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On our trip from Howick to Embleton Bay on Monday this was the place i wanted to see most. Due to the insane waves there was no chance of getting a classic Tower shot on death rocks so out came the Sony P93 and i set about getting some IR shots using the path as a lead in. I was blown away by the size of the tower as ive only ever seen it in photos and maybe due to Super Wide lenses it looks quite small. I left the 2 people in purposely to give a sense of scale. This place is amazing and i just cant wait to get back there :)
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This is the weirdest pice of rock I've seen. Taken on the way up the mountain where I shot my last upload. this rock is in the middle of the trail. The weird thing about it is all the small holes that makes it look like the surface of a golf ball. All the way up the mountain the rocks were like this. Not only this type of sand coloured rock, but "normal" grey rock as well. (PLease excuse my horrible geological skills).
Anyway, I liked the way the sun coming in from the left giving character to the mountain in the back while at the same time lighting the foreground. A great sky over the background mountains which the pola really made "pop" was the icing on the cake.
Canon 5D
Canon 17-40 @ 17mm
f/16
1/2sec
ISO100
Lee .9 soft ND grad.
Heliopan polarizer
Cheers
Håkon
PS: Thanks for all your comments and favs! Trying to reach over as many other photo streams as I can!
Eve Strange - Model Mayhem #103520
Coogan Photo - Model Mayhem #518290
Model: Eve Strange - The Three Faces of Eve
Location: Shhhhhhh... it's a secret.
Lighting:
• Main light on model left: 4x6 Chimera with SB800 @ 1/4 -1/3 power.
• Back right side light: SB26 @ 1/2 power with 6.5" snoot
Photoshop: minimal
Many thanks to the seven photo assistants for helping me with the shoot.
John Groseclose - iaincaradoc, Geoff Reed, Lou Mangino, Steven Goldstein (keyholeprod), James Alan - Jim (Jimynd), Terry Hogan, Jeremy.
Learn how to light at Strobist.
Random facts about me, because i am bored. No i wasn't tagged, i usually ignore it when i am so consider it a make up for all the ones i ignored.
1. i am a natural blond, and i love it. In fact i miss my blond hair very much.
2.i have to brush my teeth in the shower. Even if i brushed them 15 min earlier and then decided to take a shower, i would have to brush them again...it is what i do while i let my hair condition for 2 min. I suppose that makes me somewhat OCD.
3. In Middle school, i was what they now call "goth" i hadn't heard that term back then, but it is what i would be called now if i were still in school. My girl Becky and i, and 3 other girls, Arrington, Michelle, and Christina (who was there on and off) we were all the "freaks" of school. lol. At one point in time we actually got called names like satan, LMAO! Now keep in mind, we went to school in a very rich snobby ass city, and we just didn't conform to the standards i suppose ;)
4.i drink Rockstar energy drinks like a crack head lsmokes rocks. I lie and say i only drink UP TO 3 a day, but i usually drink more. Sick, i know.
5. i hate dark meat
6. speaking of meat, i cannot eat chicken that i have handeled and prepared.
7. i will make my kid smell something to see if it smells OK before i wi=would ever do it. eww. lol
8. i am deathly afraid of spiders
9. i am obsessed with words, i say it all the time, if you use fun adjectives, and you aren't a lazy speaker (even though i am at times) i will probably want to talk to you more, just to listen to you talk.
10.hmmm, always the last one to get you stuck....i used to wear a biker jacket. i loved it to death, it smelled like my perfume i wore religiously, ciggarette smoke, and leather, and it made my nose sing, i loved the smell so much. One day we were partying over an old..friends house, and were at a bonfire, so the coat came off. I never saw it again, and i came to find out, a girl about 3 times the size of me stole it...nice.
Im going to be very nervous this wednesday as i get to meet Sebastian Boyesen.
www.bbc.co.uk/iplayer/episode/b00szzhv/Angel_of_the_Valleys/
While i was at The Miner today was talking to a local who's Husbands father and his brother died in the disaster
Sorry for the poor quality low resolution uploads as you may have gathered this is my first commission for a book on the mining disaster.
This image is copyrighted to David Smith; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at daismiff39@hotmail.com for express permission to use any of my photographs.
Tragedy at Six Bells
By David John Withers, Brynmawr
My father worked in the colliery all his life and I sort of followed him into the pit. I went to work in Six Bells Colliery at 17 years of age.
When I first went on the 0.18 coal face as a collier's helper I was introduced to my 'batty' Reggie Poe who showed me the tools we were using and two chalk marks 15 yards apart on the coal face. This was our working place, 15 yards long by 4-foot-6 deep by 5 feet high. I thought 'bloody hell' - it seemed a huge amount of coal to shift.
Although the other coal faces in our district were more modern with hydraulic roof supports, we were still using the older friction posts and linked bars. I've still got the scars where one of the bars came down on me!
We had quite a few problems with gas on the 0.18 coal face and the dust was killing. At times the conveyor would start up and you couldn't see each other until the dust settled down.
As boys we often refused to go onto the face because of the amounts of dust there - being youngsters we stuck together even when the officials threatened to send us home. It wasn't much of a threat as I was only earning about £6 odd!
I had been working about two years when the explosion happened. I was working on the 0.18 face at Six Bells on the 'turning shift' and arrived at the colliery on the bus to see the place in turmoil and heard that an explosion had happened. As the explosion had occurred at our place of work, we offered to go down and help as we knew the place, but the Rescue Brigade had it under control and wouldn't let us go down.
It's hard to say my feelings about it all. We knew there was gas there and they said a spark had set it off. I had mostly enjoyed the colliery up to then. I remember four of the men who died - I used to give them snuff with powdered bark mixed in as a joke - there was a good spirit amongst the men at the pit.
Once the explosion had happened it put me off. I finished and I put my notice in soon after. I was too young to lose my life in the colliery. If I had been working the day shift that week it would have been me. The explosion opened my eyes to the dangers and I went into the construction industry instead - I was always good with my hands. The pit made me grow up.
The deaths of 45 men killed 50 years ago in a colliery explosion have been remembered with a service at the site.
A gas explosion ripped through the Six Bells colliery near Abertillery, Blaenau Gwent at 10.45am on 28 June 1960.
The Archbishop of Canterbury, Dr Rowan Williams, led a service of remembrance at the site.
He also unveiled a memorial to the tragedy, a 20m high sculpture of a miner by Sebastian Boyesen.
Hilo de la Fotohistoria en Pullip .es: SHIN VISITS NOIREL (1 of 1) /
SHIN VISITA A NOIREL (1 de 1)
(Read in order, this is: SHOT/FOTO 36 of 55) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55.
FOTOHISTORY: In English / En Español
Noirel: Hahahaha, XD What are you doing?? ^_^u
/
Noirel: Jajajajaja, XD Pero que haces?? ^_^u
LINKS:
- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
More photographs of Walton-on-Thames, can be viewed by visiting my photography website - Beautiful England
Walton-on-Thames is a riverside town with over 20,000 residents, situated between Sunbury Lock and Shepperton Lock, in the Borough of Elmbridge. It is only 15 miles from central London and has good communications by road, being close to the M25, M4 and M3 motorways. A fast train journey of only 25 minutes to Waterloo station makes it an ideal location for commuting to London. In fact, in 2008, a survey by the Halifax declared the Borough of Elmbridge to be the, "best place to live in Britain", with the highest quality of life in the United Kingdom. The media rapidly produced further commendations declaring Elmbridge to be the "Beverly Hills of Surrey" and claiming that even the weather here was better than the national average.
The town now has a new shopping centre, "The Heart", which is a covered mall with over 50 shops and restaurants and with outside restaurant seating. The development contains 279 apartments with views over Ashley Park. Walton-on-Thames has a modern leisure centre, the Xcel Leisure Complex, which opened in 2006, overlooking the River Thames. In addition to a 25 metre swimming pool, sports halls, climbing wall, health and fitness suite, it has an outside floodlit synthetic football pitch.
In the Domesday Book, Walton-on-Thames was recorded as, 'Waletona' and as having a church, two mills and a fishery.
The River Thames at Walton is an important crossing point. It was thought that Julius Caesar crossed here on his second invasion of Britain, but there is no evidence for this. Walton Bridge was the subject of a painting by Canaletto in 1754, but this wooden bridge was dismantled in 1783. J.M.W. Turner painted Walton Bridge in 1805, but this stone bridge collapsed in 1859. It is doubtful whether anyone would think the current structure is picturesque. It is the fifth bridge to cross the Thames at Walton and dates from 1999, when it was intended only to be temporary. Work on a new bridge is due to start in 2011 and completed in 2013.
Close to Walton Bridge is Desborough Island, which was created when the Desborough Channel was cut in 1935. It was constructed by the Thames Conservancy and named after Lord Desborough, the Chairman of the Board. The cut made a shorter journey possible by avoiding the meandering stretch of the Thames past Shepperton and Halliford.
At Walton Bridge is the garage of H.W. Motors, (Hersham and Walton Motors) who were the first Aston Martin dealership in the world. In the 1950s, they built their own racing cars and Sir Stirling Moss competed in his first Formula One Grand Prix in an H.W. Motors car.
Next to H.W. Motors is the Walton Playhouse. This is a theatre used for community productions and local amateur dramatic societies. It was built by Cecil Hepworth as a power house for Walton Film Studios. They closed in 1924 and its architect, George Carvill, bought the building. For many years, it was known as the, "Walton Hop", reputed to be the first disco in the United Kingdom. It closed in 1990.
St. Mary's Parish Church is of Saxon origin, with parts dating back to the 12th century. It is set at the highest point in the town and has a square flint tower. The churchyard contains the graves of many New Zealand soldiers who died in the First World War. Mount Felix House in Walton, which has now been demolished, was used as a hospital for New Zealand troops. The New Zealand connection is maintained in the street name, 'New Zealand Avenue' and the Wellington pub in the town centre.
As would be expected, the riverside pubs have been visited by notable characters. In 1909, Jerome Kern, the composer of the Broadway musical, "Showboat" and many popular songs, including Ol' Man River, met Eva Leale, the landlord's daughter at the Swan pub. They were married at St. Mary's Church, Walton the following year. The Anglers pub, with its seating on the riverbank, is very popular. A short walk along the towpath towards Hampton Court brings you to The Weir Hotel. Overlooking the Weir, this pub is extremely popular with walkers and cyclists, especially on Sundays, where people enjoy their roast dinners.
Walton-on-Thames has had many famous residents, but Julie Andrews is probably the most notable. She was born Julia Wells in 1935 in Rodney House Maternity Hospital, Rodney Road. She became, at fourteen, the youngest ever solo performer to appear at a Royal Variety Performance in 1948 at the London Palladium. She married her first husband, Tony Walton, in St. Mary's Church, Oatlands, Weybridge in 1959. Her most famous role was as Maria Von Trapp in the film, "The Sound of Music", which became 20th Century Fox's biggest ever film.
In Station Avenue, is a 1960s iconic office building. Formerly the head office of Birds Eye Frozen Foods, it is now a Grade II listed building. My sister worked there and remembers that there were live penguins in the grounds.
Next year will be an exciting time for Walton-on-Thames, when the 2012 Olympic Games commences. On the opening day of the 2012 Games, on Saturday 28th July, the Mens' Cycling Road Race (250km) starts from the Mall in London. The 145 riders will head towards Walton and race along Hurst Road from Hampton Court into Terrace Road, into Walton Town Centre, down Oatlands Drive to Weybridge and then onto the Surrey Hills. The womens' race takes place the following day over a shorter (140km) route, but still through Walton. The 2012 Olympic Games Cycling Time Trials will be held close by on 1st August at Hampton Court. The whole 13 mile section of the route which cuts through Elmbridge will be surfaced with electric blue non-slip Tarmac. This is the internationally recognised cycling blue used on time trials. The blue colour means overhead cameras can track competitors using matt black background enhancements.
On 14th August, 2011, an official test event for the 2012 Summer Olympics Road Race took place over the Olympic route, from The Mall in London, through Walton-on-Thames, to Box Hill, returning to the Mall, passing through Esher. This was the London – Surrey Cycle Classic Race. It was won by Mark Cavendish, MBE, aged 26. He is the top sprinter in the Tour de France, having won twenty stages and in September 2011, went on to win the Road World Championship in Denmark. On 22nd December 2011, Mark was voted the 2011 BBC Sports Personality of the Year. He is probably Great Britain’s best prospect for a gold medal in 2012. It is hoped that he can repeat his success next year.
Old oak fishing boats, which have been carefully restored and adapted to a new role as whale-watching boats.
The nearest boat on this photo is called Haukur and has been transformed to a two mast schooner.
More information about these old oak-boats is here: www.northsailing.is/about-north-sailing/our-boats/
For Christmas '08, my wife got me a nice shaving kit which included a Gillette Mach 3 razor. (featured here) I used it for a year, and was about to buy another pack of M3s when I realized how freaking expensive they were. I decided to give a Double Edge razor a shot. My per razor cost went from $2.25 to ¢10 (¢25 if I splurge and get the really nice ones.) The dirty little secret that Gillette doesn't want you to know: disposable cartridges with multiple blades do not necessarily give you a better shave. They're simply a matter of convenience, but that convenience comes at a price. If you'd rather not do the DE razor, go with something like a trac II, Atra, or Sensor... anything else is just more expensive, not better. Eventually, using the DE is just second nature.
I used that for a few months and decided to give a straight raozr a shot. Some say it's the closest shave you'll ever have, but I'm not quite there yet. I haven't got the nerve to go against the grain. One thing though... it feels kind of bad ass to shave with a straight. It takes me probably an extra 5-10 minutes to shave this way than it would with a regular razor, but it's worth it. No more wasting of plastic cartridges... and my use of DE razors is greatly reduced.
For this shot, I used a cross processing technique. Here's the tutorial I used. It's specific to GIMP. Mr. Sharp referred me to one for photoshop... I couldn't quite get it to work, which I think is the result of not having 'effect layers' in gimp. I probably could have adapted it to work in GIMP, but the other one seems to work on a similar premise, and required no translation on my part.
I also did the orton effect, in conjunction with the "smart sharpen" (see previous) The smart sharpen is quite a few steps, but worth it.
Question for those that might know: this cross processing technique is very similar to what I've seen for lomo effect. The end result is somewhat similar too. Makes sense because the distinctive use that lomos became famous for was because the film was developed with a cross process technique. So, my question is, what distinguishes digital lomo edits from other types of cross processing?
© Luxgnos Photography / Brian Callahan 2012 All rights reserved.
Please Press "L" Or Click To View On Black
This is a vertorama made of 2 sets of images taken with a wide angle lens. Much distortion correction was required. I was trying to get a less distorted view that still showed the entire arc and the buildings behind. It ended up in square format.
I love the "Labor Legacy Landmark". In my humble(?) opinion, it is the finest piece of public art in Michigan.
The Labor Legacy Landmark
With its shining arch rising 63 feet above the ground, the Labor Legacy Landmark, "Transcending," draws attention to itself as one of the newest additions to the Detroit skyline. The piece, commissioned by the Michigan Labor Legacy Project and funded solely through donations from union members without the aid of public or corporate money, is designed to celebrate the history and contributions of labor. The only such monument in the United States, the Labor Legacy Landmark is the work of local sculptors David Barr and Sergio De Giusti.
Barr, a teacher of sculpture and an internationally acclaimed artist, created the "Four Corners Project," in which he placed four carved marble tetrahedrons at equidistant sites around the globe, in effect creating the largest sculpture ever made. The Italian-born De Giusti is best known for his representative relief works, on display at public institutions throughout the state and around the world. One of De Giusti's works,a nine-foot bronze freestanding relief, is prominently displayed at the main plaza of the Blue Cross Blue Shield Building.
Barr, whose work is primarily abstract and symbolic, sought out the collaboration with De Giusti in order to add a more intimate dimension to the project. Both men envisioned something other than the funereal, European tradition of famous leaders commemorated by solemn statues. Instead, they set out to create a space - an environment where viewers can enjoy art as they come to understand and appreciate the struggles of labor.
From afar, (the piece can be seen from Canada) the work's great stainless steel arch is its most visible aspect. The notched, rounded arch resembles the ubiquitous symbol of labor - the gear and serves as a testament to labor's spirit of exuberance and defiance.
"Transcending's" circular form also stands in contrast to the city's grid-like design as a symbol of inclusion. The bottom of the gear appears to merge into the earth. Barr says, "The world drives industry and labor, and industry and labor drive the world."
The arch rests on a circular, raised dais, and is partially encircled by seven granite boulders all split symmetrically in two. According to De Giusti "Stones have a great presence and have always been used to commemorate events. They are markers of a people and a generation." Brought from Vermont, the stones suggest a strong linkage to the past and their permanence creates a link towards our future.
The boulders' polished surfaces are adorned with De Giusti's bronze reliefs which depict the sacrifices and achievements of labor. His method of presenting objects pushing through and receding into the flat surface of the relief, suggests the embedding of fossils in stone. In direct sunlight, the bronze shines like a geode from within the split rock.
The piece also includes a twisting marble path. A tile at the beginning of the path is engraved with the words, "Labor's achievements are America's strength," and subsequent tiles enumerate those achievements - "Free public education," "Human rights," "Equality for women." Other tiles feature historical labor-related quotes such as "Without struggle there is no progress" (attributed to Frederick Douglas), and Martin Luther King's words, "The arc of history bends toward justice."
De Giusti's reliefs line the path at it spirals inward. At the spiral's center are two boulders - one displaying chains and the other displaying hands - directly below the apex of Barr's arch. A look straight upwards reveals that the arch is divided by a narrow gap at the top. This separation symbolizes how far labor has come and how far it still has to go. At night the arch is made whole by lights projecting from the two disconnected ends.
When the piece was still in the proposal stage, then-Mayor Dennis Archer told the Detroit Free Press, "What the labor movement is doing is reminding everybody who builds buildings that public art also has a place in the betterment of a city." In "Transcending" Barr and De Giusti have created not only an important piece of art but also a significant historical and educational setting designed to connect viewers to the past and inspire them to affect their future. - Nick Sousanis
www.familistere.com/site/index.php
fr.wikipedia.org/wiki/Familistère_de_Guise
de.wikipedia.org/wiki/Familistère_(Guise)
en.wikipedia.org/wiki/Jean-Baptiste_André_Godin
« Ne pouvant faire un palais de la chaumière ou du galetas de chaque famille ouvrière, nous avons voulu mettre la demeure de l’ouvrier dans un palais ; le Familistère, en effet, n’est pas autre chose, c’est le palais du travail, c’est le PALAIS SOCIAL de l’avenir.
Ce qu’il n’est pas possible de faire au profit de familles éparpillées et sans lien, les améliorations qu’on ne peut introduire dans le tohu-bohu des habitations ouvrières, ni à la ville, ni à la campagne, ni dans les caves, ni dans les mansardes habitées ; ce que ne permettent pas même les habitations ouvrières isolées les mieux construites, quel qu’en soit le système : le Familistère le permet, le palais social le rend possible, bien plus, il le rend nécessaire. »
Jean-Baptiste-André Godin La Richesse au service du peuple, le Familistère de Guise. 1875.
Les chiffres du Familistère : ( source Wikipédia )
10 millions de briques sont nécessaires à la construction des trois pavillons du Palais Social.
30 000 m² de surfaces sont offerts par l’ensemble des trois pavillons.
1 kilomètre de coursives parcourt les trois pavillons du Palais.
500 fenêtres percent les façades des trois unités d’habitation.
495 appartements sont aménagés dans l’ensemble des cinq pavillons du Familistère avant 1918.
1 748 personnes habitent au Familistère en 1889.
50 berceaux peuvent être installés dans la nourricerie du Familistère.
796 invités participent au banquet de la cinquième fête du Travail dans la cour du pavillon central en 1872.
1 000 spectateurs prennent place au théâtre en 1914.
1 526 employés travaillent dans les usines de la Société du Familistère en 1887.
2 500 est le nombre de record d’employés de l’Association du Familistère de Guise et à Bruxelles en 1930.
4 000 modèles d’appareils et d’accessoires sont fabriqués par la Société du Familistère en 1914.
210 000 appareils sont expédiés par les usines de Guise et Bruxelles en 1913-1914.
664, c’est le nombre de pages qui composent le livre Solutions Sociales publié par Godin en 1871.
JEAN-BAPTISTE GODIN ( ENGLISH )
Jean-Baptiste André Godin (26 January 1817 -29 January 1888) was a French industrialist and social experimentor born on the 26th of January 1817 at Esquéhéries (Aisne).
The son of an artisan, he entered an iron-works at an early age, and at seventeen made a tour of France as journeyman. Returning to Esquéhéries in 1837, he started a small factory for the manufacture of castings for heating-stoves. The business increased rapidly, and for the purpose of railway facilities was transferred to Guise in 1846. At the time of Godin's death in 1888 the annual output was over four millions of francs (4,160,000), and in 1908 the employees numbered over 2000 and the output was over 280,000.
An ardent disciple of Charles Fourier, he advanced a considerable sum of money towards the disastrous Fourierist experiment of V. P. Considerant (q.v.) in Texas (known as La Reunion. He profited, however, by its failure, and in 1859 started the Familistère, or community settlement, of Guise on more carefully laid plans.
The Familistère forms a town within the town of Guise. It comprises, in addition to a large factory, three large buildings, each four stories high, capable of housing all the work-people, each family having two or three rooms. The main building consists of three rectangular blocks joined at the corners. Each of these blocks has a central court covered with a glass roof under which children can play in all weather. There is no church of any sort. (There are, of course, churches within the rest of Guise). At the back of the main block there was a nursery. There is a separate block, known as the "economat", containing various shops, refreshment rooms and recreation rooms of various kinds(?), stores for the purchase of groceries, drapery and every necessity. This has recently (2008) been restored and is now a cafe, a shop selling books, postcards etc and an exhibition area. There were also allotments for the workers.
Opposite the main block there was a building containing a theater for concerts and dramatic entertainments and a primary school. There was also a communal laundry and swimming pool. This was a few years ago derelict but has now been restored. The swimming pool is still a swimming poll but the laundry is a meeting room and the drying room is now (2008) an exhibition room. In 1880 the whole was turned into a co-operative society, with provision by which it eventually became the property of the workers.
Godin manufactured cookers and heating stoves of many kinds mainly made from cast iron castings. Sometimes these were enameled. These are still to be found in use all over France. They can be found for sale on eBay.
This business was still owned by the workers in the 1950s but soon after was taken over by Le Creuset. It is not obvious that the factory is still functioning. It is seems the domestic building were privatised. The state of the domestic buildings was deteriorating but has recently been awarded EU money for it to be restored.
In 1871 Godin was elected deputy for Aisne, but retired in 1876 to devote himself to the management of the Familistère. In 1882 he was created a Knight of the Legion of Honor.
Godin was the author of Solutions sociales (1871); Les Socialistes et les Droits du travail (1874); Mutualité sociale et association du capital et du travail (1880); La Republique du travail et la reforme parlementaire (1889). See Bernardot, Le Familistère de Guise et son fondateur (Paris, 1887); Fischer, Die Familistère Godins (Berlin, 1890); Lestelle, Etude sur le Familistère de Guise (Paris, 1904); D. F. P., Le Familistère illustr, résultals de vingt ans d'association, 1880-1900 (Eng. trans., Twenty-eight years of co-partnership at Guise, by A. Williams, 1908).
Adam and I went with our friends Jesse and Natalie down to the Hal & Mal's St. Patty's Day Parade today. This parade is one of my favorite holiday traditions. The fun to be had is endless. And our parade is ranked one of the best in the country. So, with that being said, i had a complete blast! I got hella sunburned, drank way to much beer, and ate a waaaay yummy mexican meal at 3 in the afternoon! Ahhh, what a glorious day. More parade pics coming...Right now, I am off to bed. I'm exhausted!!!
Oh, and in case you want to know more about our little parade, here are some facts from a little Q&A session that I found:
Q: Who is Mal, anyway?
A: "Mal" is Malcolm White...Jackson's resident club owner/restauranteur/promoter/head of the Mississippi Arts Commission,
writer/publisher/piano-playing blues-ologist/philanthropist/philosopher, and most importantly, "Leprechaun-at-Large."
Q: Why a St. Paddy's Parade?
A: Because Jackson didn't have one! It all started way back in late '70's when a young(er) Mal lived and worked in New Orleans' French Quarter. Mal was fascinated and excited by the concept of parades. There were Mardi Gras Parades, Jazz Funeral Marches, and small street parades happening all the time, and Mal became a "Parade Man" for life.
Q: When was the first parade?
A: The first one was in 1982 (or was it '83?).
Q: How about a little parade history?
A: The original idea was to have a "pub crawl" from CS's to George Street Grocery. But when the inspiration for a parade struck him, Mal figured "We might as well take a dip through downtown." What ensued made headlines in the Clarion Ledger: "PARADE STOPS RUSH HOUR TRAFFIC!" It was quite a news story and all that was needed to capture the attention and imagination of Irishmen (both real and imagined) across the state. This first parade was an amazing assortment of enthusiastic participants and was, in retrospect, a surreal sight to see. Highlights included the first Grand Marshal, the late ARTHUR MAHONEY, a true Irishman and ex-boxer in his 90's waving to onlookers from a convertible...the debut of the venerable and voluptuous "SWEET POTATO QUEENS' ...the inaugural appearance of the "RUDE BOYS", a "frat party on wheels' ...the great blues legend "SWEET" SAM MYERS standing in the sunroof of "BROTHER PETE'S BLUES VAN" waving an Irish flag ... the fondly remembered KENDALL WILSON on roller skates being pulled by a motorcycle ... the newly-formed "BLUZ BOYS" band playing loudly on a flat-bed
trailer with the assistance of a generator ... neighborhood kids on bicycles ...parade co-conspirators MARSHALL, JOEY, and PAT surely wondering "What the BLARNEY-hell have we let Malcolm talk us into?!?" ... SERGIO FERNANDEZ recording the whole thing for posterity while perched atop a beer truck driven by DINK ... and of course, leading the procession, MAL himself decked out in green (what else?) Army pants, his beard spray-painted red, carrying an Irish walking stick and flanked by his beloved Dalmation "PEARL" ...
What a "MAL-function"!!!
Q: How about the parade today?
A: It's gotten bigger and better than ever. You still have the "SWEET POTATO QUEENS",
"RUDE BOYS" and other annual favorites plus more recent traditions like the "O'TUX SOCIETY", "KREWE of KAZOO", "GREEN LADIES", and a real New Orleans brass marching band. And new
entries are lining up every year! 2009 Grand Marshal Leland Speed will be joining an illustrious list of luminaries which includes the late, great TINY TIM, musician MAC McANALLY, THALIA MARA, MAESTRO COLMAN PEARCE, O.C. McDAVID, "Toons til Two" radio personality DAVID ADCOCK, "COUSIN" CLETA ELLINGTON, DEUCE McALLISTER, CAT CORA, and BERT CASE, and many others.
Q: Where does all that money from the entry fees go?
A: There is a function to all this frivolity. In recent years, the parade has raised over $250,000 for the Blair E. Batson Hospital for Children.
www.nvr.org.uk/history/5485.php
The Loco
This engine is a beast. If it were a lorry it would be an earth mover, built for shifting massive loads over short distances, with big cylinders and very small wheels. It is rated at 800h.p., a tractive effort of 28,000lb, a weight of 66tons and wheels of only 3' 6" diameter. This compares with the STD class 5 at 26,120 lbs tractive effort, and a weight of 76 tons.
Polish engineering is not known for it's high quality, and the engine is no exception. For example, the cylinder bore on engines should line up with the axle centre - not here, the cylinder centreline is clearly inches above the axle centreline. General construction is simple, for example the smoke box door is made from flat plate welded together, where most engines have a rounded door made from pressings / castings. Many of the steam valves are made from steel / iron, which can corrode, where other loco's would use brass or bronze which doesn't corrode. Oddly, for a simple machine, it has the complexity of superheaters; more superheaters than an LMS Jubilee. On a machine that is for shunting and not designed for speed this is unusual, as superheaters are thought to be effective only when an engine is working for long periods and has time to warm through.
It has been said that we are asking too much of this engine, with its small wheels at 25MPH. An A4 Pacific has 6'8" wheels, and at 75MPH (Network Rail's max speed limit for steam) this equates to 315RPM. 5485, with 3' 6" wheels, at 25MPH is only running at 200 RPM. Indeed, the engine's stated maximum speed is 40km/h, and it has proven itself capable of easily keeping to time.
For the crew it is an easy engine to fire, with a large boiler that has plenty of steam generating capacity, and a medium size firebox where the first time fireman won't have trouble getting coal to the far end of the fire. There is also a drop grate in the firebox and a hopper ashpan, making the disposal of fire and ash simpler. The injectors have been proven to be reliable, after fettling work. For the driver, the controls are well placed and all reachable from the cab window. However, the regulator is difficult, steam can be admitted on a little or lots basis, there's not much in between. If you see the engine starting a train and it slips frequently, you know the driver is battling with the regulator. The engine has the luxury of very bright electric lights, in the cab and above the wheels as well as front and back. Some crew like working in the dark with this loco as you have the rare luxury of being able to see where you are going. Due to the long wheel base, two of the axles have a large amount of side-play. This lets the engine go around curves, but it means that there is a lot of side - side waddle, especially on straight track, and there is a lot of that at Nene Valley!
History
This engine is fairly modern as steam engines go, being built by Fablok of Chrzanow, Poland in 1959, as one of a large class of 406 loco's, built from 1950 - 1963. 90 of the class were exported to China. Visit hobby.ien.com.pl/kolej/Freight Tank Locomotives/TKp.htm for further info. It worked for 36 years in the Coalfields in Bytom, southern Poland and was withdrawn in 1995, when the mine closed.
The engine was bought by it's current owner in 1996, in working order with a current boiler ticket. It came complete with it's entire service history, all in Polish, from when it was built, on the 14th of Maja 1959! Many of these documents still have their wax seal from the works. The documents show that the engine had a heavy overhaul in 1990, with a new firebox, a new front tubeplate and new portions of the boiler barrel fitted at Olesnica, Poland. The resulting good condition of the boiler is why it was preserved.
The loco was moved to Belgium by rail through Holland and Germany, in a convoy of loco's devoid of their rods, at a cost of £2,500 for each loco; 900 miles at 25mph. One of the loco owners videoed the convoy and saw sparks from the axlebox of loco. A hurried conversation with the driver (in German) followed! The damaged loco went on to be preserved in Northampton.
5485 Came to England in 1997 and was stripped and overhauled at Llangollen. All the steel pipework was replaced with copper, the smokebox was replaced and a new cab and cladding, was fitted. The boiler is now in very good condition; when in steam it is as dry as a bone. Whilst at Nene Valley, the loco has spent much time out of traffic for repairs to badly worn bearings and bushes on the coupling rods and connecting rods, and a failed main steam pipe. The loco is now back in traffic, but further repairs may soon be required. The valves and pistons have always been blowing-by; the leakage of steam can be heard as a whoosh from the chimney when starting away. On occasion, the blow-by is so bad that the loco will move backwards when starting off in forward gear!
(Incidentally, put 'Slask' into your spell checker and it will suggest 'slack' - Bill Gates is well informed!)
Recent Mechanical Group Reports
Recent reports by the Mechanical Group on 5485 can be found by clicking here
"I seek truth and beauty in the transparency of an autumn leaf, in the perfect form of a seashell on the beach, in the curve of a woman's back, in the texture of an ancient tree trunk, but also in the elusive forms of reality."
~ Isabel Allende
♥
A place for inspiration...Beautiful Blur
You really need to View On Black
This marks the 52nd shot of my 52 weeks of self portraits. It was the toughest one to do (although there were some about 3/4 the way through that seemed impossible to do as well). I have to say I'm sick of seeing myself and sick of doing self portraits. I honestly don't know how all the 365 'ers manage to do it. 52 is nothing in comparison. Still, I'm going to take a break from selfies for a while. [insert applause track here] I'm not sure for how long. Just long enough to be motivated. This may occur sooner than later since the pressure to take a weekly shot is off. I say pressure because after you've taken about 15 weekly portraits, you start to run out of original ideas. Not that original ideas won't surface, it's just that they take time to develop. I noticed that even after I had taken this photo, the creativity started seeping back in. Anyway, I chose this tunnel for the final shot. I'd had it in mind for over a month because I felt it symbolized both beginning and end in that you can see the light, yet I also have the choice to turn around and go the opposite way, not towards the end, but to the entry. There's light there too. I think there are certain times when you want to see the light at the end but often, the journey needs to continue. So you either wander around in the tunnel or proceed back to the entry. Me? I'm headed back to the entry. It also seemed fitting since this is New Year's Eve -- another end and beginning. With that, I wish everyone a very happy and safe New Year. Cheers!
[side note: the tunnel was quite busy with people passing by. I waited for quite a bit before I setup my equipment. Once others saw the tripod and camera bag, and that this might be a cool place to photograph, it was like a feeding frenzy -- people started snapping photos all over the tunnel (not of me, but of the tunnel). One guy even set his tripod up about 10 feet behind me. I had to check to make sure there wasn't one of those 'Kodak Picture Spot' signs nearby.]
ISTANBUL PHOTO CONTEST 2008 WINNERS
Burgos (Spain).
ENGLISH
The Burgos Cathedral (Spanish: Catedral de Burgos) is a Gothic-style cathedral in Burgos, Spain. It is dedicated to the Virgin Mary and is famous for its vast size and unique architecture. Its construction began in 1221, following French Gothic parameters.
It had very important modifications in the 15th and 16th centuries (spires of the principal façade, Chapel of the Constable, cimborio of the transept: these elements of advanced Gothic give the cathedral its distinguished profile). The last works of importance (the sacristy or the Chapel of Saint Thecla) occurred during the 18th century, the century in which the Gothic statuary of the doors of the principal façade was also transformed.
At the beginning of the 20th century, some semidetached construction to the cathedral was eliminated, such as the Archepiscopal Palace and the upper floor of the cloister. The style of the cathedral is Gothic, although it has some Renaissance and Baroque works.
The cathedral was declared a "World Heritage Site" by UNESCO on October 31 of 1984. It is the only Spanish cathedral that has this distinction independiently, without being joined to the historic center of a city (as in Salamanca, Santiago de Compostela, Ávila, Córdoba, Toledo or Cuenca) or in union with others buildings, as in Seville.
More info: en.wikipedia.org/wiki/Burgos_Cathedral
---------------------------------
CASTELLANO
La Catedral de Santa María de Burgos (Castilla y León, España) es un templo católico dedicado a la Virgen María. Su construcción comenzó en 1221, siguiendo patrones góticos franceses. Tuvo importantísimas modificaciones en los siglos XV y XVI: las agujas de la fachada principal, la Capilla del Condestable y el cimborrio del crucero, elementos del gótico avanzado que dotan al templo de su perfil inconfundible. Las últimas obras de importancia (la Sacristía o la Capilla de Santa Tecla) pertenecen ya al siglo XVIII, siglo en el que también se retiraron las portadas góticas de la fachada principal. El estilo de la catedral es el gótico, aunque posee, en su interior, varios elementos renacentistas y barrocos. La construcción y las remodelaciones se realizaron con piedra caliza extraída de las canteras del cercano pueblo burgalés Hontoria de la Cantera.
La catedral burgalesa fue declarada Monumento Nacional el 8 de abril de 1885 y Patrimonio de la Humanidad por la Unesco el 31 de octubre de 1984. Es la única catedral española que tiene esta distinción de la Unesco de forma independiente, sin estar unida al centro histórico de una ciudad (como en Salamanca, Santiago de Compostela, Ávila, Córdoba, Toledo o Cuenca) o en compañía de otros edificios, como en Sevilla.
Más info: es.wikipedia.org/wiki/Catedral_de_Burgos
José Honorato Lozano
Albun de M L
1850 - 51
Carruage de alquiler
1851
20.2 x 29.7 cm (8 x 11 ½ in)
A lot of 12 watercolors
Estimate: PHP 5,500,000 - 7,000,000
Lot 143 of the Salcedo Auctions auction on 17-18 September 2016. Please see <a href="http://www.salcedoauctions.com"
The painter José Honorato Lozano (1821-1885) is known today as the visual chronicler and ethnographic painter par excellence of life in the Philippines in the second and third quarters of the 19th Century. He is also renowned as the father of the art form known as Letras y Figuras - literally ‘Letters and Figures.’ Mostly watercolors on Manila paper, these artworks depict views of quotidian Philippine life in the 19th century, wherein the artist ingeniously and meticulously painted what on close scrutiny appear as human figures and their environs (houses, flora, fauna, work tools, produce, etc.), but when seen from a distance spell out names or words (e.g. Edward A. Westley, Views of Manila).
In his book José Honorato Lozano, Filipinas 1847, art historian Ambassador Jose María A. Cariño states “The origins of Lozano’s Letras y Figuras can be traced to the Middle Ages in Europe when calligraphers embellished the first letter of each chapter (Capitulares) of the Bible or Psalm or Prayer Book. . . Lozano may have seen copies of these and considered adapting this style and Filipinizing it through over-decorating and illuminating not just the first letter but every letter in the word. Thus, letras y figuras was born”.
It was only in the last twenty years - after several albums painted by Lozano were sold at auctions in London, Madrid, Singapore and Hong Kong - that Filipinos realized the important role of José Honorato Lozano in Philippine art history. His meticulous depiction of Tipos Filipinos (Philippine Types), costumes, customs, traditions, flora, fauna, buildings, houses, fruits, shells, tribes, uniforms (military, school, religious orders, militia), weapons, reptiles, sheet music, views, modes of land transportation, marine vessels, etc. are a treasure trove of visual information about the Philippines in the 19th century.
One of the most famous albums limned by Lozano is the Ayala Karuth Album. Since the watercolors contained therein were unsigned, for many years the works were mistakenly attributed to Carl Johann Karuth, a German employee of Jacobo Zóbel Hinsch (Botica Zóbel), as Karuth’s name was engraved in the leather cover of the album.
The Philippine art market went wild when the Nyssens Flebus Album containing twenty-five watercolors measuring approximately 13 ½ by 9 ¾ inches was auctioned at Christie’s London on in July 1995, with the hammer price reaching GBP 265,000. Emile Nyssens who commissioned the album was a Belgian tobacco trader.
Two other famous albums by Lozano were commissioned by Spanish military officials, namely: 1) The Gervasio Gironella Album; and 2) The José de la Gándara Album. Gervasio Gironella was the Superintendente y Intendente del Ejercito y de la Hacienda (Superintendent of the Armed Forces and Quarter Master General of the Treasury), making him the second most important official in the Philippines during the Spanish period. On the other hand, José de la Gándara y Navarro was Governor General of the Philippines from 1866 to 1867. He also served as Governor General in Cuba. Due to his achievements during his stint in the Philippines including beautification projects and the construction of new roads and the widening of narrow streets in Manila, Gándara Street was named after him. The Gándara Album contains twenty-seven spectacular watercolors.
THE ML ALBUM
The ML Album is the first album by José Honorato Lozano to be auctioned in the artist’s country of birth. All the recently discovered albums by the artist were either bought privately or sold at auctions in Singapore and Hong Kong, and in Europe.
More importantly, the ML Album’s provenance can be traced to one of the Grandees of Spain. ML was an important businessman based in Andalucia who traded in sugar and textiles. Due to his business successes and charitable works, ML was conferred the title of marquis by Queen Isabella II in the 1860’s. The family was also involved in railways, financing and in the olive oil and soap industries. One of the descendants made a fortune in the liquor industry. Today, the descendants of the family are gentlemen farmers dabbling in the fruit and real estate businesses. ML never set foot in the Philippines and therefore did not commission the album. It was a gift from a Philippine sugar producer and business partner. The marquis died during a business trip in France in 1873.
The heir who inherited the album informed Salcedo Auctions that the paintings were never bound into an album and were never framed or displayed as the family had so many Spanish artworks that there was no space in the marquis’ palace to hang them. Throughout its existence, the twelve watercolors of the album were stashed away and all but forgotten in an antique chest containing other gifts and exotic artworks that were gifted to the marquis. As the watercolors were never displayed, today the colors are vibrant and there are no signs of water damage or foxing. This is one of the best preserved albums by Lozano.
For Philippine collectors, one of the important features of this album is the existence of an ‘ML’ letras y figuras as the first page of the album, featuring fishermen holding a fish net forming the letter ‘M’ and two Igorrotes conversing beside a cooking pot forming the letter ‘L’. The Puente Colgante de Manila serves as a backdrop, and on top an angel carries the flag of Spain. The old Spanish word ‘Albun’ identifies this as the frontispiece of a set of pictures – an ‘album’ as it is now known owing to the influence of the English language.
Another interesting feature of the album is that, with the exception of one sheet, all the works are either signed or signed and dated. The signature of the last watercolor appears to have been torn off accidentally, and was not restored. Four of the works feature Tipos Filipinos in their colorful attire while another four are typical views of the Philippines. Two of the most outstanding paintings in the set are the Carruaje de Alquiler (Carriage for Hire) and the Entierro de un Parbulo (Funeral for a School Child), where a band in colorful attire is featured playing lively music while the child is dressed like a bishop or a saint and paraded on the way to the cemetery. This particular scene is borne out of the idea that when a child passes, he goes straight to heaven, thus a cause for celebration rather than sadness.
The return of the ML Album to the Philippines is a cause for joy, especially since there are very few surviving mid 19th century Philippine art works in the country and even less works by this artist whom Rafael Díaz Arenas praised in his book Memorias Históricas y Estadísticas de Filipinas (published in Manila in 1850): “There is a landscape painter using distemper, who is also a watercolorist without rival in the country… I speak of Lozano.” The recent discovery of three oil on canvas paintings by Lozano, namely Vista de la Casa de Campo de Malacañan and two studies of Philippine fruits, flowers and vegetables also confirm Rafael Diaz Arena’s words that “Lozano was a virtuoso in oil and watercolor.”
The provenance of the album and the identity of ML will be provided to the buyer.
The elegant princess led a leisurely life of pleasure and debauchery. She sat on her balcony sipping cheap champagne and smoking a slim. Her long hair dangled from the tower, whipping in the air just inches beyond the fingertips of the many princes and princesses who had come from afar to see her.
She flicked her ash into the crowd, and smiled distantly as the foreign royalty clambered to turn their faces upward into the snowfall of dusted tobacco.
“Rescue me,” she murmured quietly, but she smiled to herself: the simple smile of someone who had not bothered to stand up and rescue herself. High above her crowd of admirers, the princess was free.
She rose to her feet, and lifted a dainty foot onto the ledge, where she could see the edge of the earth just beyond the forest in the west. She stretched her arms to the north and to the south, and tiptoed across the narrow railing, her body tipping and dipping as her glass slippers scraped against the stone ledge, champagne and ash tumbling from the edges of her grasp.
The crowd below her gasped and cooed, and the elegant princess waivered for a moment, unsure whether they wished her to balance or fall.
She hopped down from the ledge. It felt like there were pebbles in her shoe. She lifted the shoe from her foot, and reached inside. Deep inside, shimmering in the crystal toe, was a tiny pink bag labeled “Eat This and Perish.”
The elegant princess tossed her shoe over her shoulder, into the greedy air, and tore open the pink packet.
“Skittles,” she cried out when she saw the tiny blue pebbles inside.
She turned her face to the sky and tipped the pack into her mouth.
They tasted like socks and forgotten memories.
The princess coughed a little, and spit the pebbles back into the palm of her hand. They glistened and shimmered in the evening air, a beautiful shade of pink.
The elegant princess felt sick. She tumbled to her knees, and her hair fell all around her, enclosing her. It was peaceful inside a canopy of her own hair. She couldn’t hear the crowd, or feel the pressure of her princessly duties.
Here, she thought, I could sleep for one hundred years.
Sitges, Barcelona (Spain).
Monument to the 40th anniversay of the Sitges Film Festival.
Monumento al 40 aniversario del Festival de Cine de Sitges.
ENGLISH
The Festival de Cine de Sitges (also known as Festival Internacional de Cinema de Catalunya) is one of the most recognizable film festivals held in Europe and considered the world's best festival specializing in genre films. Founded in 1967, the festival normally takes place every year in early October in the Catalan coastal town of Sitges, located about 40 kilometers (24.9 miles) south of Barcelona and specializes in fantasy films.
More info: en.wikipedia.org/wiki/Festival_de_Cine_de_Sitges
------------------------------------
CASTELLANO
El Festival de Cine de Sitges (actualmente también Festival Internacional de Cinema de Cataluña) es uno de los premios cinematográficos más reconocidos de Europa, y está considerado como uno de los más importantes en la especialidad de cine fantástico. Fundado en 1967, se ha celebrado ininterrumpidamente cada año, normalmente a principios de diciembre. Tiene lugar en la villa costera de Sitges, localidad situada a 40 kilómetros al sur de Barcelona (España).
El Festival de Sitges ofrece cada año al público lo mejor de la producción internacional en cinematografía fantástica. Además, acostumbra a programar homenajes, retrospectivas y sesiones especiales. En las últimas ediciones han asistido 5.000 espectadores que, además de poder asistir a las proyecciones cinematográficas, pueden asistir a exposiciones y conferencias.
This is my friend Marclino you have all seen him
before but you probably dont recognize him maby
its because he has shaved his head bald lol i was with him
today and when i saw him i just burst out laughing he just looked
so different i said marcilino what have you done so he said
have a guess english oh and by the way thats what they call me
out here in the north of portugal they never ask me what my name is
all they no is that i am from england so they call me english i no its
very strange but thats how it is out here.again this was taken with the wifes
P+S but as a contact friend of mine macro marcie has pointed out
to me the most important thing is catching the essence.....and that can be done with any camera.again thankyou so much for your time and your comments
and kind regards to you all.
**EXPLORED**
That's right, folks. I'm back. Did you miss me while I was sans internet on my camping trip? I feel a little out of sorts right now. I'm going to need to spend some time catching up on your streams. It feels good to be back home with my face paint, though. :) Thought I'd finish August off with one of these shots since I had stick to pretty simple on the camping trip.
I am still so freaking exhausted today. I slept for about eleven hours and I still feel like I'm dragging myself around in a daze. Oh, and to everybody who asked I'm feeling MUCH better as far as my stomach issues from last week and also the mouth/lymph node agony. Thank god. That was some serious pain and misery. I'm glad it started clearing up and improving on the first day of the trip or I would have had a horrible time.
I still have more pictures from the trip to upload, but I figure I'll try to do that slowly, here and there, rather than just bombarding you all. :)
365 Days (self portraits): Day 153
www.ohiohistorycentral.org/entry.php?rec=487
Beginning in the early 1830s, cholera epidemics killed thousands of United States citizens. People who contract cholera generally suffer from severe diarrhea, vomiting, and cramps. The disease is spread by drinking water or eating food that is contaminated with human feces. People with this illness can die from dehydration within a few hours after the symptoms first appear.
Asiatic Cholera appears to have started on the Indian subcontinent, ca. 1826. By 1831, it had spread to Russia. Cholera first appeared in the United States in 1832. European immigrants apparently brought the disease with them to America. With poor sanitation systems, cholera tended to be most virulent in cities. By the autumn of 1832, the illness had reached Cincinnati, probably brought by people traveling along the Ohio River. The Ohio and Mississippi Rivers allowed the disease to spread quickly across the United States in all directions.
One of the most common treatments for cholera in the United States up through the Civil War was the medicine calomel (Mercurous Chloride; Calogreen; Mercury Monochloride; Mercury Chloride). It was commonly used as a purgative (laxative) for the treatments of bowel illnesses ranging from diarrhea to cholera; unfortunately calomel’s effects were seriously harmful. It may have cleansed the bowels, but at the same time it caused teeth to loosen, hair to fall out and could destroy the patient’s gums and intestines. In other words, it could cause acute mercury poisoning.
The worst epidemic to affect Ohio occurred in 1849. Eight thousand people in Cincinnati died in this epidemic, including Harriet Beecher Stowe's infant son. www.iath.virginia.edu/utc/interpret/exhibits/hedrick/hedr...
Harriet Beecher Stowe’s writing of Uncle Tom's Cabin was precipitated by two events, one in her personal life: in 1849 her sixth child, Samuel Charles, died in the cholera epidemic. Cholera was a relatively new disease in the Western hemisphere and inspired dread partly for that reason and partly because it was so deadly. To people in the nineteenth century it was an act of God, a biblical plague. All Harriet could do was watch helplessly while her eighteen-month-old child was wracked by convulsions and lost all the fluids in his body. She later wrote that there were circumstances of such bitterness in the manner of Charley's death that she didn't think she could ever be reconciled for it unless his death allowed her to do some great good to others. She also wrote that losing Charley made her understand what a slave woman felt when her child was taken away at the auction block.
Many Cincinnati residents fled the city and ended up in Mt. Pleasant, a community that escaped the illness. The town residents soon changed its name to Mt. Healthy in honor of its good fortune.
It wasn't until 1854, when Cholera struck England once again, that Dr. John Snow was able to legitimate his argument that cholera was spread through contaminated food or water. Snow, in investigating the epidemic, began plotting the location of deaths related to Cholera. At the time, London was supplied its water by two water companies. One of these companies pulled its water out of the Thames River upstream of the main city while the second pulled its water from the river downstream from the city. A higher concentration of Cholera was found in the region of town supplied by the water company that drew its water from the downstream location. Water from this source could have been contaminated by the city's sewage. Furthermore, he found that in one particular location near the intersection of Cambridge and Broad Street, up to 500 deaths from Cholera occurred within 10 days.
Cholera epidemics continued in the United States until the early 1900s. As sanitation improved within the United States, including chlorination of water, the illness weakened. In modern nations, cholera cases are very rare. In under-developed countries, outbreaks remain common. In 1991, cholera struck both South America and Africa, killing thousands of people. The standard treatment for cholera today is to keep the ill person hydrated.
Information:Forsythia, Gold bush, genus of oljetrefamilien. Create. from SE Europe and Asia. Medium size, create shrubs with yellow-brown bark. Flowering with golden-yellow, four-century flowers on the bar knot in March-April. Common ornamental shrubs.
P1180588
Remember my previous post about stairs and little hill? This is to the left of it but still closed to the public with barricades on top and bottom of the stairs. I'll go back to find out what they had in mind for this. The view on Lower Manhattan, Statue of Liberty and Governor's Island is just beautiful!! Love the textures and tones here that almost matches the texture of the Majestic Brooklyn Bridge in the background!!
3 shots HDR
Of course when I was there for sunrise shot, Kenny and I didn't really care about the barricades on the top and just move them a little and parked our gears in front of those flimsy things, LOL!! The rangers making their tours saw us, and couple other photographers, didn't mind knowing well we'll be there for few minutes only!!
Have a great week, it is gloomy and raining here!! :((
Thanks for stopping by and commenting!!
Ayer fue todo un día de aventura, con todos los ingredientes, grandes cortados y desniveles, voladizos, clavijas, placas de hielo y muchas cosas que de día más de uno no hará, así que nosotros decidimos hacerlo de noche, así somos los CDC, cualquier cosa por una buena foto.
Hicimos una ascensión a la Pena San Miguel, en el Salto del Roldan en Huesca, una excursión bonita para hacerla de día que se convierte en toda un aventura al hacerlo de noche, cargados con todo el equipo fotográfico empezamos a ascender por la falda norte de la Peña con la poca luz que aportaba la Luna y nuestros frontales. También tuvimos algún pequeño susto (la próxima vez llevaremos crampones), alguna buena foto, y muchas risas en compañía de amigos, así que aquí os dejo la primera de la serie.
www.facebook.com/#!/photo.php?fbid=2254820205671&set=...
FRATELLI COMUNI
il video
www.youtube.com/watch?v=IQXO6Cjnabs
150 – Centocinquantesimo
Raccolta fotografica dedicata al centocinquantesimo anniversario dell’Unità d’Italia.
Un’opera da collezionare.
CON IL PATROCINIO DELL’ANCI (Associazione Nazionale Comuni Italiani),
DI “SAPIENZA” - UNIVERSITÀ DEGLI STUDI DI ROMA, DEL CONSIGLIO REGIONALE DEL LAZIO E DEL
COMUNE DI ISOLA DEL LIRI
DAL 7 DICEMBRE IN LIBRERIA
A conclusione delle celebrazioni dei 150 anni dell’Unità d’Italia, la casa editrice Gargoyle in
collaborazione con Editrice Pisani manda in stampa Fratelli Comuni, una raccolta fotografica per
“raccontare” in modo originale e partecipe come l’Italia abbia vissuto questa importante ricorrenza.
L’idea, nata la notte del 17 marzo 2011, complice l’incantevole cornice della Cascata Grande di
Isola del Liri – illuminata, in occasione dei festeggiamenti, con i colori della nostra bandiera - era
quella di scoprire come altri comuni italiani avessero vissuto quel giorno, se quell’anniversario
avesse davvero risvegliato un sentimento di unità, un sussulto di fratellanza autentico e vivo in
grado di esprimersi non con il linguaggio vacuo e altisonante della retorica, ma con quello semplice
dei cittadini, che, nel silenzio e nell’anonimato, hanno combattuto e combattono ogni giorno per
custodire la dignità e la bellezza del nostro Paese.
Quella stessa dignità e bellezza capaci di commuovere gli italiani quando Roberto Benigni legge
Dante, ricordando a tutti noi ciò che siamo stati, le nostre radici, o ancora, quando sussurra con
dolcezza l’inno di Mameli, rammentando con passione e entusiasmo la generazione di chi, con
cuore puro e innamorato, non esitò a sacrificarsi per la propria patria. Uno spirito di appartenenza
e di sacrificio tornato a rivivere proprio in questi giorni di crisi, nei gesti dei volontari e dei cittadini
che con generosità cercano di far fronte al disastro provocato dalle recenti alluvioni, abbattutesi su
Genova e altri comuni liguri. Atti che mostrano bene come gli italiani siano un popolo, solidale e
unito, capace di slanci di grande generosità; “una d’arme, di lingua, d’altare, di memorie, di
sangue, di cor”, scriveva Alessandro Manzoni dell’Italia nell’ode Marzo 1821.
Attraverso la ricostruzione delle tappe più significative che hanno caratterizzato questo giorno di
festa (allestimenti, manifestazioni, eventi simbolo il cui filo conduttore è il Tricolore) Fratelli Comuni
mette assieme, in un unico volume, le immagini più belle e rappresentative di un momento
importante della nostra storia, e, quello che ci consegna, è un concerto armonico di sorrisi, sguardi
ed emozioni, un mosaico variopinto di atmosfere, protagonisti e istanti destinati a rimanere nel
tempo. Fratelli Comuni, però, è anche un’occasione per riflettere, un tentativo di ricordare e far
ricordare le ricchezza e la straordinaria varietà della nostra Italia, perché i 150 anni di Unità non
vengano considerati solo alla luce degli avvenimenti storici, politici ed economici che ne hanno
contraddistinto la storia, ma siano testimonianza delle tante ed esaltanti avventure culturali e
intellettuali che ci hanno resi noti nel mondo, in ambito umanistico come in quello scientifico. Tale
patrimonio ci rende fieri di essere italiani.
Il volume si compone di tre sezioni: la prima è una raccolta di scatti fotografici volti a
documentare come comuni e province d’Italia, da Nord a Sud, dai più piccoli ai più grandi,
abbiano commemorato e celebrato questo evento. E, sfogliando il volume, colpisce come le
immagini, a volte, registrino già un passaggio del tempo e appartengano al passato, come quelle
del comune di Monterosso, nelle Cinque Terre, quasi cancellato dall’alluvione.
La seconda, con la prefazione dello storico Virgilio Ilari, Presidente della Società Italiana di Storia
Militare, è dedicata alle Forze Armate e vuole essere un omaggio speciale a tutti coloro che ogni
giorno, con spirito di sacrificio, difendono i valori della pace e della democrazia. Un compito, il loro,
ancor più prezioso se considerato alla luce degli attuali scenari nazionali e internazionali.
La terza, infine, è una sezione speciale; una galleria di ritratti di personaggi illustri che nel
tempo hanno contribuito a fare grande e prestigioso il nostro Paese. Sette le categorie (musica,
moda, spettacolo, sport, politica, industria e premi Nobel); ognuna di queste è introdotta da
esponenti del mondo accademico, artistico e dello sport.
Ma i veri autori e protagonisti di Fratelli Comuni sono i cittadini stessi, le tante realtà
comunali e le province italiane che, con l’invio di materiale fotografico, hanno incoraggiato,
supportato e reso possibile la realizzazione di questa grande opera, dove le tradizioni del
passato si fondono armoniosamente con l’innovazione tecnologica del presente.
Le presentazioni del volume saranno patrocinate dalla Presidenza del Consiglio dei
Ministri e dal Ministero per i Beni e le Attività Culturali.
Il volume Fratelli Comuni ospita gli autorevoli interventi di:
Osvaldo Napoli - Presidente ANCI Facente Funzioni
Gianni Alemanno - Sindaco di Roma
Giuliano Pisapia - Sindaco di Milano
Michele Emiliano - Sindaco di Bari
Luigi Frati - Rettore dell’Università Sapienza di Roma
Luciano Duro - Sindaco di Isola del Liri (FR)
Alessandro Campi - Docente di Storia del Pensiero Politico presso l’Università di Perugia
Andrea Coli - Docente di Storia Economica dell’Industria presso l’Università Commerciale Luigi Bocconi di Milano
Virgilio Ilari - Presidente Società Italiana di Storia Militare
Ronnie Jones - Musicista
Linda Loppa - Direttrice Polimoda International Institute Fashion Design & Marketing
Daniele Masala - Campione Olimpico. Docente presso l’Università di Cassino
Luca Rea – Regista
Scheda informativa
Editore: Gargoyle in collaborazione con Editrice Pisani.
Da piccola realtà di nicchia, Gargoyle mira a diventare una grande casa editrice, proponendo un ampio
spettro di letteratura popolare che spazia dal giallo all’avventura, dal fantasy alla fantascienza – generi
che da sempre hanno contribuito e contribuiscono ad alimentare l’immaginario collettivo. La raccolta
fotografica dedicata al 150° anniversario dell’Unità d’Italia è la seconda pubblicazione della collana
“Gargoyle Accadimenti”, incentrata su eventi d’attualità particolarmente incisivi e di cui SuperSic, il libro
tributo a Marco Simoncelli, è stata la prima uscita.
Dettagli volume: Fratelli Comuni - centocinquantesimo Italia (1861-2011), Collana “Accadimenti”, pp.608,
formato album rilegato 22x30, euro 90.
Copie numerate.
Just got around to processing this one. I know it is similar to a previous shot I have posted but this may be my favorite. Love the colors in the clouds just before the sun made its appearance. This is one of many fishing piers along the Mississippi Gulf Coast that was destroyed by Hurricane Katrina in 2005. They stand as reminders of the devastation of the storm but now provide interesting elements for coastal photography. The location of this shot is actually just across Highway 90 from the Pass Christian Walmart Supercenter. In Mississippi, we may be last in some areas but you can't touch our view from Walmart!
www.rushingimages.com/Mississippi/Mississippi-Gulf-Coast/...
Affichage fond noir | View on black
Cette année, j'ai eu la chance, à l'occasion du brame du cerf, de rencontrer cet animal à l'approche très difficile pour le photographe, en particulier.
En effet, le cerf ne pointe le museau dehors qu'au lever du jour ou à la tombée de la nuit; au moment où la lumière est très faible, de plus il s'expose très peu de temps , a un odorat très puissant qu'il est difficile de tromper.
Pas facile dans ces conditions d'obtenir de bons clichés. Souvent, je suis revenu bredouille, mais quand même j'y suis retourné avec l'espoir d'avoir un peu plus de chance.
J'y retournerai l'annèe prochaine, un peu plus aguerri peut-être.
This year, I had the chance, at the call of the deer, meet the animal to approach very difficult for the photographer in particular.
Indeed, the deer does not point out the muzzle at daybreak or dusk, when the light is very low, the more it exposes a very short time, has a very strong smell that it is difficult to deceive.
Not easy in these conditions to get good shots. Often, I returned empty-handed, but still I went back hoping to have a bit more luck.
I will return next of year, a little more seasoned, perhaps.
Este año, tuve la oportunidad, a la llamada de los ciervos, conocer al animal a acercarse muy difícil para el fotógrafo en particular.
En efecto, el venado no señala el hocico al amanecer o al atardecer, cuando la luz es muy baja, más se expone a un tiempo muy corto, tiene un olor muy fuerte que es difícil de engañar.
No es fácil en estas condiciones para obtener buenas tomas. A menudo, volví con las manos vacías, pero aún así me volvió la esperanza de tener suerte un poco más.
Voy a volver al lado de año, un poco más experimentado, tal vez.
Este ano, tive a oportunidade, ao chamado do cervo, conhecer o animal se aproximar muito difícil para o fotógrafo em particular.
Na verdade, o veado não apontar o focinho ao amanhecer ou ao anoitecer, quando a luz é muito baixa, mais ele expõe um tempo muito curto, tem um cheiro muito forte de que é difícil de enganar.
Não é fácil, nestas condições, para obter boas fotos. Muitas vezes, voltei de mãos vazias, mas ainda voltei com a esperança de ter um pouco mais de sorte.
Voltarei próximo do ano, um pouco mais experiente, talvez.
Bonne journée à tous. merci pour vos visites et commentaires.
Have a nice day. Thanks for your visits and comments.
Buenos días a todos. gracias por sus visitas y comentarios.
Hilo de la Fotohistoria en Pullip .es: Naruto VS Sasuke
(Read in order, this is: SHOT/FOTO 01 of 23) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23.
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de Naruto en Grupo en el Foro: miPullip
- See more photos at: Renske‘s Flickr
EXPLORED
You with the sad eyes
Don't be discouraged
Oh I realize
It's hard to take courage
In a world full of people
You can lose sight of it all
And the darkness there inside you
Makes you feel so small
But I see your true colours
Shining through
I see your true colours
That's why I love you
So don't be afraid to let them show
Your true colours
True colours are beautiful,
Like a rainbow.
Lyrics: Billy Steinberg and Tom Kelly
ISO 100 f/4.0 1/200s with a 2 Stop ND filter.
SB-800 camera left through umbrella @ 35mm 1/8th power triggered with Nikon CLS.
This is Pico. For years we tried to keep this cat confined to the boundaries of our home, with the occasional venture to the screened porch. After several ripped screens and a destroyed cat hutch; we finally gave up the fight and let this cat be free. When my daughter was born he went on hiatis for two weeks. He now acts like a moody teenager with a driver's license, staying out all night and coming home to raid the fridge and sleep all day. I can't blame him, I was young once too!
until tommorow,
enjoy
The past week had been very crazy, so the little weekended I had up north was a fitting end. Finally had the chance to visit Anawangin Cove in Zambales. The place has a surreal feel, and going there feels like stepping into a foreign place. It's very easy to find a picturesque beach lined with coconut trees here in the Philippines, but never have I seen a beachfront full of pine trees. Pine trees!
It's not that we don't have pine trees here. It's just highly unusual, growing up as a tropical island girl, to be seeing pine trees when you're not in Baguio. I guess I just had to realize that this place is maybe that special, and just soak in its magic, even if it takes me a moment or two.
***
I'm going to play catch up in all of your streams. Life happened. I missed a lot. Can't wait to get inspired again. (",)
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En Twiter
También en Biodiversidad virtual
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Rápido, vivo, titubeante, minúsculo meteorito indeciso, caída en vuelo de ave herida, giros incontrolados, hoja en vendaval, así se mueve el minúsculo Mylestoma, un pequeñísimo ciliado de apenas veinte milésimas de milímetro de longitud, apenas nada por su fugacidad y por su pequeñez y esa nada es todo para él, le da la vida. Una ráfaga de luz ha conseguido detenerlo en un instante, casi milagrosamente y de este modo nos ha permitido correr el velo de una incógnita que fue invisible.
Mylestoma anatinum vive cerca de los fondos poco profundos en aguas tranquilas y se mueve imprevisiblemente y con extraordinaria rapidez, quizá para escapar de algún enemigo calculador que pueda quererlo en su menú...será muy difícil darle alcance, cuando se perciba su presencia, Mylestoma, como una estrella fugaz habrá desaparecido en un instante en la inmensidad de cualquier gota de agua.
Mylestoma es un ciliado de contorno irregular y perfil de luna nariguda en cuarto creciente, su cuerpo es transparente, del mismo color que el agua, aplastado como un disco, redondeado y regular por la parte dorsal que remata en una afilada punta y recortado en dos profundas hendiduras por su parte ventral, en la superior se abre la hendidura de la boca -citostoma- rodeada de un manojo de cilios cortos y flexibles. En la zona inferior del dorso, dos afilados cirros, ligeramente curvados, hacen de timón, variando el rumbo de la marcha de Mylestoma caprichosamente a cada instante.
Mylestoma vive enfundando dentro de una camisa semirígida y transparente que se ciñe a su cuerpo sin formar ninguna arruga, en él encierra un gran y único macronúcleo junto a otros pequeños micronúcleos y numerosos y diminutos gránulos oscuros. En la parte posterior una vacuola contráctil achica, a ritmo de corazón, el agua que pueda acumularse en exceso poniendo en peligro la vida este fugaz navegante
Mylestoma anatinum vive entre los sedimentos alimentándose de pequeñas partículas de materia orgánica y de bacterias. La fotografía de hoy, como todas las de la galería, ha sido tomada en vivo en una muestra de agua procedente del Lago de Sanabria, sobre un fondo con surgencias de aguas sulfurosas y recogida por Ruth Centeno desde el catamarán Helios Sanabria.
Diminutas estrellas, algunas fugaces, como Mylestoma prenden de luces el cielo limpio de la Sierra cerca de Lozoya, donde otras brillan fijas pintando de alegría la amistad.
Madrid (Spain).
ENGLISH
The Plaza Mayor built during the Habsburg period is a central plaza in the city of Madrid, Spain. It is located only a few blocks away from another famous plaza, the Puerta del Sol. The Plaza Mayor is rectangular in shape, measuring 129 by 94 meters, and is surrounded by three-story residential buildings having 237 balconies facing the Plaza. It has a total of nine entranceways. The Casa de la Panadería, serving municipal and cultural functions, dominates the Plaza Mayor.
The origins of the Plaza go back to 1581 when Philip II of Spain asked Juan de Herrera, a renowned Renaissance architect, to devise a plan to remodel the busy and chaotic area of the old Plaza del Arrabal. Juan de Herrera was the architect who designed the first project in 1581 to remodel the old Plaza del Arrabal but construction didn't start until 1617, during Philip III's reign. The king asked Juan Gomez de Mora to continue with the project, and he finished the porticoes in 1619. Nevertheless, the Plaza Mayor as we know it today is the work of the architect Juan de Villanueva who was entrusted with its reconstruction in 1790 after a spate of big fires. Giambologna's equestrian statue of Philip III dates to 1616, but it was not placed in the center of the square until 1848. Amazingly enough if you go in there today you can still see the blood on the walls from some of the bull fights held there in earlier years.
The Plaza Mayor has been the scene of multitudinous events: markets, bullfights, soccer games, public executions, and, during the Spanish Inquistion, "autos de fe" against supposed heretics and the executions of those condemned to death. The Plaza Mayor also has a ring of old and traditional shops and cafes under its porticoes. Celebrations for San Isidro, patron saint of Madrid, are also held here. The Plaza Mayor is now a major tourist attraction, visited by thousands of tourists a year.
More info: en.wikipedia.org/wiki/Plaza_Mayor_of_Madrid
-----------------------------
CASTELLANO
La Plaza Mayor de Madrid está situada en el centro de la ciudad, a pocos metros de la plaza de la Puerta del Sol y de la Plaza de la Villa junto a la calle Mayor.
Los orígenes de la plaza se remontan al siglo XV, cuando en la confluencia de los caminos (hoy en día calles) de Toledo y Atocha, a las afueras de la villa medieval, se celebraba en este sitio, conocido como "Plaza del Arrabal", el mercado principal de la villa, construyéndose en esta época una primera casa porticada, o lonja, para regular el comercio en la plaza.
En 1580, tras haber trasladado la corte a Madrid en 1561, Felipe II encargó el proyecto de remodelación de la plaza a Juan de Herrera, comenzándose el derribo de las "casas de manzanas" de la antigua plaza ese mismo año. La construcción del primer edificio de la nueva plaza, la Casa de la Panadería, comenzaría en 1590 a cargo de Diego Sillero, en el solar de la antigua lonja. En 1617, Felipe III, encargó la finalización de las obras a Juan Gómez de Mora, quién concluirá la plaza en 1619.
La Plaza Mayor ha sufrido tres grandes incendios en su historia, el primero de ellos en 1631, encargándose el mismo Juan Gómez de Mora de las obras de reconstrucción. El segundo de los incendios ocurrió en 1670 siendo el arquitecto Tomás Román el encargado de la reconstrucción. El último de los incendios, que arrasó un tercio de la plaza, tuvo lugar en 1790, dirigiendo las labores de extinción Sabatini. Se encargó la reconstrucción a Juan de Villanueva, que rebajó la altura del caserío que rodea la plaza de cinco a tres plantas y cerró las esquinas habilitando grandes arcadas para su acceso. Las obras de reconstrucción se prolongarían hasta 1854, continuándolas, tras la muerte de Villanueva, sus discípulos Antonio López Aguado y Custodio Moreno.
La Plaza Mayor se convirtió desde sus inicios, no solo en el principal mercado de la villa, tanto de alimentación (surtida por los numerosos tablajeros vigilados por el Repeso) como de otros géneros (instalándose en sus soportales los principales gremios); sino también en el escenario de numerosos actos públicos, como corridas de toros, autos de fe, inmortalizando el pintor Francisco Ricci el celebrado en 1680, ejecuciones públicas, colocándose el patíbulo delante del portal de pañeros si la pena era de garrote; frente a la Casa de la Panadería, si era de horca, y ante la Casa de la Carnicería, si era de cuchillo o hacha. También se celebró en la Plaza Mayor la beatificación de San Isidro, santo patrón de Madrid.
La Plaza Mayor es actualmente un importante punto turístico, visitado por miles de turistas al año. En los locales comerciales ubicados bajo los soportales, abundan los comercios de hostelería, que instalan terrazas junto a los soportales de la plaza.
Todos los meses de diciembre, se celebra el tradicional mercado navideño, costumbre que se mantiene vigente desde el año 1860.
También se celebra todos los domingos y festivos por la mañana el mercado de Filatelia y Numismática.
See What Can Be Seen When Viewed Large
All three of the following images were shot with a Sigma 50-500 at a distance of about 120 feet or approx 38 meters. Yes the camera was on a tripod !
If you want happiness for an hour - take a nap.
If you want happiness for a day - go fishing.
If you want happiness for a month - get married.
If you want happiness for a year - inherit a fortune.
If you want happiness for a lifetime - help someone else.
Chinese Proverb
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☻ VIEW / SIEHE:► Large on black ► Place Map
AWARD: ► no
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☻ Ort: City☻Kröpcke☻U-Bahn • in Hannover • Region Hannover • Niedersachsen • Deutschland
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☻ Place.: City☻Kröpcke☻Station • Hanover • Hanover District • Lower Saxony • Germany
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☻ KOMMENTAR ► Klick "Links" ( oben ▲) =Wikiepedia- Info:
Mal etwas ganz Anderes. Was hier so futuristisch daher kommt, ist die U-Bahn-Station unserer Heimatstadt Hannover. Die in vielen Stationen auch von Kunst geprägt ist. Es lohnt sich einmal H I E R zu klicken.
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☻ COMMENT: ► Click "Link" ( above ▲) = Wikiepedia- Info
Once something quite different. What here so futuristic come, is the Metro station our home city of Hanover. In many stations also influenced by art. It's worth it to click once H E R E .
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Exposición LA VIDA OCULTA DEL AGUA; en la UNED de Barbastro
Hoy con nuestro agradecimiento a Bárbara Barrera por su precioso artículo sobre diatomeas en la revista Vidriooh!
Artículo LA BIODIVERSIDAD OCULTA
Bajo el hielo, la vida en el agua no se interrumpe, continúa latiendo en mil formas, despierta o dormida, preparándose para aprovechar cada instante. Muchos ciliados parecen ser ajenos al frío y en veloz carrera lo desafían buscando entre los fondos el alimento que los mantendrá despiertos hasta la llegada de la primavera, algunas algas como los désmidos acostumbradas al aire helado de la montaña, parecen encontrar en el agua su abrigo, otros seres duermen su sueño invernal encerrados en su cápsula del tiempo que sólo se abrirá cuando una señal misteriosa del agua dé su aprobación.
Hoy Chaetophora empieza a desperezarse y regala una gota de su vida al agua, dentro de unas semanas su cuerpo se habrá alargado y convertido en un collar de gotas verdes, gotas que se ramificarán formando filamentos que se fijan a los fondos o a otras algas, gotas que se prolongarán en finos y larguísimos brazos transparentes, gotas para tapizar las orillas de la las lagunas y sembrarlas de vida.
Chaetophora es un alga pluricelular de talos ramificados y cortos y de color verde claro. Las células terminales de las ramas de más edad se suelen prolongar en un largo pelo transparente que es característico de este género. Chaetophora vive en aguas con cierta carga de materia orgánica fija sobre otras plantas acuáticas, algas o piedras y con frecuencia se extiende dando lugar a densas poblaciones.
La fotografía de hoy procede de una muestra de agua recogida ayer en la Laguna de Ajamil y ha sido tomada a 400 aumentos empleando conjuntamente la técnica de campo oscuro y la de polarización.
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☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen los vientos limpios que todos necesitamos. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.
"The objects, in a house, they are an extension of us. Inanimate, but strangely intimate. They mark the time and they enclose emotions."
(Hayat, Faíza)
This isn't my grandfather's house... but it has a signboard with the name of the house 'Casa do Avô', or in english 'grandfather's house'.
texture by Skeletalmess
see my photos on 500px
see my most interesting on flickriver
www.flickriver.com/photos/37420386@N03/popular-interesting/
see my recent on black on flickriver
Montmeló, Barcelona (Spain).
ENGLISH
The pits usually comprise of a pit lane which runs parallel to the start/finish straight and is connected at each end to the main track, and a row of garages (usually one per team) outside which the work is done. Pit stop work is carried out by anywhere from five to twenty mechanics (also called a pit crew), depending on the series, while the driver waits in the vehicle (except where a driver change is involved).
In Formula One, cars make pit stops with the primary purpose of refueling and changing tyres, although during the 2005 season tyre changing during the race was prohibited. Teams sometimes also make adjustments to the front and rear wings and perform minor repairs, most commonly replacing the nose and front wing assembly. Pit strategies generally call for between one and three scheduled stops, depending on the course.
When the car is approximately one lap away from making its stop, the team's pit crew will set up fresh tyres and all needed pit equipment. Because of the overhead fuel and pneumatic rig, the team may have all pit mechanics in position prior to the car's arrival, with the exception of the rear jack man.
A pit stop involves about twenty mechanics, with the aim of completing the stop as quickly as possible. It lasts for six to twelve seconds depending on how much fuel is put into the car. However, if there is a problem, such as a fuel pump failing or the engine stalling, or repairs having to be made, it can take much longer. Cars are fuelled at a rate of more than 12 litres per second. This is accomplished by a fairly complex closed system that pumps air out of the car's fuel tank as the fuel is being pumped in.
More info: en.wikipedia.org/wiki/Pit_stop
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CASTELLANO
Los boxes comprenden el "pit lane", o carril de boxes, que corre paralelo a la recta de salida/meta y conectado a ella por los extremos, y una hilera de garajes (normalmente uno por equipo). El trabajo de la parada en boxes, que se lleva a cabo fuera de los garages, lo realiza un equipo de entre 5 y 20 mecánicos dependiendo del tipo de deporte, mientras el piloto espera en el vehículo (excepto cuando hay cambio de piloto).
En Fórmula 1, los coches hacen una parada en boxes con el prpósito principal de recargar combustible y cambiar ruedas, aunque en la temporada 2005 estuvo prohibido el cambio de ruedas. Los equipos a veces hacen ajustes en los alerones delanteros y traseros, así como reparaciones menores, como cambiar el morro. Las estrategias de boxes suelen comprender entre una y tres paradas, dependiendo de la carrera.
Cuando el coche está a una vuelta de la parada, el equipo de boxes prepara ruedas nuevas y todo el equipamiento necesario. Todos los mecánicos están en sus posiciones cuando llega el coche, excepto el encargado del elevador trasero.
Una parada en boxes implica veinte mecánicos, con el objetivo de completar la parada en el mínimo tiempo posible, que son entre seis y doce segundos dependiendo de la cantidad de combustible repostada. Sin embargo, su ocurre un problema como un fallo en la bomba de combustible o una parada de motor, o hay reparaciones adicionales, el tiempo se puede prolongar. Los coches repostan a razón de 12 litros por segundo. Este rápido repostaje se lleva a cabo por un complejo sistema cerrado que bombea aire fuera del depósito a medida que se llena de combustible.
Hilo de la Fotohistoria en Pullip .es: DATING AT CINEMA (5 of 5): The cliff lookout /
CITA EN EL CINE (5 de 5): El Mirador
(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286.
PHOTOSTORY: In English / En Español
Akari: So...
/
Akari: Entonces...
COLLABORATION:
- Dom y Akari en el Foro de Pullips: Pullip .es
- Cinema's diorama by Minao. Sweets shop's diorama by Sheryl and Minao Collaboration.
- Little interpretation of Mad_Pullip's Emily as a MUSE fan.
SHERYL LINKS:
- Pullip .es: Las Fotohistorias de Sheryl
- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012
Please, View On Black
Zephyr in the sky at night I wonder
Do my tears of mourning sink beneath the sun
She's got herself a universe gone quickly
For the call of thunder threatens everyone
Chorus:
And I feel like I just got home
And I feel
And I feel like I just got home
And I feel
Faster than the speeding light she's flying
Trying to remember where it all began
She's got herself a little piece of heaven
Waiting for the time when Earth shall be as one
(chorus)
Quicker than a ray of light
Quicker than a ray of light
Quicker than a ray of light
(verse)
And I feel
Quicker than a ray of light
Then gone for
Someone else shall be there
Through the endless years
Ray Of Light Lyrics, by Madonna
These photos of the Starlings were taken almost exactly a year ago from my kitchen window. They are frequenting my backyard and the feeders in large groups again this year.
December is very busy for me so I reluctantly put my camera away to avoid temptation. Once I have a camera in my hand, I am very easily distracted and the time just flies by. It would be nice to have a few extra hours in a day to fit everything in!
Hope that everyone is enjoying December and your preparations for the holiday season are going well. I don't have much time to comment but I do try to at least view your photos. I promise I will take time to make comments soon!
If you have the time, click here to see my photos on Darckr.