in 1968 the facility was dismantled and the service structures were razed. The remaining concrete pedestal was preserved as a memorial and affixed with two plaques commemorating the memory of the three revered astronauts that lost their lives here.
The plaques read:
LAUNCH COMPLEX 34, Friday, 27 January 1967, 1831 Hours. Dedicated to the living memory of the crew of the Apollo 1: USAF. Lt. Colonel Virgil I. Grissom, USAF. Lt. Colonel Edward H. White, II, U.S.N. Lt. Commander Roger B. Chaffee. They gave their lives in service to their country in the ongoing exploration of humankind's final frontier. Remember them not for how they died but for those ideals for which they lived.
In memory of those who made the ultimate sacrifice so others could reach for the stars; Ad astra per aspera (a rough road leads to the stars); God speed to the crew of Apollo 1
God speed indeed.
In the distance is a United Launch Alliance service structure containing a Boeing Delta IV Medium+ (4,2) at the nearby Launch Complex 37B. This particular Delta IV is a Medium+ (4,2) variant carrying a weather satellite (GEOS-O) for NOAA into geosynchronous orbit and is scheduled to launch on June 26th, 2009 (as of June 6, 2009).
NOTE: Replaced the image with a color-corrected replacement on 03/08/2009. The original was a bit too purple for my liking and, as one of my favorite photos on my entire photostream, it deserved better. :)
They bring all the boyz to the yard.
Rolleiflex | Fuji Provia Slide Film, Cross-Processed | 1/125 | f/8 | ISO100 | June 8th, 2010
This kid clearly had no idea i was shooting him. This is the same place where Beca and I shared a milkshake for her 365. Clarence is taking this Rollei back so I'm shopping for a new medium format camera... I'm trying not to spend a lot of money on it, but all of the good ones are so expensive :(
I've narrowed it down to either a Bronica 6x6 sq-a or a Mamiya RZ-67 Pro II... Haha I know which is better but the price difference is what's in question D:
Hilo de la Fotohistoria en Pullip .es: DATING AT CINEMA (1 of 5): Minao Theatre /
CITA EN EL CINE (1 de 5): Cines Minao
(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286.
FOTOSTORY: In English / En Español
Dom: Ladies first.
/
Dom: Las señoritas primero.
COLLABORATION:
- Dom y Akari en el Foro de Pullips: Pullip .es
- Cinema's diorama by Minao. Sweets shop's diorama by Sheryl and Minao Collaboration.
- Little interpretation of Mad_Pullip's Emily as a MUSE fan.
SHERYL LINKS:
- Pullip .es: Las Fotohistorias de Sheryl
- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012