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Seneca Improved View 5x7 + 4x5 reducing back, Osaka 120mm f/6.3, 4x5 Fuji Velvia 100 (expired 2014)
Developed in a Paterson 5-reel tank on a Unicolor Uniroller motor base using CineStill's DynamicChrome warmtone 1st developer for E-6. Diluted 1+1 per packet instructions, and developed at 104F (40C) for 9 minutes.
The DynamicChrome makes dense images that do not look good like normal slides. The film is almost opaque. Supposedly this is good for scanning but I can't tell. They did scan fine this time, unlike last. It definitely adds a warmth to the photos that the scanner then tries to correct out so you may have to play with settings. I think I'm done with it though.
Starting to notice a magenta shift in this film. Going to need to finish it off soon. And apparently the scanner needs service because a lot of my medium format stuff is looking out of focus.
Shooting some 4x5 to test some processing in Pyrocat HD split dev. lford FP-4+ EI 50, 5 min pre-soak, 5 min solution A (20:1) 5 min solution B (20:1) @ 75F.
Approx 5 sec. exp with a red filter @ f:45.
mondi_fierno_aruba
Original on 4x5 inch film, Fuji-chrome Velvia 50.
Taken from mountain Mondi Fierno seeing east,
Aruba
Picture taken in Hanover Germany by Monika Andrae
Camera: Marquardt International Pinhole
Film: Fuji Neopan Acros 100 (4x5 inch)
GV-II 4x5 view camera, collapsible viewing hood, and a lens board with a Wollensak 127mm f/4.5 lens in Graphex shutter
Attached to a Gitzo R. No.4 3-way tripod head
60915 Gap of Dunloe - Black Valley - Old Kenmare Road walk
Linhof Wista 45 camera, Schneider Symmar 135/5.6 lens
Fuji Velvia 100 film
Berlebach Report 4032/P tripod has the panorama tray with adjustable scale factor and features the single leg extension.
Specifications:
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- Weight: 3,70 kg = 8,16 lb.
- Transportation length: 104 cm = 41 inch
- Minimum height: 9 cm = 4 inch
- Maximum height: 166 cm = 65 inch
- Load capacity: 10,00 kg = 22,05 lb.
- Vibration damping: very good
Pueblo No. 3, AP, Agfa 8x10, Goerz 480mm, Efke negative and interpositive in HC110, Charbonnel ink on Fabriano Rosaspina, Takach etching press. Gravure.