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Nuevas galerías en www.mariorubio.com y www.fotografonocturno.com
Canal TV en YOUTUBE NightPhotography
En compañía de mi amigo Carles de www.terradeningu.com en el curso del fin de semana pasado en Prades (Tarragona)
Y aprovecho también para agradecer su amabilidad a Rafa por sacarnos de la autovía perdida a altas horas de la madrugada después de pasar 10 horas en el aeropuerto de Barajas por culpa de Iberia y llegar a mi destino casi 12 horas más tarde de lo previsto.
Exif:
Camera: NIKON CORPORATION NIKON D700
Exposure: 68.7
Aperture: f/5.6
Focal Length: 24 mm
ISO Speed: 200
WB: 3030
White light and a light painting tool.
Autumn
Autumn or fall is one of the four temperate seasons. Autumn marks the transition from summer into winter, usually in March (Southern Hemisphere) or September (Northern Hemisphere) when the arrival of night becomes noticeably earlier.
The equinoxes might be expected to be in the middle of their respective seasons, but temperature lag (caused by the thermal latency of the ground and sea) means that seasons appear later than dates calculated from a purely astronomical perspective. The actual lag varies with region, so some cultures regard the autumnal equinox as "mid-autumn" whilst others with a longer lag treat it as the start of autumn. Meteorologists (and most of the temperate countries in the southern hemisphere) use a definition based on months, with autumn being September, October and November in the northern hemisphere and March, April and May in the southern hemisphere.
Personification of Autumn (Currier & Ives lithograph, 1871).
Autumn starts on or around 8 August and ends on about 7 November in traditional East Asian solar term. In Ireland, the autumn months according to the national meteorological service, Met Éireann, are September, October and November. However, according to the Irish Calendar which is based on ancient Celtic traditions, autumn lasts throughout the months of August, September, and October, or possibly a few days later, depending on tradition. In Australia, autumn officially begins on 1 March and ends 31 May. The vast diversity of the ecological zones of the South American, African and Australian continents renders the rigid European, North Asian and North American seasonal calendar an imposed cultural concept rather than relevant to climactic conditions. The seasonal cycles as named and described by the various indigenous Aboriginal peoples of Australia differ substantially from one another according to their local geographical and ecological environment and are intricately dependent on local environmental events and resources.
Etymology
The word autumn comes from the Old French word autompne (automne in modern French), and was later normalised to the original Latin word autumnus. There are rare examples of its use as early as the 12th century, but it became common by the 16th century.
Before the 16th century, harvest was the term usually used to refer to the season. However, as more people gradually moved from working the land to living in towns (especially those who could read and write, the only people whose use of language we now know), the word harvest lost its reference to the time of year and came to refer only to the actual activity of reaping, and autumn, as well as fall, began to replace it as a reference to the season.
The alternative word fall is now mostly a North American English word for the season. It traces its origins to old Germanic languages. The exact derivation is unclear, the Old English fiæll or feallan and the Old Norse fall all being possible candidates. However, these words all have the meaning "to fall from a height" and are clearly derived either from a common root or from each other. The term came to denote the season in 16th century England, a contraction of Middle English expressions like "fall of the leaf" and "fall of the year".
During the 17th century, English emigration to the British colonies in North America was at its peak, and the new settlers took the English language with them. While the term fall gradually became obsolete in Britain, it became the more common term in North America, where autumn is nonetheless preferred in scientific and often in literary contexts.
Harvest association
Association with the transition from warm to cold weather, and its related status as the season of the primary harvest, has dominated its themes and popular images. In Western cultures, personifications of autumn are usually pretty, well-fed females adorned with fruits, vegetables and grains that ripen at this time. Most ancient cultures featured autumnal celebrations of the harvest, often the most important on their calendars. Still extant echoes of these celebrations are found in the mid-autumn Thanksgiving holiday of the United States, and the Jewish Sukkot holiday with its roots as a full moon harvest festival of "tabernacles" (huts wherein the harvest was processed and which later gained religious significance). There are also the many North American Indian festivals tied to harvest of autumnally ripe foods gathered in the wild, the Chinese Mid-Autumn or Moon festival, and many others. The predominant mood of these autumnal celebrations is a gladness for the fruits of the earth mixed with a certain melancholy linked to the imminent arrival of harsh weather.
This view is presented in English poet John Keats' poem To Autumn, where he describes the season as a time of bounteous fecundity, a time of 'mellow fruitfulness'.
Melancholy association
A brightly colored tree contrasts the green foliage which surrounds it
Autumn in poetry has often been associated with melancholy. The possibilities of summer are gone, and the chill of winter is on the horizon. Skies turn grey, and people turn inward, both physically and mentally. Rainer Maria Rilke, a German poet, has expressed such sentiments in one of his most famous poems, Herbsttag (Autumn Day), which reads
Who now has no house, will not build one (anymore).
Who now is alone, will remain so for long,
will wake, and read, and write long letters
and back and forth on the boulevards
will restlessly wander, while the leaves blow.
Similar examples may be found in Irish poet William Butler Yeats' poem The Wild Swans at Coole where the maturing season that the poet observes symbolically represents his own aging self. Like the natural world that he observes he too has reached his prime and now must look forward to the inevitability of old age and death. French poet Paul Verlaine's "Chanson d'automne" ("Autumn Song") is likewise characterized by strong, painful feelings of sorrow. Keats' To Autumn, written in September 1819, echoes this sense of melancholic reflection, but also emphasises the lush abundance of the season.
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;'
Other associations
Halloween pumpkins
Autumn is also associated with the Halloween season (which in turn was influenced by Samhain, a Celtic autumn festival),[12] and with it a widespread marketing campaign that promotes it. The television, film, book, costume, home decoration, and confectionery industries use this time of year to promote products closely associated with such holiday, with promotions going from early September to 31 October, since their themes rapidly lose strength once the holiday ends, and advertising starts concentrating on Christmas.
Since 1997, Autumn has been one of the top 100 names for girls in the United States.
In Indian mythology, autumn is considered to be the preferred season for the goddess of learning Saraswati, who is also known by the name of "goddess of autumn" (Sharada).
source: Wikipedia
Rupit, Barcelona (Spain).
This duck not yet has class, and must swim in dangerous waters of the river.
Este pato aún no tiene categoría, y tiene que nadar en las peligrosas aguas del río.
ENGLISH
Aluminium foil (known as aluminum foil in North America) is aluminium prepared in thin sheets with a thickness less than 0.2 mm / 0.008 in, although much thinner gauges down to 0.006 mm are commonly used. As a result of this, the foil is extremely pliable, and can be bent or wrapped around objects with ease. However, thin foils are fragile and easily damaged, and are usually laminated to other materials such as plastics or paper to make them useful. It replaced tin foil towards the end of the 19th century.
Foil made from a thin leaf of tin was commercially available before its aluminium counterpart. In the late nineteenth century and early twentieth century, tin foil was in common use, and some people continue to refer to the new product by the old name. Tin foil is much stiffer than aluminium foil. It tends to give a slight tin taste to the food wrapped in it, which is one major reason it has largely been supplanted by aluminium and other materials for wrapping food. The first audio recordings on phonograph cylinders were made on tin foil.
Tin was first replaced by aluminium in 1910, when the first aluminium foil rolling plant, “Dr. Lauber, Neher & Cie. and Emmishofen.” was opened in Kreuzlingen, Switzerland. The plant, owned by J.G. Neher & Sons, the aluminium manufacturers, started in 1886 in Schaffhausen and Switzerland, at the foot of the Rhine Falls - capturing the falls' energy to produce aluminium. Neher's sons together with Dr. Lauber discovered the endless rolling process and the use of aluminium foil as a protective barrier on December 1907.
The first use of foil in the United States was in 1913 for wrapping Life Savers, candy bars and gum. Processes evolved over time to include the use of print, colour, lacquer, laminate and the embossing of the aluminium.
The extensive use of aluminium foil has been criticised by some environmentalists because of the high resource cost of extracting aluminium, primarily as a result of the large amount of electricity used to decompose bauxite. However, this cost is greatly reduced via recycling, reduced energy requirements during transport due to lighter weight packages, and the fact that many foods that would otherwise perish can be protected over long periods without refrigeration. Many aluminium foil products can be recycled at around 5% of the original energy cost, although many aluminium laminates are not recycled due to difficulties in separating the components and low yield of aluminium metal.
More info: en.wikipedia.org/wiki/Aluminium_foil
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CASTELLANO
El papel aluminio (conocido también como papel plateado) es una hoja fina de aluminio que, a consecuencia de ello, es extremadamente maleable y permite numerosos usos en la vida cotidiana, entre las que está la de poder hacer de envoltorio de diversos objetos. conductor de electricidad y se utiliza también como papel de embalaje para envolver alimentos. En España se conoce popularmente como "papel Albal" por la marca Albal, que lo comercializa. Millones de toneladas de papel de aluminio se emplean a diario en todo el mundo en el embalaje y protección de alimentos, cosméticos y productos químicos diversos. Por regla general con una capa extremadamente delgada que suele rondar desde los 20 µm a los 6.5 µm, en algunos casos es laminado con otros materiales tales como plástico o papel.
Mucho antes que el moderno papel de aluminio, se empleaban y distribuían hojas finas de estaño para propósitos similares. A finales del siglo XIX y comienzos del siglo XX las hojas delgadas de estaño eran ya muy populares y cuando empezaron a aparecer en el mercado las nuevas hojas de papel de aluminio la gente las seguía denominando como hojas de estaño. El nuevo producto era mejor que las antiguas hojas de estaño debido a diversas razones, el estaño dejaba sabores 'extraños' en los alimentos envueltos con este papel y su resistencia y prestaciones eran mejores. No obstante, las primeras grabaciones de audio en los fonógrafos de cilindro se hicieron en finas hojas de estaño.
Las láminas de estaño se reemplazaron por las de aluminio en el año 1910, justo cuando se estableció la primera planta de elaboración de láminas de aluminio bajo la empresa Dr. Lauber, Neher & Cie., Emmishofen, que fue instalada en Kreuzlingen (Suiza). La planta pertenecía J.G. Neher & Sons (manufactureros del aluminio) que comenzaron su trabajo ya en el año 1886 en los alrededores de la ciudad de Schaffhausen, Suiza cerca de las cataratas del Rhine - capturaban la energía de las cataratas para producir el aluminio-. Los hermanos Neher junto con el Dr. Lauber descubrieron el proceso de laminado sin fin y el uso del papel de aluminio como barrera protectora. Los primeros usos de estas hojas fueron el embalaje de los productos del tabaco, las barras de chocolate. a lo largo del tiempo los productores fueron añadiendo lacas que coloreaban las hojas de aluminio.
Más info: es.wikipedia.org/wiki/Papel_de_aluminio
When in water (right), shell is more translucent, lighter and brighter in colour, and less reflective, than when in air (left).
1: internal view of row of palatal protrusions at earlier position of palatal lip.
2: external view through translucent shell of same row of protrusions as in ‘1’.
Shell height 6.1 mm. Salting on tidal River Dee, Flintshire, Wales. December 2018.
Full DESCRIPTION BELOW
Sets of OTHER SPECIES: www.flickr.com/photos/56388191@N08/collections/
GLOSSARY BELOW
Preface
Specimens illustrated in this account which were supplied to Amgueddfa Cymru (the Natural History Museum, Wales) were sequenced by Ben Rowson who found no difference in the DNA of M. myosotis and M. denticulata and concluded that they were a single species; Myosotella myosotis (Draparnaud, 1801). This has been accepted by WoRMS; see www.marinespecies.org/aphia.php?p=taxdetails&id=139672 ]
A possibility, raised by Martins (2013), is that the true M. myosotis (Draparnaud, 1801) occurs in the Mediterranean and that both British shell forms are ecotypes of M. denticulata (Montagu, 1803). This account, written before molecular sequencing united them, describes the form previously regarded as M. denticulata.
Because of its special habitat intermediate between terrestrial and marine, this species, and its Leucophytia relative in the family Ellobiidae, are omitted from some identification guides, while variously appearing in others devoted solely to either terrestrial, marine or even freshwater mollusca.
Myosotella myosotis form denticulata (Montagu, 1803)
Synonyms: Voluta denticulata Montagu, 1803; Voluta ringens W. Turton, 1819; Ovatella denticulata (Montagu, 1803); Alexia ringicula Locard, 1893; Conovulus denticulatus in Forbes & Hanley (1853); Melampus myosotis (part of) in Jeffreys (1869);
Vernacular Probably applied at times to both M. denticulata and M. myosotis: Mouse-eared Alexia, Mouse ear(ed) snail (English); Clust llygoden (Welsh); Evesnegl (Danish); Muizenoortje (Dutch); Ovatelle naine des vases (French); Stranddvärgsnäcka (Swedish); Mäuseöhrchen (German);
Applied to just this form: Many-toothed mouse-ear (English); Gewoon muizenoortje (Dutch);
Description
When in water, shell is more translucent, lighter and brighter in colour, and less reflective, than when in air 1Md flic.kr/p/2ejw2rW . The following shell description is of specimens in air.
Shell
Juvenile shell usually less than 6 mm high. Adult shells often less than 6mm , usual maximum 7.5 mm, exceptionally 10 mm 2Md flic.kr/p/24NUBLV . Fusiform shell, width c.45% to 55% of height 3Md flic.kr/p/2fkP2h7 . Small spire with sharp apex; body whorl c. 73% of shell height, usually a little less on small specimens. Apex slightly twisted 3Md flic.kr/p/2fkP2h7 due to change from sinistral protoconch to dextral teleoconch. Shell-wall thin, opaque or slightly translucent, with a silky sheen when clean 4Md flic.kr/p/2fkP21f . Up to 8 moderately convex whorls separated by distinct shallow sutures. On juveniles, the periostracum is drawn into a row of bristles below the sutures 5Md flic.kr/p/2fkP1V5 , but they are worn off over time. Earliest juveniles with three or fewer whorls lack periostracum and bristles; their shells are white-translucent with punctate spiral lines which may persist for a time as the shell grows ; occasionally visible through periostracum on later whorls 6Md flic.kr/p/2fkP1HS . Very fine, closely spaced, costal lines sometimes visible on adults, especially on spire whorls 6Md flic.kr/p/2fkP1HS , often most clearly developed on subsutural ramp 4Md flic.kr/p/2fkP21f . Adults have growth lines; most easily seen when periostracum is worn 3Md flic.kr/p/2fkP2h7 , less so when periostracum is intact 7Md flic.kr/p/2fkP1Gj . Usually no umbilicus except for an umbilicus-like slit in the apex caused by the change from the sinistral larval shell (protoconch) to a dextral shell 8Md flic.kr/p/2fqtbmD . Within the shell, when it reaches 2½ whorls, the columella and septa between the spire whorls are resorbed by the mantle, leaving an open space except for the columella and septum of the body whorl. Aperture 50% to 60% of shell height 3Md flic.kr/p/2fkP2h7 , juveniles usually nearer the higher limit; shaped like a narrow ear with a rounded base and a sharp adapical angle 2Md flic.kr/p/24NUBLV . Thin palatal (outer) lip on specimens over 3mm high has two to seven (or more) protrusions (folds/teeth/denticles) 2Md flic.kr/p/24NUBLV which may be set into a pale calcareous ridge within the aperture near the palatal rim. Further sets of protrusions are often present further back in the aperture, marking previous positions of palatal lip 2Md flic.kr/p/24NUBLV . The palatal lip is sometimes weakly reflected on large adults 9Md flic.kr/p/2fkP1kN . The columellar-parietal lip (inner lip of aperture) has three or four protrusions . The parietal lip consists of a wide glazed area on the body whorl, but is often difficult to discern 2Md flic.kr/p/24NUBLV & 10Md flic.kr/p/2fkNZXU . Juveniles less than 3mm high may not have developed protrusions sufficiently to be distinguished from M. myosotis. For a clear view of the features within the aperture, including far-back rows of teeth, the animal may need a prod with a small brush to make it withdraw, and the shell requires tilting at different angles 11Md flic.kr/p/2fkNZsA . There is no operculum . Exterior colour varies from yellowish brown to brown 2Md flic.kr/p/24NUBLV . The protoconch and juvenile shell up to about 1.4mm height are white, and are retained as a white apex on the adult 3Md flic.kr/p/2fkP2h7 & 14Md flic.kr/p/2fkNZ4E . On dead stranded shells the periostracum often peels off and the colour bleaches to whitish 10Md flic.kr/p/2fkNZXU .
Body
Specimens from non-salting conditions have white or very pale grey flesh; colour on an individual varies with degree of extension and whether in air or water 12Md flic.kr/p/2fkNZeE . The colour of the occasional ones from under stones on saltings is similar to that of M. myosotis with darker grey arranged in transverse bands across the dorsum, and colour intensity usually increases with size/age 13Md flic.kr/p/RE4vht . The tentacles on all forms are usually grey or greyish. Sides of foot are paler than the dorsum of grey specimens 12Md flic.kr/p/2fkNZeE & 13Md flic.kr/p/RE4vht . The mantle sometimes projects a short way beyond the aperture rim of the palatal lip, but is not reflected onto it 13Md flic.kr/p/RE4vht . The parietal lip on the body whorl is a glaze formed by the mantle extending onto it 2Md flic.kr/p/24NUBLV & 10Md flic.kr/p/2fkNZXU . The mantle cavity, the roof of which contains a network of haemolymph vessels 14Md flic.kr/p/2fkNZ4E , functions as a lung for respiration. It is sealed off from the exterior by a thick, white or brownish-white, mantle-collar which fits closely round the body as it extends or retracts 6Md flic.kr/p/2fkP1HS & 24Md flic.kr/p/2e2z6Ja . The collar has a pneumostome which, when in air, can be opened and closed 15Md flic.kr/p/2fqt9Jk for respiration and humidity control but, when immersed, does not effectively retain air or exclude water 16Md flic.kr/p/RE4uWD & 17Md flic.kr/p/2fqt9ta . The rectum and part of the intestine, visible through translucent shells in water 17Md flic.kr/p/2fqt9ta , runs along the rear edge of the roof of the mantle cavity to the anus 18Md flic.kr/p/2e2z6XM which opens to the exterior in a folded part of the mantle-collar in the adapical angle of the aperture close to the pneumostome . The head has two cephalic tentacles; nearly linear with a bluntly pointed tip (subulate) when dry, and conical and paler when swollen with water 13Md flic.kr/p/RE4vht . When not fully extended, they are contracted, becoming annulated in the basal half 19Md flic.kr/p/2fkNYE3 , not retracted by inversion into the body. The tentacles widely diverge from their bases near the midline of the head 20Md flic.kr/p/2e2z6TZ . The distal half of the tentacles, sometimes slightly bulbous, is opaque grey, sometimes with a brownish tint 21Md flic.kr/p/2fkNYzU , and contains sensory chemoreceptor cells (Wondrak, 1984). There is an internal black eye within the posteromesial base of each tentacle 19Md flic.kr/p/2fkNYE3 . The head in front of the tentacles forms a broad, slightly bilobed “muzzle” (Forbes & Hanley,1853) 22Md flic.kr/p/2e2z6LV which can be variably configured, but not cylindrically to form a snout like that of many marine gastropods. Near the anterior edge of the muzzle are two button-like, pads (“fungiform bodies” of Wondrak, 1984) which contain sensory cells 21Md flic.kr/p/2fkNYzU , but they are inconspicuous on animals with white flesh. Ventrally, the mouth is protected by white outer-lip lobes. When feeding, the ventrally translucent-white muzzle is spread out flat on the substrate and the outer lips moved aside to expose the mouth edged anteriorly by the rim of the red-brown jaw 23Md flic.kr/p/24NUzJ8 , and to allow the extension of the anterior of the radula covered in thousands of white teeth. When translucent, the muzzle may reveal dorsally the oral tube leading from the mouth to the buccal mass, and the oesophagus passing from it towards the stomach 20Md flic.kr/p/2e2z6TZ . On weakly pigmented, translucent specimens the dumbbell-shaped, dorsal part of the nerve ring with two cerebral ganglia may be visible 20Md flic.kr/p/2e2z6TZ . The ring encircles the oesophagus. It and its ganglia that innervate organs on the head are the nearest approximation in gastropods to a centralised brain, but other ganglia distributed on nerve cords around the body innervate other organs. The anterior edge of the translucent white sole is broad and gently curved or almost straight, sometimes with a slightly indented middle, and tapers to a rounded posterior 22Md flic.kr/p/2e2z6LV . M. denticulata is a protandrous hermaphrodite. The common genital aperture is hidden beneath the mantle on the right of the animal. The female opening is covered by a thin lip of integument which continues forwards as a narrow fold enclosing the vas deferens 18Md flic.kr/p/2e2z6XM to the male aperture on the right of the head from which penis with vas deferens can be everted for mating by hydrostatic pressure of haemolymph.
When immersed in water, the body absorbs water, swells, and it and the shell become paler and more translucent, sometimes, revealing internal organs 24Md flic.kr/p/2e2z6Ja , 17Md flic.kr/p/2fqt9ta ,18Md flic.kr/p/2e2z6XM & 20Md flic.kr/p/2e2z6TZ . A dissection was not made for this species/ecotype. Most published anatomy accounts are of M. Myosotis sensu lato which includes this species. Dissections can be seen of M. myosotis in its account at flic.kr/s/aHsmv1sTC7 images 32 to 37.
Key identification features
Features 1 to 4, below, accord with Forbes & Hanley (1853) and Gittenberger (2004). The former aggregated M. myosotis sensu stricto with M. denticulata but “scrupulously kept apart their description.” Many currently used identification guides aggregate them and their features under M. myosotis sensu lato. Consequently, distribution maps on GBIF and NBN include many M. denticulata occurrences under “M. myosotis”, and the M. denticulata maps have under-representation of its occurrence.
To observe aperture sculpture the animal must be well withdrawn, and the shell tilted at different angles. Sometimes the outer (palatal) lip sculpture of an earlier growth stage is visible deep into the aperture and should be used if the sculpture on new growth has not yet developed. It is advisable to examine several specimens of different sizes from a site; sometimes both are present..
Myosotella denticulata(Montagu, 1803).
1. Live shell brown (beachworn shells may be dull whitish). Usual adult height 3.5 mm to 7.5 mm, exceptionally 10 mm 2Md flic.kr/p/24NUBLV .
2. Inner (columellar/parietal) lip has 3 or 4 apertural protrusions 2Md flic.kr/p/24NUBLV .
3.Outer (palatal) lip has 2 to 7 (or more) apertural protrusions 2Md flic.kr/p/24NUBLV sometimes set into a pale ridge which occasionally submerges them. [If no protrusions, check further back in aperture for protrusions on earlier lip position; may be visible from exterior through translucent shell, with or without connecting streaks.]
4. In its typical non-salting habitat, the flesh colour of normally extended dorsal body is white or very pale whitish grey, with darker grey tentacles 12Md flic.kr/p/2fkNZeE . But when it occurs in muddier conditions, it may be as dark as M. myosotis 13Md flic.kr/p/RE4vht .
5. Habitat: typically under slightly embedded stones at Extreme High Water Spring level and above (supralittoral) on sheltered coast without salting vegetation at fully marine salinity. Occasionally under stones on landward edge of Saltmarsh-grass sward by tidal rivers with low salinity 25Md flic.kr/p/2fkNYuy .
Similar species/ecotype
Myosotella myosotis
(Full account flic.kr/s/aHsmv1sTC7 )
1. Live shell brown 28Md flic.kr/p/2fqt7di (beachworn shells may be dull whitish 29Md flic.kr/p/RE4sZH ). Usual adult height 6.5mm to 8mm, exceptionally 10mm .
2. Inner (columellar/parietal) lip has only 2 or 3 apertural protrusions 30Md flic.kr/p/2ejvWdQ .
3. Outer (palatal) lip has a single apertural denticle or none 30Md flic.kr/p/2ejvWdQ . Some have a pale apertural ridge running close to the lip.
4. Flesh colour of normally extended dorsal body is grey 31Md flic.kr/p/2e2z4yD . Shade and intensity varies with age, extension and whether in air or water, but not pure white when adult.
5. Habitat: among vegetation, often under driftwood, on low salinity estuarine saltings and Saltmarsh-grass sward by tidal rivers a little above and below EHWS. Locally abundant. (May occur with M. denticulata under stones on/near saltings 25Md flic.kr/p/2fkNYuy .)
Leucophytia bidentata (Montagu, 1808).
(Full account flic.kr/s/aHsmwhDvaL )
1. Live shell slightly-translucent ivory-white; yellow viscera may show through spire 32Md flic.kr/p/24NUy3H . Usual adult height to 5 mm, occasionally to 7 mm. Sutures shallower and whorls less rounded than on M. myosotis 33Md flic.kr/p/2e2z4hB .
2. Inner (columellar/parietal) lip has 2 protrusions within the aperture; not more 33Md flic.kr/p/2e2z4hB .
3. Outer (palatal) lip has no protrusions or rib (sometimes in a photo, a strong growth line might be mistaken for a rib 33Md flic.kr/p/2e2z4hB .
4. Flesh colour of normally extended dorsal body is almost pure white 32Md flic.kr/p/24NUy3H , but when contracted into body-whorl colour saturation gives it a cream appearance.
5. Lives in deep, silty, rock crevices between High Water Neap level and Low Water Spring level. Also under stones embedded into soil-like substrate at Extreme High Water Spring level and a little above on sheltered coast where it is often with M. denticulata.
Habits and ecology
M. denticulata lives typically under slightly embedded stones at Extreme High Water Spring level and slightly above (supralittoral) on sheltered coast without salting vegetation at fully marine salinity; often in company with Leucophytia bidentata and some terrestrial invertebrates. Occasionally, it also occurs under stones on the landward edge of Saltmarsh-grass sward by tidal rivers with low salinity 25Md flic.kr/p/2fkNYuy , often with more numerous M. myosotis, Assiminea grayana and some terrestrial invertebrates. It does not live in permanently submerged in pools, but can survive and be active for short periods of immersion. As there is no operculum to reduce dessication, the species is an obligatory hygrophile. Its spindle shaped shell is well adapted for moving through small gaps under stones. When moving, the foot and shell are cushioned on a layer of watery mucus which is sometimes mistaken for the foot 26Md flic.kr/p/2fqt7pv & 27Md flic.kr/p/RE4tge which usually underlies little more than the aperture . M. denticulata senses its surroundings with its tentacles and the two button-like pads (“fungiform bodies” of Wondrak, 1984) 21Md flic.kr/p/2fkNYzU near the anterior edge of the muzzle. In its usually dark habitat, its eyes probably function as little more than light detectors to trigger negative phototaxic motion when exposed to light.
It is a euryhaline species capable of surviving immersion in water from 0 p.p.t to full marine salinity or more, but individuals require time to adapt to changes in salinity and may become inactive/moribund when abruptly immersed in water they are unaccustomed to.
Respiration is of atmospheric air in the mantle cavity which is sealed by a collar of thickened mantle 6Md flic.kr/p/2fkP1HS that firmly embraces the body but allows it to extend-from/retract-into the shell 24Md flic.kr/p/2e2z6Ja . A pneumostome (respiratory pore) in the collar 15Md flic.kr/p/2fqt9Jk can be opened for inhalation/exhalation of air or closed to seal the cavity against dehydration. The roof of the mantle cavity contains a network of haemolymph vessels 14Md flic.kr/p/2fkNZ4E and is very thin, enabling oxygen from inhaled air to diffuse into the vessels and for carbon dioxide to leave with the exhaled air. When immersed, air escapes 17Md flic.kr/p/2fqt9ta from the mantle cavity and water enters as the pneumostome is not tightly closed 16Md flic.kr/p/RE4uWD .
When feeding, the muzzle is spread out on the substrate and the radula is extended 23Md flic.kr/p/24NUzJ8 to gather, with the red jaw as a backstop, decaying vegetation, diatoms (Wiese & Richling, 2008) and sediment rich in organic material which are bound into food boli with mucus from the supra pedal gland brought to the mouth along a median groove. Unlike marine prosobranch gastropods, which defecate into a mantle cavity that is cleared by water currents, M. denticulata has a rectum that opens to the exterior through an anus in the mantle collar 18Md flic.kr/p/2e2z6XM , near to, but separate from, the pneumostome so that faeces are expelled without fouling the respiratory mantle-cavity. The soft faeces are wet and loosely bound with mucus when fresh 27Md flic.kr/p/RE4tge . There is no operculum 11Md flic.kr/p/2fkNZsA to provide protection against intrusion by predators, but the numerous protrusions narrow the aperture to impede attack. The aperture protrusions of M. denticulata may have developed in response to the different (more threatening?) predators present in its habitat, which is more terrestrial than that of M. myosotis.
Reproduction: (Details assumed from published accounts of M. myosotis sensu lato.) M. denticulata is a protandrous hermaphrodite which changes its sexual function in the wild when 1½ to 2 years old, so younger, 1 to 1½ years, fully mature males mate with older, over 1½ years, females (Schultes, 2014) using the stout, conical penis everted from the side near the posterior of the right tentacle. Female deposits 15 to 80 egg capsules in a small, yellow or white, frog-spawn-like mass (Morton, 1954 and Gittenberger, 2004). Each ovoid capsule contains a single ovum. The cases are attached to each other in a loosely convoluted chain by a filament (chalaziform process) at each end. The closely packed cases with intervening clear fluid are contained in a tough binding membrane which is attached to stones. There is a larval veliger stage, with sinistral shell, which is passed entirely within the ovum (Morton, 1954).
Distribution and status
Europe from England to Mediterranean and Azores. GBIF map, www.gbif.org/species/4359191
Locally common in suitable habitat with rocks in Britain but records from vegetated saltings are likely to be the species/ecotype M. myosotis sensu stricto. NBN map
species.nbnatlas.org/species/NHMSYS0001702111
Irish distribution, National biodiversity data centre, in Mollusc Ireland: www.habitas.org.uk/molluscireland/species.asp?ID=121
Acknowledgements
I gratefully thank Ben Rowson of the National Museum Wales for his help with the account, but any errors or omissions are mine.
Links and references
Anderson, R. MolluscIreland, accessed January 2019. www.habitas.org.uk/molluscireland/species.asp?ID=121
Forbes, E. & Hanley S. 1849-53. A history of the British mollusca and their shells. vol. 4 (1853), 190 – 197 & plate CXXV. London, van Voorst. (AsConovulus denticulatus var. myosotis.)
Free pdf at archive.org/details/historyofbritish04forbe/page/190
plate at archive.org/details/historyofbritish04forbe/page/n565
Fretter, V. & Peake, J. 1975. Pulmonates functional anatomy and physiology. Vol.1. London. Academic Press.
Gittenberger, E. et al. 2004. De Nederlandse zoetwatermollusken. Leiden, Netherlands, Nationaal Natuurhistorisch Museum Naturalis.
Heller J. 2015. Marine Ancestors of most Land Snails: Pulmonates. In: Sea Snails. Springer, Cham. link.springer.com/chapter/10.1007%2F978-3-319-15452-7_10
Jeffreys, J.G. 1862-69. British conchology. vol. 5 (1869). London, van Voorst. (As Melampus myosotis (including var. ringens = Myosotella denticulata); Free pdf at archive.org/stream/britishconcholog05jeffr#page/106/mode/2up . Use slide at base of page to select pp.106-109.)
Martins, A.M. de F. 1996. Anatomy and systematics of the western Atlantic Ellobidae (Gastropoda: Pulmonata). Malacologia 37(2): 163 – 332.
www.biodiversitylibrary.org/page/13113594#page/179/mode/1up
Martins, A.M. de F. & Mendes, A.R.M. 2013. Do cosmopolitans speciate? Anatomical diversity of Myosotella in Azores. Centro de Investigação em Biodiversidade e Recursos Genéticos. Ponta Delgada, Açores, Portugal. Poster for World Congress of Malacology 2013 in pdf: www.researchgate.net/publication/264339925_Do_cosmopolita... .
Montagu, G. 1808. Supplement to: 1803 Testacea Britannica, or, Natural history of British shells, marine, land, and fresh-water, including the most minute : systematically arranged and embellished with figures. London, J. White.
Description of Leucophtia bidentata as Voluta bidentata pp. 100-101.
www.biodiversitylibrary.org/page/24430722#page/806/mode/1up
Plate 30, fig.2:
www.biodiversitylibrary.org/page/24430722#page/917/mode/1up
Morton, J. E. 1955. The functional morphology of the British Ellobiidae (Gastropoda Pulmonata) with special reference to the digestive and reproductive systems. Phil. Trans. R. Soc. Ser. B .
239, No. 661: 89-160 www.jstor.org/stable/92507
Schultes, F.W. 2014. Species summary for Ovatella myosotis (Draparnoud, 1801). AnimalBase. SUB Göttingen. www.animalbase.uni-goettingen.de/zooweb/servlet/AnimalBas... Accessed January 2019.
Watson, H. I943. Notes on a list of the British non-marine Mollusca. J. Conch. 22: 13 - 22.
Wiese, V. & Richling, I. 2008. Das Mäuseöhrchen Myosotella myosotis (Draparnaud 1801). Arbeitskreis Mollusken NRW.
www.mollusken-nrw.de/weichtier_des_jahres/weichtier2008.htm
Wondrak, G. 1984. Ultrastructure of the sensory epithelia of oral tube, fungiform sensory bodies, and terminal knobs of tentacles of Ovatella
myosotis. Draparnaud (Archaeopulmonata, Gastropoda) J. Morphol. 181: 333-347 .
onlinelibrary.wiley.com/doi/pdf/10.1002/jmor.1051810307
Current taxonomy:
www.marinespecies.org/aphia.php?p=taxdetails&id=139673
Glossary
adapical angle = angle at which outer lip meets body-whorl.
boli = (sing. bolus) small rounded masses, especially of triturated food material.
cerebral = to do with integration of sensory and neural functions to initiate and coordinate body activity.
chalaziform = resembling the two spiral bands (chalazae) in a bird's egg that attach the yolk to opposite ends of the lining membrane.
columella = solid or hollow axial “little column” around which gastropod shell spirals; hidden inside shell, except on final whorl next to lower part of inner lip of aperture where hollow ones may end in an umbilicus or siphonal canal.
columellar = (adj.) of or near central axis of coiled gastropod.
columellar lip = lower (abapical) part of inner lip of aperture.
costa (pl. costae) = rib running across a whorl of a gastropod shell at approximately right-angles to direction of coiling and any spiral striae.
costal (adj.) = of, or arranged like, costae.
dextral = (of gastropod shell) in apertural view with spire uppermost, the aperture is on the right. Most gastropod species adults have dextral shells.
distal = away from centre of body or from point of attachment.
diverticula = (for digestion) blind ended tubules in the digestive gland that receive nutrients for digestion.
EHWS = extreme high water spring tide.
euryhaline = able to tolerate a wide variation in salinty.
fusiform = slender, spindle-shaped, tapering almost equally towards both ends.
ganglia = (sing. ganglion) knots on a nerve cord containing sensory cell bodies that conduct impulses to (innervate) organs of the body.
haemolymph = circulating fluid in molluscs that carries nutrients, waste and hormones. Analagous to vertebrate blood, but most molluscs have copper-based haemocyanin in it instead of red haemoglobin to carry oxygen. It may be tinged blue when oxygenated; colourless when depleted of oxygen.
halophyte = plant tolerant of saline soil and periodic tidal immersion, usually on saltmarshes, estuarine shores and sides of tidal rivers.
hygrophile = living in moist, humid, but not submerged, conditions.
(obligatory hygrophile = only able to live in such conditions.)
mantle = sheet of tissue that secretes the shell, covers the viscera and forms a cavity in gastropods. In terrestrial gastropods ('pulmonates') the cavity roof contains a network of haemolymph ('blood') vessels enabling the cavity to act like a lung.
mesial = on or facing towards the midline of the body.
operculum = plate of horny conchiolin, rarely calcareous, used to close shell aperture of prosobranch gastropods.
palatal lip = outer lip of gastropod aperture.
parietal lip ( or parietal wall) = upper part of inner side of gastropod aperture, often lacking clear lip structure with just a glaze on side of whorl adapically of columellar lip.
periostracum = thin horny layer of proteinaceous material often coating shells.
posteromesial = at the rear facing towards the midline of the body.
prosobranch = member of Prosobranchia, one of three subclasses into which the class Gastropoda (slugs and snails) was divided during the 20th Century (other two were Pulmonata and Opisthobranchia). This classification is no longer used by scientists, but prosobranch is a useful informal term to signify (mainly marine) snails breathing with a ctenidium (comblike gill inside mantle cavity), an operculum, and a shell which can accommodate the whole body.
protandrous hermaphrodite = each individual starts mature life as a functioning male, later changing to female function.
protoconch = apical whorls produced during embryonic and larval stages of gastropod; often different in form from other whorls (teleoconch).
protrusions = teeth, denticles, folds, lamellae or cogs (terms used by various authors).
punctate = with pinprick-like depressions.
resorb = absorb what was previously secreted; break it down into component materials and disperse into the circulation.
resorption = the process of absorbing what was previously secreted by breaking it down into component materials and dispersal into the circulation.
salting = area of salt tolerant vascular plants rooted in sediment between mean high water mark (MHW) and extreme high water of spring tides (EHWS). [Preferred synonym for “saltmarsh” as much of salting not marshy.]
septa = plural of septum; internal partition separating two chambers/ shell-whorls of a gastropod.
septum = internal partition separating two chambers/ shell-whorls of a gastropod.
sinistral = (of gastropod shell) in apertural view with spire uppermost, the aperture is on the left. Most gastropod species adults have dextral shells.
subsutural = close below the suture when shell positioned with apex uppermost.
subulate = slender and tapering to a point like onion leaf or awl.
suture = groove or line where whorls of gastropod shell adjoin.
teleoconch = entire gastropod shell other than the apical, embryonic & larval stage protoconch.
triturate = reduce to small particles.
vascular plants = plants that have vascular tissues to transport water and nutrients through the plant. Include all seed-bearing plants, ferns and horsetails. Usually terrestrial or in freshwater or brackish water; a few, such as Zostera, live in fully marine salinity water.
Beyond the shadows,
Light beckons me.
I peer anxiously
Between the trees.
My mind stumbling
Through the undergrowth,
Snow freezing my bones,
Darkness seizing my soul.
Shall I make it through?
Shall I endure, with courage?
Will He be there for me?
And what will he say?
Welcome, be at peace!
Rest now from travail.
You ran your race,
And now...you are home.
--John Walford, December 7, 2007.
And, kindly drawn to my attention by Beau Elkins (see comment below), one from Robert Frost:
Stopping by the Woods on a Snowy Evening
Whose woods these are I think I know,
His house is in the village though.
He will not see me stopping here,
To watch his woods fill up with snow.
My little horse must think it queer,
To stop without a farmhouse near,
Between the woods and frozen lake,
The darkest evening of the year.
He gives his harness bells a shake,
To ask if there is some mistake.
The only other sound's the sweep,
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
-- Robert Frost
i love when i look out my kitchen window and see the kids in the streets playing in the springtime..summer might even be here as the temperatures have really gone up..
some of you may remember little andrea..the dark haired girl in the photo..i have some photos of her here on my photostream..she used to live in this street..
so sadly..she just lost her mother to cancer..makes me weep for her..
her family moved away to the country shortly after her mother became sick but everytime she visits her friends in the street she knocks on my door with a big smile on her face..saying: "you told me always to come and see you when i visit my friend freyja"..and she faithfully does..
she loves tinna..our cat..
i like this photo..so full of life!
Gothic shoot. Big thanks to Leanne Frigo and Ali Bromley for modelling despite the bitter cold wind!!! Though the wind WAS great for a windswept look. Unfortunately we didnt get to do all the costumes or all the ideas i had. So stay tuned for gothic shoot number 2!
Model: Alexandra Bromley (Ali)
Makeup: Ali
Wardroeb: Ali
Strobist:
*430ex cannon speedlight with silver umbrella to left of camera, at low angle pointed up
* vivitar 285HV in room behind model. in corner closest to door, on left, facing towards the back wall
*trigged with cacturs radio transmitter
think i needed an additional flash, placed on the back window aimed at the model ro procude an outline of her black jacket
Sogno Intenso - Villa Ada Posse
ascolta!!!
Ogni giorno entra una luce che
Pare diversa da quella del giorno prima
Sensazione che mi fa capire cos’è cos’è
che mi spinge avanti x la mia strada
Ogni giorno entra una luce che
porta con se gli umori della giornata
E ripenso a quel sogno intenso che
ha colpito la mia vita
Vedo un sogno la terra che appare
Come un organismo capace di sentire
Ogni movimento ogni cosa che accade
Come fosse un corpo condannato a soffrire
Vedo un sogno la terra mi appare
Come una donna che mi parla e che mi dice
Mi spiega di com' è stanca di dover sopportare
Un’umanità che nn è in grado di capire
Per ogni albero abbattuto nessun seme piantato
Ogni luogo conosciuto subito viene inquinato
Ogni mare pulito presto viene contaminato
E non c’è equilibrio che viene rispettato
Viviamo come parassiti sopra un corpo malato
Dominando un mondo artificiale da noi costruito
Elogiamo e difendiamo quello che abbiamo creato
Dimenticando quel legame vitale
che ci ha consentito di trovare un’esperienza così profonda e densa
Su un pianeta che ci ha dato tutta la sua accoglienza
Ma la nostra conoscenza è diventata arroganza
Ci ha distolto dal significato dell’esistenza
C’è gente che pensa che c’è un dio in trascendenza
Ma la vena su cui cammina nn gli ha dato mai importanza
Allora È l’evidenza la sofferenza della grande madre
che si trova in decadenza
Vedo un sogno.....
Questo pianeta a noi ci ha dato l’ospitalità
Ci ha donato la bellezza e la qualità
Ci ha fornito l’alimento
E soddisfatto necessità
Noi succhiamo le risorse
Nulla indietro si da
Abbiamo perso ormai l’idea della sacralità
Così come era diffusa nell’antichità
Per cui la terra era come una divinità
Misteriosa abbondante e colma di prosperità
Ma è ormai impossibile e inevitabile
Provare a fermare il tempo
che scorre veloce inesorabile
Abbiamo perso il contatto con ciò che ha un valore incalcolabile
È probabile che al danno recato sia separabile sto mondo inevitabile
Non c’è nulla di umano che con la natura è paragonabile
Nessun mondo virtuale alla madre terra è sostenibile
non c’è uomo colpevole che si senta responsabile
di quello ke ha fatto alla terra di cm la resa invivibile
........
Vedo un sogno la terra mi appare....
Vedo un sogno la terra mi appare.....
2010 5k
Listed below are the participants (sorted by cities and chip times) in the Bushtukah Canada Day 2010 5k road race, held in Kanata, Ontario.
Click here and enter the name or bib number for the full individual race results, race photos and finish-line videos.
Thank-you to Sportstats.
Photo (above): Maya Aden (15:06.3), In My Sights photograhy.
Local runners (Ontario)
- - - - - - - - - - - - - - - - -
bib # 1986…… Sandra MOORE……Almonte……22:32.0
bib # 257…… Jonas BARTER……Almonte……26:37.1
bib # 1157…… Harold KUEHN……Ashton……23:25.6
bib # 1158…… Nancy KUEHN……Ashton……35:54.1
bib # 296…… Scott BLAIN……Beachburg……20:32.2
bib # 447…… Louis-Philippe DEMERS……Bourget……26:45.6
bib # 1140…… Diana KING……Carleton Place……24:34.4
bib # 1898…… Wade MACMILLAN……Carleton Place……25:48.7
bib # 2469…… Sean MUIR……Carleton Place……26:31.3
bib # 2470…… Victoria MUIR……Carleton Place……26:32.2
bib # 1910…… Serge MARGUERIE……Carleton Place……27:08.6
bib # 217…… Simon AMIRAULT……Carleton Place……27:09.2
bib # 2149…… Momena ROUF……Carleton Place……38:41.0
bib # 1897…… Ivana MACMILLAN……Carleton Place……38:41.9
bib # 440…… Garrett DE JONG……Carlsbad Springs……16:28.7
bib # 2224…… Brent SULLIVAN……Carp……23:57.2
bib # 229…… Beth ANVARI……Carp……24:16.1
bib # 2225…… Mark SULLIVAN……Carp……25:10.0
bib # 2017…… Jordan NESBIT……Carp……26:20.7
bib # 1899…… Steve MACMILLIAN……Carp……26:42.2
bib # 527…… Kathy FISCHER……Carp……28:07.9
bib # 2131…… Spencer ROBERTS……Carp……28:22.1
bib # 2128…… Micheael ROBERTS……Carp……28:22.5
bib # 528…… Peter FISCHER……Carp……30:25.7
bib # 499…… Allison ECKFORD……Carp……33:53.6
bib # 1959…… Nicole MCMURRAY……Carp……38:18.7
bib # 281…… Andy BEST……Chalk River……21:27.1
bib # 2035…… Bruce OATTES……Cobden……20:11.9
bib # 2451…… Dylan SPENCER……Cobden……23:05.6
bib # 2452…… Leslie SPENCER-HITCHINS……Cobden……23:05.7
bib # 2036…… Dylan OATTES……Cobden……32:37.9
bib # 2037…… Janet OATTES……Cobden……32:42.1
bib # 1132…… Debra KENNETTE……Crysler……27:57.1
bib # 231…… Rachel APPS……Dunrobin……28:58.9
bib # 1088…… Roger HUNTER……Gloucester……27:42.4
bib # 1089…… Ryan HUNTER……Gloucester……27:42.9
bib # 2337…… Glenda WRIGHT……Gloucester……28:39.6
bib # 2077…… Shaun PIERCE……Gloucester……28:58.0
bib # 1085…… Kathy HUNTER……Gloucester……43:13.8
bib # 1086…… Kristen HUNTER……Gloucester……43:13.8
bib # 449…… Brooke DENNIS BOWSER……Greely……42:58.3
bib # 423…… Faun DANSON……Greely……43:00.3
bib # 2069…… Jasmin PAYANT……Hammond……19:52.2
bib # 2070…… Raphael PAYANT……Hammond……24:13.8
bib # 316…… Graham BOWES……Kanata……15:52.1
bib # 1651…… Tyson LONEY……Kanata……16:20.0
bib # 432…… Kieran DAY……Kanata……16:20.7
bib # 434…… Mickey DAY……Kanata……17:00.7
bib # 493…… Wayne DUSTIN……Kanata……17:07.1
bib # 212…… Jarvis ALEC……Kanata……17:14.8
bib # 891…… Brendon HOWARD……Kanata……17:34.1
bib # 2228…… Benjamin SWAN……Kanata……19:22.9
bib # 237…… Susan ATHERLEY……Kanata……20:03.7
bib # 1922… Tanyon MATHESON-FITCHETT..Kanata...20:10.2
bib # 532…… Jeff FITCHETT……Kanata……20:10.3
bib # 538…… Vincent Andy FONG……Kanata……20:10.5
bib # 411…… Mark CROZIER……Kanata……20:33.3
bib # 2143…… Ronald ROSS……Kanata……20:55.1
bib # 1189…… Charles LEBELLE……Kanata……20:55.4
bib # 1723…… Kenneth MACASKILL……Kanata……21:16.7
bib # 1712…… Jonathan MACASKILL……Kanata……21:16.9
bib # 2084…… Matthew POLLEX……Kanata……21:23.2
bib # 584…… Dave GRAHAM……Kanata……21:25.3
bib # 610…… Susan HALVORSEN……Kanata……22:04.9
bib # 1979…… Brendan MOLONEY……Kanata……22:48.3
bib # 591…… Jade GREGORY……Kanata……22:55.6
bib # 1200…… Cheryl LEVI……Kanata……23:14.5
bib # 2338…… Hugh WRIGHT……Kanata……23:23.2
bib # 555…… Graeme FRY……Kanata……23:33.3
bib # 1980…… Terance MOLONEY……Kanata……23:35.9
bib # 2191…… David SIM……Kanata……23:47.1
bib # 2254…… Ben TREMBLAY……Kanata……23:56.0
bib # 436…… Mike DAY……Kanata……24:08.8
bib # 1160…… Jasmyne LABONTE……Kanata……24:13.7
bib # 2196…… Yan SIM……Kanata……24:36.0
bib # 2252…… Christina TOWERS……Kanata……24:36.8
bib # 615…… Emily HAMMOND……Kanata……25:15.7
bib # 1915…… Jeremiah MARSHALL……Kanata……25:24.0
bib # 1917…… Theresa MARSHALL……Kanata……25:31.0
bib # 2213…… Kari SPARKES……Kanata……25:32.6
bib # 614…… Carolyn HAMMOND……Kanata……25:52.0
bib # 2195…… Wei SIM……Kanata……25:59.1
bib # 232…… Jane ARMSTRONG……Kanata……26:23.6
bib # 358…… Joanne CALLOW……Kanata……26:25.4
bib # 204…… Sue ACKERMAN……Kanata……26:38.2
bib # 2142…… Pamela ROSS……Kanata……26:45.1
bib # 1193…… Jordyn LEIGHTON……Kanata……26:54.4
bib # 2002…… Marianne MURAWSKY……Kanata……27:23.3
bib # 2206…… Isobel SMITH……Kanata……27:28.5
bib # 2164…… Sherry SANI……Kanata……27:29.2
bib # 897…… Shelby HOWARD……Kanata……27:34.2
bib # 2258…… Natalie TREMBLAY……Kanata……27:34.8
bib # 2202…… Adrian SMITH……Kanata……27:35.6
bib # 2205…… Holly SMITH……Kanata……27:36.3
bib # 2253…… Mary TOWERS……Kanata……27:41.6
bib # 1146…… Jeffrey KNIGHT……Kanata……27:54.5
bib # 1147…… Sylvie KNIGHT……Kanata……27:54.6
bib # 1120…… David JORGENSON……Kanata……27:59.5
bib # 1121…… Mark JORGENSON……Kanata……27:59.6
bib # 2130…… Nicholas ROBERTS……Kanata……28:10.6
bib # 2132…… Stephen ROBERTS……Kanata……28:11.0
bib # 416…… Morgan CUTTS……Kanata……28:28.5
bib # 2009.. Joanne & Mini-M MURRAY..Kanata…28:28.5
bib # 2039…… Jeff O'CONNOR……Kanata……28:46.5
bib # 406…… Christine COUTURE……Kanata……28:51.8
bib # 230…… Judith APPS……Kanata……28:59.2
bib # 384…… Lori CIARALLI……Kanata……29:00.2
bib # 525…… Peter FILLMORE……Kanata……29:05.7
bib # 218…… Alkarim AMLANI……Kanata……29:06.4
bib # 415…… Cindy CUTTS……Kanata……29:17.7
bib # 585…… Noah GRAHAM……Kanata……29:58.3
bib # 365…… James CANTELLOW……Kanata……29:59.2
bib # 1728…… Kim MACASKILL……Kanata……30:03.2
bib # 1849…… Olivia MACASKILL……Kanata……30:03.2
bib # 2298…… Ct VIVIANE……Kanata……30:11.1
bib # 2292…… Eugene VIGNERON……Kanata……30:15.6
bib # 579…… Sydney GOOLD……Kanata……30:19.8
bib # 574…… Andrea GOODMAN……Kanata……30:20.3
bib # 577…… Hannah GOOLD……Kanata……30:21.7
bib # 2291…… Anna VIGNERON……Kanata……30:30.5
bib # 562…… Juli GAGNON……Kanata……30:31.5
bib # 2052…… Season OSBORNE……Kanata……30:33.3
bib # 2124…… Casey RINGHAM……Kanata……30:42.6
bib # 315…… Rhonda BOUDREAU……Kanata……30:46.0
bib # 2342…… Erin YAMAZAKI……Kanata……30:48.8
bib # 1994…… Heather MOSES……Kanata……30:51.5
bib # 576…… Emily GOOLD……Kanata……31:04.3
bib # 431…… Ellen DAY……Kanata……31:06.4
bib # 498…… Sienna EBBINGHAUS……Kanata……32:16.4
bib # 497…… Lakmini EBBINGHAUS……Kanata……32:16.7
bib # 2004…… Emma MURDOCH……Kanata……32:25.6
bib # 2101…… Tim RAIZENNE……Kanata……32:28.4
bib # 1186…… Alexandra LAYER……Kanata……32:33.7
bib # 2112…… Yvonne RELF……Kanata……33:15.5
bib # 481…… Emily DOWNEY……Kanata……33:26.3
bib # 482…… Michael DOWNEY……Kanata……33:29.1
bib # 211…… Kristen AKINSULIE……Kanata……33:30.4
bib # 267…… Patra BEAULIEU……Kanata……33:36.7
bib # 1931…… Alastair MCCARTNEY……Kanata……33:36.8
bib # 2299…… Sophie WAHL……Kanata……34:00.0
bib # 526…… Sarah FILLMORE……Kanata……34:05.3
bib # 524…… Michael FILLMORE……Kanata……34:05.4
bib # 1192…… Erica LEIGHTON……Kanata……34:05.9
bib # 1194…… Robert LEIGHTON……Kanata……34:06.0
bib # 2229…… Brenda SWAN……Kanata……34:07.1
bib # 1932…… Christine MCCARTNEY……Kanata……34:11.4
bib # 2293…… Jeffrey VIGNERON……Kanata……34:11.7
bib # 1965…… Richard MICHAUD……Kanata……34:14.4
bib # 442…… Guylaine DECK……Kanata……34:38.6
bib # 219…… Alyssa AMLANI……Kanata……34:40.7
bib # 554…… Emma FRY……Kanata……34:43.3
bib # 2134…… Shaun ROBIN……Kanata……34:44.0
bib # 2148…… Will ROTOR……Kanata……34:55.9
bib # 2147…… Elaine ROTOR……Kanata……35:31.0
bib # 2146…… David ROTOR……Kanata……35:31.6
bib # 2192…… Elizabeth SIM……Kanata……36:05.3
bib # 1144…… Chris KITCHEN……Kanata……36:10.2
bib # 2330…… Daniel WINTERS……Kanata……36:12.6
bib # 2329…… Dale WINTERS……Kanata……36:12.7
bib # 221…… Shalina AMLANI……Kanata……37:56.4
bib # 540…… John FORSTER……Kanata……40:58.2
bib # 220…… Pamela AMLANI……Kanata……43:08.4
bib # 2107…… Belinda REED……Kemptville……27:53.2
bib # 518…… Isabelle FERNANDEZ……Long Sault……29:51.9
bib # 1940…… Karen MCDONALD……L'Orignal……25:28.3
bib # 495…… Harley EASTMAN……Manotick……25:36.3
bib # 1944…… Stephanie MCEVOY……Munster……32:01.7
bib # 1942…… Isaac MCEVOY……Munster……33:02.1
bib # 2048…… Erin O'HIGGINS……Nepean……19:51.8
bib # 2285…… Chris VAN NORMAN……Nepean……20:29.2
bib # 1182…… Robert C J LAUGHTON……Nepean……20:52.8
bib # 2231…… Michele TAKOFF……Nepean……21:43.6
bib # 2123…… Morgan RILEY……Nepean……22:38.9
bib # 531…… Ed FITCHETT……Nepean……22:49.1
bib # 501…… Randy EDGE……Nepean……23:06.3
bib # 638…… Christopher HILL……Nepean……23:17.2
bib # 2016…… Melanie NASON-GREEN……Nepean……23:59.3
bib # 2049…… Maureen O'HIGGINS……Nepean……24:30.0
bib # 318…… Trevor BOYD……Nepean……24:31.5
bib # 2237…… Linda TAYLOR……Nepean……24:35.1
bib # 2099…… Joe RAETSEN……Nepean……25:40.9
bib # 1111…… James JOHNSTON……Nepean……27:14.2
bib # 1155…… Martin KOU……Nepean……27:15.3
bib # 1981…… Susan MOLSON……Nepean……27:26.7
bib # 435…… Mike DAY……Nepean……27:45.0
bib # 311…… Valerie BONSALL……Nepean……27:47.0
bib # 2061…… Margeaux PARKINSON……Nepean……29:24.4
bib # 561…… Jessica GAGE……Nepean……29:37.1
bib # 2121…… Brendan RILEY……Nepean……30:46.7
bib # 588…… Brian GREEN……Nepean……30:48.1
bib # 2122…… Lisa RILEY……Nepean……30:49.4
bib # 317…… Angus BOYD……Nepean……30:55.3
bib # 582…… Shawn GOUDGE……Nepean……31:11.4
bib # 2154…… Marion RUNSTEDLER……Nepean……32:38.7
bib # 2110…… Sheila REID……Nepean……33:44.1
bib # 433…… Leah DAY……Nepean……34:41.9
bib # 2328…… Roseanne WILSON……Nepean……34:49.3
bib # 399… Andrea COPPERTHWAITE……Nepean……35:05.4
bib # 2219…… Stephanie STEPHENS……Nepean……35:12.4
bib # 2030…… Kerry NOLAN……Nepean……35:37.8
bib #581…… Lesley GOUDGE……Nepean……36:29.4
bib # 1908…… Jill MARCHAND……Nepean……41:19.6
bib # 2097…… Carina QUINN……North Gower……35:00.4
bib # 189…… BRUCE BRUNELLE……Orleans……25:46.0
bib # 842…… Stephanie HORVAT……Orleans……43:17.3
bib # 81…… Maya ADEN……Ottawa……15:06.3
bib # 2473…… Joshua ROUNDELL……Ottawa……15:37.4
bib # 2214…… Matthew STACEY……Ottawa……16:17.7
bib # 1958…… Derek MCMASTER……Ottawa……16:52.8
bib # 223…… Robbie ANDERSON……Ottawa……16:55.6
bib # 1935…… Larry MCCLOSKEY……Ottawa……17:05.2
bib # 310…… Brett BONISTEEL……Ottawa……17:07.8
bib # 2300…… Harold WALKER……Ottawa……17:08.7
bib # 2440…… Sebastian SAVILLE……Ottawa……17:14.8
bib # 2153…… Jon RUDDY……Ottawa……17:15.2
bib # 1556…… Rob LIVINGSTON……Ottawa……17:22.6
bib # 83…… Chris BRERS……Ottawa……17:33.3
bib # 2336…… Frank WRIGHT……Ottawa……17:57.5
bib # 1177…… Leah LAROCQUE……Ottawa……18:01.9
bib # 149…… Drew BURSEY……Ottawa……18:26.8
bib # 2422…… Bill ROSTEK……Ottawa……18:34.7
bib # 1173…… Stacey LANCE……Ottawa……18:37.7
bib # 2289…… Carlos VERVLOET……Ottawa……18:39.6
bib # 2496…… Rebecca STALLWOOD……Ottawa……18:39.9
bib # 2441…… David SAVILE……Ottawa……18:40.6
bib # 2024…… Ari NIEMI……Ottawa……19:07.6
bib # 2032…… Shantelle NOVAK……Ottawa……19:13.7
bib # 529…… Peter FISHER……Ottawa……19:13.8
bib # 90…… Bart KELLY……Ottawa……19:33.0
bib # 306…… George BODONI……Ottawa……19:36.5
bib # 158…… Kerry ROCHELEAY……Ottawa……19:36.6
bib # 171…… DAVID MCQUINN……Ottawa……19:39.9
bib # 2390…… Marian COKE……Ottawa……19:42.2
bib # 2301…… Steven WALKER……Ottawa……19:43.0
bib # 252…… Lisa BALERNA……Ottawa……19:44.3
bib # 2401…… Mark ROUNDEL……Ottawa……19:44.8
bib # 2067…… Melanie PATINA……Ottawa……19:50.3
bib # 586…… Ken GRANT……Ottawa……19:53.0
bib # 131…… Neil SNIDER……Ottawa……19:57.4
bib # 144…… Phil TESSIER……Ottawa……20:15.2
bib # 82…… Matt HEROD……Ottawa……20:19.7
bib # 2364…… Mike BIGELOW……Ottawa……20:34.2
bib # 2261…… Jim TUNNEY……Ottawa……20:34.8
bib # 2263…… Ronan TUNNEY……Ottawa……20:34.8
bib # 537…… Peter FOLEY……Ottawa……20:42.8
bib # 397…… Patrick CONRAD……Ottawa……20:50.5
bib # 2319…… Lawrence WILLIAMS……Ottawa……20:59.8
bib # 190…… JASMINE VIAU……Ottawa……21:01.1
bib # 2428…… Stephanie GORDON……Ottawa……21:01.1
bib # 1988…… Kyle MORGAN……Ottawa……21:08.7
bib # 270…… Bobby BEGIN……Ottawa……21:12.2
bib # 2429…… Patrick OWENS……Ottawa……21:14.4
bib # 117…… Mike BARNES……Ottawa……21:16.4
bib # 100…… Tyrus GIBSON……Ottawa……21:21.0
bib # 95…… Geordie GIBSON……Ottawa……21:21.6
bib # 2407…… Jeff AVON……Ottawa……21:27.5
bib # 550…… Nick FRENETTE……Ottawa……21:31.2
bib # 1950…… Katie MCGRATH……Ottawa……21:35.7
bib # 135…… Jim MCEACHERN……Ottawa……21:42.7
bib # 333…… Rob BROOKS……Ottawa……21:43.5
bib # 1129…… Carol KELLY……Ottawa……21:46.0
bib # 2170…… Suzanne SCHRIEK……Ottawa……21:46.8
bib # 102…… Doug GIBSON……Ottawa……22:04.7
bib # 150…… Terry STEWART……Ottawa……22:20.1
bib # 134…… Pete MACLENNAN……Ottawa……22:22.0
bib # 130…… Spencer EDWARDS……Ottawa……22:23.4
bib # 2193…… Greg SIM……Ottawa……22:25.5
bib # 2442…… Barbara SAVILLE……Ottawa……22:26.5
bib # 421…… Graham DALY……Ottawa……22:39.6
bib # 631.. Michele HERLEY-TREMBLAY……Ottawa……22:46.3
bib # 94…… Robert GIBSON……Ottawa……22:47.6
bib # 606…… Michelle HAINES……Ottawa……22:53.0
bib # 98…… Kiana GIBSON……Ottawa……23:00.5
bib # 268…… Brigid BEDARD……Ottawa……23:03.0
bib # 2439…… Tom SAVILLE……Ottawa……23:05.6
bib # 153…… Christopher HOULD……Ottawa……23:29.4
bib # 120…… Krista SULLIVAN……Ottawa……23:33.1
bib # 80…… Stephane BEDARD……Ottawa……23:34.2
bib # 2105.. Raahulan RATHAGIRISHNAN…Ottawa…23:39.0
bib # 246…… Rick BAIRD……Ottawa……23:39.9
bib # 124…… Alexandra DA COSTA……Ottawa……23:41.5
bib # 1974…… Tracy MINICHIELLO……Ottawa……23:46.3
bib # 259…… Zinab BASSUNY……Ottawa……23:48.3
bib # 2211…… Jamie SNIDER……Ottawa……23:49.8
bib # 2262…… Rita TUNNEY……Ottawa……23:49.8
bib # 106…… Kevin CHAPMAN……Ottawa……23:55.7
bib # 2457…… Bruce BATEMAN……Ottawa……24:11.1
bib # 1094…… Keren JACKMAN……Ottawa……24:12.3
bib # 191…… GAVIN LUMSDEN……Ottawa……24:12.3
bib # 91…… Ian CHAPMAN……Ottawa……24:12.8
bib # 422…… Richard DALY……Ottawa……24:14.6
bib # 2381…… Matthew PELLETIER……Ottawa……24:16.9
bib # 637…… Bryan HIGGINS……Ottawa……24:19.2
bib # 76…… Matthew BAFIA……Ottawa……24:21.1
bib # 2434…… Brad MAKEPEACE……Ottawa……24:27.2
bib # 2433…… Adam MAKEPEACE……Ottawa……24:30.5
bib # 2310…… Ed WHITE……Ottawa……24:38.8
bib # 1103…… Sylvie JACQUES……Ottawa……24:40.0
bib # 152…… Jacob HOULD……Ottawa……24:42.6
bib # 385…… Jasmine CLANCY……Ottawa……24:46.0
bib # 386…… Sean CLANCY……Ottawa……24:46.5
bib # 530…… Steven FISHER……Ottawa……24:50.3
bib # 1197…… Dominic LESSARD……Ottawa……24:51.2
bib # 2383…… Clayton HOY……Ottawa……24:59.2
bib # 373…… Andrei CHAREPKA……Ottawa……25:00.5
bib # 164…… Jordan FRASER……Ottawa……25:00.7
bib # 2075…… Lydia PEPIN……Ottawa……25:03.9
bib # 2269…… Nick TYLER……Ottawa……25:12.3
bib # 2388…… Kyle DYKES……Ottawa……25:18.7
bib # 2384…… Melanie KOWALSKI……Ottawa……25:19.8
bib # 129…… Alex EDWARDS……Ottawa……25:28.6
bib # 249…… Ethan BALAKRISHNAN……Ottawa……25:36.1
bib # 285…… Serge BIDNYK……Ottawa……25:38.7
bib # 1196…… Nathalie LEROUX……Ottawa……25:43.5
bib # 2432…… Jason MAKEPEACE……Ottawa……25:47.5
bib # 2349…… Chris JOHNSON……Ottawa……25:49.4
bib # 2311…… Janet WHITE……Ottawa……25:53.1
bib # 99…… Sean GIBSON……Ottawa……25:53.9
bib # 2396…… Andrea PERCH……Ottawa……25:54.5
bib # 2498…… Maria BABINEAU……Ottawa……26:13.4
bib # 2459…… Jennifer BOULIANNE……Ottawa……26:15.8
bib # 1909…… Paul MARCHAND……Ottawa……26:22.7
bib # 2416…… Daniel MORRIS……Ottawa……26:27.1
bib # 1176…… Joe LAROCQUE……Ottawa……26:34.0
bib # 2194…… Lauren SIM……Ottawa……26:37.1
bib # 1850…… Alanna MACAULAY……Ottawa……26:39.8
bib # 2212…… Patrick SNIDER……Ottawa……26:42.3
bib # 396…… Laura COLLISHAW……Ottawa……26:42.5
bib # 85…… Elizabeth BUTTERFIELD……Ottawa……26:43.4
bib # 788…… Jim HOGAN……Ottawa……26:45.2
bib # 145…… Melissa Cinicolo……Ottawa……26:51.8
bib # 2060…… Caroline PAQUETTE……Ottawa……26:57.5
bib # 1118…… Paul JONES……Ottawa……27:14.6
bib # 272…… Nathalie BELAIR JONES……Ottawa……27:14.7
bib # 407…… Alana COUVRETTE……Ottawa……27:15.8
bib # 2168…… Jasmine SAVOIE……Ottawa……27:19.2
bib # 626…… Valerie HAVEMAN……Ottawa……27:19.9
bib # 170…… SALLY MCQUINN……Ottawa……27:28.7
bib # 2042…… Jennifer OFFORD……Ottawa……27:45.5
bib # 2456…… Margarit BAAR……Ottawa……27:56.1
bib # 160… Donna-Lynne MACARTHUR……Ottawa…27:57.4
bib # 2476…… Vincent GRAJEWSKI……Ottawa……28:01.4
bib # 1969…… Bruce MILLER……Ottawa……28:03.8
bib # 2268…… Tara Frances TURNER……Ottawa……28:11.3
bib # 116…… Koni BENNETT……Ottawa……28:13.1
bib # 2185…… Vivian SHIH……Ottawa……28:18.9
bib # 77…… Lauren BAFIA……Ottawa……28:19.0
bib # 539…… Jackie FORMAN……Ottawa……28:20.6
bib # 619…… Trina HARPER……Ottawa……28:30.6
bib # 605…… Chantal HAINES……Ottawa……28:31.5
bib # 2026…… Jennie NIERADKA……Ottawa……28:33.3
bib # 580…… Michelle GOUCHIE……Ottawa……28:35.3
bib # 118…… John LARODA……Ottawa……28:42.4
bib # 2365…… Lisa JONES……Ottawa……29:05.4
bib # 2471…… Adina MANOLI……Ottawa……29:09.7
bib # 816…… Hannah HOPKINS……Ottawa……29:23.7
bib # 161…… Kathryn DARKINSON……Ottawa……29:27.4
bib # 2399…… Sarah ZAHAB……Ottawa……29:42.3
bib # 111…… Joshua TOLMIE……Ottawa……29:45.3
bib # 101…… Christopher GIBSON……Ottawa……29:48.7
bib # 1458…… Wit LEWANDOWSKI……Ottawa……29:54.1
bib # 303…… Debbie BLOOM……Ottawa……29:54.8
bib # 1954…… Robert MCINTYRE……Ottawa……29:59.0
bib # 75…… nick BAFIA……Ottawa……30:04.4
bib # 478…… Shannon DOW……Ottawa……30:04.7
bib # 73…… tim BAFIA……Ottawa……30:13.0
bib # 2379…… Fred PELLETIER……Ottawa……30:17.3
bib # 2382…… Jeffrey PELLETIER……Ottawa……30:17.9
bib # 484…… Shannon DUBOIS……Ottawa……30:22.3
bib # 964…… Dean HUCKLA……Ottawa……30:22.5
bib # 2179…… Mary-Pat SHAW……Ottawa……30:24.3
bib # 2180…… Stephen SHAW……Ottawa……30:26.3
bib # 1949…… Kerri MCGLADE……Ottawa……30:37.9
bib # 410…… Nathalie CROTEAU……Ottawa……30:40.3
bib # 507…… Keith ENNIS……Ottawa……30:45.2
bib # 1108…… Wendy JERMYN……Ottawa……30:48.3
bib # 2103…… Sandhya RAO……Ottawa……30:48.4
bib # 2350…… Chris VANDERPOL……Ottawa……30:49.7
bib # 2351…… melanie VANDERPOL……Ottawa……30:49.7
bib # 2354…… christina SYKES……Ottawa……30:50.8
bib # 2353…… teresa SYKES……Ottawa……30:50.9
bib # 312…… Edith BOSTWICK……Ottawa……30:56.3
bib # 599…… Sabrina GUSCHKE……Ottawa……30:58.9
bib # 87…… Stacey PEDLEY……Ottawa……31:03.0
bib # 1998…… Andrea MUNDAY……Ottawa……31:13.2
bib # 2378…… Johanne BERTRAND……Ottawa……31:26.1
bib # 2391…… Joanne GAGE……Ottawa……31:28.4
bib # 2114…… Karen RICHARD……Ottawa……31:29.3
bib # 1945…… Penny MCEWEN……Ottawa……31:33.0
bib # 248…… Ashok BALAKRISHNAN……Ottawa……31:37.6
bib # 2041…… Tracy O'CONNOR……Ottawa……31:41.2
bib # 1164…… Stacey LACROIX……Ottawa……31:46.8
bib # 367…… Marie-Jeanne CAROLA……Ottawa……31:50.7
bib # 103…… Denis GINGRAS……Ottawa……32:05.0
bib # 2492…… Cathy TAKAHASHI……Ottawa……32:09.5
bib # 2008…… Mary MURPHY……Ottawa……32:20.3
bib # 1136…… Najam KHAN……Ottawa……32:31.9
bib # 2406…… John CHARBONNEAU……Ottawa……32:32.1
bib # 154…… Silas MARSTON……Ottawa……32:38.4
bib # 833…… Annie HORRICKS……Ottawa……32:50.3
bib # 2054…… Raymond OUIMET……Ottawa……32:52.9
bib # 1101…… Laura JACKMAN……Ottawa……32:53.0
bib # 2464…… Martin BEAULIEU……Ottawa……33:02.0
bib # 52…… Raphael ROWLEY……Ottawa……33:19.3
bib # 51…… Vincent ROWLEY……Ottawa……33:20.8
bib # 424…… Laura DARLINGTON……Ottawa……33:24.6
bib # 2371…… Gdward BRADY……Ottawa……33:25.4
bib # 74…… Leslie BAFIA……Ottawa……33:25.8
bib # 612…… Shelley HAMILL……Ottawa……33:27.0
bib # 332…… Darrell BRIDGE……Ottawa……33:29.6
bib # 2446…… Danielle GAUTHIER……Ottawa……33:33.3
bib # 323…… Brandon BRADY……Ottawa……33:36.6
bib # 322…… Anthony BRADY……Ottawa……33:39.3
bib # 2493…… Emily TAKAHASHI……Ottawa……33:40.9
bib # 2305…… Marilyn WARREN……Ottawa……33:41.4
bib # 324…… Colleen BRADY……Ottawa……33:41.4
bib # 325…… Nancy BRADY……Ottawa……33:41.7
bib # 1938…… Pauline MCCLUSKIE……Ottawa……34:01.8
bib # 1937…… Mike MCCLUSKIE……Ottawa……34:02.1
bib # 2402…… Randi JEWER……Ottawa……34:02.5
bib # 1115…… Chelsea JONES……Ottawa……34:04.5
bib # 2243…… Pushpa TEJWANI……Ottawa……34:22.0
bib # 629…… Paul HEMPEL……Ottawa……34:27.0
bib # 557…… Robert FUENTES……Ottawa……34:34.5
bib # 234…… Aiden ARSCOTT……Ottawa……34:44.9
bib # 235…… Olivia ARSCOTT……Ottawa……34:58.0
bib # 226…… Lindsay ANDRUSEK……Ottawa……35:13.2
bib # 2376…… Judy FENTIMAN……Ottawa……35:19.3
bib # 556…… Kyle FUENTES……Ottawa……35:21.4
bib # 793…… Jennifer HOOD……Ottawa……35:38.6
bib # 261…… Jenn BEARZATTO……Ottawa……35:39.2
bib # 2481…… Melanie AMYOTTE……Ottawa……36:06.9
bib # 2393…… Claire-Anne LALONDE……Ottawa……36:07.2
bib # 2398…… Eileen SARKAR……Ottawa……36:10.4
bib # 2395…… Pam PELEATO……Ottawa……36:11.3
bib # 2201…… Oksana SMERECHUK……Ottawa……36:23.1
bib # 2394…… Ariana MURESAN……Ottawa……36:25.8
bib # 2431…… Shawna COLBEY……Ottawa……36:26.1
bib # 1138…… Maureen KILPATRICK……Ottawa……36:32.4
bib # 2403…… Ron PITT……Ottawa……36:37.0
bib # 571…… Alexandria GERRIOR……Ottawa……36:52.9
bib # 572…… Randy GERRIOR……Ottawa……36:54.2
bib # 2063…… Isabelle PATENAUDE……Ottawa……37:33.3
bib # 1133…… Frans KES……Ottawa……37:39.0
bib # 2324…… Heather WILSON……Ottawa……38:45.3
bib # 299…… Sabrina BLANCHARD……Ottawa……40:23.0
bib # 1167…… Maria LAHIFFE……Ottawa……41:25.6
bib # 1657…… Max LOSIER……Ottawa……42:39.7
bib # 1653…… Jonah LOSIER……Ottawa……42:40.5
bib # 123…… Jennifer LOW……Ottawa……42:56.9
bib # 328…… Mike BRAZEAU……Ottawa……43:15.0
bib # 1135…… Susan KES……Ottawa……43:22.1
bib # 207…… John ADDISON……Ottawa……43:54.7
bib # 1134…… Sharon KES……Ottawa……50:16.9
bib # 617…… Marjorie HANSON……Ottawa……50:31.0
bib # 1956…… Shelley MCINTYRE……Pembroke……25:37.2
bib # 2190…… Sonya SILVER……Pembroke……28:43.6
bib # 151…… Thor STEWART……Perth……16:50.3
bib # 459…… Maggie DEWAR……Richmond……26:01.7
bib # 181…… JASON HANDS……Richmond……26:57.0
bib # 107…… Michael KENNEDY……Richmond……27:16.0
bib # 460…… Sue DEWAR……Richmond……27:33.2
bib # 469…… Gabby DOIRON……Richmond……33:10.6
bib # 2079…… Kristina PISTOR……Richmond……34:23.7
bib # 513…… Nicholas FAVERO……Rockland……17:15.4
bib # 512…… Jonathan FAVERO……Rockland……21:57.7
bib # 1933…… Nancy MCCARTNEY……Smiths Falls……34:12.2
bib # 2318…… David WILLIAMS……Stittsville……18:53.9
bib # 289…… Heather BIJMAN……Stittsville……19:00.1
bib # 2216…… Lisa STEELE……Stittsville……21:41.4
bib # 347…… Nick BULITKA……Stittsville……22:10.1
bib # 1188…… Nicholas LAYER……Stittsville……22:28.3
bib # 2232…… Amy TALBOT……Stittsville……24:23.5
bib # 233…… Jonathan ARNOTT……Stittsville……24:39.2
bib # 636…… Ian HICKMAN……Stittsville……24:42.7
bib # 634…… Rebecca HICKMAN……Stittsville……24:59.3
bib # 2108…… Holly REID……Stittsville……25:23.9
bib # 1990…… Eric MORRISON……Stittsville……25:29.8
bib # 2111…… Stefanie REID……Stittsville……25:40.4
bib # 1109…… Grahame JOHNSON……Stittsville……25:50.0
bib # 2320…… Owen WILLIAMS……Stittsville……26:18.3
bib # 1903…… Ryan MACNEIL……Stittsville……26:23.6
bib # 1930…… Deborah MCCARTHY……Stittsville……27:14.8
bib # 359…… Kristen CAMERON……Stittsville……27:35.9
bib # 2140…… Don ROOKE……Stittsville……27:52.5
bib # 2109…… Liane REID……Stittsville……27:58.8
bib # 597…… Andrew GUMLEY……Stittsville……28:52.3
bib # 308…… Jocelyn BOND……Stittsville……29:00.4
bib # 2159…… Dakota SABOURIN……Stittsville……29:18.0
bib # 2138…… Gina ROMANI……Stittsville……29:27.9
bib # 1976…… Barb MOFFITT……Stittsville……30:04.5
bib # 266…… Jack BEAULIEU……Stittsville……30:05.1
bib # 2028…… Manda NOBLE-GREEN……Stittsville……30:05.6
bib # 1989…… Denise MORRISON……Stittsville……30:20.2
bib # 506…… Tracy ELLIOTT……Stittsville……30:36.8
bib # 2152…… Jenn RUDDICK……Stittsville……30:42.7
bib # 2160…… Doug SABOURIN……Stittsville……30:43.7
bib # 632…… Danya HERNANDEZ……Stittsville……30:45.2
bib # 2150…… Bethany ROY……Stittsville……30:46.0
bib # 222…… Jennifer ANDERSON……Stittsville……31:01.8
bib # 2085…… Brian PORTER……Stittsville……31:10.4
bib # 2321…… Rebecca WILLIAMS……Stittsville……31:11.5
bib # 2161…… Judy SABOURIN……Stittsville……31:39.2
bib # 1187…… Chris LAYER……Stittsville……32:33.9
bib # 265…… Karan BEAULIEU……Stittsville……33:28.0
bib # 2086…… Doug PORTER……Stittsville……33:28.1
bib # 1946…… Deb MCGEACHY……Stittsville……34:05.2
bib # 2158…… Caitlin SABOURIN……Stittsville……35:03.6
bib # 458…… Laura DEVENNY……Stittsville……36:41.7
bib # 457…… Kathleen DEVENNY……Stittsville……36:53.7
bib # 1900…… Amy MACNEIL……Stittsville……37:13.8
bib # 1901…… Curtis MACNEIL……Stittsville……37:24.3
bib # 298…… Paul BLANCHARD……Stittsville……40:22.6
bib # 1110…… Julia JOHNSON……Stittsville……42:56.6
bib # 1952…… Carine MCINTYRE……Vanier……32:59.7
bib # 491…… Alexandre DUPUIS……Vankleek Hill……26:07.4
bib # 492…… Pierre DUPUIS……Vankleek Hill……26:45.1
bib # 1652…… Chantale LORTIE……Vankleek Hill……41:19.0
bib # 227…… Kerry ANTONELLO……White Lake……28:10.0
bib # 541…… Jonas FOSSITT……Winchester……26:49.5
bib # 1126…… Ryan KEELING……Woodlawn……25:42.1
bib # 1127…… Shannon KEELING……Woodlawn……29:32.4
Local runners (Québec)
- - - - - - - - - - - - - - - - -
bib # 241…… Mark AVON……Cantley……26:46.9
bib # 242…… Owen AVON……Cantley……26:47.9
bib # 374…… Marc-Andre CHARETTE……Gatineau……17:50.2
bib # 623…… Marie-France HARVEY……Gatineau……20:47.5
bib # 2475…… Mathieu PAQUETTE……Gatineau……22:15.2
bib # 560…… Rex FYLES……Gatineau……22:34.2
bib # 1912…… Dario MARKOVINOVIC……Gatineau……24:15.0
bib # 334…… Stephanie BROUILLARD……Gatineau……29:30.2
bib # 2284…… Schuyler VAN DUSEN……Gatineau……29:55.5
bib # 2283…… Derek VAN DUSEN……Gatineau……29:58.7
bib # 2176…… Veronique SEMEXANT……Gatineau……30:56.6
bib # 409…… Brenda COX……Gatineau……31:08.4
bib # 2081…… Sonia PLOUFFE……Gatineau……34:05.0
bib # 2053…… Claudie OUELLET……Gatineau……37:38.1
bib # 2006…… James MURPHY……Hull……18:31.6
bib # 2246.. Nathalie THEORET……Lochaber Partie……36:07.1
bib # 380…… Jake CHICOINE……Wakefield……18:39.3
bib # 379…… Ed CHICOINE……Wakefield……18:58.0
bib # 381…… Karina CHICOINE……Wakefield……27:27.6
Other Ontario runners
- - - - - - - - - - - - - - - -
bib # 2082…… Jeremiah POINT……Akwesasne……25:34.8
bib # 427…… Kim DAVIS……Bracebridge……32:17.7
bib # 1948…… Lindsay MCGINN……Guelph……30:19.1
bib # 214…… Ron ALQUIST……Kingston……24:35.0
bib # 331…… Abigail BREWER……Peterborough……31:27.9
bib # 2249…… Jon TIERNAN……Peterborough……31:29.1
bib # 2478…… Matthew DUDZIAK……Scarborough……23:03.3
bib # 2477…… Daniel DUDZIAK……Scarborough……28:01.4
bib # 188…… IAIN DORAN-DESBRISAY……Toronto……24:05.2
bib # 592…… Emily GRISE……Toronto……33:18.4
Other Canada runners
- - - - - - - - - - - - - - - -
bib # 2210…… Graydon SNIDER……Montreal……15:27.4
bib # 2436…… Charmaine KREUGER……Moose Jaw……40:27.3
bib # 2435…… Isabelle KREUGER……Moose Jaw……40:28.7
bib # 2437…… Claire KREUGER……Moose Jaw……40:34.2
bib # 2260…… Natelle TULK……St. John's……29:18.6
bib # 338…… Marilyn BRUCE……St. John's……1:04:03.3
bib # 92…… Judy TULK……Traytown, N&L……1:03:18.3
Foreign runners
- - - - - - - - - - - - - - - -
bib # 2092…… Antony PRINGLE……Hong Kong……20:15.4
bib # 2094…… Lesia PRINGLE……Hong Kong……30:30.9
bib # 1907…… Igor MAKSYMIV……Ivano-Frankivsk……22:05.3
my country is you! here is my country! and i shall bear it in my heart, i shall bear it in my heart to the day of my death, and we shall see, let any man tear it from me! and i will give up everything in the world, renounce all, and perish for this country!
--nikolai gogol
i am so behind on flickr!!! oh my gosh...i promise i will spend some time catching up on all of your wonderful comments and messages and your beautiful photostreams this evening and over the next few days. but in the meantime, thank you all so much! i hope you all had a happy 4th and are enjoying magical weekends so far. :)
(this really is a must view on black)
14/365
well, i've been doing this project for two weeks now. so far, it hasn't really been all that hard, but starting tuesday i'll be having pit orchestra rehearsals for my school musical and things are going to get tough when i get home after sunset. hopefully i'm going to order a set of studio lights soon, which will make indoor photos a lot easier!
thank you:
www.flickr.com/photos/35438367@N00/
for the testimonials!! :)
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Dissotrocha es un rotífero, lo manifiesta claramente a cada instante con esa doble corona de cilios gruesos que giran sin cesar, recogiendo las partículas, algas y detritus que forman parte de su alimento entre los sedimentos del fondo del río ▷. Su aparato masticador también trabaja de manera incansable en su interior moliendo todo lo que entra en su cuerpo arrastrado por la corriente.
Aunque muy parecido a Philodina , Dissotrocha está protegido por una gruesa cutícula, resistente y coriácea y su cola remata en cuatro dedos con los que se sujeta mientras se detiene a filtrar y moler o en los que se apoya para estirarse y así caminar, paso a paso, por los fondos de las aguas entre los que se mueve. De vez en cuando, asustado, se retrae y se esconde en el interior de la armadura de su propio tórax, replegando su doble corona, que se abrirá de nuevo, como una flor casi instantánea, cuando el peligro real o imaginario parezca que ha pasado.
A veces, como ocurre con su especie hermana Dissotrocha aculeata, la armadura del tórax está sembrada de fuertes espinas, pero la de hoy, Dissotrocha macrostyla, no las presenta aunque sí la refuerza con pequeñas varillas de color pardo y finas protuberancias.
El rotífero Dissotrocha , podría ser la presa del gigante unicelular Actinosphaerium, la ameba sol que vimos ayer, pero toda esta coraza dificultaría mucho su captura y digestión. Dissotrocha así asegura su presente pero también quiere guardar bien su futuro y lo hace a través de su reproducción vivípara. Los pequeños rotíferos a los que engendrará, sin fecundación en la mayoría de los casos, nacen vivitos y coleando…pero ya dentro de su coraza protectora ¡a ver quien se atreve con ellos !
El rotífero Dissotrocha suele encontrarse entre las arenas de los pequeños cursos de agua y es amante también del agua de las turberas.
Gracias a Mª Ángeles, Inés, Jesús, Luis, Pablo y Rodrigo, podemos mostrarlo hoy aquí. Ha venido desde la Sierra de Altamira, en Toledo, donde habita en el lecho del arroyo Pedroso, junto a Mohedas de la Jara. La fotografía se ha realizado a 200 aumentos con la técnica de contraste de interferencia.
Con nuestra gratitud para Pilar Gil por la publicación en Qúo, a Antonio Martínez Ron ...y también Paul/
Puedes tener otra infomación en la exposición LA VIDA OCULTA DEL AGUA
Y en este catálogo
También en la galería de Fotolog
Y nuestro granito de arena por la Paz
--Rabindranath Tagore
Explore--3/28/10
"How long does a monarch live?" "Why do monarchs migrate south?"
The answers to these two questions go hand-in-hand. Children ask them all the time. Most monarchs live from two to six weeks as an adult butterfly, but the Monarch's migration is the KEY to its yearly life cycle.
The total time frame for one butterfly's life cycle (one generation) is about 6-8 weeks . . . egg, caterpillar, chrysalis, butterfly. It grows inside the egg for about 4 days. It then munches milkweed and grows as a monarch caterpillar (larvae) for about 2 more weeks. The caterpillar's life inside the chrysalis (pupa) lasts about 10 days and its wonderful life as an adult butterfly lasts from 2 - 6 weeks.
February/March - hibernating monarchs in Mexico and southern California reawaken, become active, find a mate, begin the flight northward and lay their eggs. Finally they die. These special monarchs have lived about 4-5 months through the long winter.
March/April -the 1st generation monarchs are born -egg, caterpillar, chrysalis, adult butterfly;
May/June - the 2nd generation is born - egg, caterpillar, chrysalis, adult butterfly;
July/August - the 3rd generation is born - egg, caterpillar, chrysalis, adult butterfly;
Sept/Oct - the 4th generation is born - egg, caterpillar, chrysalis, adult butterfly . . . but THIS generation does not die. It MIGRATES south and lives 6-8 months in Mexico or Southern California. They begin awakening and mating in February/March of the NEXT SPRING, and then lay their eggs! Withered and tattered from their migration and hibernation . . . they finally die.
The cycles goes on as the new baby caterpillars are born each spring and the cycle continues throughout the year into the next spring. MAGICAL and AMAZING!
Orix fighting at Etosha Nat. Park, Namibia.August 2004.
Antílope africano perteneciente al género Oryx. Vive en manadas de hasta 40 individuos, pero en estación lluviosa, se reúnen cientos. En sequía, puede pasar muchos días sin beber, sobreviviendo de la humedad que contienen frutos y raíces. Mide hasta 1,6 metros de largo y la altura de la cruz llega hasta el 1,2 m. Armados con largos cuernos rectos y anillados, de un metro o más de longitud, en contraste con sus pequeñas orejas. Son resistentes a las temperaturas extremas, a la sed, y además pueden mantener un galope sostenido durante muchos kilómetros. Como particularidad, pueden aumentar la temperatura de su cuerpo para poder irradiar el calor al ambiente en lugar de absorberlo, gracias a un sofisticado sistema de irrigación sanguínea que también permite que la sangre más fría sea la que riegue el cerebro tras pasar previamente por las aberturas de la nariz (narinas), donde se refresca. Su carácter temperamental se puede comparar al de un toro bravo, de forma que su caza es peligrosa para cualquier predador. Los machos luchan embistiendose con los cuernos en paralelo, de forma que se produce un forcejeo entre ellos sin que se llegue a herir al rival, mientras que a la hora de defenderse de depredadores, embisten apuntando con su cornamenta de forma que pueden ensartar a su enemigo. Es la única especie de antílope cuyos descendientes ya nacen armados.
Artist: Styx
Album: Return To Paradise
Title: Come Sail Away
I'm sailing away, set an open course for the virgin sea
I've got to be free, free to face the life that's ahead of me
On board, i'm the captain, so climb aboard
We'll search for tomorrow on every shore
And i'll try, oh lord, i'll try to carry on
I look to the sea, reflections in the waves spark my memory
Some happy, some sad
I think of childhood friends and the dreams we had
We live happily forever, so the story goes
But somehow we missed out on that pot of gold
But we'll try best that we can to carry on
A gathering of angels appeared above my head
They sang to me this song of hope, and this is what they said
They said come sail away, come sail away
Come sail away with me
Come sail away, come sail away
Come sail away with me
I thought that they were angels, but to my surprise
They climbed aboard their starship and headed for the skies
Singing come sail away, come sail away
Come sail away with me
Come sail away, come sail away
Come sail away with me
NOTE: AS OF JUNE 2013, THE COPPER STRIKE RAILWAY SERVICE IS NO LONGER AVAILABLE
This is the Copper Spike Arizona Eastern Railway leaving the recently refurbished railway station in Globe, Arizona. On this past Easter Sunday when I took this photo, there were not many passengers and the entire train consisted only of the engine and two 1950's passenger cars. The train runs between Globe and the Apache Gold Casino. The Gila Valley, Globe, and Northern Railway Station (Southern Pacific Station, Arizona Eastern Station), was built in 1916 and was a prominent train depot from construction to close in 1950's, and is now a museum. I took this photo while the train was moving past me.
INFORMATION FROM THE COPPER SPIKE EASTERN RAILWAY WEBSITE:
All aboard the Copper Spike, Arizona Eastern Railway’s newest passenger train service, running roundtrips and one-ways from historic Broad Street in Globe, Arizona.
Named for the copper mining region served by the railway, the Copper Spike departs Thursdays through Sundays from the original two-story depot built in 1916 and travels to the Apache Gold Casino Resort . The 25-minute excursion follows the same route that once brought travelers to the “Land of the Apache,” nearly 100 years ago as they traveled from New Orleans to Los Angeles.
Aboard the Copper Spike passengers can choose seating in a 1950s-era dome car – featuring a glass roof that provides views in all directions – coach cars or the restored Calumet Club car.
The full-length dome cars were built in 1954 for the Santa Fe Railway and were used on luxury long-distance trains. They feature seating for 66 passengers on the upper level, with a 22-seat dining area on the lower level. These cars are air-conditioned and restroom-equipped. Due to the dome stairs, they are not wheelchair-accessible. Seating is open.
The Calumet Club car was built as coach for Illinois Central Railroad in 1918, and later rebuilt into an observation- lounge car in 1947 and features art deco styling with luxury and comfort.
These coaches were built by Pullman in the mid-1950’s for the Long Island Railroad and carried daily commuters into Manhattan. They are air-conditioned and restroom-equipped.
Cost:
Adults $20.00
Seniors (60 & over) $15.00
Children (12 & under) $10.00
For tickets, please call 1-866-979-RAIL (7245)
or visit www.CopperSpike.com or stop by the depot at 230 S. Broad Street, Globe, Arizona. The Copper Spike trips run Thursday through Sunday.
Source: www.copperspike.com/
The future comes alive
You speak your word and i
I'm running into your hope
Because i've seen your light
You bring my world to life
I'm coming after you love
I'm not shaken
I'm not letting go
And everything comes alive
In my life as we lift you higher
Let your freedom arise
In our lives as we lift you up
Sing it out
Sing it out
Your freedom is here
So take the limits off
No matter what the cost
I'm running after your call
And i will run this race
See you face to face
So let your power overflow
I will not fear
I will not hide you love
You love
All of my life
I cannot deny your love
Your love
-Hillsong
maraculio.09 © All rights reserved
youtu.be/kVIbgs1DBaA Trailer
www.rayharryhausen.com/index.php The Official Ray Harryhausen Website
Additional Photos in Set.
www.flickr.com/photos/morbius19/sets/72157635347368507/wi...
Suggested by the book Flying Saucers from Outer Space by retired U.S. Marine Corps Major Donald F. Keyhoe, this story, about an alien invasion of Earth, is highlighted by spectacular special effects by Ray Harryhausen.
Hugh Marlowe as Dr. Russell A. Marvin
Joan Taylor as Carol Marvin
Donald Curtis as Major Huglin, the liaison officer
Morris Ankrum as Brig. Gen. John Hanley
John Zaremba as Prof. Kanter
Thomas Browne Henry as Vice-Admiral Enright
Grandon Rhodes as General Edmunds
Larry J. Blake as a motorcycle policeman
Charles Evans as Dr. Alberts
Paul Frees as Alien (voice)
Harry Lauter as Cutting - Generator Technician
Charles was always cutting out stories from newspapers and in the mid-fifties there were a spat of flying saucer sightings. Charles thought this phenomenon would make a good feature and so Earth Vs the Flying Saucers was the result.
The design of the saucers was based on what most people would expect but Ray added an animated section into the top and underside that also had flutes in them so that people could see it was moving.
The various sizes of saucers (there are seven in total) were made from aluminium by Ray’s father and then anodised giving them a matt finish so they didn’t reflect light.
Ray never liked the latex alien suits used in the film even though he designed them. He would have preferred to animate models of the aliens but because of budget restrictions this was never possible.
Instead of drawing entire storyboards for the action, Ray used location photographs and executed rough sketches on them and then mounted them for storyboards.
As with The Beast From 20,000 Fathoms, a great number of the rear project plates were stills.
For all the aerial model work Ray used old recording wire on which to suspend the saucers.
The miniatures sets – The Capitol and the Supreme Court buildings cost $1500 each and the Washington Monument cost just $500. Compare those costs with today’s budgets
Earth vs. The Flying Saucers (EvFS) is the flagship of 50s sci-fi B movies. It has all the hallmarks of a typical B movie: shot in black and white, much stock footage, low-budget props, etc. That said, EvFS is still the best of its breed. The acting is good (for the most part). Ray Harryhausen's stop-motion animation of the saucers is great. His saucers have more "life" than any model on a string could attain. The basic premise of hostile aliens invading the earth with flying saucers was a classic. EvFS would be a significant influence in Tim Burton's 1996 movie Mars Attacks.
Dr. Marvin (Hugh Marlowe) heads a nascent satellite program, but all of his satellites blow up or fall from orbit. A saucer buzzes Dr. Marvin and his wife as they drive to the base. Despite a call from Dr. Marvin's father-in-law (Morris Ankrum), they launch the next rocket. A saucer descends on the base. Troops open fire. The saucer is invulnerable, but one of the robot-like aliens is hit. The other alien-bots use heat beams to destroy the base. Only Dr. Marvin and his wife escape because they were in a deep bunker. The aliens came from a defunct solar system, intent on taking over the earth. They want earthlings to surrender peacefully so their new home won't be a ruin from the battle. Mankind is defiant. The aliens give earth 56 days to think it over. The time is used, instead, to develop an anti-saucer weapon. Dr. Marvin and staff develop a magnetic disruptor which makes the saucers unstable. When the fleet of saucers finally arrive over Washington DC, a whole fleet of disrupter-beam equipped Ford flatbed trucks is there to greet them. A mighty battle rages. Saucer heat beams destroy much, but the trucks take their toll too. Saucers wobble and fall into a variety of DC landmarks, including the Washington Monument. Finally, the last saucer falls. Earth is saved! The end.
It's hard not to enjoy this classic of 50s B sci-fi. It has everything a 50 sci-fi fan loves. The acting is reasonably good, the pacing is pretty good too, so even someone who isn't a fan of the genre could be suitably entertained.
EvFS is a classic allegory of Cold War tensions. A hostile force seeks to invade and take over. In the mid-50s, the threat from communism was never far from viewers' minds. The caustic Soviet leader Nikita Khrushchev would say, later in 1956 "We will bury you!" would say later. When, in the movie, the earthlings decide to fight the saucers, an Army general says: "When an armed and threatening power lands uninvited in our capitol, we don't meet him with tea and cookies!" Such was American popular sentiment towards the threat of communism.
Stock Footage Fun -- amid the usual clips of P-80s and V-2s (Checkers!) and other military clips, are stock disaster clips. Storms, fires, destruction. For the sci-fi fan, there are also snippets recycled from earlier sci-fi movies. There are battle scenes cut from War of the Worlds ('53) and The Day the Earth Stood Still ('51).
Cheap Suit -- The aliens walk about in crude robot-like suits with faceless bullet-shaped helmets. The fit and finish of these suits is quite poor when you get a good look at them.
Alien Glimpse -- The brief scene in which the real alien (head) is exposed, reveals the taxonomy that would become archetypal: big head, tapering to a small neck, large almond-shaped eyes, tiny mouth. They're also said to weigh little, being fairly weak and frail. Of the many sorts of invading aliens seen thus far in the 50s, some were simple -- men in leotards Killers from Space, if not just plain people Devil Girl from Mars and Flight to Mars and giant humanoids: The Thing. A very few hostile (or at least frightening) invaders were not humanoid: Invaders from Mars and War of the Worlds. The alien in EvFS appears to be an early showing of what would later become the presumed "true" shape of alien life forms.
Bottom line? EvFS is well worth watching. Fans of 50s sci-fi will enjoy it. Family members of fans of 50s sci-fi can tolerate it. In many ways, it is the epitome of the B grade 50s science fiction movie.
Please View On Black for better details, or View my most interesting stream ON BLACK!
This shot was pointing to the Pacific Ocean in the sunrise time. Of course, the sunlight was blocked by heavy clouds that morning, and all I could see was the big wet sand all the way to the rocky area at the far end, a.k.a. the end of the land. The lack of any landmark here made me feel I was standing in the middle of timeless space. This is an interesting shot for me to take, and I kind of like the monochrome feel here! :-)
p.s. 歡迎點閱我最新的文章「遇見美景」，或是我的部落格 光影、色彩、我，關於攝影二三事！
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~Olympic National Park，華盛頓州，美國~
~Kalaloch Beach, Olympic National Park, WA, USA~
- ISO 50, F16, 2 sec, 50mm
- Canon 5D Mark II with EF 50mm f/1.2 L lens
- sunrise @ 5.52am / shot @ 6.02am, 2011/7/30
- high tide 10.7m @ 1.00am / low tide -1.4m @7.37am
© copyright 2011 Hsiang Wei Chao
.|| This image may not be used for any purposes without the expressed, written permission of the photographer.
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Ahora en Biodiversidad virtual
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Una tras otra, las céulas de Pseudanabaena se van dividiendo y dibujando líneas, como si fuesen manojos de hierba, se esparcen en el agua, unas veces flotando y en otras ocasiones, sumergidas, esperan que las corrientes cálidas las eleven hacia la superficie para ser bañadas allí por la luz del Sol, luz necesaria para su vida.
Pseudanabaena catenata es una cianobacteria que puede vivir en solitario o agruparse formando pequeñas alfombras mucilaginosas. Los filamentos de Pseudanabaena suelen ser rectos o ligeramente ondulados, pero nunca se ramifican y están construidos por celulas cilíndiricas y alineadas.
Las células en este género de cinaobacterias son siempre más largas que anchas y a veces contienen gránulos o vesículas de gas localizadas en los extremos lo que facilita su flotación. Al igual que todas la cianobacterias Pseudanabaena es un organismo fotosintético y probablemente tenga capacidad para fijar el Nitrógeno disuelto en el agua.
Las especies de este género pueden ser planctónicas o bentónicas y vivir en aguas desde pobres en materia orgánica hasta ligeramente eutrófizadas, otras pueden crecer en el suelo, asociarse en simbiosis con algunos rotíferos o desarrollarse sobre la superficie de otras algas . Pocas especies se conocen de biotopos extremos como fuentes de agua caliente, o ambientes salinos.
La fotografía se ha realizado a 400 aumentos con la técncia de contraste de interferencia y se ha encontrado en una muestra recogida a 48 metros de profundidad en el Lago de Sanabria (Zamora), desde el catamarán Helios Sanabria el primer catamarán construido en el Planeta propulsado por energía eólica y solar.
Handhold 1/20sec f1.0 with crop by Adobe Lightroom to find f0.95 in large view large on black.
Taken during visited the show called "Cameras Inside-Out" at Hong Kong Heritage Museum
Understanding that
heavy things can't fly,
she let go of what was weighing her heart,
the things she could no longer control or carry,
and she gave herself a chance.
A chance to reach into the unassuming blue,
to embrace the possibility of an open sky,
with an open heart.
She gave herself
a chance to soar.
Explore 01-01-2010 bighugelabs.com/dna.php?username=KTS+Nguyen+Phu+Duc
Comments
01 Hot boi says:
Đi ra những chỗ mờ mờ
Ngồi gần con gái không sờ là ngu
Thà rằng cắt tóc đi tu
Ngồi gần con gái sao ngu ... không sssss
(comment này chỉ mang tính minh hoạ .... hihihi....)
Posted 6 months ago. ( permalink | delete )
02. nguyentuong.linh says:
Thơ.
Posted 6 months ago. ( permalink | delete )
03. ANDY LEDDY says:
Hi, I'm an admin for a group called CONTINENT: ASIA! ! ! post 1, award 2 (sweeper active), and we'd love to have this added to the group!
Posted 6 months ago. ( permalink | delete )
04. Hoang troc says:
đường viền ảnh đẹp anh ạ
Posted 6 months ago. ( permalink | delete )
05. Hoàng Uy - Lag says:
Ý thật sâu .... !!!! Ẩn hiện, có và không có .......
--
Seen in the group"Vietnam - Vẻ đẹp tiềm ẩn - Cuộc thi số 1" ( ?² )
Posted 5 months ago. ( permalink | delete )
Hoàng Uy - Lag says:
Cảm ơn anh đã ADD ảnh vào
Vietnam - Vẻ đẹp tiềm ẩn - The hidden charm
Những ảnh xuất sắc của anh sẽ là
thông điệp giới thiệu về nét đẹp tiềm ẩn
mang tên Việt Nam gửi đến bạn bè khắp nơi.
Posted 5 months ago. ( permalink | delete )
Los saltamontes pueden saltar grandes distancias con sus potentes patas traseras, y en algunas ocasiones también son capaces de migrar. Esta circunstancia se da cuando se concentran demasiados individuos en una misma zona. Ante la escasez de alimento, su organismo libera una serie de hormonas que fomentan la movilidad alar para que los individuos puedan desplazarse volando a otros lugares y evitar así la competencia intraespecífica por el alimento. Algunas especies, como Locusta migratoria y Schistocerca gregaria, se desplazan en grandes enjambres diezmando las cosechas.
Algunas especies producen ruidos audibles, usualmente frotando los fémures contra las alas o el abdomen o con el golpeteo de las alas en el vuelo. Si cuentan con órgano de audición, este se encuentra los costados del primer segmento abdominal. Las patas traseras son típicamente largas y fuertes, apropiadas para saltar. Generalmente cuentan con alas pero solo las traseras son membranosas y les permiten volar, mientras que las delanteras son coriáceas y no son útiles en el vuelo. Las hembras son de mayor tamaño que los machos.
The bust of Joseph Xavier Perrault, a founder of the Montreal Chamber of Commerce, beneath the Montreal Stock Exchange Tower.
Lung Wah Hotel and Shatin Restaurant 龍華酒店和沙田畫舫
Lung Wah Hotel was opened in 1951 and became a restaurant in 1985. It was famous for barbecued pigeon. In 1950s, many famous actors such as Bruce Lee, Connie Chan Po-chu, Josephine Siao enjoyed their tea there. Bruce Lee's family alway enjoyed vocation and Bruce practised Kung Fu with his brother Albert there. Bruce participated the film "偷燒鴨" (stealing roast duck www.youtube.com/watch?v=8hJSO8nXgQA ) in his childhood and Lung Wah Hotel was one of the scenes of this film.
Shatin Restaurant was a floating restaurant for seafood and opened in 1963. It was parked where opposite to Lung Wah Hotel. As the reclamation in Shatin in 1970s, it was migrated and closed in 1984.
The top photo can be compared with that in 1983:
Invictus
Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever Gods may be
For my unconquerable soul.
In the fell clutch of circumstance,
I have not winced nor cried aloud.
Under the bludgeonings of chance,
My head is bloodied but unbowed.
Beyond this place of wrath and tears
Looms but the horror of the shade.
And yet the menace of the years
Finds and shall find me unafraid.
It matters not how straight the gate,
Nor how charged with punishments the scroll.
I am the master of my fate,
I am the captain of my soul.
-- William Ernest Henley
At the age of 12 Henley became a victim of tuberculosis of the bone. In spite of this, in 1867 he successfully passed the Oxford local examination as a senior student. His diseased foot had to be amputated directly below the knee; physicians announced the only way to save his life was to amputate the other. Henley persevered and survived with one foot intact. He was discharged in 1875, and was able to lead an active life for nearly 30 years despite his disability. With an artificial foot, he lived until the age of 54. "Invictus" was written from a hospital bed.
Patio de los Cipreses - El Generalife, Granada (Spain).
ENGLISH
This patio has a central pond surrounded by a myrtle hedge and in the middle of the pond there is another little pond with a stone fountain. The patio is so called because of the old cypresses that are in the verandas, the most famous of which is the Cypress of the Sultana (Ciprés de la Sultana) in which, according to the legend, Boabdil's wife used to meet a knight of the Abencerrajes family. This triggered the death of the people of this noble tribe, whose throats were slit.
A big 19th century stone staircase with a portico and two lions made of glazed pottery of Granada leads to the high part of the gardens, which go from the Hill of the Sun (Cerro del Sol) to the street Rey Chico. These gardens are hanging gardens that include simple vegetable gardens, myrtle clumps, trimmed boxes or hundred-year-old cypresses.
One of the staircases that are in these gardens is especially beautiful because of its beauty and originality. It is supposed to be the oldest staircase in these gardens (it already existed in the Muslim period). The staircase is divided in three flights, each with a fountain and handrails that are channels with running water. The staircase is surrounded by laurels that join their crowns and form a vault. The sun shines through this laurel vault and the light contributes to the extremely beautiful scene.
Two regal pleasure palaces, Palace of Dar al-Arusa and Palace of the Alixares, stood on the lands covering the area between the valley of the river Darro and that of the river Genil. They were abandoned and the passing of time has ended up destroying them. Recent excavations discovered them and showed their richness and magnificence, as well as the beautiful decorative elements that have been found.
Source: www.alhambradegranada.org/historia/alhambrageneralifepcip...
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CASTELLANO
Este patio tiene un estanque central rodeado por setos de arrayán y en el centro del estanque existe otro pequeño estanque con una fuente de piedra. El patio recibe su nombre de los viejos cipreses que encontramos en los cenadores, el más famoso de los cuales es el Ciprés de la Sultana en el que, según la leyenda, se veían la esposa de Boadbil y un caballero abencerraje, lo que desencadenó finalmente la muerte de los señores de esta noble tribu, que fueron degollados.
A través de una escalinata de piedra del siglo XIX con pórtico y dos leones de cerámica vidriada granadina, se llega a la parte alta de los jardines, que se extienden desde el cerro del Sol hasta el camino del Rey Chico, jardines colgantes que van desde simples huertas hasta macizos de arrayán, bojes recortados o cipreses centenarios.
Cabe destacar una de las escalinatas de las que encontramos a lo largo de los jardines por su belleza y originalidad, y que supuestamente es la más antigua del jardín (ya existía en tiempos de los árabes). Está dividida en tres tramos, en cada uno de los cuales se encuentra una fuente con surtidor, flanquedada por canales que conforman las barandillas y por donde bajan ruidosamente las aguas. La escalinata se encuentra rodeada por laureles, que unen sus copas formando una bóveda por la que se filtran los rayos del sol, configurando una estampa de una belleza indescriptible.
En los terrenos que van desde el valle del Darro al del Genil se alzaban dos regios palacios de recreo, el de Dar al-Arusa y el de los Alixares, que el abandono y el paso del tiempo terminaron por destruir, hasta que recientes excavaciones señalaron su situación, poniendo de relieve su riqueza, la magnitud de las ruinas descubiertas y los elementos decorativos encontrados.
Fuente: www.alhambradegranada.org/historia/alhambraGeneralifePCip...
Hilo de la Fotohistoria en Pullip .es: THE DATE (1 of 1) /
LA CITA (1 de 1)
(Read in order, this is: SHOT/FOTO 31 of 36) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36.
FOTOHISTORY: In English / En Español
Shin: … O_O
/
Shin: … O_O
LINKS:
- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
EffiArt2015
-
-
Emblem Button Zeichen sign Abzeichen
LOCATION
Baden-Württemberg / Dettensee ...
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Manche Zuschauer und
ganz besonders Noel wollten so gerne einen Button von der Dettenseer Flecken Fastnacht 2015.
Leider gab es das nicht zu kaufen.
Opa Erwin kann so was am Computer erstellen - EffiArt2015
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Fastnacht Karneval Fasnet Fasching "Fastnachts-Dienstag" "Kleiner Omzug"
Umzug Dettensee FDS Horb-Dettensee
Dätsailer Fleckenfasnet
Di, 17. Februar 2015
Saukopfessen (10 Uhr), Umzug (14:00 Uhr),
Musik und Unterhaltung mit Narrentreiben im Gemeindesaal
am Fasnetsdienstag in Dettensee, abends Fasnetsverbrennung
SX60 HS "Canon PowerShot SX60 HS" Canon Bridgecamera bridge camera "Canon PowerShot SX60" "Canon SX60" "Powershot SX60" SX60HS eagle1effi SX "430 EXII" "External Flash" Speedlite
An early morning mist rises off Beardy Waters just north of Glen Innes as the suns rays start to find their way through the trees and light up the countryside.
Taken during the 1200kms for Kids Charity Bike Ride... as the riders braved the icy air, I stopped to grab some of the pretty countryside in this part of the world.
The Beardy Waters is a river, which is about 70 kilometres (43 mi) in length, in the Northern Tablelands region of New South Wales, Australia.
The Beardy Waters rises near Ben Lomond Mountain south of Glen Innes in the New England region. It flows north to the east of Glen Innes, New South Wales and then north-west to where it joins the Severn River (New South Wales) below Rangers Road.
The name of the river derives from two bearded stockmen who were among the first European settlers of the district through which the river flows. The river was previously known as: Maybole Creek, The Beardy Water, Beardy River and The Beardy Waters.
A weir construction across the Beardy Waters was commenced in October 1930 after a grant of ₤5,500 was made available for the work. This money was granted to pay men working on unemployment relief. Completed in July 1932 at a cost of ₤10,847 it has a capacity of 100 million imperial gallons (450,000 m3) with the flood gates closed.
Sant Romà de Sau, Girona (Spain).
Title thanks to / Título gracias a carolinabalmes (Karol).
ENGLISH
The reservoir of Sau, constructed between 1949 and 1962, covered the town of Sant Romà de Sau, the rest of which, specially of the bell tower of the romnesque church of 11th century, they are visible when the level of the dammed water is low and at times of drought prolonged the town is in the open and even it is possible to visit.
The origins of Sau go back to year 917, and the parochial church to 11th century. The present population formed in 1962 when finalizing the construction of the dam and the waters had to cover the old town of Sant Romà de Sau. Although he was enough uninhabited (in the nomenclator of 1860 the parish appeared like “uninhabited”), counted with some masias, a Romanesque bridge and a Romanesque church of 11th century of Lombard style.
At the moment of the photos the reservoir is approximately at 10% of its capacity, its historical minimum, mainly because the long run drought that has been undergoing this part of Catalunya for years. The proliferation of nonnative fish introduced by practisers of sport fishing, the low water level and the high insolation of the zone cause a high level of plancton and microscopic seaweed that contaminates the water, reason why in autumn of the 2005 began a draining of this dam in the one of Susqueda to improve the quality of the drinking water, and the collection of fish before they die by lack of oxygen and gets worse still more the quality of the water. Rains of October 2005 temporarily interrupted the draining, that has become to reactivate at beginning of 2008.
----------------------------
CASTELLANO
El pantano de Sau, construido entre 1949 y 1962, cubrió el pueblo de Sant Romà de Sau, los restos del cual, especialmente del campanario de la iglesia románica del siglo XI, son visibles cuando el nivel del agua embalsada es bajo e incluso en épocas de sequia prolongada el pueblo queda al descubierto y es posible visitarlo.
Los orígenes de Sau se remontan al año 917, y la iglesia parroquial al siglo XI. La población actual se formó cuando en 1962 al finalizar la construcción del embalse y las aguas debían cubrir el antiguo pueblo de Sant Romà de Sau. Aunque estaba bastante despoblado (en el nomenclátor de 1860 la parroquia figuraba como "deshabitada"), contaba con algunas masías, un puente románico y una iglesia de estilo románico lombardo del siglo XI.
En el momento de las fotos el embalse está aproximadamente al 10% de su capacidad, su mínimo histórico, debido principalmente a la larga sequía que sufre esta parte de Catalunya desde hace años. La proliferación de peces no autóctonos introducidos por practicantes de pesca deportiva, el bajo nivel de agua y la alta insolación de la zona provocan un alto nivel de plancton y algas microscópicas que contaminan el agua, por lo que en otoño del 2005 se inició un vaciado de este embalse en el de Susqueda para mejorar la calidad del agua potable, y la recogida de peces antes de que mueran por falta de oxígeno y empeore aún más la calidad del agua. Las lluvias de octubre del 2005 interrumpieron temporalmente el vaciado, que se ha vuelto a reactivar a primeros del 2008.
Zuki really wants a duck. He still loves his seal, "Club", but he's not getting along with whale or pig that much. He hasn't even bothered to name them.
I wanted to put that in illustration tonight with duck boots, which were promised at my last Bench Monday, but he threw a hissy fit.
"NOT DUCKS, MUM! THESE ARE NOT DUCKS!"
So he's back in the closet. I'm hoping he comes out for tomorrow's shot which will be a face down tuesday, but includes a bed. Unfortunately, that will disqualify the shot as a "Face Down Tuesday", but I also said on Wednesday that I would explain why I couldn't sleep until 3AM.
So much catching up to do. I feel that I've neglected my contacts horribly. They started making me actually do work at work. It's 10:20 and I'm just uploading, and I swore I'd try to sleep like a semi-normal person this week.
www.youtube.com/watch?v=qswm7lHp7oY
Listen, children, to a story
that was written long ago,
'Bout a kingdom on a mountain
and the valley-folk below.
On the mountain was a treasure
buried deep beneath the stone,
and the valley-people swore
they’d have it for their very own.
Go ahead and hate your neighbor,
Go ahead and cheat a friend.
Do it in the name of Heaven,
You can justify it in the end.
There won't be any trumpets blowing
come the judgment day,
on the bloody morning after....
One tin soldier rides away.
So the people of the valley
sent a message up the hill,
asking for the buried treasure,
Tons of gold for which they'd kill.
Came an answer from the kingdom,
"With our brothers we will share
all the secrets of our mountain,
all the riches buried there."
Now the valley cried with anger,
"Mount your horses! Draw your sword!"
And they killed the mountain-people,
so they won their just reward.
Now they stood beside the treasure,
on the mountain, dark and red.
Turned the stone and looked beneath it...
"Peace on Earth" was all it said.
Go ahead and hate your neighbor,
Go ahead and cheat a friend.
Do it in the name of Heaven,
You can justify it in the end.
There won't be any trumpets blowing
come the judgment day,
on the bloody morning after....
One tin soldier rides away.
This year we had so much rain in the North East, it rained all but two days in June.
As a result, it had a negative impact on honey bee gathering.
In our temperate climate if the bees run out of honey in the winter, they all could starve to death.
If the hive believes their isn’t enough honey reserves, a number of bees will leave the hive and freeze to death to save to hive….
Although this is a sad sight, we wouldn’t want to lose the hive……..
This is a wild hive I rescued and relocated it at the Boy Scout Pouch Camp, with the help from my good friend and Ranger, Gil
Oh………..
I can say all of this now……
……………..WE WON THE FIGHT MY LOVELYS…………..
Bee Keeping is legal in New York City as of last Friday……….YEAH!!!!!!!
I had to hide all our hives and all our rescue work was a secret as well…
After the snow storm about thirty bees were cast out of the hive, I found them dead at the base of the entrance.
I found one still holding on to life…..
My One Tin Soldier……. had an extra moment of life with me
I held him in my warm hand then placed him in the hive, a few seconds later he dropped out and landed next to his mates.
A tear came to my eye………..
But I knew it has to be this way……..
On our trip from Howick to Embleton Bay on Monday this was the place i wanted to see most. Due to the insane waves there was no chance of getting a classic Tower shot on death rocks so out came the Sony P93 and i set about getting some IR shots using the path as a lead in. I was blown away by the size of the tower as ive only ever seen it in photos and maybe due to Super Wide lenses it looks quite small. I left the 2 people in purposely to give a sense of scale. This place is amazing and i just cant wait to get back there :)
Please View Large On Black
This is the weirdest pice of rock I've seen. Taken on the way up the mountain where I shot my last upload. this rock is in the middle of the trail. The weird thing about it is all the small holes that makes it look like the surface of a golf ball. All the way up the mountain the rocks were like this. Not only this type of sand coloured rock, but "normal" grey rock as well. (PLease excuse my horrible geological skills).
Anyway, I liked the way the sun coming in from the left giving character to the mountain in the back while at the same time lighting the foreground. A great sky over the background mountains which the pola really made "pop" was the icing on the cake.
Canon 5D
Canon 17-40 @ 17mm
f/16
1/2sec
ISO100
Lee .9 soft ND grad.
Heliopan polarizer
Cheers
Håkon
PS: Thanks for all your comments and favs! Trying to reach over as many other photo streams as I can!
Please View On Black!
I had this song stuck in my head during this shoot.
"Bruised" - Jack's Mannequin
"I've got my things, I'm good to go
You met me at the terminal
Just one more plane ride and it's done
"We stood like statues at the gate
Vacation's come and gone too late
There's so much sun where I'm from
I had to give it away, had to give you away
"And we spent four days on an
Island at your family's old hotel
Sometimes perfection can be
It can be perfect hell, perfect...
"Hours pass, and she still counts the minutes
That I am not there, I swear I didn't mean
For it to feel like this
Like every inch of me is bruised, bruised
And don't fly fast. Oh, pilot can you help me?
Can you make this last? This plane is all I got
So keep it steady, now
Cause every inch you see is bruised
"I lace my Chucks, I walk the aisle
I take my pills, the babies cry
All I hear is what's playing through
The in-flight radio
Now every word of every song
I ever heard that made me wanna stay
Is what's playing through
The in-flight radio, and I
And I am, finally waking up
"Hours pass, and she still counts the minutes
That I am not there, I swear I didn't mean
For it to feel like this
Like every inch of me is bruised, bruised
Don't fly fast. Oh, pilot can you help me?
Can you make this last? This plane is all I got
So keep it steady, now
Cause every inch you see is bruised, yeah
"So read your books, but stay out late
Some nights, some nights, and don't think
That you can't stop by the bar
You haven't shown your face here since the bad news
Well I'm here till close, with fingers crossed
Each night cause your place isn't far
"And hours pass, and hours pass, yeah, yeah...
"Yeah, yeah, she still counts the minutes
That I am not there, I swear I didn't mean
For it to feel like this
Like every inch of me is bruised, bruised
And don't fly fast. Oh, pilot can you help me?
Can you make this last? This plane is all I got
So keep it steady, now
Cause every inch you see is bruised, bruised, bruised"
-
Nikon D90
18-105mm VR
SB-900 w/ shoot through umbrella, camera left
This ran in shorter, more readable form on Seattlest.
This is Red Mill Burgers, in Seattle's Interbay neighborhood at 1613 West Dravus.
This store opened in 1998. The first store was a bit north in the Phinney Ridge, and opened a few years earlier.
The old photo at the Seattle Municipal Archives shows the same building in 1960, with "Interbay Pharmacy" painted on the side. Needless to say there was no Starbucks in the background.
Whenever I look at photos taken by government employees, I think "why?" More than 9 times out of 10 there was a good reason to take the photo and then subsequently archive it -- it wasn't a random photo like you or I take. Sometimes you can tell by the file that it's in, or the assession number. Other times it's the story of the building or business that clear it up. It takes a bit of digging to find that.
A quick web search shows that Interbay Pharmacy is older than 1960. Google Books has several trade magazines like a 1907 edition of "The Pharmaceutical Era" which mention Interbay Pharmacy. This first mention is worth quoting:
"W. S. Pierce, proprietor of the Interbay Pharmacy, Seattle, Wash., was blown by a gas explosion from the rear end of his store almost to the front door the other day. When he opened his store, Pierce started a fire in the gas stove, but he had no sooner applied the match to the jet than he felt himself propelled toward the door. The explosion had driven out the glass, thus making a clear path into the street."
A 1916 issue of "The Era Druggist's Directory of the United States..." lists Interbay Pharmacy, but gives a different address: 1500 Grand Boulevard. I've looked at enough engouh old plat maps of Magnolia to know that Dravus used to be known as Grand Boulevard. So the pharmacy used to be over at 15th.
But we're still missing the story here. I'm going to switch to tutorial mode to show you how I found out the "why" and at the same time learned an important part of this neighborhood's history.
When I'm dealing with a property, after a quick web search the next thing I like to do is open King County's Property Viewer or iMap to check it out. I'll cheat for you. Here's 15th and Dravus. Down in the bottom right, expand "Imagery" and choose "1936 B/W Aerial Photos". After the map refreshes, it shows that 15th Avenue used to look quite a bit different. It was just a small local road like 14th or 16th. 1500 Dravus, which would be the northwest corner, is right in the middle of the blank space. (The square are property, and long lines are roads; blank space is public property, usually streets.)
The assessor's report for 1613 Dravus, meanwhile, tells us that the Red Mill building was constructed in 1959.
The scenario is beginning to play out... a city employee photographs the new home of Interbay Pharmacy in 1960. The old home at some point became a city street.
The next step is to hit the Seattle Times archives and see what it says. These archives are one of the greatest and most frustratingly hidden secrets in local history. 1900-1923 are currently only available through a database called World Newspaper Archive, available locally through the University of Washington. From 1923-1980 are also covered in a database called America's GenealogyBank, which you can get at from home with your library card, click the link here.
I narrowed the search to newspapers, in Washington, and just for the kewords "15th widening" in 1952-1960. Result #4, 1959-06-02 page 20, is perfect:
"The city began condemnation proceedings in Superior Court... yesterday for widening 15th Avenue West form West Garfield Street to the Ballard Bridge.
"Twenty-two feet will be taken on much of the west side of the avenue. The east side will not be affected.
...
"A six-lane depressed roadway will go beneath Dravus Street, whish will remain at its present grade.
...
"Wilcox said 98 pieces of real estate are involved. He said settlements are being arranged with all but five owners."
So there's our story. Interbay Pharmacy, as well as all of the other pioneer businesses at the intersection of 15th and "Grand Boulevard" -- and all of the well-established homes on the main street between Seattle and Ballard -- were destroyed in 1959 to widen 15th to add six lanes of traffic.
It's odd that such a big deal is made about Interstate 5 and the other freeways, but no one talks about major widening projects like this. The monorail project which was supposed to be built to Ballard would have run on 15th. I remember an editorial in the Times or PI which railed that 15th was inhospitable to people, it was a car street that wasn't built for mass transit. There were so many editorials arguing that we couldn't afford to transform our city, which was built for car travel. But when you really look back, you find that our city was, of course NOT built for cars, but built for streetcars and people. We spent truckloads of money to rebuild it for cars.
Strips like 15th are still recovering from the economic hammer that was dropped.
BTW, Red Mill has great burgers. Get some onion rings while you're at it! There's bus service on 15th if you can afford the time and money.
From Wikipedia, the free encyclopedia
Marina Bay is a bay near Central Area in the southern part of Singapore, and lies to the east of the Downtown Core. An artificial bay, it was formed when land reclamation created the Marina Centre and Marina South areas, which form a body of sheltered waters of what was once open sea. In the reclamation process, Telok Ayer Basin was removed from the map, while the Singapore River's mouth now flows into the bay instead of directly into the sea. A barrage was completed in 2008 to make Marina Bay a reservoir for drinking water.
In contemporary local common usage, however, the term Marina Bay has largely been attached to the developments in the vicinity of Marina Mall in the Marina South reclaimed area, particularly to the eateries found there. Although technically erroneous, this association may have been stemmed from the association of the venue's limited accessibility to the Marina Bay MRT Station, which has served as the main means of public transport to Marina South.
It was announced in 2007 that Marina Bay will play host to a Formula One Race. The inaugural Singapore Grand Prix took place on September 28, 2008 on a street circuit through Marina Bay[1]. It was the first ever Formula One Grand Prix to be staged at night, with the track fully floodlit.
Hilo de la Fotohistoria en Pullip .es: SHIN CALLS GABRIEL (1 of 1) /
SHIN LLAMA A GABRIEL (1 de 1)
(Read in order, this is: SHOT/FOTO 38 of 38) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38.
FOTOHISTORY: In English / En Español
Shin: (How many problems! Everybody here has a personal drama... And I also have to eat the troubles of the rest, damn me! … XD)
/
Shin: (Que de marrones! Aquí todo dios tiene un culebrón personal, vaya tela... Y encima tengo que comerme los marrones de los demás, manda cojones... XD)
LINKS:
- Hilo de las Fotohistorias de Shin y Gabriel en el Foro de Pullips: Pullip .es
- Hilo de la Relación entre Shin y Gabriel en la sección de Penpals de Pullip .es
- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es
- Saw Canceled and Sheryl PHOTOSTORIES at Flickr
Hilo de la Fotohistoria en Pullip .es: SHIN VISITS NOIREL (1 of 1) /
SHIN VISITA A NOIREL (1 de 1)
(Read in order, this is: SHOT/FOTO 36 of 55) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55.
FOTOHISTORY: In English / En Español
Noirel: Hahahaha, XD What are you doing?? ^_^u
/
Noirel: Jajajajaja, XD Pero que haces?? ^_^u
LINKS:
- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
For Christmas '08, my wife got me a nice shaving kit which included a Gillette Mach 3 razor. (featured here) I used it for a year, and was about to buy another pack of M3s when I realized how freaking expensive they were. I decided to give a Double Edge razor a shot. My per razor cost went from $2.25 to ¢10 (¢25 if I splurge and get the really nice ones.) The dirty little secret that Gillette doesn't want you to know: disposable cartridges with multiple blades do not necessarily give you a better shave. They're simply a matter of convenience, but that convenience comes at a price. If you'd rather not do the DE razor, go with something like a trac II, Atra, or Sensor... anything else is just more expensive, not better. Eventually, using the DE is just second nature.
I used that for a few months and decided to give a straight raozr a shot. Some say it's the closest shave you'll ever have, but I'm not quite there yet. I haven't got the nerve to go against the grain. One thing though... it feels kind of bad ass to shave with a straight. It takes me probably an extra 5-10 minutes to shave this way than it would with a regular razor, but it's worth it. No more wasting of plastic cartridges... and my use of DE razors is greatly reduced.
For this shot, I used a cross processing technique. Here's the tutorial I used. It's specific to GIMP. Mr. Sharp referred me to one for photoshop... I couldn't quite get it to work, which I think is the result of not having 'effect layers' in gimp. I probably could have adapted it to work in GIMP, but the other one seems to work on a similar premise, and required no translation on my part.
I also did the orton effect, in conjunction with the "smart sharpen" (see previous) The smart sharpen is quite a few steps, but worth it.
Question for those that might know: this cross processing technique is very similar to what I've seen for lomo effect. The end result is somewhat similar too. Makes sense because the distinctive use that lomos became famous for was because the film was developed with a cross process technique. So, my question is, what distinguishes digital lomo edits from other types of cross processing?
Eve Strange - Model Mayhem #103520
Coogan Photo - Model Mayhem #518290
Model: Eve Strange - The Three Faces of Eve
Location: Shhhhhhh... it's a secret.
Lighting:
• Main light on model left: 4x6 Chimera with SB800 @ 1/4 -1/3 power.
• Back right side light: SB26 @ 1/2 power with 6.5" snoot
Photoshop: minimal
Many thanks to the seven photo assistants for helping me with the shoot.
John Groseclose - iaincaradoc, Geoff Reed, Lou Mangino, Steven Goldstein (keyholeprod), James Alan - Jim (Jimynd), Terry Hogan, Jeremy.
Learn how to light at Strobist.