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The shabby looking deteriorated building in the center of the phot interested me.Suddenly, I had taken position on the corner of the street, all kinds of people appeared.The lady about to cross the road walked in the viewfinders path and I started "shuttering" (pressing the shutter).The city of Mechelen, Belgium hosts some very dilapidated buildings.As does every city I suppose.Putting people in the vicinity of such buildings is always interesting.
Shot on the corner of "Leopoldstraat" / "Van Kerckhovenstraat" city of Mechelen/Malines, Belgium
Annapurna Base Camp Trekking is called Annapurna Sanctuary Trekking wherein you can see view in 360 diploma attitude with sunrise and sunset as we asll wonderful one-of-a-kind landscape in every distance in this journey and standard neighborhood subculture tradition with wealthy mountain vistas, terraced fields, quaint gurung villages and a large variety of plant life and fauna all through your journey with Treks Himalaya. Get the view of Annapurna Sanctuary Trek over three dozens of mountains trekking in Nepal. Mt. Annapurna (8091m) of nepal is the 10th quality viable mountain in the world and the adventure to its base camp, which is at 4130m peak, is one of the maximum famous walks on the earth. The Annapurna Base Camp Trek is one of the most famous treks in annapurna vicinity of Nepal trekking. Furthermore, we reach our destination by manner of mt. Machapuchhre (fishtail) which is respected with the useful resource of the nepalese for its special beauty and most famous treks inside the international. Furthermore properly groomed itinerary of Annapurna Base Camp package it is a well-known choice among various out of doors enthusiasts, from a solo female traveler to hikers traveling in businesses in nepal. Many landscapes and convey you so shut to the bottom of 7,000 and eight,000 meter peaks around Annapurna Base Camp. www.trekshimalaya.com/annapurna-base-camp-trekking.php
14 days Annapurna Base Camp Trekking itinerary
Day 01:- Kathmandu-Pokhara (820m.) by drive 6 to 8 hrs, air 25 minute O/N hotel.
Day 02:- Drive to Nayapul same day Tikhedhunga (1540m.) 4 hrs walk O/N hotel.
Day 03:- Tikhedhunga-Ghorepani (2850m.) 6 hours walk and overnight hotel.
Day 04:- Climb up to Poon Hill (3210m.) in the morning, see sunrise in 180 degree
back to hotel in Ghorepani & trek to Tadapani (2590m.) 6 hrs walk O/N hotel.
Day 05:- Tadapani-Chhomrong (2340m.) 5 hours walk and overnight hotel.
Day 06:- Chhomrong-Himalaya Hotel (2920m.) 6 hours walk and overnight hotel.
Day 07:- Himalaya Hotel-Annapurna Base Camp (4130m.) 6-7 hrs walk O/N hotel.
Day 08:- Morning view from ABC & trek to Bamboo (2335m.) 6 hrs walk O/N hotel.
Day 09:- Bamboo-Jhinu (1780m.) 5 hours walking and overnight hotel.
Day 10:- Rest day in Jhinu and enjoy with hot spring and overnight hotel.
Day 11:- Jhinu-Ghandruk (1940m.) 4 hours walking and overnight hotel.
Day 12:- Ghandruk-Deurali (2000m.) 6 hours walking and overnight hotel.
Day 13:- Dhampus Phedi (1130m.) walk & drive to Pokhara 5 hrs O/N hotel.
Day 14:- Pokhara-Kathmandu by drive 6 to 8 hours, air 25 minute O/N hotel.
Further information contact below:-
Treks Himalaya Pvt. Ltd.
P.O.Box: 23044, Tarakeshwor-5,
Lolang, Kathmandu, Nepal
Phone: 0097715169092
Mobile: 009779841433205
guidenepal@gmail.com
I know I know, it's kind of un-cool to post images of your car - but look at that shine !
All kudos to my friend Jørgen who worked on my car an entire weekend.
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高雄市玩美攝影協會 / 拍攝
『玩美是人生追求完美境界的過程，完美是生活過程中的成果，攝影人在乎過程中的進行。因此，玩美幾乎是攝影人所追求的程序，意即尚在進行中，永無止息，故取名之。』
協會會址:台灣 高雄市新興區尚信街29號
捷運O7文化站 1號出口(步行約1分鐘)
協會服務電話：07-2231345
E-mail：wm2231345@gmail.com
Cardinal Flower (Lobelia cardinalis)
In late summer the brilliant scarlet of Cardinal Flower flashes from the marshes, stream banks and low woods. Called "America's favorite" and "spectacular", its extremely showy blossoms can be recognized at considerable distance. Few native plants have flowers of such intense color as this common herbaceous perennial.
The blossoms are delicate, gradually opening from bottom to top on two to four foot spikes. Five petals are united into a scarlet two-lipped corolla. The lower lip has three very prominent lobes; the upper lip has two small ones. Five stamens are joined forming a red tube around the style and are topped by bearded anthers which form a mustache-looking brush.
Beneath the flower spikes are numerous dark green leaves, tapered at both ends. A moderately tall plant, stout and erect, it is the favorite of our ruby-throated hummingbird, who obliges as a pollinator. The many seeds come in two-celled pods which open at the top.
Cardinal flowers can be grown in full sun or very light shade but probably grow best in filtered light. Mulch to keep the roots moist. Seeds planted in the summer form rosettes of foliage which stay green through the mild winter of the South. Be careful to keep leaves and debris from smothering these rosettes.
Beautiful but deadly, this plant has been used as a medicine but is also very poisonous. It contains fourteen alkaloids similar to those in nicotine. Extracts of the leaves and fruit produce vomiting, sweating, pain and finally death.
The Cardinal Flower is a member of the Bluebell Family, Campanulaceae. It was named after the Flemish botanist, Matthias de L'Obel (1538-1616).
From Wikipedia:
Lobelia cardinalis, the Cardinal Flower, is a perennial that grows 2-4 feet tall and is found in wet places, streambanks, and swamps. Leaves are lanceolate to oval and toothed. The plant flowers during the summer, with vibrant red blooms cited by Roger Tory Peterson as "America's favorite". A white form is also known. Discovered in Canada by explorers, it was sent back to France in the mid 1620s. The name Cardinal flower was in use by 1629, likely due to the similarity of the flower's colour to the miters of Roman Catholic Cardinals [1]. It can be found in North America from New Brunswick, to Florida to Texas to Minnesota, though it is most concentrated in Southern Ontario, New Brunswick, Michigan, and Minnesota[2][3]
North American indigenous peoples used root tea for a number of intestinal ailments and syphilis. Leaf teas were used by them for bronchial problems and colds, inter alia. The Meskwaki people used it as part of an inhalant against catarrh. Although related to tobacco, it was apparently not smoked, but may have been chewed. [4] The plant contains a number of alkaloids. As a member of the genus Lobelia, it is considered to be potentially toxic.[2]
Lobelia cardinalis is related to two other wildflowering plants common to the Eastern United States: Indian Tobacco and Great Lobelia, all of which display the characteristic "lip" petal near the opening of the flower and the "milky" liquid the plant excretes. It has been known to cause an upset in the digestive system when consumed.
#SBA23 TheStadiumBusiness Awards 2023 at Emirates Old Trafford, Manchester. Group of winners. Pictures by Paul Heyes, Wednesday June 28, 2023.
高雄市玩美攝影協會 / 拍攝
『玩美是人生追求完美境界的過程，完美是生活過程中的成果，攝影人在乎過程中的進行。因此，玩美幾乎是攝影人所追求的程序，意即尚在進行中，永無止息，故取名之。』
協會會址:台灣 高雄市新興區尚信街29號
捷運O7文化站 1號出口(步行約1分鐘)
協會服務電話：07-2231345
E-mail：wm2231345@gmail.com
Une vue nocturne du magnifique lac de Bled (Slovénie). Un très bel échange de cartes avec Sara qui a passé ses dernières vacances dans ce beau pays !
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2021 Chiltern XC League Match 1 - Oxford.
Annapurna Base Camp Trekking is called Annapurna Sanctuary Trekking wherein you can see view in 360 diploma attitude with sunrise and sunset as we asll wonderful one-of-a-kind landscape in every distance in this journey and standard neighborhood subculture tradition with wealthy mountain vistas, terraced fields, quaint gurung villages and a large variety of plant life and fauna all through your journey with Treks Himalaya. Get the view of Annapurna Sanctuary Trek over three dozens of mountains trekking in Nepal. Mt. Annapurna (8091m) of nepal is the 10th quality viable mountain in the world and the adventure to its base camp, which is at 4130m peak, is one of the maximum famous walks on the earth. The Annapurna Base Camp Trek is one of the most famous treks in annapurna vicinity of Nepal trekking. Furthermore, we reach our destination by manner of mt. Machapuchhre (fishtail) which is respected with the useful resource of the nepalese for its special beauty and most famous treks inside the international. Furthermore properly groomed itinerary of Annapurna Base Camp package it is a well-known choice among various out of doors enthusiasts, from a solo female traveler to hikers traveling in businesses in nepal. Many landscapes and convey you so shut to the bottom of 7,000 and eight,000 meter peaks around Annapurna Base Camp. www.trekshimalaya.com/annapurna-base-camp-trekking.php
14 days Annapurna Base Camp Trekking itinerary
Day 01:- Kathmandu-Pokhara (820m.) by drive 6 to 8 hrs, air 25 minute O/N hotel.
Day 02:- Drive to Nayapul same day Tikhedhunga (1540m.) 4 hrs walk O/N hotel.
Day 03:- Tikhedhunga-Ghorepani (2850m.) 6 hours walk and overnight hotel.
Day 04:- Climb up to Poon Hill (3210m.) in the morning, see sunrise in 180 degree
back to hotel in Ghorepani & trek to Tadapani (2590m.) 6 hrs walk O/N hotel.
Day 05:- Tadapani-Chhomrong (2340m.) 5 hours walk and overnight hotel.
Day 06:- Chhomrong-Himalaya Hotel (2920m.) 6 hours walk and overnight hotel.
Day 07:- Himalaya Hotel-Annapurna Base Camp (4130m.) 6-7 hrs walk O/N hotel.
Day 08:- Morning view from ABC & trek to Bamboo (2335m.) 6 hrs walk O/N hotel.
Day 09:- Bamboo-Jhinu (1780m.) 5 hours walking and overnight hotel.
Day 10:- Rest day in Jhinu and enjoy with hot spring and overnight hotel.
Day 11:- Jhinu-Ghandruk (1940m.) 4 hours walking and overnight hotel.
Day 12:- Ghandruk-Deurali (2000m.) 6 hours walking and overnight hotel.
Day 13:- Dhampus Phedi (1130m.) walk & drive to Pokhara 5 hrs O/N hotel.
Day 14:- Pokhara-Kathmandu by drive 6 to 8 hours, air 25 minute O/N hotel.
Further information contact below:-
Treks Himalaya Pvt. Ltd.
P.O.Box: 23044, Tarakeshwor-5,
Lolang, Kathmandu, Nepal
Phone: 0097715169092
Mobile: 009779841433205
guidenepal@gmail.com
Attributed to Juan Arceo (1795 – 1865)
Portrait of a Senior Lady of the Azcarraga Family (Possibly Sra Da Maria Isidra Palmero y Verzosa de Lizarraga in her 50s)
(1850 – 75)
oil on canvas
32 1/2" x 24" (83 cm x 61 cm)
Opening bid: PHP 700,000
Provenance: Private Collection, Spain
ABOUT THE WORK
The affluent Spanish lady in the portrait --- probably a widow --- is dressed in the European women’s fashion of the 1850s: a black dress, lace collar, blue– beribboned pagoda sleeves with passementerie/tassel trimmings, blue –beribboned and ruffled lace cuffs, corseted and gathered tight waist, and a billowing crinoline skirt with a horsehair petticoat. Her hair is swept up in a loose chignon. She is suitably bejeweled: girandole earrings of gold and diamonds, a brooch of gold and diamonds on her chest, a long chain of gold with a Victorian locket (or a Filipino “alfajor” or “tamburin” pendant), and a gold and diamond ring on the ring finger of her right hand. It was the elaborate midcentury fashion set by Queen Victoria of the United Kingdom of Great Britain and Northern Ireland and Empress Eugenie of France. This mid–nineteenth century portrait was acquired by a keen– eyed Spanish –Basque collector from an arts and antiques dealer in Valencia, Espana who casually mentioned that it had come from “Familia de Azcarraga.” The provenance linked it to General Marcelo de Azcarraga y Palmero (1832– 1915), a distinguished Prime Minister of Spain under SM El Rey Alfonso XIII from 1897, 1900– 01, 1904–05. General de Azcarraga was the only prime minister of Spain with Filipino blood as his mother was a Spanish–Basque mestiza from Albay province in the Bicol region --- Sra Da Maria Isidra Palmero y Verzosa de Lizarraga. General de Azcarraga had an illustrious military and political career with many royal awards. He married an American–Cuban railway, banking, and warehousing heiress Srta Margarita Fesser y Diago and they had five children: Carlos dA y F, Margarita dA y F de Trenor Palavicino (1o Marquesa de Turia), Maria dA y F, Jose Maria dA y F, and Maria del Carmen dA y F. General de Azcarraga established his family in Madre Espana. General Marcelo de Azcarraga was the second of the many children of General Jose de Azcarraga y Ugarte of Bizkaia, Euzkal Herria (Vizcaya, Basque country) and his Spanish mestiza wife Sra Da Maria Isidra Palmero y Verzosa de Lizarraga of Albay province in the Bicol peninsula. The de Azcarraga–Palmero family spent many happy and prosperous years in Manila. One of General Jose’s occupations was operating a bookstore along the prestigious Escolta. The couple General Jose and Dona Maria Isidra commissioned the local painter Juan Arceo (Juan Arzeo) of San Fernando de Dilao (now Paco) to depict them with two of their children in full European attire along with the “india” governess in native dress on 16 February 1824. Almost four years later in November 1827, they commissioned Arceo again to depict two of their younger children Jose and Pilar de Azcarraga y Palmero in full European attire with the “india” governess in native dress. Even in those early days, oil portraits were expensive in Manila, and Arceo certainly charged the de Azcarraga y Palmero family a few gold coins for his works. The interesting provenance ties in because contemporary de Azcarraga descendants still reside in Valencia and Madrid. The most prominent descendant, the Marques de Turia, maintains residences in the two cities. The late art professor, critic, and historian Dr Santiago Albano Pilar aka Jack Pilar spoke consistently of three early Filipino portraitists: Juan Arceo/Juan Arzeo (1795–1865), Damian Domingo (1796–1834), and Severino Flavier Pablo (1805–75). Their works are mostly in museums, churches, and great private collections. However, erstwhile unseen and undocumented works from old family collections still appear occasionally at auctions, to the great delight of collectors and to the confusion of scholars and researchers. There is still an elusive, unseen 1830s Severino Flavier Pablo portrait of D Josef Sioco (1786–1864), ur–ancestor of the Arnedo, Escaler, and Gonzalez clans of barrio Sulipan, Apalit, Pampanga in a very private Manila residence. Top art connoisseur, scholar, and dealer Pacifico Gonzales is described by venerable, senior art and antiques dealer Maria Cristina Consing Ongpin– Roxas as “having the best eye for Filipino masters in the Manila art business.” He is very familiar with the Spanish art, gallery, and estate sales scene, studied the painting intensely and did not evaluate it as Spanish, but Filipino. Despite the Victorian hairstyle, dress, and jewelry, some details about the face with its Oriental cast, the hands, the armature, distinctive brushwork, and flattened perspective were unmistakably Filipino. He posited that it is the work of the painter Juan Arceo (1795–1865) or less likely the younger Ysidro Arceo (1840–1900), who painted the portrait of Urbana David formerly in the Bangko Sentral ng Pilipinas Collection and now in the National Museum. Esteemed multimedia artist and portraitist to Manila high society and culturati Rafael del Casal took a first look at the portrait and thought it Spanish. Everything Spanish. “Yes, there were naïve artists in Spain in the nineteenth century. Even in the eighteenth, seventeenth...”. However, upon his close inspection, there were details that were not quite Spanish after all: the rendition of the face, the hands, the armature, distinctive brushwork, and flattened perspective. Del Casal is a conservative who thinks that to attribute the portrait to an early Filipino artist from around 1775–1825 is a stretch. However, he concedes that it was entirely possible that a Spanish lady, indeed any Spanish expatriate, could have commissioned an oil portrait of herself in all her European finery from a Filipino artist in Manila while in residence here. Similar to this one. Gawad CCP awardee production designer Gino Gonzales described the lady’s dress as “1850s, Victorian, lace collar, pagoda sleeves, lace cuffs, crinoline skirt.” It was the fashion in Paris at the onset of the reign of Emperor Napoleon III and Empress Eugenie, the Empire Deuxieme/Second Empire period 1852–70. For Gonzales, due to the fact that the portrait was made in Manila, it was highly possible that the lace collar and cuffs were of local, embroidered British, or Belgian lace. Gonzales explained further that local embroidered “pina” pineapple textiles --- every bit as exquisite as the finest European lace --- were exported from Manila to Europe during the nineteenth century. Few works of the early Filipino painter Juan Arceo/Juan Arzeo are in existence, but what survive are major works. There are signed large paintings of saints and bishops in the collections of the San Agustin Church and Convent Museum, the IA Intramuros Administration, and the Museo Franciscano in Manila, Philippines as well as in the Museo Oriental of El Real Colegio de los Padres Agustinos in Valladolid, Espana. Recent additions to his known works are the two signed family portraits painted in Manila from the Azcarraga estate in Madrid, Espana which emerged at auction in late 2015 and which have since been repatriated to the Philippines. The one of the Azcarraga y Palmero family with the “india” governess (General Jose de Azcarraga y Ugarte and his wife Sra Da Maria Isidra Palmero y Verzosa de Lizarraga and their children) was dated 16 February 1824 and the one of two children with the “india” governess (Srto Jose and Srta Pilar Azcarraga y Palmero) was dated November 1827. This “Portrait of a Lady” (possibly of Sra Da Maria Isidra Palmero y Verzosa de Lizarraga in her 50s?) from the 1850s is attributed to Juan Arceo/Juan Arzeo and comes from the same Azcarraga estate in Madrid and Valencia, Espana. Arceo was born in 1795 in Manila during the closing years of the eighteenth century (however, the surname Arceo points to Pampanga, where many have carried it for centuries, even before the Claveria decree of 1849 which required Filipinos to finally carry surnames; Pampanga is not far from Manila through the old riverine route, it is only 45 minutes by boat from the mouth of the Rio Pasig). He resided in San Fernando de Dilao (now Paco, Manila), then a part of Tondo. He was already 26 years old when the Academia de Dibujo y Pintura was established by the 25 year–old Damian Domingo y Gabor (1796–1834) supported by the Real Sociedad Economica Filipina de los Amigos del Pais in 1821. Manila was officially opened to international trade in 1835 when he was 40 years old (Cebu in 1860, Sual, Iloilo, and Zamboanga in 1855, Legazpi and Tacloban in 1873; however, foreigners --- specially the Chinese, Indians, Arabs, British, and Americans --- had been trading continuously because the archipelago was essentially porous and anti–foreigner laws toothless); the government of SM La Reina Regente Maria Cristina de Borbon had abolished the bankrupt Real Compania de Filipinas in 1834; in 1785, SM El Rey Carlos III had granted the Real Compania de Filipinas (a spinoff from the erstwhile Compania de Caracas) founded by his crony, the colorful Spanish–French Basque Conde Francisco de Cabarrus y Lalanne (1752–1810) the monopoly on the export and import trade of indigo, coffee, sugar, spices, and cotton in Filipinas and adjacent colonies; it was relatively shortlived as its profitable operations had dwindled by 1800. Arceo passed away in 1865 during the last years of the old order, before SM La Reina Isabel II was deposed in 1868, just before real intellectual and material modernity came to Filipinas with the opening of the Suez Canal in 1869, and only seven years before the watershed Cavite Mutiny of 1872, which changed the history of Filipinas forever. Juan Arceo lived at a time of great transition when Las Islas Filipinas was emerging from the shackles of Spanish colonialism and joining the international community and it set the stage for the length and breadth of his splendid artistic oeuvre. Juan Arceo was the maternal uncle of another notable early Filipino painter, Antonio Malantic y Arceo of Tondo, Manila (1820–85), who undoubtedly learned the rudiments of art at his talented uncle’s atelier. There are four signed works of Malantic in existence: “La Divina Pastora” 1855; “Don Narciso Padilla y nieto Felix Resurreccion–Hidalgo” 1859; “Srta Soledad Francia y Fernandez” 1870; “Srta Inocencia Francia y Fernandez” 1870. Many were destroyed during World War II, as the portraits of Don Hilario Jose Claudio Francia, his wife Dona Teresa Fernandez, son Prudencio Francia y Fernandez, and other Lavadia, Fabella, Fernandez relatives in Pagsanjan, Laguna. And countless others in the “arrabales” (districts) of Tondo, Binondo, Santa Cruz, (Calle San Sebastian), and Quiapo, in Manila. However, more forgotten works by Malantic are emerging from private collections, specially in Spain. Owing to better exposure and reference materials from Europe (the Suez Canal made cultural exchanges expedient), it turned out that Malantic’s post–1870 portraits were already in the current European Romantic style and comparable to those of far younger artists Juan Luna y Novicio (1857–1899) and Felix Resurreccion–Hidalgo y Padilla (1855 –1913), something which was hardly available during the far older generation of Juan Arceo (1795–1865) and Damian Domingo (1796–1834).
Lot 99 of the Leon Gallery live and online auction on November 30, 2024. Please see leon-gallery.com and leonexchange.com for more information and to place an online bid.
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Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2022 Frieth Hilly 10K.