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Its incredible how FAST the butterflies are.. Shot at 1/750s and still the motion blur...this is not camera shake (evident with the bottom left flower sharpness!)
WOW.. getting motion blur at such speed just shows how the butterflies take off and why its so hard to photograph them IN-FLIGHT!
I tried to catch the butterflies in flight literally dozens of times during this vacation... but this is the only one i have with me to showcase!
Check out the hole in mah head!!
Whew, this is the craziest picture i have ever done. All because from setting up the camera to uploading the pic,i had 1 hour 25 mins.
See, i misread the time zone stuff
for the FLICKR ISLAND and didnt realize it had to be up by noon. ...
Big thanks to my Roommie Danakin skywalker for taking charge of the
yard sale schtuff we had going on.
Eeeesh.
wish i had more time to really make the 3-d-ness of it more solid,but this
is what i got.
Good luck To TOM in our Final round competition!
this may or may not be my 365 for the day,it all depends on what happens
with the other photo i had planned last night.
Gay & Lesbian Pride March 2010
It’s back in 2010, the event that stops traffic… On Sunday February 7th, the 15th annual Pride March takes over Fitzroy St, St Kilda in a blaze of colour, noise and movement!
Pride March 2010 is an open air celebration culminating in a Pride March down Fitzroy Street St Kilda and finishing with performances on the foreshore. Pride March is to express courage, solidarity, pride, diversity and a strong sense of community.
Gay & Lesbian Pride March
Down Fitzroy Street to Catani Gardens
Sunday 7 February 2010
Fitzroy St, St Kilda Victoria 3182 Australia.
Telephone: 03 9513 3054
Turning 30 in 2010, St Kilda Festival is one of Australia’s best known and Melbourne’s most loved events. It utilises St Kilda’s stunning foreshore and celebrates the cream of Australia’s musical talents.
Saturday 6 February is Yalukit Wilam Ngargee: People, Place Gathering, an outdoor Indigenous festival featuring music, dance, children’s activities and more that welcomes people to St Kilda for the week ahead, O’Donnell Gardens.
From 7-13 February experience Live N Local: St Kilda venues throw open their doors to host a variety of local bands, musicians, performers, artists and comedians in a series of one off and special events - everything you love about St Kilda and more.
PARA TODOS LOS AMIGOS DE BIODIVERSIDAD VIRTUAL POR COMPARTIR DOS MAGNÍFICOS DÍAS DE AMISTAD Y TRABAJO
Exposición LA VIDA OCULTA DEL AGUA; en el Centro del Agua de Daimiel del 21 de diciembre al 20 de febrero.
Artículo LA BIODIVERSIDAD OCULTA
Cephalodella es un rotífero de pequeño tamaño y generalmente gran cabeza, y está representado por cerca de 190 especies que se reparten por las aguas de todo el Planeta.
La corona de Cephalodella se dispone oblicua con respecto al eje del cuerpo de este rotífero y es muy discreta si la comparamos por su tamaño con las de otros géneros más o menos próximos como Philodina o Ptygura. Su corto pie está formado por dos dedos alargados en forma de espina con los que se ancla a las algas o a los grumos de sedimento desde donde filtra el agua.
El género Cephalodella pertenece a un grupo de complicado reconocimiento. Las características de cada una de las especies, con frecuencia resultan difíciles de observar...y más todavía en ejemplares vivos. La cabeza de este rotífero es ancha y su aparato masticador puede presentar hasta seis formas diferentes.
Cephalodella tiene solo un pequeño ojo situado en la frente, otras veces, desplazado un poco hacia atrás se dispone en la “nuca”.
Hoy Cephalodella se ha asentado en un mullido colchón de sedimento y se dedica a bascular filtrando el agua y en este balanceo va recogiendo las pequeñas algas y otros diminutos organismos que le sirven de alimento.
La fotografía se ha tomado a 400 aumentos empleando la técnica de contraste de interferencia sobre una muestra recogida hace unas semanas en una laguna próxima a la localidad zamorana de Ricobayo
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☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen los vientos limpios que todos necesitamos. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.
Yes, I know I was in Marrakech and not in Casablanca, but how many people are there who don't think of Casablanca when they think of Morocco?
One of the things that I simply did not expect in Morocco was just how people react to having their photos taken. As I've learned since returning to the States, its a common occurrence in Africa for a photographer to have to pay to take a photo. Some sources claim this is because people there are under the impression that we photographers will just try to commercialize their face while other sources say it's a more spiritual thing and has something to do with their souls.
Regardless of the reason, I wasn't really up for paying for photos and I didn't want to play the classic Douchebag With a Camera game, so I decided it'd be a good opportunity to practice shooting from the hip. It wasn't easy, but it was certainly a lot of fun trying, especially since I was using a zoom lens and tried my hand at choosing focal length blind as well. Admittedly, I spent most of the time around 35mm since I know exactly what to expect there.
As with the last photograph from Morocco that I posted, this one was taken in the Djemaa el Fna medina of Marrakech.
Nikon D40
42mm, f/5.3, 1/160 sec, ISO200
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Been here a few times never happy due to the light and sky until today worth the £6 entrance fee as the gardens and flowers looked amazing.Think my job is done at this amazing location ;-)
An ancient site dating back to the 7th century was originally owned by the church but later acquired by the Button family in the 16th century. The name was changed to Dyffryn St. Thomas when the estate was sold to Thomas Pryce, who built the first building to be known as Dyffryn House. John Cory bought the estate in 1891 and built the present house two years later. He later commissioned Thomas Mawson to landscape the gardens to complement his magnificent house. After John Cory's death in 1910, his third son, Reginald, a keen horticulturalist and leading figure in the RHS, developed the gardens and arboretum notably through his joint sponsorship of several plant hunting expeditions. The most remarkable of the results of this is the Paper Bark Maple, Acer griseum, which was grown from seed brought back from China by Ernest Wilson.
After Reginald Cory's death in 1934, the estate went to his daughter Florence who died just two years later. It was then bought by Sir Cennydd Traherne who leased it in 1939 to Glamorgan County Council on a 999 year lease. The Grade I listed gardens are being restored in two phases with grants from the Heritage Lottery Fund. The first phase is for £3.25 million and the second for £2.9 million.
Much Better Viewed Large On Black
This is the Bagdad Cafe on Route 66 in Newberry Springs, California. The car out front belongs to my friends Hans and Jonas Hannsson of Malmo, Sweden, and is a Volvo PV they customized themselves into the hot rod convertible you see here. They temporarily imported this car for a long wished for trip across the U.S. on Route 66. They had a wonderful time!
The original photo was taken by Jonas Hansson, and with Jonas' permission, I've been selecting some of my favorite photos of their road trip along the "Mother Road" and doing some post processing... enhancing, cropping, tone mapping, special effects, etc. The original photo was not so great. I used Photoshop to crop and enhance the photo, then my Photoshop filter "Fractalius" to turn it into a digital painting/drawing.
Below is a link to Hans and Jonas' blog about their historic trip:
hanssonroute66.blogspot.com/2006/07/information-in-englis...
INFORMATION ON THE BAGDAD CAFE:
Bagdad Cafe, a movie centering on old Route 66, was filmed in the Newberry Springs area. The Bagdad Cafe located in Newberry Springs is not the original Bagdad Cafe, the original cafe was located in the town of Bagdad between Amboy and Ludlow on old Route 66. Nothing remains of the old cafe in Bagdad. The Newberry Springs cafe is a Route 66 survivor though and was once known as the Sidewinder Cafe. After the movie was filmed here the name Bagdad Cafe just seemed to stick. It is open for business today serving breakfast, lunch and dinner. If you are coming through the area I would recommend stopping here. Say hi to Andrea Pruett, the proprietor, while you're at it. She has done a great job of keeping the Bagdad Cafe alive for all us Mother Road fans. If you're lucky, maybe General Bob will show up and entertain you with his colorful stories from the past! The nearest large town to the Cafe is Barstow. You'll find the Bagdad Cafe between the east and west off-ramps of I-40, at Newberry Springs, east of Barstow
INFORMATION ON NEWBERRY SPRINGS, CALIFORNIA:
The area around Newberry Springs has been a source of water in the arid Mojave Desert since the earliest days. The site of Camp Cady is located a few miles from present day Newberry Springs, and was a resting place and watering hole along the Mojave River for wagon trains coming to California in the 1850's on the old Mormon Trail. In the 1880's the Atlantic and Pacific Railroad hauled tank cars of water from Newberry Springs to the stations and towns in the area making life in this arid land possible.
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www.youtube.com/watch?v=uD3exIJ-hGs
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homepages.indiana.edu/issue/page/normal/439.html
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www.kokomoherald.com/Content/News/All-News/Article/IU-Kok...
homepages.indiana.edu/web/page/normal/22373.html
tackk.com/michaelharrischancellor
articles.southbendtribune.com/2011-10-02/news/30236848_1_...
www.insideindianabusiness.com/newsitem.asp?ID=51072
articles.washingtonpost.com/2008-11-02/news/36841810_1_bi...
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iufoundation.iu.edu/newsroom/archive/2012/cole-iuk-gift.html
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m.foundationcenter.org/pnd/news/story.jhtml?id=295700040
newsroom.iuk.edu/campus/17-campus-news/191-milt-and-jean-...
Chancellor Michael Harris sharing the news of $1.25 million gift from Milt and Jean Cole
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kokomoperspective.com/kp/news/people-of-the-year/article_...
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bulldogs.kettering.edu/perspective/2010/08/01/china-2010/
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The Big Move, Visioned, Initiated and Implemented by Chancellor Michael Harris IU Kokomo:
www.youtube.com/watch?v=mJIe0t6aDEU
www.indianaeconomicdigest.net/main.asp?SectionID=31&S...
nciia.org/network/conference/2010/presenters/michael_harris
www.facultyfocus.com/articles/academic-leadership/academi...
tackk.com/michaelharrischancellor
blogs.forbes.com/people/michaelharrischancellor/
www.businesswire.com/news/home/20100602005505/en/Ketterin...
www.mlive.com/news/flint/index.ssf/2010/02/post_92.html
homepages.indiana.edu/web/page/normal/17736.html
mydigimag.rrd.com/article/Up_Front/706709/67528/article.html
avoyership13.moxai.com/chan-7603525/all_p2.html
kokomoperspective.com/sports/iuk/naia-approves-indiana-un...
prezi.com/mqmsmgcgni1u/iu-kokomomoving-forward/
Indiana University Kokomo Receives $1.25 Million Gift ...
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Jan 22, 2012 - Indiana University Kokomo has announced a $1.25 million gift from the family of Milt and Jean Cole, owners of Cole Hardwood in Logansport, ...
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Cuesta no pensar que la cantidad de filtraciones e información alrededor de la próxima película de Star Wars no le esté viniendo bien a Disney tras la controvertida compra de los estudios LucasArts por parte de este gigante y el anuncio a los pocos días de que se ponía en marcha el proyecto para tener más Star Wars de la mano de Disney.
Queda todavía más de un año para que llegue, pero la expectación es máxima alrededor de todo lo que tiene que ver con Star Wars Episodio 7. Aquí te dejamos con lo principal que se conoce hasta ahora para que vayas abriendo boca.
La historia
Lógicamente, la historia es el secreto mejor guardado de la nueva entrega de Star Wars. Lo único que se conoce con certeza es el momento temporal en que transcurrirá la película: 30 años después de los acontecimientos del episodio anterior, “El Retorno del Jedi”.
Ya entrando en el terreno de los rumores y especulaciones, el inicio de la película estaría protagonizado por una mano, concretamente la de Luke Skywalker, flotando por el espacio sujetando su sable láser.
Al encontrarla en un desierto, los protagonistas de la nueva entrega (se habla de un trío que incluye a un adolescente o niño), ayudados por Han Solo y Chewbacca, iniciarían la búsqueda de Luke, del que nadie sabe nada desde hace 30 años. ¿Adivináis donde estaba? Justo, cautivo por los nuevos malos de la película.
De los pocos detalles con interés que ha dejado caer Abrams sobre el Episodio VI está el uso de menos efectos especiales generados por ordenador, no al menos al nivel de los primeros tres episodios (tras la trilogía original).
Lo único seguro sobre la historia de Star Wars Episodio VII es que transcurrirá 30 años después de “El Retorno del Jedi”
Episodio VII, que no tiene todavía título oficial definitivo, empezó a rodarse en mayo de este año en los estudios Pinewood de Londres. Del éxito de esta primera parte de la siguiente trilogía (cada película irá separada de la otra con un spin off de los principales protagonistas) dependerá la acogida de las siguientes, aunque solo con el nombre y la legión de fans y seguidores, el ruido está garantizado.
El director y equipo técnico
Tener entre las manos las nuevas entregas de Star Wars no es tarea sencilla. La especulación con los posibles directores de los tres siguientes episodios de la saga galáctica se cortó con el anuncio de que J.J. Abrams (responsable de Star Trek o Misión Imposible II y muy prolífico en televisión) sería el director de la orquesta de responsables que Disney iba a poner delante de este esperado retorno de la famosa saga galáctica.
El propio Adams junto con Lawrence Kasdan (responsable El Retorno del Jedi y El Imperio Contraataca) será el guionista (tras un paso en falso con Michael Arndt) de esta producción que cuenta con otros importantes nombres detrás de los apartados de producción, como Tommy Harper, Jack Ryan o Jason McGatlin, todos ellos con mucha experiencia en grandes superproducciones.
Star Wars Episodio VII se rodará en 35 mm, una decisión de su director de fotografía, Dan Mindel. El diseñador de vestuario será otro conocido: Michael Kaplan.
De la música, parte para mi fundamental e histórica de los primeros episodios, se ha conseguido que se encargue el maestro jedi con batura que es John Williams.
El reparto
Tras decidir el director y parte del equipo técnico, el reparto generó bastantes especulaciones hasta que se produjo el anuncio oficial. Con Han Solo apareciendo en el desarrollo del argumento de la nueva entrega, era lógico que por allí apareciera Harrison Ford.
Que el grueso del reparto original vaya a tener presencia en el Episodio VII es un claro guiño a los seguidores y una atracción más para acudir a ver la película
El Han Solo de más de 70 años estará acompañado por los otros dos actores principales de las películas originales: Mark Hamill (Luke Skywalker) y Carrie Fisher (Princesa Leia). Y no faltarán Peter Mayhew (Chewbacca) o los entrañables actores Anthony Daniels y Kenny Baker en sus papeles de C-3PO y RD-D2 respectivamente. Esta vuelta al pasado es sin duda un seguro que Disney ata para tener el apoyo, el menos moral, de parte de los fans de la saga original.
Entre las nuevas caras, hay tanto veteranos como rostros conocidos del cine y la televisión de los últimos años. Como protagonistas principales tendremos a los actores John Boyega y Daisy Ridley, que compartirán aventuras con, entre otros, Adam Driver, Lupita Nyongo, Oscar Isaac, Max von Sydow y Andy Serkis.
La “famosa” foto con la que se anunció el reparto principal de Star Wars Episodio VII
La anécdota relacionada con el reparto e inicio de la grabación tiene a Ford como protagonista. Un mes después de iniciarse el rodaje en mayo de este año, Harrison Ford se rompió un tobillo, cosas del destino, con una puerta de su Halcón Milenario. La grabación tuvo de detenerse y esta misma semana se ha reanudado el trabajo el ritmo habitual, que tendrá lugar en localizaciones de Islandia y Emiratos Árabes además del Reino Unido.
Fecha del estreno
Llevamos ya un largo periplo alrededor de Star Wars Episodio 7, pero todavía nos queda un buen trecho por recorrer.
La fecha de estreno anunciada, el 18 de diciembre de 2015, se va a mantener pese a que estuvo en teoría en peligro por el accidente de un Ford que parece mayor para luchar en esta guerra.
Imágen | Joshlange.
– La noticia Star Wars Episodio 7: lo que se sabe hasta ahora fue publicada originalmente en Xataka por Javier Penalva.
Acciones QPM: Establecer como borrador | Mover a la papelera | Forzar el borrado | Editar | Gestionar | Configuraciones QPM - www.diariototal.com/2014/10/10/star-wars-episodio-7-lo-qu...
http://www.diariototal.com/2014/10/10/star-wars-episodio-7-lo-que-se-sabe-hasta-ahora/
tecnologia
#tecnologia
Perhaps the most striking and spectacular impression of Stone Town for its first time visitor is the magnificent wooden doors serving as prosperous entrances to the grand buildings.
The doors have become more or less synonym with the Swahili culture where they mainly are found in East Africa, Lamu and Mombasa (Kenya) and in Zanzibar. The doors in Zanzibar outnumber the doors, both in number and in grandness, found elsewhere along the coast, and thus being named ‘Zanzibar doors’. An inventory done in the 1980ies reported around 800 doors. Unfortunately has the number decreased, not only due to the diminishing of several houses, but also due to theft following the increased attention from international collectors.
The doors are manifestations in excellent craftsmanship, both technically and artistically. The oldest doors are often made out of Burma (Indian) teak, shipped all the way from Asia across the Indian Ocean. The shutters are made in one impressive piece and not mended together as is the case on newer doors. The Burma teak does no longer exist and the alternative has been the East African teak. Even this wood has become rare and difficult to find, often demanding a very high price.
The wealthy traders and house owners appointed skilled carvers brought in from India for the delicate job of arranging the entrance ornament. Their creativity is continuously at display.
In principal there are two types of doors found in Stone Town. The Indian doors, or Gujarati doors, with square shutters and made into smaller sections so that the door can fold together. These doors are to be seen along the busy bazaar streets where the Indian businessmen lived. The second type is called ‘Arab doors’, these doors are often found with an inscription in Arabic – most likely a phrase from the Holy Quraan – on the top frieze, and richly decorated around the frame. The older doors were all square at top. The semi-circular frames were introduced later, but are still referred to as ‘Arab doors’.
The custom of putting brass knobs on the shutters comes from India, where the knobs were said to prevent elephants from crushing the doors. Since there have been no violent elephants in Zanzibar the brass knobs were simply but there as a decoration and to show the wealth of its owner.
By looking at the lower part of the side posts and rough estimate can be done of the age of the door. The oldest doors have a symbol resembling of a fish. The fish gradually transformed into a shape of a pineapple and thus if the carving shows a clear and distinct pineapple the doors is of a younger generation. Another symbol that became part of the decoration was the chain-like row at the very outside of the whole door. The chain was said to protect the entrance from evil spirits.
(source: Zanzibar Stone Town Heritage Society)
Thanks to Thomas (Mio Cade) for this Bali Trip. Saw this girl and noticed that her thoughts seem to be elsewhere.
The biggest Hindu's festival called Galungan and Kuningan, both falling every six months or twice a year in Balinese calendar or every 210 days because in Balinese calendar are consist of 35 days in each month. Both celebrations are for celebrating the winning of good (Dharma) over the bad (Adharma). Usually, people will go for their hometown to celebrate these days together with family. They will pray to Ancestors at the family's Temple and some Temples in the village which are related to their family root.
The last day of those three is the Post Galungan Day which is Manis Kuningan. This is the time for visiting friends, relatives who live in other area of their living or hometown. The people who are visited welcome the visitors warmly and serves with tape (fermented sticky rice) and jaja uli (rice cake). The togetherness and warmth can be maintained from time to time.
Location: Southern End of the Maidan, Calcutta
Period of construction: 1839-1847
Dedicated to: St. Paul
Calcutta St. Paul's Cathedral is the first Episcopal Church of the Orient. Bishop Wilson patronized the construction of this beautiful church in 1839. The credit for the awesome designing of this Indo-Gothic architecture goes to Major W.N. Forbes. The work of establishing the St. Paul Cathedral of Kolkata, India was completed in 1847. It is situated at the southern end of the Maidan. The church was destroyed due to the earthquake of 1897 and then it was renovated. But, the earthquake of 1934 led to the collapse of the tower and eventually it was rebuilt on the lines of the Bell Harry Tower of Canterbury Cathedral. It is 247 ft. in length and 81 ft. in width. The main hall of the cathedral is very large containing splendid carved wooden pews and chairs. Its eastern walls are covered with intricate colorful artwork. The beautiful pictures describe the life and works of Saint Paul. The atmosphere of this cathedral is very tranquil. The architecture and the interim of the Saint Paul Cathedral is truly a feast for eyes.
I can't believe I just became someone who uses a selfie stick. (Stephanie's friend Mayte had one.)
#TransPrideSeattle
...
Tess, Gabriel's transgender daughter, is the biggest reason we were all there on Friday evening, and somehow we all managed to squish her almost out of sight in this picture! The girl on the left is one of her best friends, and I don't remember her name. That's Uber-Go-Team-Dad Gabriel in the background; his current wife Kornelija on the right and his ex-wife Stephanie to my right. To Stephanie's right is her friend Mayte, who whipped the selfie stick out of her purse when I said I wanted to get a shot of us all. She offered to take the photo but knowing she was part of the group I told her I wanted her in it. (Turns out Tess's friend's parents were also there so I guess there was a bigger group than I thought, and maybe that means I excluded some people here?) P.S. Mayte was also the name of the woman Prince was married to between 1996 and 2000. She was a belly dancer. I'm pretty sure this Mayte was none of those things.
*
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Artículo LA BIODIVERSIDAD OCULTA
Cuando el agua tiene mucha materia orgánica que sirve de alimento a las bacterias, aparecen gran cantidad de cilados y de rizópodos -amebas- que gustan de este manjar...también nosotros las tomamos por billones cuando comemos un yogur.
Paramecium trichium al igual que Paramecium caudatum no las puede tomar a cucharadas así que absorbiéndolas una a una, como si se tratase de rizos de espaguetis, las va recogiendo del agua, con los remolinos generados con sus cilios y así, poco a poco, le devuelve su transparencia original.
Paramecium trichium no es quizá el paramecio más esbelto y elegante, ni brilla con el verdor de Paramecium bursaria, pero hace una importantísima labor depurando el agua.
Su cuerpo plano y más o menos ovalado deja ver en el borde algunos cilios y también los tricocistos que son su arma secreta. En su interior, además del núcleo suelen verse dos vacuolas contráctiles que expulsan el exceso de agua que entra en su interior. Él se queda con las bacterias, restos de materia orgánica y pequeñas algas, y devuelve un agua limpia mientras su interior se va oscureciendo hasta hacerse casi opaco.
La fotografía procede de unas muestras de agua recogidas en el Cañón del Río Lobos, en Soria, por Mª Ángeles y Jesús y ha sido realizada con la técnica de contraste de interferencia a 400 aumentos ¡¡¡ Muchísimas gracias "mayjes" y que disfrutéis del fin de semana!!!
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☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen los vientos limpios que todos necesitamos. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.
Parc Natural del Garraf - Olivella, Barcelona (Spain).
ENGLISH
Prayer flags are colorful panels or rectangular cloths often found strung along mountain ridges and peaks high in the Himalayas to bless the surrounding countryside or for other purposes. Unknown in other branches of Buddhism, prayer flags are believed to have originated with Bön, which predated Buddhism in Tibet. Traditionally they are woodblock-printed with texts and images.
The Indian Buddhist Sutras, written on cloth in India, were transmitted to other regions of the world. These sutras, written on banners, were the origin of prayer flags. Legend ascribes the origin of the prayer flag to the Shakyamuni Buddha, whose prayers were written on battle flags used by the devas against their adversaries, the asuras. The legend may have given the Indian bhikku a reason for carrying the 'heavenly' banner as a way of signifying his commitment to ahimsa. This knowledge was carried into Tibet by 800 CE, and the actual flags were introduced no later than 1040 CE, where they were further modified. The Indian monk Atisha (980-1054 CE) introduced the Indian practice of printing on cloth prayer flags to Tibet.
Lung Ta (meaning "Wind Horse") horizontal prayer flags are of square or rectangular shape and are connected along their top edges to a long string or thread. They are commonly hung on a diagonal line from high to low between two objects (e.g., a rock and the top of a pole) in high places such as the tops of temples, monasteries, stupas or mountain passes.
Traditionally, prayer flags come in sets of five, one in each of five colors. The five colors represent the elements, and the Five Pure Lights and are arranged from left to right in a specific order. Different elements are associated with different colors for specific traditions, purposes and sadhana:
- Blue (symbolizing sky/space)
- White (symbolizing air/wind)
- Red (symbolizing fire)
- Green (symbolizing water)
- Yellow (symbolizing earth)
More info: en.wikipedia.org/wiki/Prayer_wheel
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CASTELLANO
Las banderas de oración son coloridos paneles o paños rectangulares a menudo encadenados a lo largo de las crestas y de los picos de las montañas en el Himalaya para bendecir el terreno circundante o para otros propósitos. Desconocido en otras ramas del Budismo, se cree que las banderas de oración se originaron con Bön, que precedió el Budismo en el Tíbet. Tradicionalmente los textos y las imágenes son impresiones con plancha.
El Sutras budista indio, escrito en el paño en la India, fue transmitido a otras regiones del mundo. Estos sutras, escritos en banderas, eran el origen de las banderas de oración. La leyenda atribuye el origen de la bandera del rezo al Buda Shakyamuni, cuyos rezos fueron escritos en las banderas de batalla usadas por los devas contra sus adversarios, los asuras. La leyenda pudo haber dado al bhikku indio una razón para llevar la bandera “divina” como manera de significar su compromiso al ahimsa. Este conocimiento fue llevado en Tíbet por el año 800 DC, y las banderas reales fueron introducidas antes del 1040 DC, donde fueron modificadas más a fondo. El monje indio Atisha (980-1054) introdujo en el Tíbet la práctica india de la impresión en banderas de oración.
Las banderas horizontales de oración Lung Ta (significa “caballo del viento”) son de forma cuadrada o rectangular y están conectadas a lo largo de sus bordes superiores con una larga cuerda o hilo. Normalmente se cuelgan en una línea diagonal de arriba a abajo entre dos objetos (por ejemplo, de una roca a la punta de un poste) en lugares altos tales como las puntas de templos, de monasterios, de estupas o de pasos de montaña.
Tradicionalmente, las banderas de oración van en grupos de cinco, cada una de uno de cinco colores. Los cinco colores representan los elementos, y las cinco Luces Puras se disponen de izquierda a derecha en un orden específico. Los diversos elementos se asocian a diversos colores para tradiciones, los propósitos y el sadhana específicos:
- Azul (simbolizando cielo/espacio)
- Blanco (simbolizando aire/viento)
- Rojo (simbolizando fuego)
- Verde (simbolizando agua)
- Amarillo (simbolizando tierra)
"Look in the heavens, what do you see?
angels are making something for me.
two drops of happy
one pinch of pain
i'll call her
little miss sunshine, little miss rain
two eyes much bluer than i've ever seen
and on my birthday they will turn to green
two drops of happy
one pinch of pain, i'll call her
little miss sunshine, little miss rain
a nose so pretty, but not a perfect sight
and a good morning's a little to the right
two drops of happy
one pinch of pain, i'll call her
little miss sunshine, little miss rain
a mouth full of honey, so the bees wont sting
her hair is golden, as an agels ring
two drops of happy
one pinch of pain, i'll call her
little miss sunshine, little miss rain
little miss sunshine, little miss rain
(Little Miss Sunshine, Little Miss Rain by Lee Hazlewood)
View On Black on line Pitch Invasion Site 1863.pitchinvasion.net/post/17158021291/tom-finney-statue...
www.footballgroundguide.com/preston_north_end/tom_finney_...
Please don't use this image on websites, blogs or other media
without my explicit permission.
© All rights reserved
The Splash i.dailymail.co.uk/i/pix/2009/03/18/article-0-0089D4B80000...
On 31 July 2004, Sir Tom unveiled the water feature sculpture "The Splash", by sculptor Peter Hodgkinson, which stands outside The National Football Museum. The sculpture was inspired by the 1956 Sports Photograph of the Year which features Tom Finney beating two defenders at a waterlogged Stamford Bridge.
Now aged 89, Finney is one of England's oldest living former international footballers. As of February 2011, he is also one of only three surviving players from England's 1950 World Cup squad. The others are Bert Williams and Roy Bentley.
www.pneformerplayers.co.uk/formerplayers/tom_finney_featu...
www.dailymail.co.uk/sport/football/article-1163026/EXCLUS...
Exif data auto added by theGOOD Uploadr
File Size : 5.5 mb
Camera Make : NIKON CORPORATION
Camera Model : NIKON D1X
Software : Adobe Photoshop : Bibble Pro 4.10 RAW NEF File : Alien Skin Exposure : Digital Fuji Fujichrome Provia 100F :
Exposure : 0.001 sec (1/800)
Aperture : F8
Lens : Nikon 55mm f/2.8 AI-S Micro-Nikkor www.slrgear.com/reviews/showproduct.php/product/1403 www.kenrockwell.com/nikon/55f28ais.htm
ISO Speed : 125
Exposure Bias : 0 EV
www.easyvegan.info/2009/02/16/kinship-circle-victoria-bur...
Photo © IFAW / M. Fillinger. 2/11/09, IFAW helps Victoria's animal victims
www.ifaw.org/ifaw_asia_pacific/media_center/press_release...
---------- Forwarded message ----------
From: Kinship Circle - kinshipcircle [at] accessus.net
Date: Thu, Feb 12, 2009 at 6:27 PM
Subject: Victoria Burning - Help Animal Fire Victims In Australia
KINSHIP CIRCLE ANIMAL DISASTER AID NETWORK
ONLINE VOLUNTEER FORM: Tell us what you can do! Be on file in our Disaster Aid Network: www.kinshipcircle.org/disasters/volunteer/default.html
2/13/09: Victoria Burning - Help Animal Fire Victims
IN THIS ALERT:
1. KC Directory: Animal Relief Efforts You Can Help. Millions Died...
2. Nigel’s Animal Rescue: Send Money & Supplies ASAP
3. Wildlife Victoria: Overwhelmed With Fire Victims
4. Help For Wildlife: Long Recovery Ahead For Animals
5. RSPCA: Emergency Aid For Companion Animals
6. Wildlife Burning
7. IFAW: Team On The Ground For Animals In Victoria
8. Survivors Of The Fire - Symbols of Hope
Please review resources below to see WHO and HOW to help.
PHOTOS: Help For Wildlife, Victoria (Australia) -- www.helpforwildlife.com/bushfires/photos.html
====================
1. Animal Relief Efforts You Can Help. Millions Died...
EYEWITNESS TO THE FIRES -- VICTORIA, AUSTRALIA
2/12/09, Katie, Lake Nagambie - Victoria, Australia, beachside64 [at] optusnet.com.au -- It feels like the whole of Victoria is up in flames. We expect [human] fatalities to climb over 300 when they get around to more isolated areas. [It is estimated] well over 1 million wild and domestic animals have perished... Animals lucky enough to be rescued will need months of care and rehabilitation. There are still 31 fires burning...
Kinship Circle Directory
HELP FOR WILDLIFE
WEBSITE: www.helpforwildlife.com/
WILDLIFE IN FIRES: www.helpforwildlife.com/bushfires/how_to_help.html
DONATE BY MAIL:
Help For Wildlife, PO Box 181
Coldstream, VIC 3770, Australia
ph: 0417 380 687
WILDLIFE VICTORIA’S URGENT BUSHFIRE APPEAL
WEBSITE: www.wildlifevictoria.org.au/cms/index.php
DONATE ONLINE: www.wildlifevictoria.org.au/cms/index.php?option=com_wrap...
BY MAIL:
Jon Rowdon, President, Wildlife Victoria
Reply Paid 84688
MELBOURNE VIC 3000
DIRECT DEPOSIT:
Account Name: Wildlife Rescue and Rehabilitation Account
Bank Name: Commonwealth Bank
BSB: 063 806
Account: 1007 7387
NIGEL'S ANIMAL RESCUE
WEBSITE: www.animalrescue.com.au/
DONATE BY MAIL:
Nigel’s Animal Rescue, PO Box 1096
Hartwell 3124
ph: 0427 533 083
ONLINE INFORMATION: www.animalrescue.com.au/fire_crisis.php
RSPCA – INJURED/DISPLACED COMPANION ANIMALS
WEBSITE: www.rspcavic.org/index.htm
DONATE ONLINE: wic032p.server-secure.com/vs138364_secure/Default.aspx?Re...
BY MAIL:
Bushfire Appeal, RSPCA Victoria
3 Burwood Highway
Burwood East VIC 3151
ph: 03 9224 2222
DIRECT DEPOSIT:
RSPCA Bushfire Appeal
BSB 083-153
A/c 868326451
Email your contact info to: accounts [at] rspcavic.org.au
(name, address, date, amount donated)
IFAW / ASIA-PACIFIC
DONATE ONLINE: www.ifaw.org/ifaw_asia_pacific/donate_now/index.php?msour...
WILDLIFE RESCUE & INFORMATION INC
WEBSITE: www.wrin.asn.au/
EMAIL: secretary [at] wrin.asn.au
DONATE ONLINE: www.wrin.asn.au/payments.htm
BY MAIL:
W.R.I.N. Inc., P.O. Box 2412
Bendigo, VICTORIA 3554, AUSTRALIA
ADDITIONAL RESOURCES + NEWS LINKS:
DOGS Victoria Bushfire Appeal
www.dogsvictoria.org.au/Content.asp?ID=277&SubID=367
Australian Wildlife Health Centre / RACV Wildlife Connect 13 11 11
www.awhc.zoo.org.au/Get%20Involved/Found%20Injured%20Wild...
Millions of animals feared dead
www.msnbc.msn.com/id/29143295/
Millions of animals dead in Australia fires
www.rr.com/news/news/article/9002/6834427/Millions_of_ani...
Koala rescued from Australia's wildfire wasteland
news.yahoo.com/s/ap/20090210/ap_on_re_as/as_australia_wil...
Wildfire toll could surpass 200
www.msnbc.msn.com/id/29114722/
====================
2. Nigel’s Animal Rescue: Send Money & Supplies ASAP
2/9/09, Victoria Fire Crisis – Your Urgent Assistance Is Required
FULL STORY: www.animalrescue.com.au/fire_crisis.php
NIGEL’S ANIMAL RESCUE – CENTRAL HUB FOR DONATIONS & SUPPLIES:
Nigel's Animal Rescue has been working around the clock to provide emergency assistance to animals affected by the bushfires and we desperately need your help! Nigel’s Animal Rescue currently operates as the central hub for donations and supplies for all animal rescues in the area.
SUPPLIES NEEDED FOR ANIMALS:
Hay, Straw / Food Cat-Dog-Chaff / Medical Supplies
Cages Transportable Collapsible / Temporary pens
Transport for injured animals
4g and 22g catheters (prefer introcan but anything would be fine)
5cm coplus & soffban / Idexx urea and creat slides
0.9% sodium chloride 1 litre bags
Gloves / Swabs / Bedding
Giving sets / Extension sets
Melolin 10cm x 10cm
Silvazine / Baytril injectable
Tramal injectable / Temgesic injectable
Alfaxan CD / Solosite
IV Drip pumps J / Heat pads/packs
1ml, 3ml, 5, 10ml, 20, syringes
DONATE TO NIGEL'S ANIMAL RESCUE:
WEBSITE: www.animalrescue.com.au/
EMAIL: nigel [at] animalrescue.com.au
DONATE MONEY OR SUPPLIES BY MAIL:
Nigel’s Animal Rescue, PO Box 1096
Hartwell 3124
ph: 0427 533 083
ONLINE INFO ON HOW TO DONATE: www.animalrescue.com.au/fire_crisis.php
====================
3. Wildlife Victoria: Overwhelmed With Fire Victims
2/09, Bushfires threaten wildlife survival – affected wildlife already in care
FULL: www.wildlifevictoria.org.au/cms/index.php?option=com_cont...
The fires have devastated our wildlife, including the loss of at least two wildlife shelters... Wildlife rescuers are preparing for one of the largest operations in our history once we can safely enter fire grounds... Unfortunately we cannot take volunteers at this time unless they’re already trained. If people want to help -- please donate to the appeal.
FOR INJURED ANIMALS, ONLY: 13 000 94535 (13 000 WILDLIFE), 24 hours
DONATE TO WILDLIFE VICTORIA’S URGENT BUSHFIRE APPEAL:
To fund bandages, treatment, medicines and food for injured wildlife, plus activities to help our volunteers best respond to wildlife needs.
WEBSITE: www.wildlifevictoria.org.au/cms/index.php
EMAIL: office [at] wildlifevictoria.org.auThis
ONLINE: www.wildlifevictoria.org.au/cms/index.php?option=com_wrap...
BY MAIL:
Wildlife Victoria, 3/288 Brunswick St.
Fitzroy 3065
ph: 9445 0310
DIRECT DEPOSIT:
Account Name: Wildlife Rescue and Rehabilitation Account
Bank Name: Commonwealth Bank
BSB: 063 806
Account: 1007 7387
====================
4. Help For Wildlife: Long Recovery Ahead For Animals
2/10/09, Rescuers And Firefighters Helping Wildlife During Bush Fires in Victoria, Australia
FULL STORY: network.bestfriends.org/rapidresponse/news/32108.html
POSTED COMMENT IN BEST FRIENDS AUSTRALIA NETWORK COMMUNITY:
network.bestfriends.org/foaaustralia/news/
The Help for Wildlife response team -- based in the vicinity where Kinglake/Healesville fires occurred -- are on standby to enter fire grounds when safe to rescue injured wildlife. They already have a number of animals in care and are expecting many more. Kangaroos and wallabies found in abundance in this area can take months to recover and require a great deal of dressings and medication.
SUPPLIES NEEDED FOR ANIMALS:
silverzine cream / non-stick dressings
soft bandages / vet wrap
saline / disinfectant/clorhexidine
syringes / pain relief / antibiotics
feed / hay (for starving wildlife)
Donations for fuel (to carry out the extensive search and rescue)
DONATE TO HELP FOR WILDLIFE:
WEBSITE: www.helpforwildlife.com/help_for_wildlife.html
EMAIL: helpforwildlife [at] bigpond.com
DONATE MONEY OR SUPPLIES BY MAIL:
Help For Wildlife, PO Box 181
Coldstream 3770 VIC, Australia
ph: 0417 380 687, 0359 649, 480
Denise Garratt, Director
Parched koala bear gets a drink from a biker
www.lobsa.org/images20/ThirstyKoalaVictorianBushfires09.jpg
====================
5. RSPCA: Emergency Aid For Companion Animals
2/12/09, How the RSPCA is helping Victoria’s bushfire victims
FULL STORY: www.rspcavic.org/campaigns_news/news_bushfires.htm
HOW RSPCA IS HELPING BUSHFIRE VICTIMS:
* Emergency advice is available at 03 9224 2222.
* Free veterinary care to animals in need at RSPCA Burwood and Pearcedale Veterinary Clinics.
* Financial assistance to cover expenses provided by other vets: Call 03 9224 2251 or 0405 015 794.
* For all other enquiries call: 03 9224 2222.
* Pet Supplies: RSPCA has delivered pet food to relief centres.
* To donate pet food, bedding, leads and bowls, deliver these to your local RSPCA.
* Lost & Found: Working to reunite lost pets with their families.
* Temporary Accommodation: To animals at our shelters across Victoria. Call: 03 9224 2222.
* FOR MORE DETAILS -- www.rspcavic.org/campaigns_news/news_bushfires.htm
DONATE TO RSPCA - INJURED/DISPLACED COMPANION ANIMALS:
WEBSITE: www.rspcavic.org/index.htm
DONATE ONLINE: wic032p.server-secure.com/vs138364_secure/Default.aspx?Re...
BY MAIL:
Bushfire Appeal, RSPCA Victoria
3 Burwood Highway
Burwood East VIC 3151
DIRECT DESPOSIT:
RSPCA Bushfire Appeal
BSB 083-153
A/c 868326451
Email your contact info to: accounts [at] rspcavic.org.au
(name, address, date, amount donated)
====================
6. Wildlife Burning
2/12/09, Animals fall victim to Australian fire
FULL STORY: newsok.com/animals-fall-victim-to-australian-fire/article...
SYDNEY -- Wildlife rescue officials worked frantically to help the animals that made it through Australia’s worst-ever wildfires, but they said millions of animals likely perished in the inferno. Hundreds of burned, stressed and dehydrated animals -- including kangaroos, koalas, lizards and birds -- already have arrived at shelters across the scorched region. Rescuers have doled out antibiotics, pain relievers and fluids to the critters in a bid to keep them comfortable, but some of the severely injured were euthanized to spare any more suffering.
Sam, a koala saved from the bushfires, is treated 2/11/09 at the Mountain Ash Wildlife Center in Rawson, Australia. AP PHOTO.
newsok.com/animals-fall-victim-to-australian-fire/article...
====================
7. IFAW: Team On The Ground For Animals In Victoria
2/11/09, Bushfire Emergency
FULL STORY: www.ifaw.org/ifaw_asia_pacific/index.php
Bushfire emergency in Australia - a message from Erica Martin
FULL STORY: www.animalrescueblog.org/
Photo © IFAW / M. Fillinger. 2/11/09, IFAW helps Victoria's animal victims
www.ifaw.org/ifaw_asia_pacific/media_center/press_release...
IFAW (International Fund for Animal Welfare) has sent an emergency relief team to help wild and domestic animals affected by the devastating fires in Victoria. Tania Duratovic is leading the IFAW team in Whittlesea. We arrived in Whittlesea (2/9/09) and set up in the staging area...
Today we traveled to Kinglake West and Kinglake Central - two of the worst hit areas. Remnants of trees and piles of rubble are all that is left of what used to people’s homes and indeed whole towns. People are happy...to see something emerge alive from the devastation. As one person recounted as they handed over a slightly burned ring-tailed possum, “We have lost our house, our neighbours and our pets but we found this little guy alive -- please help him, I just want him to live.”
IFAW vet Dr. Howard Ralph administered first aid and the possum is now under the care of Help for Wildlife volunteers. Dr. Ralph, is a renowned vet, burns specialist and human doctor. He is helping local vets treat pets at the survivors’ shelter in Whittlesea. Photo © IFAW / M. Fillinger
So far we have been able to provide immediate aid to many animals suffering from the effects of the fire including dogs, cats, horses, ducks, chickens, wallabies, possums, kangaroos, joeys, koalas, a peacock, a lyrebird, a goat, a dingo and an orphaned baby deer...
ONGOING IFAW UPDATES FROM THE FIELD:
www.animalrescueblog.org/2009/02/bushfire-update.html#more
DONATE TO IFAW / ASIA-PACIFIC:
www.ifaw.org/ifaw_asia_pacific/donate_now/index.php?msour...
Anyone who finds an injured animal should call Tania Duratovic on 0428 229 000.
====================
8. Survivors Of The Fire – Symbols of Hope
2/11/09, Aussies find symbols of hope in two koalas
FULL STORY: www.msnbc.msn.com/id/29123220/
A koala nicknamed Bob puts his paw around fellow fire survivor Sam at the Southern Ash Wildlife Shelter in Rawson, Australia. Colleen Wood / Southern Ash Wildlife Shelter via Reuters. www.msnbc.msn.com/id/29123220/
SYDNEY -- A bond between two burned koalas rescued from Australia's deadliest wildfires has provided some heart-warming relief after days of devastation and the loss of more than 180 lives and possibly millions of animals. The story of the koalas emerged after volunteer firefighter David Tree used a mobile phone to photograph and film the rescue of the bewildered female, since nicknamed Sam, that was found cowering in a burned-out forest at Mirboo North, 90 miles southeast of Melbourne.
Photos and video of Tree, 44, approaching Sam while talking gently to her, and feeding her water from a plastic bottle as she put her burned claw in his cold, wet hand quickly hit YouTube, making her an Internet sensation.
But it was after reaching a wildlife shelter that Sam met and befriended another koala, nicknamed Bob, who was saved by wildlife workers two days before Sam, in Boolarra, about 110 miles from Melbourne...
CONTINUE STORY: www.msnbc.msn.com/id/29123220/
====================
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International Mxt Medium Duty Used Trucks for Sale in Oregon
International Pick-Up Truck Specifications :
Condition :NEW Year: 2008
Manufacturer: International Model:Mxt
Engine Type : VT365 Engine Specs: International
Transmission: AutomaticHorsepower: 300
Tires: 40/13.5R20 Wheels: All Aluminum
黃懷萱 and 艿蓁 appeared among the dancers during the 2012 Taipei Game Show (台北國際電玩展) at the Taipei World Trade Center Nangang Hall (台北世界貿易中心南港展覽館)
Mark Hill, a member of Zen Zen Zo, during a promotional performance of Zeitgeist at the Festival Fringe.
I was spell-bound.
Mark Hill of Zen Zen Zo performs a dance from Zeitgeist. This was taken on the Royal Mile.
MARK HILL has been performing with Zen Zen Zo Physical Theatre since 2003. He will perform in Zeitgeist at the Edinburgh Fringe Festival in August this year. Other credits with the company include: The Dairakudakan Project (09); Zeitgeist (08); Tokyo Vogue (08/07); Dracula (07); An End to Dreaming (06); World Shakespeare Congress (06); …those with Lucifer (05) and; The Odyssey (04).
Mark has performed with Amanda Palmer (The Dresden Dolls) as part of The Danger Ensemble (World Tour 08 -09, Australian Tour 08, Edinburgh 07). He has been a Butoh dancer with Dairakudakan (Japan, 07); Yoshimoto Daisuke (Japan, 06); SU-EN Butoh Company (Sweden, 05) and; Yoshioka Yumiko (Germany, 05).
Mark has a Bachelor of Education and teaches Physical Theatre nationally and internationally (Thailand 07, Japan 06). He was the Adult Education Co-ordinator for Zen Zen Zo (08). He teaches at all levels of education (including QUT 08) and has taught the professional year students at the Queensland Ballet (08).
(information from Zen Zen Zo's official site)
☻ VIEW / SIEHE:► Large on black ► Place Map ► Title Infos
☻ Ort: Calenberger Land • Region Hannover B65 • Niedersachsen • Deutschland
☻ Place.: Calenberger Land • District Hanover (B65) • Lower Saxony • Germany
☻ KOMMENTAR: ► Klick "Links" ( oben ▲) = Wikiepedia- Info:
Niedersachsen ist:…… bunt • kalt ( selten) • spannend • still • weite • wild
Kurz - ein wunderschönes Land !
☻ COMMENT: ► Click "Links" ( above ▲) = Wikiepedia- Info
Lower Saxony is:…… colourful • cold ( rarely) • exciting • still • wide • wild
Short - a georgeous Land !
See the article at www.eriegaynews.com/news/article.php?recordid=201110pride...
Erie Pride Parade & Rally a Great Time!
by Michael Mahler
On Saturday, August 27, about 230 people participated in the Erie Pride Parade & Rally. This year’s Pride events were organized by the Pride Planning committee, which is an informal coalition of groups and individuals.
Parade
About 100 people marched in the parade from the Zone Dance Club to Perry Square. John Daly King was the Grand Marshal for the parade, in a convertible driven by Caitlyn. Also in the parade were beloved local gay icons Jesse and Ricardo, who rode their tandem bike.
Parade units included
Lake Erie Belly Dance
Doctor Who contingent
PFLAG Erie/Crawford County
Erie Gay News
Lake Erie Derby Dames
LBT Women
Latonia Theatre
PFLAG Butler
Erie Sisters
Unitarian Universalist Congregation of Erie
Community United Church
OUT (Pittsburgh newspaper)
There were also many people marching as individuals, as well as a float carrying current and former Miss Eries.
Rally
The rally in Perry Square begins at 2 PM and will include speakers and performers. Please check in at the registration table when you arrive in Perry Square. The rally will include a variety of vendors and information booths.
Speakers and performers included:
Greg Rabb, Openly gay Jamestown City Council President and Councilman at Large
Misty Kall, Miss Erie 2011
Rich McCarty of Equality PA, Greater Erie Alliance for Equality and Community United Church
Chris Wolfe, Erie Idol finalist 2011
Tammie Johnson, 2 term President of ACLU-NWPA
Brian T, singer, also with Pittsburgh Out TV
Jason Landau Goodman, founding Executive Director of the Pennsylvania Student Equality Coalition. The first and only youth-led statewide LGBTQ organization in the nation
Michelle Michaels, Former Miss Erie and Coordinator for FACE Show at Zone
Fiona Hensley, Chair of the Student Network Across Pennsylvania, SNAP, Regional Chair of the Erie-West region for SNAP and President of Queers and Allies at Allegheny College in Meadville, PA.
Diva D’Vyne
Games
The Dunk a Drag Queen game was very popular! We look forward to making this an annual tradition
Donors
Many businesses and organizations gave generously to help support Pride this year. These included
AdultMart
Allegheny College Bookstore
BeautiControl
Blue Heron Inn
Body Language
Chicory Hill Herbs
Coca-Cola/Erie
Country Fair
Craze Night Club
Crime Victim Center of Erie County
Douglas Kolcun
Drenched Fur
Earthshine Company
Eerie Horror Film Festival
emma's revolution
Erie Book Store
Erie County Democratic Party
Erie County Department of Health
Erie Playhouse
Erie Seawolves
Erie Sisters
Erie Spine and Wellness
Family United Counseling
Gaudenzia / SHOUT Outreach
Giant Eagle - Buffalo Road
Glass Growers
Good Health Rejuvenation
Greater Erie Alliance for Equality, Inc.
Hal Leonard Performing Arts Publishing Group
Hollywood Stories
Horomanski's DJ'ing Services
JR's Last Laugh
Kensington Books
La bella
Larese Floral Design
LBT Women
Lion's Den Adult Super Store
MLR Books
Pennsylvania Coaltion to End Homelessness
Pie in the Sky Cafe
Presque Isle Gallery Coffeehouse
Sam's Club
Shakira Nakelle's Mementos, Gifts & More
Silk Screen Unlimited
Smith's Hot Dogs
State Farm Insurance Agent Natalie Braddock
Tanglez Hair and Nail Studio
The Ringbearer
Tops Friendly Markets - W 38th St
Wegman's- Peach St
Wendy's of Erie
Zone Dance Club
Committee Members & Volunteers
Many people from the committee worked hard to make the day enjoyable for everyone! Committee members included
Season
Chris
Preston
Mark H
Erin Moll
Amy
Sue McCabe
Alex
Jeff H
John Daly King
Kerry
In addition to the committee members, volunteers included:
Kevin Schultz
Dok
Johauna
Wanda
Bob H
Eric Rogers
Maria S.
Deb Spilko
Brian
Info Tables & Vendors
Info tables included:
Adagio Health
American Civil Liberties Union (ACLU), NWPA Chapter
Community United Church
Crime Victim Center of Erie County
Equality Pennsylvania
Erie County Democratic Party
Erie County Human Relations Commission
Erie Gay News
Erie Sisters
Lake Erie Derby Dames
LBT Women
Pennsylvania Student Equality Coalition
PFLAG Erie/Crawford County
SafeNet Center
United Way of Erie County
Voices for Independence
Vendors included
BeautiControl
Book Merchant
Christopher's Novelty Gifts
Shakira Nakelle's Mementos, Gifts & More
Collecting Food
We collected 23 pounds of food for the Second Harvest Food Bank of NW PA.
'Writing Spider (Argiope aurantia)' On Black
From: home.att.net/~larvalbugrex/argiope.html
Argiope
by Valerie (October 25, 2001)
revised September 23, 2004
The largest orb weaver in our gardens is the black and yellow argiope (Argiope aurantia). Actually, only the female is large, the males being much smaller by comparison. Although big enough to deliver a bite, these spiders are not poisonous or aggressive. The black and yellow argiope is also called banana spider, yellow garden spider, zipper spider, golden orb weaver and writing spider. There are a number of other species in the genus Argiope, but most that occur in the U.S. are restricted to tropical climates. A related species inhabits gardens in Europe. Because they make such big webs and are brightly colored, it is impossible for a resident argiope to remain unnoticed in the garden or, as they sometimes look for sheltered areas, on the side of a house. We had one spider who thought the ideal location for her web was right by our front door over the doorbell. She stayed there all summer, enjoying frequent feedings of any large insects we could find to throw into her web.
The argiope spiders make excellent photography subjects because they don't react to the camera lens. Part of the reason is probably their rather poor vision, as they do not rely on sight to catch prey, but on the vibrations produced in their webs. Smaller orb weavers, like members of the genus Araneus, which also inhabit our yard, sometimes make webs even bigger than the argiopes, but they are very difficult to photograph. Maybe because they are small and tasty morsels for birds, these spiders do not sit in the middle of their web during the day, but usually hide in a nearby leaf at the base of one of the web support strands. If they happen to be in the middle of the web, my approach with the camera almost always makes them retreat to a safe hiding place. In spite of their large size and the care with which they place their webs, the argiope spiders in our yard are often taken by predators such as birds.
An interesting feature of many orb webs is the central white design created by the spider, called a stabilimentum (referring to the idea that it helps stabilize the web). With argiopes, this area is almost round and filled in with many zigzags of silk when the spider is young, but as it grows, the design changes to be more of a single vertical zigzag. Spiders are capable of creating as many as seven different kinds of silk using several different glands that supply the spinnerets. argiope spider hanging under its recently shed exoskeletonThe photo at left shows the underside of an adult female argiope. The spinnerets appear as a group of brown structures forming an irregular shaped disk. The different types of silk have varying amino acid compositions. The silk coming out of the spinnerets can vary from an extremely fine single line, like those used to create the main support lines on their web, to wide ribbons of silk used for subduing prey or making the central design on their web. Spiders can vary the stickiness of the silk as well as it's thickness. The purpose of the central design in many spiders' webs is not completely understood. It could serve several purposes, including a way to conceal the spider from its prey or its predators (which could explain why the patch is more disruptive for small, young spiders than for large ones), a way to keep birds from blundering into the web, or a lure for insects, as the silk reflects ultraviolet light in much the same way as do flower centers. Another spider habit that has never been fully explained is that of hanging upside down in the web. Almost all spiders do this but I've never heard a definitive explanation.
In order to grow, spiders must periodically shed their exoskeletons. This is a fascinating process to watch, but one which leaves the spider very vulnerable until its new skin hardens. When the spider is about to shed, the inside layers of its skin are digested. It anchors its legs on part of its web, hanging upside down. The top of the carapace splits open and the spider literally falls out of its old shell. It doesn't fall because it is anchored by a strand of silk from its spinnerets. As soon as the spider is completely free of its old skin, it hangs limp for awhile, then spreads its legs out to let them dry.female argiope spider just before laying eggs In the photograph above at right, the old skin is visible at the top, while the spider hangs below. At this point the spider is expanding its size, and it can even grow a new limb if one was lost before.
The females are easy to spot in their webs, but the males (photo at right) tend to be harder to find. When they are young, both the males and females look similar, but the males seem to never grow much, while the females become quite large. The males also do not remain in their original area if there is no female around. Once they mature, they must search out a female with whom to mate. Often, it is possible to find the tiny males living in their small webs just to the side of a female's large web. While both genders of argiopes have the habit of holding their legs in an X pattern, the males seem to make the posture more pronounced, possibly as an aid to their protective camouflage.
Just before laying eggs, the female spider is often quite large, her abdomen considerably distended. Argiopes produce large numbers of young in their egg sacs. argiope egg caseAlthough one sac seems to be the norm, we saw one female produce three over a period of a couple of weeks and have heard of a single spider producing four and still going strong. Unlike some spiders, such as the green lynx, who guard their eggs and young, argiopes tend to leave their eggs to their fate. The egg case looks like a miniature Greek wine vessel, with a bulbous shape and a little round neck at the top. The color of the egg case is brown and it is anchored within a framework of silk strands, keeping it away from surrounding vegetation. Although this protects the case from some predators, like ants, other predators and parasites lay their eggs within the cases as well. These tenants include other species of spiders as well as wasps. The young spiders hatch in the fall but overwinter in the egg case. These cases are very well constructed and we've seen them last not only through the winter, but through another year as well, before the weather eventually takes its toll and they are washed away.
Like many spiders, argiopes live only one year, expending all their energy into producing eggs (females) or sperm (males). They die once winter arrives.
**Explored**
I showed these shots to my dad and he chose this one as his favorite because he said it had some mystery to it because at first glance, you're not entirely sure what you're looking at. I don't know about all that, but I'll go with it. I'm still holding up Andy's and my departure. Whoops. :)
These were taken at the site of the Wells Brothers Foundry (founded in 1832, torn down in 1910) in Milford, Michigan. I found this by chance. I was driving home from work and got stuck behind a long string of cars waiting for somebody to turn left. I looked out the left side of my car (when I am normally looking at the park on the right side of the road) and saw this! I immediately pulled off and jumped out to take pictures. I really like how these turned out.
Ok, now this really is a post and run. If I don't finish this up now, I'm going to get into trouble. Everybody have a great evening! I'll catch up on your streams later tonight or tomorrow. :)
It's Tech Tuesday, Check Out the latest Tech Jobs in Paulding County - ga-paulding.countyjobs.careers/index.php?q=Technology .
And now here is the rest of the story:
www.facebook.com/457392244417327/photos/a.492783760878175...
facebook.com/profile.php?id=457392244417327/
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via : www.yorkvillegeorgia.com/2015/12/photo-its-tech-tuesday-c...
Hilo de la Fotohistoria en Pullip .es: Miyavi and Natalia / Miyavi y Natalia
(Read in order, this is: SHOT/FOTO 10 of 28) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28.
FOTOSTORY: In English / En Español
Natalia: What's wrong? Has the cat got your tongue? XD
/
Natalia: Que pasa? Se te ha comido la lengua el gato? XD
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Mad_Pullips' Miyavi Collaboration
- Hilo de las Fotohistorias de Miyavi y las Pullips de Sheryl en el Foro de Pullips: Pullip .es
*
*
Chilodonella cucullulus es el dromedario de los ciliados y no nos muestra su perfil
más agraciado como cuando nadando dibuja el contorno de la huella de nuestro pie. Se ha puesto de lado y camina de puntillas sobre unos restos de vegetales que se deshacen bajo el agua y casi, alardeando de ella, enseña su gran joroba.
Como en los dromedarios del desierto, la joroba de Chilodonella está rellena de reservas, no es agua ni son grasas, es cristal y son azúcares, son en definitiva diatomeas que ha ido capturando con su boca de canasta aspiradora. Chilodonella engulle diatomeas sin cesar en una práctica de faquir ansioso, una tras otra, agujas vivas de cuarzo, cuchillos transparentes de doble filo van pasando a su interior y van hinchando esa joroba que se llena de reservas de ensalada de algas de cristal.
Pero aquí llega la sorpresa, casi con la misma avidez que las engulle, se va deshaciendo de ellas, expulsándolas por detrás, sembrando nuevamente el agua de joyas vivas. ¿Para qué todo este número? ¿simple exhibición?...sería extraño, en la Naturaleza todo tiene su sentido y una gran economía.
En apariencia, las diatomeas que expulsa Chilodonella están vivas, han pasado un tiempo dentro del cuerpo de un gigante. El cofre transparente y cristalino de las diatomeas no está expuesto directamente al agua, sobre él, una fina película de mucílago lo viste y lo protege. Es muy probable que Chilodonella no pueda hacer otra cosa y se tenga que conformar con la golosina azucarada que barniza a estos cofres herméticos y hermosos.
El ciliado dromedario y faquir que se muestra aquí, procede de una muestra recogida en el Torrent Albereda Un afluente del río Foix en Barcelona.
Gracias a Ángela lo podemos mostrar aquí haciendo esta completa exhibición. La fotografía se ha realizado a 400 aumentos utilizando la técnica de contraste de interferencia.
Gracias a Santiago Ortiz por incorporar nuestro proyecto a su magnífico Bestiario.
Con nuestra gratitud también para Pilar Gil por la publicación en Qúo, a Antonio Martínez Ron ...y también Paul/
Puedes tener otra infomación en la exposición LA VIDA OCULTA DEL AGUA
Y en este catálogo
También en la galería de Fotolog
Y nuestro granito de arena por la Paz
Real Club Deportivo de La Coruña
www.deportivo-la-coruna.com/page.php
english
Official Name: Estadio Municipal de Riazor
c/ Manuel Murguía (no number) 15011 A Coruña
Telephone: 981 271 214
Stadium's vicinity map
Capacity: 34,600 seats
Inaugurated: 28 October, 1944
Pitch size: 105 x 68 metres
Services: changing room, sauna, clinic, recuperation room, antidoping control room, Deportienda (shopping center).
Radio cabins: 16
Journalists desks: 48, with TV-camera spots.
Press room: 70 professionals, 7 protagonists, simultaneous traduction, telephone lines, access to the internet and TV-camera spots.
VIP terraces: 40 for 10 guests each. With their own shop, bar and restaurant service and TVs.
The Riazor - Then and now
When Deportivo La Coruña was founded in 1906 they started playing on a field called Corral de la Gaiteira and in the local bull ring. In May 1909 the team moved to the place where the current stadium stands today. It used to be part of the gardens of the Catholic Church School called Las Esclavas (the slaves).
Now this school stands in front of the actual stadium, on the rocks of the beach. The local Government created the new pitch and it was nicknamed the Riazor, after the nearby Riazor Beach. The name stuck but since then the stadium has been remodeled four times:
1909: Viejo Riazor (Old Riazor)
Nowadays the stadium built at the Las Esclavas location is called Viejo Riazor. It was inaugurated on 16 May, 1909 with a match between Deportivo and Fortuna de Vigo. Five years later new goals were added together with small terraces. The stadium was also fenced up so people would have to pay to see the match.
In this first Riazor, Deportivo played against the charismatic Uruguayan national team, knocked Real Madrid out of the Copa del Rey and obtained their first promotion to the Primera División. Some important players of Deportivo's history played in this era like Chacho, Ramón González, Juan Acuña and Luis Otero. Deportivo played in this Old Riazor until 1944.
1944: Riazor
In 1944 the largest football stadium in the history of the Galician region was built. This Riazor had a capacity of 40,000 to 45,000 spectators.
The first match in the new stadium was played on 29 October, 1944 and priest Ricardo Domínguez Dopazo blessed the place in the morning. The Mayor back then was Vázquez-Peña and the president of Deportivo at that time was Ruenes. Some supporters thought the new stadium contained a mistake as the terraces were very far away from the pitch and there was a rumour that the pitch was possessed by the devil. That year Deportivo went down to the Segunda División...
The stadium had cost 5 million pesetas to construct. The promoter of it was former Mayor José Pérez, materializing the ideas of Ramon del Llano. The design of the stadium and the project's sheets were made by municipal architect Santiago Rey Pedreira and Angel Llopiz. The stadium covered an area of 39.325 m2 and the pitch 7.770 m2 (105x74 meters) was one of the biggest in Spain.
Behind the stadium, over the standing Fondo terrace, a great tower of 45 meters was built. Next to it some training pitches, popularly called picadero were constructed. The front of it was surrounded by arches and columns. There was also a training pitch (80x65 meters), demolished in 1968 to make way for the Municipal Pavilion of Sports.
The official capacity of the stadium back then was 37,000. However in some matches there were sold about 60,000 tickets! The biggest terrace was the one in front of the covered stands. This one wasn't covered and was called Preferencia.
The inauguration match in 1944 was played against Valencia and it was dedicated to Virgilio López Rincón, the only survivor from the first team of the 1906 Deportivo. The first eleven Deportivo players that played that day were: Acuña, Portugués, Guimerans, Bienzobas, Lezama, Caballero, Molaza, Marquinez, Pedrito and Paquirri. Deportivo lost 2-3 and the first goal of the history in the stadium was scored by Valencia player Hernández in front of 18,000 spectators.
After 1944, a few great Deportivo players performed in this stadium like Luis Suárez, Amancio and Veloso. The only final of the Copa del Rey played in the city was in this stadium as in 1947 as Real Madrid beat Espanyol 2-0 in front of 30,000 spectators. In the same year the first edition of the Trofeo Teresa Herrera was celebrated, which was won by Athletic de Bilbao as they beat Brazilian Vasco de Gama 3-2.
1982: remodelling for World Cup tournament
At the start of the 1980s the stadium was remodelled again due to the World Cup taking place in Spain in 1982. The organization wanted to change it radically: a reduction of capacity but an increase of comfort. Instead of cemented seats, they wanted to install plastic seats with a back. The remodelled Riazor was inaugurated with the World Cup being played in June 1982. It was officially inaugurated on 15 June, 1982 with the match Peru - Cameroon that ended 0-0.
So, this remodelling became a total renovation. They had to demolish the great terrace of the Preferencia Superior because it was built with poor material. They only conserved parts from the Old Riazor like the big Marathon tower and some walls. The stadium became more comfort but actually got worse: the losing of 10,000 seats didn't make sense.
This time the remodelling was promoted by Angel Ron, La Coruña's delegate of the World Cup. The total inversion was 501.469.000 pesetas, of which 402.239.000 (80%) came from the City Hall and only 99.230.000 (20%) from the World Cup organization. Those years the relationship between the City Government and the club were very good.
In 1983, Mayor Francisco Vázquez and Deportivo president Corzo Sierra signed a deal that allowed Deportivo to use the stadium whenever they wanted. This pact will stand for 50 years, until 2033, with the only annual cost for Deportivo being a symbolic 1 peseta. This contract is very important for Deportivo because it guarantees the club a place to call 'home' in the city for the next 50 years. It also links the club with the local Government, so as to preserve good relations.
The great remodelling and the contract were the first lines of a new chapter in the stadium's history. Riazor had to be prepared for the year 2000, especially the changing and press room. After this, it needed some important changes in the terraces concerning the telecommunications aspect. They also had to demolish some athletic runways - the best in Spain at that time - leaving behind only six of them. The first Deportivo player scoring in the new stadium was Jose Luis against Alavés.
1990s: final improvements
As indicated, that the stadium had lost some of its initial capacity during the remodelling process. But the excellent results of the team in the 1990s in both domestic and European competitions made it being too small and in need for new changes.
In 1995 the idea to close the stadium and to construct a new terrace behind the Sports Pavilion was considered. In this case it would an "U" shape. The new project included a big red top to cover the whole stadium and the local government would pay for it.
In the end the athletic runways were completely suppressed and this led to a big polemic because those were the only runways in the city. Most part of Riazor got covered with plastic seats and the marathon terrace was also modified, bringing it closer to the pitch. The metallic fences were kept intact, although they were very uncomfortable when watching the match from the 10 first rows. The big nets behind both goals were also not very popular, but they remained unchanged.
The stadium capacity was increased to 34,600 places, all seated. The current Riazor was inaugurated in February, 1998 with the match between Deportivo and Real Madrid (2-2). Some radical spectators were unhappy about the plastic seats, as they didn't want to sit down. Around 100 seats were stolen or thrown on the pitch during that match and 84 more against Alavés three days later. The official inauguration took place during the summer of 1998, with a match for the Teresa Herrera tournament starring Real Madrid and Lazio Roma. The first goal was scored by Morientes and the match was dedicated to Deportivo ex-players Rodrigo Vizoso, Acuña and Pedrito, members of the Deportivo squad that played the inaugural match after the 1944 remodelling.
After these stadium improvements, some more slight remodellings have been made. A new system for TV transmissions, the UCO, was installed. And in 2000, just before Deportivo's first Champions League match, some of the other sections, like the press room, were also improved. In the summer of 2001, the new VIP terraces were built and they are among the best in Europe as there is an exterior section with deluxe seats and the interior has TV's, Mini bar, etc. The VIP terraces have individual exits to the stadium and an independent luxury shop. In the summer of 2002, two big TFT displays were added to the stadium (10x10 meters), right above the goals. Replays and music videos can now be played.
See What Can Be Seen When Viewed Large
All three of the following images were shot with a Sigma 50-500 at a distance of about 120 feet or approx 38 meters. Yes the camera was on a tripod !
If you want happiness for an hour - take a nap.
If you want happiness for a day - go fishing.
If you want happiness for a month - get married.
If you want happiness for a year - inherit a fortune.
If you want happiness for a lifetime - help someone else.
Chinese Proverb
It's such a special feeling ... to be in the right place at the very right time ... when you can try only once ...
The whole situation was like from paradise... Mala Strana hill is now packed with cherry blossom trees, creating extra terrestrial atmosphere! Between them you can see all the beauty of Prague, whole panorama!
I was cruising around the place when spotted that little princes! She had insane costume! Whole pink like the flowers on the surrounded trees. I felt I saw an angel.
so Mr. Flickr! Is it worth to be on Explore?
Damn it is !!
transfronterizo.at.rezo.net/spip.php?article149
publicado 28 de mayo de 2010 |
Amigos/as:
La campaña contra el ingreso en prisión y la criminalización de los manteros atraviesa un momento crítico. Por eso, de forma urgente hemos elaborado este manifiesto en el que se os informa de la situación y se os invita a suscribirlo en concepto de asociación/colectivo social. Os quedaríamos muy agradecidos si le pudierais dar la máxima difusión. La urgencia es máxima, pues el próximo lunes entregaremos el manifiesto con las firmas que hasta entonces hayamos recogido.
Si deseáis adheriros podéis mandad un correo a manteros@inmigrapenal.com indicando el nombre del colectivo y los datos de quien realiza la adhesión.
Muchísimas gracias por vuestra ayuda.
Las asociaciones y colectivos del tejido social abajo firmantes queremos poner de manifiesto a la opinión pública:
I.- Hace unos meses constatábamos con perplejidad que más de medio millar de personas han sido encarceladas en el Estado por la mera circunstancia de exhibir y vender CD pirata. Detectamos entonces penas sorprendentes de prisión de hasta dos años y más: había “manteros” que veían prolongada su permanencia en prisión por no poder hacer frente a las magras responsabilidades civiles a las que se les condenaba y a las multas que se les imponían.
II.- De la mano de artistas, profesionales del Derecho, movimientos sociales y de los propios afectados iniciamos una Campaña con el objeto de eliminar del Código Penal la prisión para un tipo de comportamiento concreto movido por la necesidad de supervivencia que tiene mejor acomodo en el derecho administrativo sancionador. No se trata de legalizar el top-manta sino de perseguirlo por otros medios que no sean el encarcelamiento.
III.- Al mismo tiempo que apoyábamos indultos para las personas presas por esta causa y abonábamos multas y responsabilidades civiles para lograr la pronta excarcelación de los que peor lo pasaban, conectamos con los diferentes grupos parlamentarios y les hicimos partícipes de nuestro intento de proponer la modificación del Código Penal que avalamos con dictámenes jurídicos que fueron respaldados por numerosos profesores universitarios, juristas y ciudadanos en general.
IV.- El top manta no es la infracción que más gravemente perjudica al derecho de propiedad intelectual de los artistas; las mayores agresiones vienen de otros campos. Por otro lado, el propio legislador reconoce en el Preámbulo de la Ley que la reforma del año 2003 supuso una quiebra de la proporcionalidad respecto a la venta a pequeña escala y que los autores son personas en situación de necesidad y de pobreza, que sólo aspiran a alcanzar mínimos ingresos de subsistencia; se trata de personas que tienen prohibido legalmente ganarse la vida con un contrato legal que tratan de sobrevivir con los escasos ingresos de una actividad, ilegal, sí, pero de escaso daño social.
V.- Reconocemos que la mayoría de los grupos parlamentarios del Congreso han escuchado nuestras razones y que, aunque el texto aprobado por el Congreso no garantiza que por conductas tan nimias como la del “mantero” se meta en prisión a un ciudadano, dicha redacción supone una mejora respecto a la situación actual. Sin embargo, existe el peligro cierto de que estos avances se pierdan en el Senado. A consecuencia de la presión de las Sociedades Gestoras de los Derechos de Autor, Convergencia i Unio y el Grupo Parlamentario Popular han introducido una enmienda en el Senado de características represivas que supondría un gran retroceso. Se argumenta que tratar como falta los supuestos más nimios (cuando el beneficio no excede de 400 euros) constituye “un absoluto desarme procesal y policial”. Esta afirmación, inspirada sin duda por los intereses de las empresas de gestión de derechos de autor y de la propiedad industrial, además de mostrar una cruel insensibilidad acerca de la situación de extremada precariedad de las personas que practican el top-manta, es rotundamente falsa. En efecto, en la redacción emanada del Congreso sigue existiendo protección penal plena para la propiedad intelectual e industrial; la consideración de falta de algunos supuestos (por debajo de 400 euros) no constituye un desarme penal ni procesal, ni mucho menos policial, pues hay todo un Libro del Código Penal dedicado a las faltas que está siendo aplicado. Incluso en el supuesto que seguimos defendiendo, de que no se considerasen ilícito penal los supuestos con beneficio por debajo de los 400 euros, la diligencia persecutoria policial se seguiría desplegando en el ámbito administrativo sancionador, como podemos comprobar los ciudadanos en otros ámbitos (por ejemplo, las infracciones a las normas de circulación). Por eso, nos parece un despropósito derrochar recursos del sistema penal y policial en perseguir estas conductas para sobreproteger intereses de poderosos grupos de presión.
VI.- Por consiguiente, urgimos a los Sres. y Sras. Senadores/as para que no se dejen presionar por los intereses de empresas de gestión que perfectamente pueden hacer valer sus derechos de un modo más justo, proporcionado y, desde luego, generando menos sufrimiento estéril, asumiendo la reforma aprobada por el Congreso de los Diputados o, mejor aún, aprobando la efectiva desincriminación de las conductas más irrelevantes pues su despenalización no significa su legalización, ni que dichas conductas se vayan a incrementar, pues el simple comiso de sus pobres mercancías supone una gravísima consecuencia para estas personas, además de la posibilidad de ser detenido y expulsado por carecer de residencia legal. No es tanto lo que les pedimos: el Derecho penal de un Estado social no debería utilizarse para criminalizar la pobreza de una forma tan injusta como evidente.
El Grupo Inmigración y Sistema Penal, Plataforma de artistas ‘ningún mantero en prisión’ Otro Derecho Penal es Posible Colectivo de Juristas por la despenalización del Top manta Plataforma Salvemos la Hospitalidad …/…
Para firmar:
自從大二從老爸那裡接收第一台底片單眼時，
我就離不開拍照了。
對我來說，
拍照迷人的地方在於
底片幫我們把所有快樂/ 悲傷/模糊的時刻都保存下來了
照片永遠不會說謊。
於是
我最近開始思考著
我好想被什麼人需要
被那些喜歡我照片的人
被那些理解我眼中所見美好的人的需要著
我好想好想幫需要我的人拍出美麗的照片，
被心事困擾的眼神/淺色髮絲間的逆光/被微風吹動裙擺飄起的瞬間
我一直在思考著我能夠做些什麼事情，
讓這個世界的某個微小片段變得更美好。
我不是革命家/儘管我反核 我卻找不到阻止核電繼續運轉的辦法
我不會彈吉他/我無法像黃玠可以寫出一首美好的歌，
在這混亂的世界中帶給人們一絲希望與光
我還不是一位詩人 / 儘管我非常嚮往, 但我還無法寫出一首簡潔有力但震撼人心的美好詩句
但我喜歡拍照/我可以拍照
假如我的照片可以把某些人某些美好的時刻完整的保存下來
那是不是也是可以把心中的烏托邦傳遞給這個世界呢？
「和平與愛」「All we need is love.」
我只想藉由照片傳遞這個，
如此而已。
假如真的有需要我的人
其實我也同樣需要著你們
Het Bardo museum was vroeger een Moors paleis dat dienst deed als residentie voor de Tunesische beys. Het museum is huidig de bewaarplaats van de Tunesische archeologische schatten. De Romeinse mozaïeken van het museum zijn de belangrijkste in de wereld.
De eerste vorm van mozaïek, of mooi betegelde vloer, komt van de Feniciërs. Bij opgravingen in Carthago en Kerkouane werden vloeren met eenvoudige patronen, in wit mozaïek of uit fijngemalen terracotta met stukjes gekleurd marmer en glas, blootgelegd. De figuratieve mozaïeks uit het Bardo museum dateren van de 2de eeuw na C. en later en zijn gemaakt door Griekse handwerklieden. Ze versierden vaak openbare gebouwen, amfitheaters en badhuizen met mythologische thema's. Vanaf de 3de eeuw na C. werden ook de vloeren van particuliere huizen bekleed met taferelen uit de jacht, het toneel, de landbouw en de zee. Later ook met Christelijke taferelen. De mozaïekkunst kende nog een laatste heropleving in de 6de eeuw na C. door de Byzantijnen.
The Bardo National Museum (Le Musee National du Bardo) is a marvelous museum in Tunis, the capital of Tunisia. The museum has the world's largest collection of Roman mosaics, and is ranked alongside the Egyptian Museum in Cairo as the best museum in north Africa.
The idea to place a museum inside the 14th century Hafside Little Palace was taken in 1882, and six years later the museum opened its doors to the public. It tours Tunisian history, paying particular attention to the Punic, Roman, Christian and Arab periods.
The museum does not only focus on those eras, though. There is a substantial prehistoric collection, showing the area as it was before Roman and Punic intervention. However it is the Roman mosaics, most of which date back to between the 2nd and 3rd centuries BC, which are the museum's most awe-inspiring sights. Particular points of interest are The Triumph of Neptune, Virgil and the floor mosaics of the Sousse room. The labyrinthine hallways and rooms of the museum ensure its visitors will become lost in all of the precious artifacts, which also include a renowned mausoleum room.
www.axiomestates.com/real-estate/properties.php?city=Chen... Road&property=Villa Viviana&curr=inr
Spread over a sprawling 45 acres, the Villa Viviana project is a joint venture of the Arihant Foundations and J P Morgan to translate ordinary living into cutting edge luxury. The project comprises 238 villas of 3 and 4 BHK units. The villas have been categorized into designer villas, luxury villas and style villas. The designer villas come with their own private plunge pools and open into aroma gardens to ensure complete rejuvenation and relaxation at home. The surrounding landscaped gardens have as the centerpiece, a bird watching tower, a nature lover’s delight. The Innercircle Club and the coffee lounge are few of the many recreation and entertainment facilities available within the Villa Viviana Project.
am-uh-RANTH-us -- everlasting flower ... Dave's Botanary
kroo-EN-tus -- bloody, gory colors ... Dave's Botanary
commonly known as: African-spinach, blood amaranth, bush greens, caterpillar amaranth, Mexican grain amaranth, purple amaranth, red amaranth • Bengali: লাল নটে শাক lal note sak • Gujarati: રાજગરો rajgaro • Hindi: चौलाई chaulai, लाल साग lal sag, रामदाना ramdana • Kannada: ರಾಜಗಿರಿ rajgiri • Kashmiri: बुस्तान अफ्रोज़ بستان افروز bustan afroz, मवल् mawal • Konkani: राजगिरो rajgiro • Marathi: राजगिरा rajgira, श्रावणी माठ shravani maath • Nepali: लट्टे दाना latte daanaa, लट्टे घाँस latte ghaas • Punjabi: ਤਜ ਖੁਰੁਸ taj khurus • Sanskrit: राजगिरि rajagiri, राजशाकिणी rajashakini • Santali: ᱞᱟᱹᱨᱠᱟ ᱵᱟᱦᱟ larka baha • Tamil: பூங்கீரை pu-n-kirai • Urdu: گل کيش gul-kesh, لال ساگ lal sag
botanical names: Amaranthus cruentus L. ... homotypic synonyms: Amaranthus hybridus subsp. cruentus (L.) Thell. • Amaranthus paniculatus var. cruentus (L.) Moq. ... heterotypic synonyms: Amaranthus paniculatus L. • Amaranthus sanguineus L. ... and more at POWO, retrieved 07 Novembder 2025
~~~~~ KNOWN DISTRIBUTION in INDIA ~~~~~
Karnataka, Lakshadweep islands, Maharashtra, Tamil Nadu; introduced, cultivated both in hills as well as plains; exact state-wise statistics not known, escapes to limited extent
Names compiled / updated at Names of Plants in India.
*
© All rights are reserved, please do not use my photos without my permission. Thanks !
BRABO
Type: Trailing Suction Hopper Dredger
Flag: Belgium
Port of registry: Antwerp
Owner: DEME, Zwijndrecht, Belgium
Manager: Dredging International NV, Zwijndrecht, Belgium
Year built: 2007
Built by: IHC Merwede BV Dredgers, Kinderdijk, Netherlands
Length: 122.90 m
Beam: 28.00 m
Draft: 9.10 m max.
Gross tonnage: 11.136 tons
Loading capacity: 18.565 tons
Hopper capacity: 11.650 m3 max.
Dredging depth: 28.00 / 43.00 m with extension
Suction pipe: 1200 mm
Discharge pipe: 1000 mm
Total installed power: 12.197 kW
Speed: 15.90 knots loaded
Call Sign: ORON
MMSI: 205501000
IMO: 9382372
TAUCHER O.WULF 5
Type: Tug
Flag: Germany
Port of Registry: Rostock
Owner: Otto Wulf GmbH & Co. KG,Cuxhaven
Length: 29,60 m
Beam: 8,40 m
Draft: 3,90 m
Tonnage:154 Grt
Main Engine: Deutz SBV 8 M 545 - 2.000 ihp
Bunker: 57.700 litre
Bollard pull: 25 tons
Auxiliaries: 2 diesel generator sets 55 kW,47,0 kVA, 440/220 V
1 converter 25 kVA, 380/220 V
1 diesel pump for fifi set 146 kW,
1 dieselgenerator 24 V
Equipment: Radar, echosounder, gps-navigator with trackplotter, 2 vhf units, autopilot, 2 searchlights, electronic charts
Fire-/salvage - equipment:
Two portable salvage pumps one welding set, one water/foam monitor, 4.000 litre per minute
1 MOB boat, 10 hp
Accommodation: 5 crew + 3 reserve
Towing gear: 1 towing winch, 15 tons pull, 50 tons hold, two drums, one with 400 m, 34 mm, towing wire, one drum with 100 m, 28 mm wire, several spare wires
Call sign:DGDA
IMO: 6907169
No. 44011.
BMW 330i 4-door Sedan E90 (2005).
Escala 1/43.
Welly.
Made in China.
More info:
www.wellydiecast.com/product.php?cid=1&sid=6&bran...
www.hobbydb.com/catalog_items/bmw-330i-e90-20ef1517-c911-...
-----------------------------------------------------------------------------------------
BMW 3 Series (E90)
From Wikipedia, the free encyclopedia
"The BMW 3 Series (E90/E91/E92/E93) is the fifth generation compact executive car of the BMW 3 Series, which was produced from 2004 to 2013. The body styles of the range are:
. 4-door Sedan/Saloon (E90 Model Code)
. Estate/Wagon (E91 Model Code, marketed as "Touring")
. Coupé (E92 Model Code)
. Cabriolet (E93 Model Code)
Due to the separate model codes for each body style, the term "E9X" is sometimes used to describe this generation of the 3 Series.
The E90/E91 sedans and wagons began to be phased out following the introduction of their F30/F31 successors in 2012. However, the E92/E93 coupes and cabriolets remained in production until 2013, when they were replaced by the F32/F33 models.
The E92 335i coupe, introduced in 2006, was the first 3 Series model to be sold with a turbocharged petrol engine. The E9X family also saw the introduction of run-flat tyres to the 3 Series range. Consequently, cars with run-flats are not equipped with a spare tyre.
The E90/E92/E93 M3 is the only generation of M3 to be powered by a V8 engine. Released in 2007,[8] it uses BMW's S65 engine and was produced in sedan, coupe and cabriolet body styles."
(...)
Sedan (E90)
"The sedan model was the first model sold of the 5th generation BMW 3 series, being launched on March 5, 2005 (as a 2006 model year) with the 318i, 320i, 320si, 323i, 325i, 325xi, 330i, and 330xi models.
In later years, the following sedan models were added: 316i, 320d, 325d, 328i, 330d, 335i, 335xi, 335d and M3.
(...)
This would be the last 3 Series to offer a naturally aspirated engine with the N52B30 (used in the 328i) and the S65B40 (used in the M3)."
330i
Petrol Engine
2005-2007
N52B30
6-cylinder
190 kW (255 hp)
2007-2013
N52B30
6-cylinder
200 kW (268 hp)
(...)
"In September 2008, the facelift (LCI) versions of the Saloon and Estate were released for the 2009 model year. Compared to typically subtle BMW LCI changes, these changes were relatively extensive."
(...)
Source: en.wikipedia.org/wiki/BMW_3_Series_(E90)
-----------------------------------------------------------------------------------------
BMW 3 Series
From Wikipedia, the free encyclopedia
"The BMW 3 Series is a compact executive car manufactured by the German automaker BMW since May 1975.
It is the successor to the 02 Series and has been produced in six different generations.
The first generation of the 3 Series was only available as a 2-door sedan, however the model range has since expanded to include a 4-door sedan, 2-door convertible, 2-door coupé, 5-door station wagon, 5-door hatchback (Gran Turismo) and 3-door hatchback body styles.
Since 2013, the coupé and convertible models have been marketed as the 4 Series, therefore the 3 Series range no longer includes these body styles.
The 3 Series is BMW's best-selling model, accounting for around 30% of the BMW brand's annual total sales (excluding motorbikes). The BMW 3 Series has won numerous awards throughout its history.
The M version of the 3 series, M3, debuted with the E30 M3 in 1986."
(...)
- First generation (E21; 1975–1983)
- Second generation (E30; 1982–1994)
- Third generation (E36; 1990–2000)
- Fourth generation (E46; 1998–2006)
- Fifth generation (E90/E91/E92/E93; 2004–2013)
"The fifth generation 3 Series was produced in the sedan, wagon, coupé and cabriolet body styles. Due to the separate model codes for each body style, the term "E9X" is sometimes used to describe this generation of the 3 Series.
In 2006, the 335i became the first 3 Series model to be sold with a turbocharged petrol engine. The E90 also saw the introduction of run-flat tires to the 3 Series range. Consequently, cars with run-flats are not equipped with a spare tire.
The E90/E92/E93 M3 was powered by the BMW S65 v8 engine. It was released in 2007 and was produced in sedan, coupe and cabriolet body styles."
- Sixth generation (F30/F31/F34; 2011–present)
The 30-inch Apple Cinema HD Display delivers an amazing 2560 x 1600 pixel resolution. Designed specifically for the creative professional, this display provides more space for easier access to all the tools and palettes needed to edit, format and composite your work. Combine this display with a Mac Pro, MacBook Pro, or PowerMac G5 and there's no limit to what you can achieve.
The Cinema HD features an active-matrix liquid crystal display that produces flicker-free images that deliver twice the brightness, twice the sharpness and twice the contrast ratio of a typical CRT display. Unlike other flat panels, it's designed with a pure digital interface to deliver distortion-free images that never need adjusting. With over 4 million digital pixels, the display is uniquely suited for scientific and technical applications such as visualizing molecular structures or analyzing geological data.
Offering accurate, brilliant color performance, the Cinema HD delivers up to 16.7 million colors across a wide gamut allowing you to see subtle nuances between colors from soft pastels to rich jewel tones. A wide viewing angle ensures uniform color from edge to edge. Apple's ColorSync technology allows you to create custom profiles to maintain consistent color onscreen and in print. The result: You can confidently use this display in all your color-critical applications.
Housed in a new aluminum design, the display has a very thin bezel that enhances visual accuracy. Each display features two FireWire 400 ports and two USB 2.0 ports, making attachment of desktop peripherals, such as iSight, iPod, digital and still cameras, hard drives, printers and scanners, even more accessible and convenient. Taking advantage of the much thinner and lighter footprint of an LCD, the new displays support the VESA (Video Electronics Standards Association) mounting interface standard. Customers with the optional Cinema Display VESA Mount Adapter kit gain the flexibility to mount their display in locations most appropriate for their work environment.
The Cinema HD features a single cable design with elegant breakout for the USB 2.0, FireWire 400 and a pure digital connection using the industry standard Digital Video Interface (DVI) interface. The DVI connection allows for a direct pure-digital connection.
Features:
Unrivaled display performance
30-inch (viewable) active-matrix liquid crystal display provides breathtaking image quality and vivid, richly saturated color.
Support for 2560-by-1600 pixel resolution for display of high definition still and video imagery.
Wide-format design for simultaneous display of two full pages of text and graphics.
Industry standard DVI connector for direct attachment to Mac- and Windows-based desktops and notebooks
Incredibly wide (170 degree) horizontal and vertical viewing angle for maximum visibility and color performance.
Lightning-fast pixel response for full-motion digital video playback.
Support for 16.7 million saturated colors, for use in all graphics-intensive applications.
Simple setup and operation
Single cable with elegant breakout for connection to DVI, USB and FireWire ports
Built-in two-port USB 2.0 hub for easy connection of desktop peripheral devices.
Two FireWire 400 ports to support iSight and other desktop peripherals
Sleek, elegant design
Huge virtual workspace, very small footprint.
Narrow Bezel design to minimize visual impact of using dual displays
Unique hinge design for effortless adjustment
Support for VESA mounting solutions (Apple Cinema Display VESA Mount Adapter sold separately)
Technical specifications
Screen size (diagonal viewable image size)
Apple Cinema HD Display: 30 inches (29.7-inch viewable)
Screen type
Thin film transistor (TFT) active-matrix liquid crystal display (AMLCD)
Resolutions
2560 x 1600 pixels (optimum resolution)
2048 x 1280
1920 x 1200
1280 x 800
1024 x 640
Display colors (maximum)
16.7 million
Viewing angle (typical)
170° horizontal; 170° vertical
Brightness (typical)
30-inch Cinema HD Display: 400 cd/m2
Contrast ratio (typical)
700:1
Response time (typical)
16 ms
Pixel pitch
30-inch Cinema HD Display: 0.250 mm
Screen treatment
Antiglare hardcoat
User controls (hardware and software)
Display Power,
System sleep, wake
Brightness
Monitor tilt
Connectors and cables
Cable
DVI (Digital Visual Interface)
FireWire 400
USB 2.0
DC power (24 V)
Connectors
Two-port, self-powered USB 2.0 hub
Two FireWire 400 ports
Kensington security port
VESA mount adapter
Requires optional Cinema Display VESA Mount Adapter (M9649G/A)
Compatible with VESA FDMI (MIS-D, 100, C) compliant mounting solutions
Electrical requirements
Input voltage: 100-240 VAC 50-60Hz
Maximum power when operating: 150W
Energy saver mode: 3W or less
Environmental requirements
Operating temperature: 50° to 95° F (10° to 35° C)
Storage temperature: -40° to 116° F (-40° to 47° C)
Operating humidity: 20% to 80% noncondensing
Maximum operating altitude: 10,000 feet
Agency approvals
FCC Part 15 Class B
EN55022 Class B
EN55024
VCCI Class B
AS/NZS 3548 Class B
CNS 13438 Class B
ICES-003 Class B
ISO 13406 part 2
MPR II
IEC 60950
UL 60950
CSA 60950
EN60950
ENERGY STAR
TCO '03
Size and weight
30-inch Apple Cinema HD Display
Height: 21.3 inches (54.3 cm)
Width: 27.2 inches (68.8 cm)
Depth: 8.46 inches (21.5 cm)
Weight: 27.5 pounds (12.5 kg)
System Requirements
Mac Pro, all graphic options
MacBook Pro
Power Mac G5 (PCI-X) with ATI Radeon 9650 or better or NVIDIA GeForce 6800 GT DDL or better
Power Mac G5 (PCI Express), all graphics options
PowerBook G4 with dual-link DVI support
Windows PC and graphics card that supports DVI ports with dual-link digital bandwidth and VESA DDC standard for plug-and-play setup
In de Poelestraat 30 was eeuwen lang het Concerthuis gevestigd, vermoedelijk ontstaan in een huis van een lid van de regentenfamilie De Sitter.
hdl.handle.net/21.12105/2bc222e8-a902-cc10-52ec-04ceac3d0217
hdl.handle.net/21.12105/eccdb959-3119-acd2-bae7-fb79c4d263f7
www.kng-groningen.nl/conchuis.htm
"Etta Palm (barones Aelders). Nederland's eerste féministe tijdens de Fransche Revolutie te Parijs", door Dr. W.J. Koppius; Ploegsma, Zeist 1929.
"Etta Palm. Een Hollandse Parisienne 1743 - 1799", door Mr. H. Hardenberg; Van Gorcum & Comp. N.V., Assen 1962.
Mr. Wolter Reinold de Sitter (1709-1780) zou in de Poelestraat geboren zijn: www.genealogieonline.nl/en/stamboom-ocken/I05258.php
Zie voor de familie De Sitter, de Drews en van Swinderen:
www.parlement.com/id/vg09llwlzczu/w_de_sitter
Buitenverblijven in Midlaren: www.flickr.com/photos/148859204@N07/36030249171/in/datepo...
"De Joodse gemeenschap in de stad Groningen, 1689-1796",
door E. Schut, Groninger Historische Reeks 12, Van Gorcum 1995, blz. 77 (Google Books).
"Een nieuw gebouwde Concertzaal in de Poelestraat", door Wija Frso, Stichting Monument & Materiaal: www.stichtingmenm.nl/images/hervondenstad/pdf/HS_2007/HS_...
Foto met bijschrift in het Nieuwsblad van het Noorden van 2-11-1929: resolver.kb.nl/resolve?urn=ddd:010675557:mpeg21:a0184
Agata de Sitter, Wed. Aalders, bood op 20-9-1753 ten Huyze van Monsr. Langefeld een Pakhuys en 2 Vrouwen Zit Plaatsen in de Martini Kerk te koop aan. Opregte Groninger Courant van 18-9-1753: resolver.kb.nl/resolve?urn=ddd:010258953:mpeg21:a0006
Jacobus Aalders bood een Extra Wit Papier Moolen met de Wooningen voor de Eygenaar en 10 Wooningen voor de Bedieners te koop aan. Opregte nieuwe Groninger Courant van
6-1-1747: resolver.kb.nl/resolve?urn=ddd:011022543:mpeg21:a0008
Verkoop op 24-11-1768 en 1-12-1768 "in 't Heere Wynhuis by branden der Keersen uitdoen", twee Behuyzingen en een Hof ten Noorden in de Poele Straat, deels bewoond door J.M. Goldsmit, met een Leenbank en bewoond geweest door Juffrouw de Weduwe Aalders. Zij is Agata Petronella de Sitter, weduwe van Jacob Aalders (Alderts). Hun dochter Etta Lubbina Johanna, geb. Poelestraat, ged. Martinikerk 3-5-1743, ovl. Den Haag 28-3-1799, was courtisane, spion en feminist in Parijs.
Op 17-7-1746 werd hun zoon Willem Peter de Sitter in de Martinikerk gedoopt. Opregte Groninger Courant van 25-11-1768: resolver.kb.nl/resolve?urn=ddd:010260423:mpeg21:a0006
Overlijdensbericht van Etta Lubina Johanna D'Aelders, Weduwe Palm, in de Haagsche Courant van 10-4-1799:
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Verkopingen in de Oude Bank van Leening. Opregte Groninger Courant van 6-6-1766, 13-3-1767 en 11-9-1767:
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Epharaim Symon van Praag met extra Fine Galanteryen heeft in de May Markt in de Roef gestaan en is verplaatst naar de Jooden Nedeldoeks Kraamen, en logeert in de Bank van Leening in de Poele Straat. Opregte Groninger Courant van 26-9-1752:
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De Heer Riedel woonde in de Geltering Straat. De eigenaar Dr. W. Swyghuisen bood het huis per 1-5-1762 te koop of te huur aan. Hij is Cantor Johan Philip Riedel, afkomstig uit Nassau Dillenburg, gehuwd met Margaretha Henrietta Bruinewold. Opregte Groninger Courant van 9-10-1761:
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De heer Tessarini, violist en componist, geeft op 13-12-1762 een concert ten huyse van den Heer Riedel in de Poele Straat. Opregte Groninger Courant van 10-12-1762:
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Concert van de Heer Distel, Luitenist van zyne Doorl. Hoogh. de Regerende Hertog van Saxen Gotha, ten Huize van Cantor Riedel. Opregte Groninger Courant van 16-12-1766:
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Concert van de Heer Bach van Berlyn bij Cantor Riedel. Opregte Groninger Courant van 6-1-1767:
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Concert van de Heer Esser ten huyze van Cantor Riedel. Opregte Groninger Courant van 22-4-1768:
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Concert van de Heer Marsiany ten huyze van de Heer Riedel. Opregte Groninger Courant van 17-10-1769:
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Concerten van Monsieur Ferrini en Monsr. Sibilla en Monsr. Andriolo, ten huyze van Cantor Riedel in de Poelen Straat. Opregte Groninger Courant van 20-3-1770 en 9-4-1771:
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Cantor Riedel en zyne Huisvrouw boden hun ruime en nieuws vertimmerde moderne Behuizing met 9 Vertrekken, waar van de meeste behangen....vrye uitvaart agter deeze Behuizing.....met of zonder Stal en Wagenhuis, staande in het wyde der Poelen Straat te koop aan. Opregte Groninger Courant van 12-6-1772:
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Verkoop van huis en hof, mobilia, muziek stukken en instrumenten van Cantor Riedel in de Poelen Straat. Groninger Courant van 15-7-1777, 26-8-1777, 10-10-1777 en 17-10-1777:
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Concert ten huize van Cantor Riedel. Groninger Courant van
15-4-1783: resolver.kb.nl/resolve?urn=ddd:010107101:mpeg21:a0009
Goederen van Cantor J.P. Riedel. Groninger courant van 25-3-1785: resolver.kb.nl/resolve?urn=ddd:010107347:mpeg21:a0005
Overlijdensbericht van Johan Philip Riedel, Veendam 15-10-1808, oud 81 jaar. Ommelander Courant van 18-10-1808: resolver.kb.nl/resolve?urn=ddd:010216220:mpeg21:p002
Zijn zoon Johannes Martinus Riedel, geb. Groningen 15-9-1760, ovl. Ommelanderwijk (Veendam) in het huis met nr. 226 op 26-4-1818, was kostschoolhouder.
Elisabeth Margaretha Paulina Riedel, geb. Nassau Dillenburg, Duitsland, ovl. Veendam (Kerkstraat) 17-2-1841, oud 103 jaar en 9 maanden, is een dochter van Johannes Martinus Riedel en Christina Elizabeth Beel (ouders gewoond hebbende en overleden te Nassau Dillenburg).
Concert van J.C.D. Roeder in de Concertzaal in de Poelen Straat bij Monfr. Muller. Groninger Courant van 21-2-1794:
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Het verbouwde Concerthuis, vroeger bewoond door de kok Muller en thans door Adam Ekkart, kastelein, koopman, geb. Groningen, ovl. Groningen 11-2-1833, oud 75 jaar, zoon van Simon Georg Ekkart, en Agatha Maria Baugnich.
Groninger Courant van 16-8-1805: resolver.kb.nl/resolve?urn=ddd:010159671:mpeg21:a0008
Gezocht een Kok en Castelein. Groninger courant van 8-6-1810: resolver.kb.nl/resolve?urn=ddd:010170762:mpeg21:a0010
Bal, onder Directie van den Heer J.A. Heuser in 't Concerthuis in de Poele-straat.......De Entrée voor een Heer met of zonder Dames, is Elf stuivers. Feuille d'affiches, annonces et avis divers de Groningue = Advertentieblad, bekendmakingen en onderscheidene berigten van Groningen van 22-5-1812:
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Het Concerthuis wordt te huur aangeboden in de Groninger Courant van 22-11-1814:
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In mei 1825 was de bovenwoning van het Concerthuis te huur, bewoond door luitenant-generaal Theophile Briatte, ovl. Utrecht 10-5-1844, oud 68 jaar, echtgenoot van
Campegia Wilhelmina Gockinga, ovl. Martenshoek (Hoogezand) 20-8-1832, oud 51 jaar, resp. zoon van J.B. Briatte en Susanna Julie Chamband, en dochter van Campegius Hermannus Gockinga, lid Staten-Generaal der Verenigde Nederlanden, lid Tweede Kamer der Staten-Generaal, en van Allegonda Maria van Sijsen:
www.parlement.com/id/vg09llsp1hwy/c_h_gockinga
Groninger Courant van 5-4-1825:
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Verkoop en vertimmeren van het Concerthuis. Groninger Courant van 30-6-1840:
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Het Genootschap ter bevordering der Natuurkundige Wetenschappen te Groningen koopt het Concerthuis. Groninger Courant van 27-11-1840: resolver.kb.nl/resolve?urn=ddd:010770976:mpeg21:a0018
Het Concerthuis werd verbouwd om het Koninklijk Natuurkundig Genootschap te huisvesten:
"Het vijftigjarig bestaan van het Genootschap ter bevordering der Natuurkundige Wetenschappen te Groningen, gevierd op de 26 Februariij 1851"; A.L. Scholtens 1851 (Google Books).
"Het vijf-en-zeventigjarig bestaan van het Natuurkundig Genootschap te Groningen, feestelijk herdacht op vrijdag en zaterdag den 25 en 26 Februarij 1876"; R.J. Schierbeek 1876.
"Het vijfentwintigjarig bestaan van het Natuur- en Scheikundig Genootschap te Groningen, plegtig gevierd op den 1 Maart 1826, Door Th. van Swinderen, Secretaris van voornoemd Genootschap"; J. Oomkens 1826. Prof. mr. Theodorus van Swinderen overleed in Groningen op 11-1-1851, oud 66 jaar.
Plegtige inwijding van de nieuw ingerigte gehoorzaal. Groninger Courant van 8-10-1841:
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Overlast van paarden en koetsen in de omgeving van het Concerthuis. Groninger Courant van 18-11-1842: resolver.kb.nl/resolve?urn=ddd:010779688:mpeg21:a0001
Reglement van Politie c.a. Groninger Courant van 6-8-1856:
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"Plan voor bioscoop in Concerthuis". Nieuwsblad van het Noorden van 8-6-1967: resolver.kb.nl/resolve?urn=ddd:010870200:mpeg21:a0233
"Concerthuis wordt bioscoop". Nieuwsblad van het Noorden
van 27-6-1967: resolver.kb.nl/resolve?urn=ddd:010870216:mpeg21:a0189
Verbouwing van het Concerthuis in 1967. "Bioscoop Concerthuis start met De getemde feeks”:
hdl.handle.net/21.12105/13e83f56-a8ad-4330-0091-60b2c0e2f72a
Nieuwsblad van het Noorden van 21-11-1967 en 24-10-1968:
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"Concerthuis volledig getransformeerd Weer 6 bioscopen in stad". Nieuwsblad van het Noorden van 21-12-1967:
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"Einde voor cultuur in Concerthuis": RTVOOG 26 okt. 2011 op YouTube:
www.youtube.com/watch?v=9kWxG34fVd4
Eltjo Kniphuisen heeft zijn winkel verplaatst van Tussen de beide Markten naar het "wyde van de Poelen Straat, daar de drie Roozen weer uithangen". Groninger courant van 13-7-1779:
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In 1875 liep er nog een kudde schapen door de Poelestraat. Een schaap sprong toen door een spiegelruit van juwelier B. Oving.
Provinciale Noordbrabantsche en 's Hertogenbossche courant
28-8-1875: resolver.kb.nl/resolve?urn=MMSADB01:000009425:mpeg21:a0029
Het Logement "De Oude Munster" (later Hotel "Friesland") in de Kleine Pelsterstraat 4, was in 1822 in het Reglement van Politie aangewezen als Schutstal voor vee dat zonder vergunning werd geweid op Stads of andere openbare gronden. Het Logement "De Nieuwe Munster" in de Herestraat 72, bekend als Hotel "Frigge", lag vlakbij: www.flickr.com/photos/148859204@N07/34601955931/
Groninger Courant van 29-11-1822 en 1-5-1849:
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Juwelier Bruins Oving, ovl. Groningen 2-7-1959, oud 77 jaar zat in de Poelestraat C 122.
Provinciale Drentsche en Asser Courant van 8-11-1881:
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Zijn broer Hermannus Ellen Oving, ovl. Groningen 22-12-1954, oud 78 jaar, zat in de Poelestraat NZ D6, later Poelestraat 2, bij de hoek met de Grote Markt. In 1860 vroeg hij vergunning voor het plaatsen van een winkelpui.
Provinciale Drentsche en Asser Courant van 23-4-1861:
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Zij zijn zonen van juwelier Bruins Oving (1841-1922), kleinzonen van goud- en zilversmid Hermannus Ellens Oving (1810-1890), en achterkleinzonen van goud- en zilversmid Jan Hermanus Oving, ovl. Groningen 15-1-1848, oud 74 jaar.
Portretten:
hdl.handle.net/21.12105/1dfe3934-638d-3a9b-ccb4-dc55b0264c68
hdl.handle.net/21.12105/b9431acc-5b50-8688-4613-ca882ae7cf81
hdl.handle.net/21.12105/e76c2aea-c9ba-e7fb-6b90-6b25337926c5
Groninger Courant van 9-5-1837:
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Provinciale Drentsche en Asser Courant van 24-8-1925:
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Afbeeldingen juwelier Oving:
hdl.handle.net/21.12105/b80282da-d593-4c90-e83f-3355b3ac4230
hdl.handle.net/21.12105/c81cfce3-ebcd-b625-f78b-832600567b56
hdl.handle.net/21.12105/c126560a-affb-2823-c9b5-f3020fa739b6
hdl.handle.net/21.12105/5e752f9b-9473-a2db-06c7-8eb580dc04b8
hdl.handle.net/21.12105/4b8a99dd-2674-780a-8de6-30c5256ba337
hdl.handle.net/21.12105/92bcc2a1-9de0-1914-0a0f-7d15242eeb68
"Vrij in vuur en puin". Nieuwsblad van het Noorden van 4-4-1980: resolver.kb.nl/resolve?urn=ddd:011018992:mpeg21:a0346
Na de oorlog zat juwelier H.E. Oving tijdelijk in de Oude Ebbingestraat 61 (Ebbingehuis). In 1955 verhuisde de winkel weer terug naar de Grote Markt. Nieuwsblad van het Noorden van 26-11-1955 en 9-12-1955:
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hdl.handle.net/21.12105/74206fdf-8989-781e-dabb-487b064503ad
"Juwelier Oving in andere handen". Nieuwsblad van het Noorden van 25-10-1974:
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"Begeer, Van Kempen en Vos zou al verkocht zijn. Juwelier Oosterhof neemt Groninger zaken over". Nieuwsblad van het Noorden van 11-2-1977:
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"Historie Oostwand wordt weggebikt", door Frank von Hebel in het Dagblad van het Noorden van 18-3-2017, blz. 16.
Op 12-5-1875 vroeg Jacobus Bartholomeus Petrus Joannes Dado, winkelier in modeartikelen, geb. Groningen 24-6-1835, ovl. Groningen 12-5-1905, zoon van koopman Joannes Petrus Dado en Maria Dominica Bartels, dochter van winkelier/knoopmaker Lambertus Bartels, vergunning voor het verbouwen van de panden Grote Markt C 10-11/Poelestraat. Joannes Petrus Dado, geb.
Cavergno in Zwitserland, overleed in Groningen op 28-2-1843, oud 41 jaar. Deze familie zat al in 1860 met een zaak in de Poelestraat C 11. Op 11-4-1866 vroeg dhr. Dado vergunning voor het bouwen van een winkelpui in de Herestraat F 222, onder architectuur van Nicolaas Willem Lit (1833-1907), de architect van het pakhuis op de hoek van de Poelestraat en het Schuitendiep: www.flickr.com/photos/148859204@N07/32824414883/
De winkel werd in 1884 voortgezet door de Gebr. Holtmann.
Algemeen Handelsblad van 13-12-1883:
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Nieuwsblad van het Noorden van 21-4-1895:
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In 1955 verhuisde de modewinkel J. Boterweg van de Grote Markt 33, hoek Poelestraat, naar de Grote Markt, hoek Ebbingestraat, naast Vroom en Dreesman. Jelle Boterweg, geb. Harlingen 22-6-1869, overleed in Groningen op 30-6-1931. De zaak werd voortgezet door de wed. E. Boterman-Molenaar, onder de handelsnaam Firma J. Boterweg (in 1912 Firma Boterweg & Melles). Nieuwsblad van het Noorden van 1-8-1931: resolver.kb.nl/resolve?urn=ddd:010675165:mpeg21:a0229
hdl.handle.net/21.12105/6e8a7db3-a8e0-d6e2-94e9-d7208eb8440a
Het pand aan de Grote Markt 33 werd gesloopt:
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"Hé, is Boterweg zomaar weg?". Nieuwsblad van het Noorden van 19-7-1955:
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"In Groningen wordt gebouwd!". Leeuwarder courant: hoofdblad van Friesland van 22-10-1955:
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"Oostwand kan breder en groter. Gemeente koopt hoekpand Poelestraat", door Menno Hoexum. Dagblad van het Noorden, Groningen stad, 5-6-2013, blz. 18.
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hdl.handle.net/21.12105/65a43fab-4a5d-047b-3054-9cdea3886bb0
www.nlarchitects.nl/ucslideshow/207
gemeente.groningen.nl/ro/grote-markt/planbeschrijving
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"De herbouw van de Grote Markt" (ingezonden), in het Nieuwsblad van het Noorden van 7-6-1952 en 11-6-1952:
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"Ir. Vegter kan geen Raadhuis bouwen" (ingezonden), in het Nieuwsblad van het Noorden van 6-6-1953:
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hdl.handle.net/21.12105/15f56b06-3e2d-a737-7584-0e398bfae0a3
hdl.handle.net/21.12105/b3ea67db-143f-3204-fe03-5b1f66c9ca13
hdl.handle.net/21.12105/8f0f8660-3501-040c-d910-42806f4c4eb9
Hoek Oosterstraat-Poelestraat:
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hdl.handle.net/21.12105/629ab32f-0e95-37f9-3c68-f90b7e8ea5e6
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Hoek Grote Markt-Poelestraat:
hdl.handle.net/21.12105/4b8a99dd-2674-780a-8de6-30c5256ba337
hdl.handle.net/21.12105/155c53c4-2214-02c6-2b74-1e4dfcbfc04d
hdl.handle.net/21.12105/b80282da-d593-4c90-e83f-3355b3ac4230
Het hoekpand Oosterstraat 2/Poelestraat 1 (Kad. H 1231 en H 3414) is in 1898 ontworpen door architect A.Th. van Elmpt (1866-1953), in opdracht van Adolf Witte, drogist, geb. Groningen 1-3-1830, ovl. Groningen 7-10-1916, en van Johann Carl Christoph Schlichter, geb. Meppen, ovl. Groningen 18-8-1924, oud 59 jaar, echtgenoot van Hinderika Maria Schattenberg, geb. Groningen 6-10-1860, ovl. Groningen 23-11-1902, dochter van schoenmaker Egbert Schattenberg (1821-1892).
Het naastgelegen pand in de Poelestraat 3 is ook door Van Elmpt ontworpen, in opdracht van J.C.C. Schlichter. De winkel droeg de naam "Schattenberg's Schoenen- en Laarzenmagazijn"; meer dan 50 jaar gevestigd te Groningen.
Ook het hoekpand Oosterstraat-Carolieweg is van architect Van Elmpt:
www.staatingroningen.nl/bedrijf/87/elmpt-ath-van
zoeken.hetnieuweinstituut.nl/nl/personen/detail/c51a9b0c-...
web.archive.org/web/20161025113435/http://www.panoramio.c...
Egbert Schattenberg vroeg op 26-8-1875 vergunning voor het aanbrengen van een winkelpui aan het pand Poelestraat D 133 (Groninger Archieven).
Op 11-7-1872 werden de twee woningen Poelestraat D 122 en D 123, hoek Peperstaat, te koop aangeboden, van oudsher in gebruik als Affaire in Pelterijen en als Schoenmakersaffaire, en bewoond (geweest) door wijlen Th. Doesburg, bontwerker, en E. Schattenberg, schoenmaker (Leeuwarder Courant en het Algemeen Handelsblad).
In de periode 1858-1866 vroeg J. Houttuin bouwvergunningen aan voor het perceel Poelestraat D 133 (Groninger Arrchieven).
Nieuwsblad van het Noorden van 20-12-1904: resolver.kb.nl/resolve?urn=ddd:010891001:mpeg21:a0072
Leeuwarder Courant van 5-7-1872:
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Algemeen Handelsblad van 21-12-1872: resolver.kb.nl/resolve?urn=ddd:010101689:mpeg21:a0029
De winkelpui van het pand Poelestraat 5 (D 131) is in 1902 ontworpen door architect P.M.A. Huurman (1863-1944), in opdracht van de Handelsvennootschap v/h R. Muller (J.B. Vogt):
www.staatingroningen.nl/bedrijf/90/huurman-pma
zoeken.hetnieuweinstituut.nl/nl/personen/detail/048e7a21-...
Tot 1925 zat "De Roode Winkel (J.B. Vogt)" in de Poelestraat 5-7. Nieuwsblad van het Noorden van 8-6-1925:
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Johann Bernard Vogt, geb. Ramsloh (Dld), ovl. Groningen 12-4-1880, oud 50 jaar, zat in 1869 al in de Poelestraat D 131 en 132.
Op 31-5-1869 vroeg hij vergunning voor "werk aan voorgevel en stoep" Poelestraat D 132 (D 131 is Poelestraat 5).
Op 19-8-1925 vond de aanbesteding plaats van het "opnieuw indeelen van de gebouwen Poelestraat 5 en 7", onder architectuur van Evert van Linge, en in opdracht van Albert Woest, vleeschhouwer te Groningen. Nieuwsblad van het Noorden van 15-8-1925:
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Architect Evert van Linge: www.staatingroningen.nl/bedrijf/88/linge-evert-van
Archief bij Het Nieuwe Instituut:
zoeken.hetnieuweinstituut.nl/nl/
Het pand Oosterstraat 4 (Kad. H 248) is in 1899 ontworpen door architect Wilhelmus Petrus Ros, geb. Groningen 14-6-1869, ovl. Groningen 17-11-1934, in opdracht van Cornelis Paanakker, geb. Loon op Zand, ovl. Groningen 14-3-1902, oud 46 jaar.
In 1842 had H. Depaifve Ainé een Fabrijk van Stroohoeden, in het Groot en Klein en was hij Magazijnhouder van Gevlochten Stroo, in de Poelestraat 10 en 38, met Stroohoeden, Italiaansche en Agrementstroohoeden.
Mej. F. van Slogteren verkocht Stroohoeden e.d., in de Poelesstraat D 121, op den hoek van de Peperstraat.
Groninger Courant van 25-3-1842, 24-3-1843, 20-5-1845, 1-5-1849 en 22-3-1853 (verkoop inboedel):
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In maart 1853 droeg Mej. F. van Slogteren de Dameshoeden- en Mutsenaffaire in de Poelestraat D 121, in het wijde van de Poelestraat, op den hoek van de Peperstraat, over aan Mej. Trientje van der Veen, geb. Aduard 30-12-1821, ovl. Groningen 20-2-1877, weduwe van Bernardus Pekelaar, sigarenfabrikant, geb. Thesinge 22-3-1826, ovl. Groningen 1-10-1852. Groninger Courant van 4-3-1853 en 3-5-1853: resolver.kb.nl/resolve?urn=ddd:010772965:mpeg21:a0006
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Zij is te relateren aan "mutzemaakster" (1814) Follegien/Tolligin/Tollegyn van Slogteren, ovl. Millingen 15-7-1841, oud 54 jaar, dochter van wafelbakker Martinus van Slogteren en Sara Jans Kreima/Krijns, echtgenote van kleermaker en rijksambtenaar, Jacob Chevalier, geb. Rotterdam, ovl. Groningen 14-8-1874, oud 81 jaar, zoon van sergeant-majoor en tolgaarder Denijs Chevalier, ovl. Arnhem 28-2-1839, oud 76 jaar, en Rijke Wenteler.
Zie ook Eisse Abrahams van Slogteren, wolkammer in de Nieuwe Ebbinge-straat, en echtgenote Sara van Bruggen, ovl. Groningen 19-9-1828, oud 46 jaar. Ommelander Courant
van 20-4-1810: resolver.kb.nl/resolve?urn=ddd:010216367:mpeg21:a0007
Op 9-11-1824 overleed zijn vader Abraham van Slogteren, oud 88 jaar en vier maanden, echtgenoot van Anna Gardee, zoon van Eise Hindriks van Slogteren, stelmaker, en van Cornelissien Hulsebosch. Groninger Courant van 12-11-1824: resolver.kb.nl/resolve?urn=ddd:010774386:mpeg21:a0015
Abraham van Slogteren bood zijn Behuisinge c.a., Pakhuis met 2 Zolders, en 2 Korenzolders over het geheele Huis, en een Stal voor 4 Paarden en 4 Beesten te koop aan, gelegen aan de Oostkant van der Aa, met uytvaart op de Laane. Opregte Groninger Courant van 16-5-1766:
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Abraham van Slogteren en Vrouw boden op 18-1-1779 Hunne wel ter Neering staande Behuizinge aan de W. zyd in de N. Ebbinge Straat en een Woonkamer met een Stalle, staande in de Pluimers Gang aan 't Schuitendiep, te koop aan ten Huize van G.J. Dubbelboer, Kastelein in het Blauwe Peert. Groninger courant van 1-1-1779: resolver.kb.nl/resolve?urn=ddd:010106607:mpeg21:a0008
Predikant Johannes van Slogteren, geb. Groningen Oostzijde van de A, ged. Groningen 12-2-1766, ovl. Amsterdam 7-8-1841, oud 75 jaar, is een zoon van Abraham van Slogteren en Anna Gardee.
De Wed. van Monsr. R. van Slogteren, woonende in de Oude Botteringe Straat, bood haar Hof met Vrugtdraagende Bomen en een Steenen Zomerhuys in 't Appel-Straatje in de Steeg, te koop aan Opregte Groninger Courant van 15-7-1750:
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Op 21-1-1842 bood Mejufvr. de Wedw. H.E. van Slogteren de Behuizing, S 106, met opene Plaats en vrijen Uitgang in de Donkersgang en onder en boven Pakhuis, Oostzijde in de Gelkingestraat, te koop aan. Zij is vermoedelijk Betje Egberts Buirema van Eexta (Scheemda), ovl. Groningen 29-12-1860, oud 73 jaar, weduwe van Hinderk Eisse van Slogteren, verwer/glazemaker, ovl. Groningen 9-8-1839, 52 jaar, zoon van Eisse van Slogteren, verwer/glazemaker, en van Allegonda Bekkering. Groninger Courant van 21-1-1842: resolver.kb.nl/resolve?urn=ddd:010779608:mpeg21:a0015
Commies P. van Slogteren en Vrouw hadden in 1776 en 1781 een winkel "bestaande in Linnen, Vers en gerookt Spek en Kaas & c., in de Heerestraat waar het witte Hoofd uithangt.
Groninger Courant van 27-2-1776 en 25-12-1781:
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Groninger Courant van 7-11-1783:
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Verkoop van zijn huis in de Heerestraat, en dat van Hindrik van Slogteren en Vrouw, staande aan de Westkant van het Boterdiep nabij het Klokhuisje. Groninger Courant van 22-1-1782: resolver.kb.nl/resolve?urn=ddd:010106956:mpeg21:a0009
In 1783 woont hij in het Ooster Poorten Gasthuis en verkoopt hij Coevorder Linnen.
De Wed. van Monsr. J. Slogteren verkocht op 22-12-1768 ten huyze van Monsr. J. Pot in de Gulden Straat in de Soppige Peer, haar deftige Huis ten oosten in de oude Botteringe Straat, zijnde een voorname Keersemakerye met Gereedschappen en Winkel Goederen. Opregte Groninger Courant van 20-12-1768: resolver.kb.nl/resolve?urn=ddd:010260430:mpeg21:a0008
más de 110 años de trayectoria, el sitio representa a un clásico encuentro de cada día.
Cargado de sentimiento porteño, este tradicional bar ubicado en el centro del barrio de Monserrat, entre Salta y Santiago del Estero, fue inaugurado allá por el año 1894, convirtiéndose en uno de los rincones de encuentro y práctica de billar, más antiguos de la ciudad… Leer más...
No usar esta imagen en páginas web, blogs u otros soportes sin mi autorización, © Todos los derechos reservados.
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
“Y estos derechos... a respetarlos, ¿eh? ¡No vaya a pasar como con los diez mandamientos!” (Mafalda)
Im going to be very nervous this wednesday as i get to meet Sebastian Boyesen.
www.bbc.co.uk/iplayer/episode/b00szzhv/Angel_of_the_Valleys/
While i was at The Miner today was talking to a local who's Husbands father and his brother died in the disaster
Sorry for the poor quality low resolution uploads as you may have gathered this is my first commission for a book on the mining disaster.
This image is copyrighted to David Smith; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at daismiff39@hotmail.com for express permission to use any of my photographs.
Tragedy at Six Bells
By David John Withers, Brynmawr
My father worked in the colliery all his life and I sort of followed him into the pit. I went to work in Six Bells Colliery at 17 years of age.
When I first went on the 0.18 coal face as a collier's helper I was introduced to my 'batty' Reggie Poe who showed me the tools we were using and two chalk marks 15 yards apart on the coal face. This was our working place, 15 yards long by 4-foot-6 deep by 5 feet high. I thought 'bloody hell' - it seemed a huge amount of coal to shift.
Although the other coal faces in our district were more modern with hydraulic roof supports, we were still using the older friction posts and linked bars. I've still got the scars where one of the bars came down on me!
We had quite a few problems with gas on the 0.18 coal face and the dust was killing. At times the conveyor would start up and you couldn't see each other until the dust settled down.
As boys we often refused to go onto the face because of the amounts of dust there - being youngsters we stuck together even when the officials threatened to send us home. It wasn't much of a threat as I was only earning about £6 odd!
I had been working about two years when the explosion happened. I was working on the 0.18 face at Six Bells on the 'turning shift' and arrived at the colliery on the bus to see the place in turmoil and heard that an explosion had happened. As the explosion had occurred at our place of work, we offered to go down and help as we knew the place, but the Rescue Brigade had it under control and wouldn't let us go down.
It's hard to say my feelings about it all. We knew there was gas there and they said a spark had set it off. I had mostly enjoyed the colliery up to then. I remember four of the men who died - I used to give them snuff with powdered bark mixed in as a joke - there was a good spirit amongst the men at the pit.
Once the explosion had happened it put me off. I finished and I put my notice in soon after. I was too young to lose my life in the colliery. If I had been working the day shift that week it would have been me. The explosion opened my eyes to the dangers and I went into the construction industry instead - I was always good with my hands. The pit made me grow up.
The deaths of 45 men killed 50 years ago in a colliery explosion have been remembered with a service at the site.
A gas explosion ripped through the Six Bells colliery near Abertillery, Blaenau Gwent at 10.45am on 28 June 1960.
The Archbishop of Canterbury, Dr Rowan Williams, led a service of remembrance at the site.
He also unveiled a memorial to the tragedy, a 20m high sculpture of a miner by Sebastian Boyesen.